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уроки

архитектурная визуализация

курсы

начинающих

обучение

рендерер

tut

tutorial

lesson

architecture

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viz

arch

блендер

blender

beginner

3d

blender tutorial

blender 2.8

2.8

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blender уроки на русском

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обучение блендеру

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b3d

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guru

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blender3d

денискожар

00:00:02

and in this part we will work on the seat, this is a

00:00:05

freely adapted translation of a series of

00:00:07

video lessons from Andrew Price and

00:00:09

hello everyone, leather day on my

00:00:10

channel I share the secrets and tricks of

00:00:12

computer graphics and also make

00:00:14

detailed lessons in which I

00:00:15

show you step by step how to get to the result

00:00:17

if this is your first time here, subscribe to the channel

00:00:19

and press the bell so you don’t

00:00:21

miss anything in the last part we

00:00:22

stopped at this leg and now

00:00:25

let’s start creating a seat, this is

00:00:28

important, being in the appearance mode, that

00:00:32

is, we are not creating inside another

00:00:34

object like this this is a plane, a new object

00:00:37

when you press shift and you will

00:00:40

only have access to the mouse, you can

00:00:42

confuse it

00:00:43

with that window when we are in the

00:00:45

firing mode press shift and and here

00:00:48

we add plain this is created as a

00:00:51

separate java object I will move

00:00:53

this collection with which we are working and

00:00:56

further it you can scale it by pressing

00:00:59

c and scale it like this, then

00:01:01

raise it in height by pressing g on the keyboard

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and using the mouse wheel, select the blue axis, z axis, and

00:01:08

raise it higher,

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pay attention to those hotkeys that you can

00:01:11

use here at the bottom right

00:01:14

and then I’ll come in handy by looking at the fund, I’ll lower

00:01:19

it approximately like this and in the

00:01:22

top view we can switch to the iframe,

00:01:25

press c and scale

00:01:27

approximately like this, here we are

00:01:30

faced with such moments that our

00:01:33

drawings may almost converge, they may

00:01:36

be shifted, and here I propose to

00:01:40

evaluate the situation, how

00:01:43

correct are all the provisions we

00:01:47

created here? this leg according to this

00:01:49

reference and according to this, respectively,

00:01:52

they are both together with this leg,

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that is, all these three are

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connected to each other by an object and we can,

00:02:02

for example, leave them untouched and

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move this upper part, here is

00:02:07

the plane that displays the top view,

00:02:09

I can move it a little bit along the X like this

00:02:14

and move it back and between along the green axis and like this so

00:02:18

that it coincides with

00:02:21

the leg and here is such an important point in my

00:02:25

opinion, we make the model, if possible,

00:02:28

relative to the origin of coordinates,

00:02:30

this allows us to use more flexibly

00:02:32

what possibilities there are for

00:02:36

in relation to the modifier symmetry or

00:02:39

mirror or something else, in general it is

00:02:41

such a rule of good form to keep your

00:02:44

model relative to the origin of world

00:02:47

coordinates in the center.

00:02:49

Now I will show what I mean if we

00:02:51

go to edit mode, select

00:02:53

these points,

00:02:54

move them here, select the axis with the mouse x

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then when we add the mirror modifier

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and here we have a reflection on the action,

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first of all we need to understand that the

00:03:06

world modifier works on the carrier of

00:03:09

this origin point of this

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object point, in this case it coincides with us,

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then the dream is the world center

00:03:16

coordinate if we create

00:03:17

others objects or something else, it

00:03:20

will always be easier for us to navigate

00:03:21

relative to this 0, so for example we

00:03:24

can take these points, turn on

00:03:27

clipping on g and move along the x axis.

