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pedobraz

педобраз

образование

школа

school

видеоурок

уроки

education

город образования

сетевое образование

детский сад

дистанционное обучение

ФГОС

векторная графика

рисование

графика

компьютерная графика

inkscape

vector

vector graphics

graphics

painting

graphic editor

00:00:00

[music]

00:00:03

hello guys welcome to the second

00:00:06

video on vector editor inkscape

00:00:08

we continue to master vector

00:00:10

graphics be sure to watch the first

00:00:12

video if you haven’t already done so link in the

00:00:14

description

00:00:17

Quite a lot of time has passed since the release of the first part and

00:00:20

since then

00:00:21

inkscape has experienced a full release

00:00:23

version 10 the current version at the

00:00:26

moment is 11 so feel free to update

00:00:30

let's quickly remember what

00:00:32

is on the screen in the middle we see the

00:00:35

default canvas this page is in A4 format

00:00:37

in the process of drawing we can go beyond the

00:00:40

boundaries of this sheet

00:00:41

it exists so that we can

00:00:42

roughly navigate what size

00:00:45

the image will be when printed

00:00:47

on the left there is a toolbar

00:00:49

the most important parts of the interface at the bottom

00:00:52

there is a palette that can be

00:00:53

scrolled

00:00:54

and under it we see the status bar on the

00:00:56

right we see two more panels of the

00:01:00

property panel for example here we can

00:01:01

adjust the

00:01:02

fill and stroke properties or for example the

00:01:04

font properties

00:01:05

using it we can choose how the

00:01:09

graphic elements will interact with each other now, I’ll close this,

00:01:11

we’ll come back to this later last time we

00:01:14

drew an arrow and a heart, the

00:01:16

arrow was absolutely

00:01:18

flat, but the heart had a highlight and a

00:01:21

color gradient,

00:01:22

which hints that it there was

00:01:24

a little volume today we will pay all our

00:01:28

attention to three-dimensional figures, let's start by

00:01:30

trying to draw such a

00:01:32

billiard ball on it, we see a glare from

00:01:34

some light source, it

00:01:37

will be drawn a little from below and of course casts a

00:01:39

shadow on the surface on which it is located,

00:01:41

as always, you and I We will not

00:01:43

consider how each

00:01:45

individual tool works,

00:01:46

but we will learn to use them directly in

00:01:48

the process of work, the first thing you need to do is

00:01:50

draw a circle, for this we will use

00:01:52

the tool for drawing circles of

00:01:54

ellipses and arcs and by holding down the control key

00:01:56

we begin to stretch the control keys

00:01:58

allows

00:01:59

you to be sure that we will draw a

00:02:01

real one circle they are elongated ellipse

00:02:03

release the left mouse button and

00:02:05

control key we get this shape as

00:02:08

in the case of the heart in the previous lesson

00:02:10

the easiest way to add volume to a

00:02:12

shape is to create a black color

00:02:14

using some gradient, in our

00:02:16

case it is, of course, a circular gradient

00:02:18

to adjust the color of the shape we will

00:02:20

need a toolbar

00:02:22

called fill and stroke

00:02:24

hotkey kontrol shift f or using the

00:02:27

menu

00:02:28

object fill and stroke there

00:02:30

is also a tooltip for hotkeys

00:02:32

in control shift

00:02:33

in the properties panel first of all we

00:02:35

see the default fill method is a

00:02:37

solid color just below you you can

00:02:40

choose a palette that is convenient for you, I

00:02:42

like the color wheel the most;

00:02:44

it allows you to quickly select light.