00:03:31

As you remember, clipping will not allow us to

00:03:34

break these points any more; they will

00:03:37

only be relative to the center and this is

00:03:40

very convenient if suddenly the

00:03:42

world of armada fair worked differently for you, the

00:03:44

mirror modifier on this leg

00:03:47

might have had problems with this

00:03:49

origin point, it was placed somehow differently,

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you would have

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moved it somewhere and taken it away because of this there were

00:03:56

problems, how can they be solved and what to

00:03:58

do with this origin point

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firstly you can click the origine

00:04:02

origine website then 3d cursor

00:04:04

if you want to reset to origin somewhere

00:04:07

here and

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depending on the position of this origin the

00:04:12

behavior of the

00:04:14

world modifier in this case will change we have a 3d cursor

00:04:16

here and everything works as we

00:04:19

expect, but if I, for example, press

00:04:22

shift and right-click and then

00:04:24

put set origin again, then the 3d cursor you see

00:04:27

that defeat the behavior of the world modifier

00:04:29

has changed,

00:04:30

we also have the option set origine

00:04:32

origine here in diameter and then it will put

00:04:35

in the center the geometry that is exactly the one that

00:04:38

is available, and some come after the

00:04:40

mirror modifier, so we need to

00:04:43

take this into account, and by the way, why is it

00:04:46

convenient for us to use the world

00:04:48

coordinate axes, mentally living in c, this

00:04:51

resets the view and 3d cursor to the center,

00:04:54

or you can click shift from and here

00:04:57

change the cursor here origin it's all

00:05:00

up to you

00:05:01

but now I can put the

00:05:03

mode here again in 3d cursor and it

00:05:06

will be reflected as it should, you can

00:05:08

use some object as a

00:05:11

mirror for example these legs and then

00:05:14

it will reflect here, in general, take the

00:05:17

time to use the y modifier and understand

00:05:19

all its functions, okay, next we

00:05:23

need to create a basic shape from this

00:05:26

plane, we made half to

00:05:29

simplify the task for ourselves, we did only one

00:05:31

side and then switching to the bfm mode,

00:05:34

let's start forming this shape

00:05:38

jim choose this green I put it

00:05:42

somewhere here next, we need to

00:05:45

add a subdivision surface modifier,

00:05:48

it will round this object and

00:05:51

here I want to immediately get to the

00:05:54

point where I

00:05:56

disagree with Andrew and this is a question about

00:05:58

topology, a

00:06:00

question about the direction of the polygons it show the

00:06:03

point is that when we start

00:06:06

adding a new one and Jim yeah we press

00:06:10

control air add whatever new edge is there I'll

00:06:14

right click to keep it in the center

00:06:16

j here let's move this one here let's start

00:06:19

moving it somewhere here this is also that

00:06:23

is we repeat the general shape here everything is

00:06:25

fine and now I will show the moment with

00:06:28

which I do not quite agree, then we

00:06:31

can turn off

00:06:33

the display for a while and declare the scarf from add an

00:06:36

additional edge here, right-

00:06:40

click to reset it to the center and here

00:06:42

with further I need to scale it

00:06:46

along the green axis, this is the axis y

00:06:49

and here and press 0 to make it

00:06:51

more even, so we will have a more

00:06:53

uniform distribution of geometry,

00:06:55

then Andrew showed the choice of this

00:06:59

point, he simply shifted it, moved it

00:07:02

somewhere here and thereby looked for it, built

00:07:06

this shape, which I don’t agree with here, the

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thing is that as you remember, when

00:07:12

I drew these squares in the second part

00:07:17

and explained the difference between the rounding

00:07:21

of these squares, we had

00:07:24

this topology here for such a

00:07:27

rounding here like this and then we

00:07:30

got such a sharp google

00:07:32

why is it important if you leave

00:07:36

this one is flat and for example add

00:07:38

more additional points here add 1

00:07:42

somewhere here one here then

00:07:46

your polygons themselves

00:07:48

with the alt held down will stand out like

00:07:51

this and if we look at the reference as

00:07:53

you remember I told the prophet

00:07:55

we can easily draw our hand along

00:07:58

this curve and it doesn’t fly off like

00:08:00

it did in the case of right through and on the cut

00:08:03

here, that is, we calmly move our

00:08:05

hand along the entire circumference, respectively,

00:08:08

if we have more here, but how does

00:08:10

the hand go around the circumference and just like that, it’s

00:08:13

rounded and the geometry should

00:08:16

follow this country, otherwise in

00:08:18

some places it is very difficult to get rid

00:08:20

of this angle, so

00:08:23

here I propose to make it slightly different

00:08:27

in diameter, namely, we select these

00:08:30

points, turn on this function, auto world

00:08:33

vertex,

00:08:34

press g twice and move it

00:08:36

here twice g

00:08:38

we move here as a result we get this

00:08:40

kind of geometry we do the

00:08:42

same thing here twice j

00:08:44

here here twice g here as a result

00:08:48

if I press alt I’m already in for like this

00:08:51

edge well this chain or loop from

00:08:56

polygons and on mine look, this is

00:08:58

the correct topology when we use

00:09:01

the topology to our advantage, this

00:09:03

will allow us if we need to select the

00:09:06

entire

00:09:07

job and select it with a somersault and

00:09:09

it will all be highlighted if we had not

00:09:12

done this, let me show you separately,

00:09:16

make a plane further from it,

00:09:20

scale it conditionally that here we have

00:09:23

such

00:09:24

ribs, I didn’t make only one side of the

00:09:27

Turks here and what I wanted to show is that

00:09:31

I just want to select this stage and by pressing

00:09:34

alt it is highlighted only up to this

00:09:35

corner, it doesn’t go any further, you don’t need to

00:09:37

go separately and select everything these pieces,

00:09:41

accordingly, in my opinion, this is not

00:09:43

productive and can cause, especially on

00:09:47

some round surfaces, just this

00:09:51

angular effect and instead of

00:09:55

this round one you will have this

00:09:58

angle like this, instead of this,

00:10:00

you will try to mix this point

00:10:02

the modifier will somehow try to be

00:10:04

rounded anyway due to the fact that

00:10:06

this

00:10:08

was the underlying geometry, it will be

00:10:11

considered more like an angle, here this is the

00:10:14

geometry,

00:10:15

it will always be rounded and here

00:10:18

it looks like this, I hope you understand

00:10:20

and will use these important

00:10:23

rules

00:10:24

further, here we are just looking at the

00:10:27

subdivision surface modifier, perhaps

00:10:30

in the iframe mode in the salat mode, in my

00:10:33

opinion, the salt mode and here it doesn’t show a little bit,

00:10:36

I will change the number of points

00:10:39

in the viewport or by smoothing the

00:10:42

subdivision surface modifier, I will collapse

00:10:44

the world and Then we can edit

00:10:46

the points if we follow the rule that

00:10:50

we must have lapuli geometry that

00:10:54

will subsequently

00:10:55

change, then we should move this

00:10:59

point here, see this here, I’m now

00:11:03

focusing on the result after we

00:11:06

declared the interface here like this, then we

00:11:09

can move it like this you can move

00:11:12

this a little here with the length and here such a

00:11:15

moment we have here should be a

00:11:17

straight line if there are such

00:11:19

transitions here and there and it will be counted

00:11:22

here so you need to use control

00:11:24

by selecting this axis, press control and

00:11:27

indicate this point so that there is

00:11:29

exactly a straight line here, too, when we

00:11:31

made some changes, did we shift

00:11:34

this line? In my opinion, there are not enough

00:11:37

polygons here, and despite the fact that

00:11:41

we can pull it out like this, somehow

00:11:43

push it here, trying to align it

00:11:47

here and we definitely do not have enough

00:11:50

additional geometry, so I

00:11:53

suggest not mocking ourselves, I’ll just

00:11:58

rewind this back to where we were here, I’ll shift

00:12:02

all this part here about this

00:12:05

axis and add additional geometry

00:12:08

here and add additional 3 here

00:12:11

and here in this case, in my opinion

00:12:14

this is not superfluous geometry a toi