00:02:46

Just below the palette you have chosen,

00:02:48

there is an adjustment for the alpha channel or

00:02:50

opacity, that is, if we wish, we

00:02:52

can make the shapes transparent,

00:02:54

overlay them on top of each other, and this is how

00:02:56

we need it paint the ball in the main color

00:02:59

and add a highlight from the light source,

00:03:01

for this we turn on the

00:03:03

radial gradient and see how

00:03:05

the image of our district has changed;

00:03:08

we discussed the principle of operation of the radial gradient in the

00:03:10

previous lesson, but let me quickly

00:03:12

remind you that we use the tool for

00:03:14

changing nodes, the hotkey f2 or n

00:03:18

in order set the main color of

00:03:19

our ball, select one of the points located

00:03:21

on the edges of the segment, for example

00:03:24

this one, select the color I want my

00:03:27

ball to be black, select the black

00:03:29

color on the color wheel and check the alpha

00:03:31

channel, now the opacity is 0, this

00:03:33

means that at the edges the gradient is transparent,

00:03:35

set the opacity to one hundred percent

00:03:37

we see how the gradient was painted, that is,

00:03:40

we have a black ball with a green highlight,

00:03:42

if you want, you can

00:03:44

move these two anchor points one way or another in

00:03:47

order to adjust how

00:03:49

your gradient will look; the central point

00:03:51

is responsible for the place where the

00:03:53

brightest part will be located your

00:03:56

gradient and of course for its color in my

00:03:59

case, let it be some kind of

00:04:01

rich blue color, traditional

00:04:04

for souvenir toys,

00:04:06

fortune balls, if you want, you can

00:04:08

stretch the grid a little on the sides so that it

00:04:10

is

00:04:11

larger, depending on how you

00:04:12

think your source is located

00:04:14

illumination, how bright it is and since I started

00:04:16

talking about the balls with a prediction,

00:04:19

let's try to draw

00:04:21

another circle here in which we write

00:04:22

an eight to make the ball look

00:04:24

even more authentic, turn on the

00:04:26

circle drawing tool, press hot keys and

00:04:29

draw another circle by holding down the

00:04:31

control button with

00:04:33

transformation tool hotkey f1 or c

00:04:36

move to the desired place and adjust

00:04:38

the size

00:04:39

please do not forget to hold down the

00:04:41

control button so as not to disturb the proportions,

00:04:43

pay special attention to the fact that the

00:04:45

small circle should extend

00:04:47

beyond the boundaries of our large ball, usually

00:04:50

our circles are white,

00:04:52

but ours same volumetric scarf, so we

00:04:54

need a linear gradient like this,

00:04:57

let's edit it so that it is

00:04:58

at the right angle, switch to the

00:05:00

tool for changing nodes,

00:05:03

hotkey f2 or n,

00:05:04

adjust the gradient so

00:05:07

that the angle of incidence of the light corresponds to the

00:05:09

incidence of light on our main ball,

00:05:12

something like this the gradient can

00:05:15

run beyond the boundaries of your object in

00:05:18

order to correctly play up the difference

00:05:20

between light and shadow,

00:05:23