00:12:17

toi which helps us

00:12:20

define this entire shape a little more accurately

00:12:23

and remember we talked to you about the fact that the

00:12:26

claw field should not be very different,

00:12:29

here is the highpoly geometry and this is exactly

00:12:33

what we need, see if we click the

00:12:35

optimal checkbox the display will

00:12:36

greatly simplify the task for us; we

00:12:39

will not display this entire

00:12:41

grid; we will display something that we do

00:12:44

not have initially, but at the same time a

00:12:47

smoothed outline will be displayed; in my

00:12:49

opinion, it is quite convenient there and this way I can do

00:12:53

everything much more accurately without unnecessary pain

00:12:58

set it up, put it along the contour

00:13:02

because I need it, I look and, focusing

00:13:04

on the outer contour, remember what I

00:13:08

said regarding this point, that

00:13:11

is, we would like to set them both up like this

00:13:15

in one line,

00:13:16

move them somehow here so that they

00:13:19

form a straight line and then we can swap

00:13:23

this part up, we can

00:13:26

move it up to

00:13:29

fit the contour a little more, but if it does

00:13:31

n’t

00:13:32

fit perfectly, it’s better than if you

00:13:34

move it here and here then this kind of bend will form

00:13:37

and we should have a straight line, so

00:13:39

I I keep these points

00:13:41

exactly on the same line, they can go

00:13:44

here,

00:13:45

but under no circumstances go outside,

00:13:47

otherwise there will be this shape and we do

00:13:49

n’t need this, well then I’ll lower

00:13:52

this one down, like this,

00:13:54

we’ll align it and work it out, look so that

00:13:59

the contour matches, perhaps in my video

00:14:02

right now it won’t

00:14:04

exactly match perfectly, but I hope that in a

00:14:07

calm atmosphere without haste you can

00:14:10

bring everything together and, before this,

00:14:13

advice, in no case do not try to make it

00:14:18

too dense right away for a more accurate shape mesh, otherwise it

00:14:21

will be difficult for you to work with it later,

00:14:23

okay, I’ll go with it to solid, we

00:14:26

already have this shape,

00:14:28

if we look at the reference, you won’t be

00:14:32

fixed here, then in principle

00:14:35

this is already a similar geometry to what we

00:14:38

need next, we can compare according to the

00:14:42

other projections, this is how it all looks like

00:14:45

logic legs, I’ll press jay-z and move it

00:14:49

somewhere here and here it’s not very convenient

00:14:52

because it doesn’t show us the

00:14:55

thickness, move around and it’s also not

00:14:57

very convenient there, but there’s

00:15:00

this one. origin, which we have at the bottom,

00:15:05

what can I do, I can go to the

00:15:07

risk mode, select all, press right

00:15:11

click and unfortunately here I can’t

00:15:13

move the geometry in origin, but I can

00:15:16

press jay-z and lower it and here to

00:15:20

zero, well, approximately like this it will

00:15:23

match more and when we change

00:15:27

the object it will come out in the on the origin mode and will

00:15:30

not move anywhere, but having left this mode in

00:15:32

the form of not, now when we

00:15:34

move this point will

00:15:36

move along with this object and

00:15:39

so it will be a little easier for us to find the

00:15:42

desired position here I’ll be guided

00:15:43

along this line, since it’s probably a

00:15:46

chamfer, and here further, when we go into

00:15:49

editing mode, then we

00:15:52

have the opportunity to see this

00:15:55

line, but at the same time not take away the geometry

00:15:58

here and there. regina here it seems to me that

00:16:02

we can try an adventurous view

00:16:04

using the control keys alt I’ll shoot something like

00:16:07

this from four windows, which is more like the view

00:16:10

2 3d maxim

00:16:12

why did I do this then we

00:16:15

have the opportunity, for example, I’ll hide

00:16:18

the reference to look at all these

00:16:21

points and so we are exactly Let's be sure that

00:16:24

we select here in Warframe mode. I

00:16:27

'll take these points for our jam. I

00:16:30

'll select the z axis and shift it somewhere

00:16:33

here. I'll start orienting myself.

00:16:35

Let's even turn off this Sharhai division itself so

00:16:37

that it doesn't distract you, it's not

00:16:39

very convenient to look behind you here. so that I

00:16:42

select add a selection if I suddenly

00:16:45

forgot to select the entire strip at once

00:16:48

all of these edges further jay-z

00:16:52

move here and place

00:16:55

all these points in turn relative to

00:16:58

this projection so here I will hide

00:17:03

the leg so that it does not distract

00:17:06

and does not get in the way Next, I’ll recheck the position of all

00:17:10

the points so that they sit on the same plane.