something like this I don’t like the color,

00:05:25

I think I’ll change the color of the gradient to white like

00:05:29

this and here it’s also white but more

00:05:33

transparent, that is, the opacity of the lower

00:05:35

parts of the gradient was 0 of the upper parts are

00:05:39

one hundred percent, if you want, you can

00:05:41

tint them with some color,

00:05:43

so we get something

00:05:45

like this, actually, I don’t like

00:05:47

the size, let’s make it a little larger,

00:05:49

hold down control, don’t forget, and let’s

00:05:51

make an inscription, put the number eight,

00:05:53

turn on the tool for working with text,

00:05:54

hot keys from tempo click in any

00:05:56

empty space and write the number eight, after

00:06:00

that open the panel with your font and

00:06:01

select the font that suits us, but let's for

00:06:04

example area forget to press the

00:06:06

apply button apply

00:06:07

if you want you can change the

00:06:10

font size right here but I suggest

00:06:12

using the transformation tool for this purpose

00:06:13

burn the

00:06:15

f1 key be sure to hold down control so as not to

00:06:18

disturb the proportions, make more and

00:06:20

move the desired place here we can

00:06:23

move it to the desired size if you

00:06:25

need to rotate the element, select it,

00:06:27

see these arrows on the edges,

00:06:29

click again and get arrows for

00:06:32

rotation and perspective, now we

00:06:34

can tilt the image a little,

00:06:36

rotated with Using the arrows

00:06:38

that regulate the perspective, we can add

00:06:40

some distortions,

00:06:41

now just like we did with

00:06:42

the heart, we’ll add black, only now it

00:06:45

will be a little more transparent and not as

00:06:47

cartoonish as last time, we’ll use

00:06:49

the tool for drawing circles on

00:06:51

the palette, we’ll immediately select white color to make it

00:06:53

more convenient, we’ll start drawing straight

00:06:55

on top of our ball, if when stretching

00:06:57

you don’t see anything, the apostrophe, when you press the

00:07:00

left mouse button, you see that there

00:07:02

is a frame for the object but there is no object itself,

00:07:05

switch to the

00:07:06

fill and stroke menu and check the

00:07:08

alpha channel, currently

00:07:09

our alpha channel is equal to zero, which means it is

00:07:12

completely transparent image we set

00:07:14

the opacity to one hundred percent and we see

00:07:16

how our element will appear. Now we need to

00:07:18

turn it into a contour so that

00:07:20

we can edit its nodes. To do

00:07:22

this, in the contour menu we use the function

00:07:24

cultivate object of the

00:07:26

kontrol shift hotkey, turn on the tool for

00:07:29

working with nodes and we see four nodes from of

00:07:31

which our perry oval consists,

00:07:33

we can move each of them because we needed a

00:07:35

better view, I’ll zoom in a little,

00:07:37

hold down control and turn the mouse wheel

00:07:39

using the node change tool,

00:07:41

grab the top node and drag it to the edge of

00:07:45

our ball, in theory it should have

00:07:47

stuck now but this did not happen, this

00:07:49

means that we do not have

00:07:51

sticking turned on. Now we need this

00:07:53

element.

00:07:54

Its inclusion will be initially so that the nodes will

00:07:56

begin to stick to curved lines, for example,

00:07:58

to the contour of our friend, we turn on and also,

00:08:01

as you can see, sticking is just with

00:08:03

the hint, the smoothed node to point

00:08:05

of the quadrant we continue to work and with our

00:08:07

highlights they grow a little like this

00:08:09

and move the bottom node here

00:08:12

to display

00:08:14

the volume, please note that each

00:08:17

node has these guides that

00:08:20

allow us to adjust the degree of

00:08:21

curvature of the line, we subsidize these three as

00:08:23

we see fit, but here’s something something

00:08:25

like this, don’t forget that if

00:08:27

something goes wrong for you, there is always a

00:08:29

hotkey control z which undoes

00:08:32

the last action

00:08:33

or the edit menu undo let

00:08:36

me get this black now of

00:08:38

course it’s worth adjusting the gradient, that

00:08:40

is, we now have this object selected

00:08:42

turn on the fill and stroke menu,

00:08:44

select a linear gradient and edit

00:08:47

it as we think you need to first of all

00:08:49

move the points of the gradient the

00:08:53

easiest way is of course to just make it

00:08:55

white with an opacity of one hundred

00:08:58

percent on top and zero percent at the bottom

00:09:01

you also have a white color, just

00:09:03

adjust the position of the gradient in

00:09:05

approximately this way now when

00:09:07

I’m looking at this highlight, I think that it

00:09:09

makes sense to do something else like this,

00:09:11

let’s edit a little the top node and its

00:09:15

guides like this,

00:09:20

yes, it looks

00:09:22

like this, let’s make this

00:09:23

round circle with the number 8 larger so

00:09:27

that the black will climb right onto it, let’s do it

00:09:29

next In this way, select the white circle,

00:09:31

hold down shift and click on the figure eight, this

00:09:34

will allow us to select two objects at once,

00:09:36

right-click to group, now this

00:09:39

group consists of two objects and we

00:09:40

can change them at the same time, hold down

00:09:42

control in, make the size larger like

00:09:45

this, move it down a little, after that

00:09:47

we return to editing nodes of

00:09:49

our black

00:09:50

and make them like this

00:09:57

so that the black gets a little tied even

00:10:00

to the white round with the number and the

00:10:03

hole gets a little larger, like this, in my opinion,

00:10:06

it’s not bad that the control with the wheel will allow us to

00:10:08

reduce the scale and evaluate in general what

00:10:10

we’ve done very decently and

00:10:12

pleasantly, we ourselves we see the bleak

00:10:15

from above, which means the light is falling from above, which

00:10:17

means a shadow should fall on the surface under the ball, and the

00:10:20

shadow should

00:10:22

be almost under the seal with heat

00:10:24

because the light falls almost

00:10:25

vertically; we will create a shadow sphere and

00:10:30

draw the most ordinary rep in black color, black or without, directly under With our

00:10:32

ball we again see that it has

00:10:34

an opacity of 0, set it to 100 percent just in

00:10:37

case, turn off snapping to

00:10:38

curved lines, switch to the

00:10:40

transformation mode of the hot keys f1 and now there are

00:10:43

exactly two things left to do, first of all,

00:10:46

turn on the blur, the

00:10:47

blur parameters are at the very bottom of the panel

00:10:50

fill and stroke degree

00:10:52

please choose the blur yourself as you see

00:10:54

fit, accordingly, if you want, you

00:10:56

can always increase the size,

00:10:58

move the image a little, please note

00:11:00

that now the ellipse of which we have a shadow

00:11:02

is located above our ball, so it

00:11:06

will shade the ball,

00:11:07

this is also not very cool, so we need to

00:11:09

send it to the back background

00:11:11

so that it does not climb on all the other

00:11:13

shapes for this menu

00:11:15

object select the item lower to

00:11:18

background hotkey end look

00:11:20

now we have the day behind the object

00:11:22

now we place it in the right place

00:11:24

if you want to work with dimensions

00:11:27

symmetrically you can hold shift when

00:11:28

changing the size and in this way you

00:11:30

will pull not from one side to the

00:11:32

center, but from both. I’m ready, I think it turned out

00:11:35

great, be sure to save

00:11:37

our work using the file menu,

00:11:39

save as well as the hotkey kontrol

00:11:42

shift from the horse and to the desktop,

00:11:44

be sure to save and we can

00:11:46

proceed to the second parts of our work,

00:11:47

namely lollipop caramels, let's take a look at

00:11:50

our sheet, let's do one more thing

00:11:51

that will allow us to comfortably work

00:11:53

on the second image without spoiling 1

00:11:56

select everything that we drew for this,

00:11:58

right-click to

00:12:00

group and now this group will be

00:12:03

unchanged, we can move it to the side

00:12:05

so that it didn’t interfere with us, we can

00:12:07

return it back to the sheet if we want to

00:12:08

print out the images of

00:12:10

caramel Chupa Chups is no different

00:12:12

from everything that we have already done, it just

00:12:14

collects all the actions in one

00:12:16

image and complicates them a little, let’s

00:12:18

start with a circle, of course, hold down

00:12:20

control and make a circle like this, let’s

00:12:23

immediately paint it in some

00:12:24

cheerful orange color, as we all

00:12:26

know, caramel lollipop is an

00:12:28

imperfect ball on a stick and a ball with

00:12:31

some thickening in the middle, let’s

00:12:33

draw this very embodiment now and draw

00:12:35

for this, use a tool for

00:12:36

drawing rectangles and draw

00:12:39

a rectangle somewhere here,

00:12:40

let's paint it a different color to

00:12:43

visually separate it from the main part of

00:12:45

the caramel, after that we switch to the

00:12:47

mode for changing

00:12:48

nodes. Please note that when we

00:12:50

select the rectangle, it has three

00:12:53

anchor points, the top left

00:12:56

and bottom right are responsible for the dimensions of the

00:12:59

round one.