00:17:13

Now by turning on the subdivision surface modifier, it

00:17:17

will be more convenient for us to look at

00:17:20

how correctly we corresponded to

00:17:22

this line, and here further we can do not

00:17:26

forget about in oriflame to select

00:17:28

everything and move these along the z axis

00:17:32

points so that they are better and follow the

00:17:35

contour at the moment when you are satisfied with the result,

00:17:39

we can press control alt again

00:17:43

to return to the mode with one window and now

00:17:47

we have the opportunity to rotate according to the

00:17:51

last projection, pay attention to the fact

00:17:53

that it will rotate relative to

00:17:54

this point origin I'll press jay-z and

00:17:59

rotate it something like this, shifted here we

00:18:03

see that our geometry almost matches,

00:18:06

we can move it by

00:18:10

going to the mode of editing the selections

00:18:13

here.

00:18:14

I will select only the vertical axis

00:18:16

because in all other axes we are

00:18:20

already doing well, because I am using the mouse to select

00:18:23

this particular axis, so in my opinion, here

00:18:26

too, when we move along the z axis,

00:18:29

this central point

00:18:32

should not be much lower than the

00:18:36

rest that is, our task is to find who is

00:18:38

the position at which a

00:18:41

beautiful curve will be obtained without unnecessary bends in

00:18:45

the wrong direction, and as a result, when we have received

00:18:50

the bend that we like,

00:18:52

we can continue how exactly we will

00:18:55

continue, it’s up to you, the

00:18:59

easiest way is this byte modifier show

00:19:02

and in this case, the purpose here define

00:19:04

is called the

00:19:05

solidify modifier, it adds

00:19:08

thickness, we make an offset in the other direction

00:19:11

with minus one by one here

00:19:15

so that it is pressed outwards, then we

00:19:17

will change the printer fitness, we will make it a little

00:19:20

thicker,

00:19:21

you can navigate through oriflame,

00:19:24

you probably yes, in principle

00:19:26

three centimeters looks good and here

00:19:31

we are faced with this problem,

00:19:32

even if we increase the amount of

00:19:36

smoothing in the viewport, we are still

00:19:38

displayed with squares like this, if

00:19:41

we convert to 6 smooth we have

00:19:44

another problem: it rounds like this,

00:19:46

just like it shouldn’t and so that

00:19:49

to fix this we go here to the object

00:19:52

this is properties normal

00:19:53

autosh move put a check mark and set

00:19:56

the angle here for example

00:19:58

let it be 30 this means that as

00:20:01

soon as he sees an angle different

00:20:05

from this he will decide to smooth it or

00:20:08

leave it as an acute angle

00:20:10

in this case this is set as the

00:20:13

maximum angle between two polygons

00:20:16

fay themselves which will be considered

00:20:19

as smooth if something we have becomes

00:20:22

more than 30 degrees he begins to

00:20:25

make it sharper as a result of the

00:20:27

time here we have 90 he made

00:20:29

it sharp well further if you

00:20:33

pay attention even though

00:20:36

we have a very hard and sharp angle

00:20:39

here it is not as sharp as a blade

00:20:42

we need to fix this and because in

00:20:45

real life any even but an angle of 90

00:20:47

degrees there is a small chamfer we

00:20:50

can add this with a