00:13:00

adjusts the rounding of corners,

00:13:03

switch to transformation mode,

00:13:05

select these two objects and now we

00:13:08

need to arrange them so that

00:13:10

they are exactly centered from each

00:13:12

other, for this we have the object menu

00:13:14

align and arrange either on the panel on the

00:13:17

right or the hot key kontrol

00:13:20

shift and we will need that part that

00:13:22

is responsible for the thief, attention, we align the

00:13:24

selection area using a landmark,

00:13:27

we align the selection area vertically and

00:13:28

horizontally there has been no

00:13:30

significant change at all, but now

00:13:32

we have everything perfectly centered, now we

00:13:35

combine these two objects Vadim,

00:13:36

selected using the

00:13:38

transformation tool, merge the outline or

00:13:41

hotkey kontrol with using

00:13:44

the palette, return the cheerful orange

00:13:46

color, switch to the fill and

00:13:48

stroke menu, turn on the radial gradient

00:13:50

as we just did with our ball and

00:13:53

edit it as we see fit,

00:13:55

set the color of the brightest part and the

00:13:58

surrounding colors, which in theory should

00:14:00

be a little darker, don’t forget

00:14:02

to set the alpha -channel,

00:14:04

again, if you want, you can

00:14:06

stretch the gradient a little and move it

00:14:08

as you see fit, like this,

00:14:10

let’s zoom in a little with the

00:14:12

control wheel. Now we need to

00:14:15

build two curved lines that

00:14:17

will indicate to us the convexity of this

00:14:18

middle part. To do this, we’ll use the

00:14:22

hotkey curve tool.

00:14:23

b so that everything is beautiful and

00:14:25

symmetrical, we will need 2 types of

00:14:27

sticking, namely sticking to the

00:14:30

contours of the curves that we have already

00:14:32

used and sticking to the

00:14:34

intersection of paths, please note that

00:14:36

here we have the intersection of this curve

00:14:39

and this rectangle with

00:14:40

rounded edges, which means

00:14:42

this intersection we need,

00:14:45

click on it and click on the same

00:14:47

intersection on the other side to

00:14:49

fix the result, press the

00:14:51

enter key and get this stripe.

00:14:53

Now we need to bend this line up

00:14:55

so that it looks

00:14:56

semicircular and at the same time is symmetrical.

00:14:59

Achieving symmetry

00:15:00

manually is quite problematic Fortunately,

00:15:02

the developers have provided such a

00:15:04

wonderful thing as guides

00:15:05

around the work area, there are rulers;

00:15:08

if you move the cursor over one of these

00:15:10

rulers, hold down the left button and drag on

00:15:12

the image, we will pull out a guide

00:15:14

with something like this.

00:15:15

with which you can drag it,

00:15:18

fortunately, now we have snapping

00:15:20

to curved lines turned on, which

00:15:21

means we can pull this

00:15:23

guide here to the center of our

00:15:26

circle,

00:15:27

now we know exactly where our center is,

00:15:29

we make sure that we have the node editing mode turned on,

00:15:31

we see the intersection of

00:15:33

these two straight lines, that is, the

00:15:35

guide line that we just

00:15:37

drew,

00:15:38

let's zoom in a little more

00:15:39

to get a look at all this and

00:15:41

double-click the intersection points, thereby

00:15:44

adding a node there. Please note that the

00:15:46

node does not always immediately fall on the

00:15:49

intersection point, so it makes sense to grab

00:15:51

it with the left button a little drag it in

00:15:52

this way, it will stick exactly to the

00:15:54

right place, after that

00:15:56

we pull the knot a little and up, so it’s

00:15:58

okay if the line turns out to be a

00:16:01

broken line, it’s not a problem, to

00:16:03

remove the guide you just need to take

00:16:05

it back to the ruler,

00:16:07

we know how to turn a broken line into a curve because it’s

00:16:09

already like that did when we drew

00:16:11

a heart using the

00:16:13

node editing tool, select

00:16:14

our node and press the button to make the

00:16:17

selected corners smooth, after that we switch to the

00:16:20

transformation mode and press the

00:16:22

control hot key, thereby creating a

00:16:25

copy, our copy stripes are automatically

00:16:27

selected and we can move it down

00:16:29

because we exactly the same boat

00:16:31

is needed to depict the lower part of our

00:16:34

convexity, please note that the

00:16:36

intersection point has already been glued to the place we need, we

00:16:38

will make the scale smaller, I will remove

00:16:41

the guide, it’s definitely no longer necessary,

00:16:43

of course, in real life, these

00:16:45

stripes cannot be just

00:16:47

black, so we need to highlight their coverings at

00:16:49

the top using the

00:16:50

transformation tool, open the fill and stroke menu

00:16:53

and now please note

00:16:55

that if we turn on a simple

00:16:57

linear gradient,

00:16:58

we will now work with the fill of

00:17:01

the shape that is formed by the upper

00:17:03

bounding lines and the bottom part of

00:17:05

this block

00:17:06

if we paint some light it

00:17:07

will look like this it will be like this, this is not

00:17:09

what we need, we need to turn off

00:17:11

the fill because this is not a figure, this is a

00:17:14

contour,

00:17:15

and since it is a contour, it only has

00:17:16

about

00:17:21

what we

00:17:23

need is

00:17:24

to edit the gradient as usual using the

00:17:27

node tool with the difference that we

00:17:30

now have a horizontal gradient of

00:17:32

two standing points since our figure

00:17:34

is a convexity for

00:17:37

the gradient to look correct we will

00:17:38

need to add another anchor

00:17:40

point which will be located somewhere- then

00:17:42

approximately in the middle and in this place the

00:17:44

gradient will be brighter than at the edges to

00:17:46

add a gradient anchor point we will

00:17:48

need this barely noticeable

00:17:50

button for changing the gradient, it is here,

00:17:52

it is not duplicated anywhere else

00:17:54

and it does not have a hotkey, so we

00:17:56

will have to find it right here, click and

00:17:58

we see that our cursor takes on this

00:18:01

form as soon as we hover the cursor over the

00:18:03

line of our gradient, a plus sign will appear there,

00:18:05

this means that we can

00:18:07

add an anchor point in this place, we

00:18:09

double-click in the right place, we do not see that the

00:18:11

anchor point appears, after that

00:18:13

we can work with it as with any other

00:18:15

reference point of the gradient, that is,

00:18:17

turn on the tools for working with nodes, adjust

00:18:19

the position of the point in space, set the

00:18:21

desired color here, I think that in this

00:18:23

place we will have a little brighter edges,

00:18:26

respectively,

00:18:27

transparent or completely transparent, someone

00:18:29

like this for work from the bottom

00:18:31

stripe there are two options: either decide

00:18:33