00:20:51

new modifier select mark fire

00:20:54

been here you decide first to

00:20:59

use some kind of angle or not, otherwise

00:21:02

we will end up with a situation where he starts to make

00:21:05

everything that we smoothed out

00:21:07

hard again, we don’t need it, so we

00:21:11

give him a limit, we say that this chamfer

00:21:15

will be used in those places where the angle is

00:21:18

greater than, for example, 60 degrees then he

00:21:21

will find this corner where we are

00:21:23

90 and add a chamfer only there then

00:21:26

we can change the

00:21:28

offside parameter and you see that he is not

00:21:31

behaving very adequately and

00:21:33

immediately rushes at you with such large

00:21:35

values I will delete him and probably delete him

00:21:39

among the fine time, it’s time

00:21:42

to remember about the use of transformation, the

00:21:44

thing is that if we

00:21:46

look at this scale now 025

00:21:49

and there should be one, press control and

00:21:52

apply all the transformations, or in

00:21:55

this case we need exactly the scale and

00:21:57

press scale, then it becomes all

00:21:59

units, then we’ll use the herring one,

00:22:02

change it to one, you see that now one

00:22:05

centimeter is already

00:22:07

displayed differently for us then three gave

00:22:10

the thickness in fact here and the smaller

00:22:13

value of track will be enough for us if he

00:22:15

flies quickly like this, this is the reason for these numbers you

00:22:17

can hold down shift and then he will

00:22:21

behave calmer

00:22:23

not such an extreme value

00:22:25

use and here 07 looks

00:22:29

similar to what we need, then we

00:22:31

add the bevel modifier and here you

00:22:35

see that this offset value

00:22:38

should behave more adequately

00:22:41

before jumping over any extreme

00:22:43

values, let's set it like this and curled up lady

00:22:46

fine vision, let's set new ones restrictions

00:22:49

60 degrees further by holding shift I have

00:22:53

the opportunity to change more

00:22:55

slowly

00:22:56

here we can add segments and

00:22:58

make it a little more rounded and now

00:23:03

you can notice that he started

00:23:07

doing something strange by smoothing

00:23:10

something like this happens from time to time

00:23:12

let's try to put mark sharp

00:23:15

or tick hardin normal

00:23:18

and then it starts to behave more

00:23:21

somehow adequately similar to what I

00:23:24

need

00:23:25

change the profile parameters you can

00:23:27

make it

00:23:28

either flatter or more

00:23:31

rounded if we remove Gordon normal

00:23:35

then you can see how it

00:23:38

changes if Honestly, I don’t really

00:23:42

like this option

00:23:44

and the results that I get through

00:23:47

this functionality, but it is no longer

00:23:52

destructible or we can always generally

00:23:56

cancel this function, remove

00:23:59

the modifier or change this

00:24:01

parameter, and in principle this is quite

00:24:04

good and convenient here I’ll probably

00:24:08

settle on a value of somewhere around 0 1 or 0

00:24:12

2 centimeters, these are the values at which

00:24:16

it doesn’t yet begin to move away much and

00:24:19

round off this entire profile and leaves

00:24:21

it more straight, as you can see, if we

00:24:23

add segments, then

00:24:25

trying to achieve a more

00:24:28

pleasant shape I'll probably focus on

00:24:32

these settings.