that we were in a hurry to delete the bottom stripe

00:18:35

and copy the top one again, thereby

00:18:38

getting exactly the same image, or

00:18:41

spend a little more time

00:18:42

to correctly set up the gradient

00:18:45

because in fact it will lower it, of course it will be

00:18:47

different simply because on

00:18:48

top we have black and below there

00:18:50

is no such black the second option is more

00:18:52

artistic the first option is

00:18:54

faster and that’s what I’ll choose so I’ll

00:18:56

just delete the bottom strip,

00:18:57

select the top one, press control-d to

00:19:00

make a copy of it and send this

00:19:02

strip down making sure that it sticks

00:19:04

to to the desired intersection and

00:19:06

look symmetrical by analogy with a

00:19:08

ball, add black using the

00:19:11

ellipse tool of white color, draw it

00:19:13

somewhere here

00:19:14

transformation tool contour and the

00:19:16

contour for you from the hot key kontrol

00:19:18

shift c tool for working with nodes and

00:19:21

make our contour similar to real

00:19:24

black if necessary, select then what

00:19:26

should it stick to,

00:19:28

please note that now the node does not

00:19:29

stick to the top part about the fact that we are

00:19:31

now selected and sticking is not to everything

00:19:33

in a row, we will also need this option

00:19:35

of sticking sticking to paths,

00:19:38

so the nodes will stick to any

00:19:40

point of any line that you have on

00:19:43

images, for example, sticking to

00:19:45

our rectangle with rounded

00:19:47

edges, here's sticking to the top contour,

00:19:49

here's sticking to our line, here's

00:19:52

sticking to everything else, so

00:19:54

turn on the sticking that you think is

00:19:57

necessary, after that you can

00:19:58

turn off sticking if it decreases, make sure

00:20:00

that our highlight is moving in the right direction

00:20:01

after To do this, we set up a

00:20:04

gradient, including the fill and stroke menu,

00:20:06

select fill because we do

00:20:09

n’t need a stroke now, we’re not working with laziness,

00:20:11

turn on the gradient with lines and set it up,

00:20:14

but in such a way that our light

00:20:16

falls slightly from above and to the right, if

00:20:19

you think about it, it might even make sense to do it

00:20:21

here This is the gradient and

00:20:23

just make it wider. This is where the

00:20:24

work with the caramel itself

00:20:26

ends, and before we move on to

00:20:29

working with the stick, we need to

00:20:31

group all these elements,

00:20:33

use the transformation tool,

00:20:35

select everything drawn with the

00:20:36

right button, group, but

00:20:38

zoom in a little and start

00:20:40

drawing the stick our stick will

00:20:42

consist of a straight line, draw it

00:20:45

here, if we need to draw a

00:20:46

really vertical line,

00:20:48

hold down control, click at the bottom point

00:20:50

and to save the changes, press the

00:20:52

enter key. You could draw a

00:20:54

rectangle, but this doesn’t make much

00:20:56

sense and that’s why we look at the

00:20:59

fill menu and stroke

00:21:00

we switch to the vodka style mode and

00:21:02

here we can easily set up everything we

00:21:04

need, for example, the thickness of us will be

00:21:06

three millimeters, we press enter, we check,

00:21:08

you can change it manually, you can change a

00:21:11

predetermined number, you can select a

00:21:12

dotted line, but this is not what we

00:21:14

need, of course our line will be

00:21:16

solid markers We do

00:21:18

n’t have any connection right now,

00:21:20

so we don’t have it, so it’s not important to us, so in the end we

00:21:22

’ll select rounded ones, switch to

00:21:24

transformation mode, move the stick to the right

00:21:27

place, we’ll see the intersection with the bottom corner,

00:21:29

here we won’t need an alignment tool

00:21:32

because we know for sure

00:21:33

that this is definitely the bottom one the point of

00:21:35

our circle, so we leave it here,

00:21:37

switch to the stroke properties and

00:21:40

set a linear gradient,

00:21:42

let's look at it a little, let's take a

00:21:44

closer look at it, turn on the

00:21:46

node editing mode and we will need

00:21:47

several anchor points to create

00:21:50

volume round sticks at least one.

00:21:52

we will need to click change

00:21:54

gradient and add an anchor point

00:21:56

somewhere here, switch to the

00:21:58

mode of changing nodes, this node

00:22:00

will be the brightest, it will be completely

00:22:02

opaque and completely white, the extreme

00:22:05

points will also be white, also completely

00:22:07

opaque, now you can

00:22:08

use the color wheel to

00:22:10

give them a little

00:22:11

gray shade is the same on the right

00:22:16

and we can

00:22:18

help our client move this

00:22:20

node, if suddenly it sharply

00:22:22

magnetizes right to the center,

00:22:24

then you can always turn off unnecessary sticking

00:22:27

and everything is fine so that the grid is

00:22:30

smoother, you can stretch the

00:22:31

reference point to the sides and get something

00:22:33

like this image, let's reduce the scale of the

00:22:35

hotkey 1, this will allow us to

00:22:37

fit our image into the screen, as

00:22:39

you can see now the wand is moving over our

00:22:42

images from above, this is not quite

00:22:44

correct, select using the

00:22:46

transformation tools and press the hotkey

00:22:48

n to remove it under the

00:22:51

image of the caramel now I'm looking

00:22:53

at this and I think that perhaps the stick you

00:22:56

could have been larger, let’s

00:22:58

increase the size a little,

00:23:00

let’s go back to the stroke style and set the

00:23:02

stroke thickness to 8, or better yet, 10 millimeters,

00:23:06

increase the length so that the stick doesn’t seem

00:23:08

very small,

00:23:10

please note that now there’s a

00:23:12

noticeable rounding here, it’s not very good,

00:23:14

so it has the point is to move it up a little,

00:23:17

use sticking, if you have

00:23:20

something like this, it doesn’t stick, then in order to be

00:23:22

guaranteed to move it up, down,

00:23:24

left or right, use the arrows

00:23:26

on the keyboard, after that, edit the gradient a little more so that

00:23:29

it now matches the

00:23:31

new size, and the last thing left to

00:23:33

do is to add a shadow which

00:23:35

throws a circle onto our stick, for

00:23:38

this we make a copy of the stick, switch

00:23:40

to the node editing mode to

00:23:42

edit the limit,

00:23:44

move it as follows on top,

00:23:46

we will have it darker at the bottom, almost

00:23:49

light, you can even leave it transparent and the

00:23:51

top point it will be completely

00:23:53

opaque, black color,

00:23:55

delete the central point using the backspace key

00:23:57

we need to send the second stick to

00:24:00

the background so that it overlaps the first

00:24:02

stick, it is still lower than

00:24:05

the circle, for this we use the lower object menu

00:24:08

or the page down hotkey

00:24:11

as many times as necessary by

00:24:13

combining the arrangement of these elements,

00:24:15

we can achieve such a

00:24:16

wonderful effect, that is, We

00:24:18

now have two sticks 1 with a vertical

00:24:21

gradient, that is, which gives us the

00:24:22

whole color, and 1 which is superimposed on

00:24:25

not with this shadow, and on top of them is

00:24:28

our round piece, here it is,

00:24:31

if you take the image apart, it

00:24:33

looks like this, these three images

00:24:35

are layered on top of each other let's

00:24:37

put it all together with the reverse hotkey

00:24:39

control z everything returns to its place

00:24:41

we see the finished completed work

00:24:43

the last thing we need to do out of habit is

00:24:45

to select everything with the

00:24:46

transformation tool right click

00:24:49

to group place it on the sheet

00:24:51

select the desired size don't forget

00:24:53

to hold down control so as not to disturb

00:24:55

the proportions we set the images from

00:24:58

the point and now it is ready for printing after

00:25:00

everything has been placed, be sure to

00:25:03

save the hot keys control with

00:25:05

or save the file, that’s what we didn’t

00:25:08

get it with you, let’s once again

00:25:10

quickly go over what we

00:25:12

did today, today we built

00:25:14

objects from the most primitive circles and

00:25:16

straight

00:25:17

fornicators learned to round the edges of

00:25:18

rectangles, work with complex

00:25:20

gradients,

00:25:21

layer images on top of each other,

00:25:23

use rotation distortion, draw

00:25:26

highlights, broken curved lines, and also

00:25:29

add text to the image, thank you for

00:25:31

looking, I hope you learned something useful for yourself

00:25:34

if something was not clear ask

00:25:36

in the comments I'm sorry that I disappeared

00:25:38

for several months now I will try

00:25:40

to answer all your comments on

00:25:42

previous videos if anything is

00:25:44

unclear ask questions if you

00:25:47

have wishes and suggestions

00:25:48

for future videos feel free to

00:25:51

write in the comments write by email

00:25:53

thank you all bye

Description:

Второй урок по редактору векторной графики Inkscape. Рисуем объемные фигуры -- бильярдный шар и карамельку на палочке -- с бликами и тенями. Первый урок: https://www.youtube.com/watch?v=pVwyBiSka64 -- https://педобраз.рф https://www.facebook.com/unsupportedbrowser

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