00:24:33

You see that when we change the profile,

00:24:36

the nature of the smoothing changes, so we

00:24:38

can get a tighter angle here

00:24:42

and this is a pretty good option for how

00:24:45

this geometry can generally look

00:24:47

on you. I want to show you another option

00:24:49

that you can do. I’ll make a

00:24:53

chic house for this object to

00:24:58

make a copy of s2 on it, miraculously,

00:25:01

and here we’ll remove the modifier and

00:25:05

see how we could

00:25:07

do it again, move the lady fi up up

00:25:10

for a while, turn off the display of all the

00:25:13

division scarf with

00:25:14

or if we turn it on and

00:25:16

watch for what's happening here,

00:25:18

we'll apply the solidify modifier

00:25:21

like this, this lime before in

00:25:23

edit mode, he doesn't want to let us

00:25:25

apply it, let's turn off

00:25:27

the display,

00:25:28

let's see what it looks like, here it is in our

00:25:30

force, define, press play, we've

00:25:32

already got a thick

00:25:33

geometry, well, accordingly, then we'll

00:25:36

use a modifier for ourselves vision it

00:25:40

smooths out for us in this way, because we

00:25:43

had a warning from below and now

00:25:45

these stripes have appeared, I’ll press

00:25:48

control z several times, move it

00:25:51

up among the files, then we’ll apply it and we

00:25:55

will no longer swear and get an

00:25:57

error saying that it was not first and

00:25:59

the result may be something there, we

00:26:02

need to look at what happened, he

00:26:06

added thickness and gave the object

00:26:09

these faces, I don’t need them, I can delete them

00:26:13

x for TV and disappeared and now when we

00:26:17

turn on the mirror modifier then

00:26:19

subdivision We don’t already have this stripe in the center,

00:26:21

this is the first moment, the second one

00:26:24

that needs to be taken into account

00:26:25

to give the thickness, we add a

00:26:28

choice of support, everything is simple here we

00:26:31

can select like this through alt

00:26:34

this club next with shift and alt

00:26:38

this one and then press control shift b and

00:26:41

to do so was not a friend of the keys

00:26:46

there was a clothes controller and here it looks like

00:26:49

they have something like this angle

00:26:53

you can set further if we spin the

00:26:56

mouse wheel we will add an additional

00:26:58

segment if we apply by clicking then

00:27:03

we will have another window like this and

00:27:05

on this side it’s quite convenient to

00:27:09

look at the result

00:27:11

that we get, you can change the

00:27:14

offset parameter,

00:27:15

and here you also need to adjust it with the shift key. You

00:27:18

can enter smaller

00:27:21

values in the form that 0 0 1

00:27:24

centimeter can be a lot, or

00:27:27

it’s enough if you always do it manually

00:27:30

you can add something here to change

00:27:32

the number of segments, but here I would have a lot of

00:27:35

segments not dial 2, in principle,

00:27:36

one is enough to leave our

00:27:39

central part here and the rest

00:27:41

as support, here we have an option with a

00:27:44

profile, I would advise you to set it here

00:27:47

to one then we Let's leave in

00:27:50

place initially that edge, that edge that

00:27:54

was there, and if suddenly we want to subsequently

00:27:58

delete these games that we made,

00:28:02

we return to the word about the

00:28:04

correct topology, we have

00:28:08

the opportunity to hold down alt like this to

00:28:10

select for everyone

00:28:12

x bizol Aegis and this edge

00:28:15

will remain for us or if we want to return,

00:28:18

press control-r and return in this

00:28:21

way we create support edges for ourselves

00:28:24

not through the modifier but through the

00:28:26

geometry itself and without unnecessary fuss we get a

00:28:30

pretty good result, in my

00:28:33

opinion, I like this option a little better,

00:28:36

I rise to how to

00:28:38

guide subdivision modifier I

00:28:41

need to additionally fight here if something happens

00:28:44

I will remove these checkboxes and that

00:28:46

magician Sharpan doesn’t seem to give anything here,

00:28:49

but sometimes for display there are some

00:28:52

dances with a tambourine like mark

00:28:54

sharp hard normal

00:28:56

watch some of this or there

00:28:58

manually try to select this entire meadow

00:29:01

and set

00:29:04

the sharp mark here, in general there may be different

00:29:07

options and look at what is more

00:29:10

convenient for you, it seems to me that when we have made a

00:29:13

good topology, select with alt

00:29:17

and shift held down, these lines are not

00:29:19

provided super

00:29:21

complex and something incomprehensible, so here

00:29:25

this option has a right to life,

00:29:28

the only disadvantage it has is that when

00:29:31

we are dealing with a more complex

00:29:34

geometric style, the option with a

00:29:39

modifier will be more optimal

00:29:40

since it is immediately applied to the entire

00:29:43

object, we can

00:29:44

go back and fix it at any time, that is, it is

00:29:47

more non-destructive the method comes out,

00:29:50

choose for yourself what suits you best

00:29:51

and

00:29:52

your homework for next time is to

00:29:55

try to make

00:29:58

this backrest yourself and the next video the

00:30:00

next video I will show how I made it,

00:30:03

if you have any questions, be sure to ask

00:30:05

also do not forget that you can

00:30:07

answer the questions of others participants in

00:30:10

your suggestions, ideas also leave in the

00:30:12

comments under the video,

00:30:13

all your activity motivates me to

00:30:15

record new episodes, see you bye

Description:

Из этого видео ты узнаешь основы моделирования в Blender 2.8. Урок по созаднию стула Søborg Chair. Референсы - https://www.dropbox.com/s/wzf95ovau2igaxj/References.zip?dl=0 Сайт производителя - https://www.fredericia.com/product/soborg-wood-base-3051?PID=63&catid=6219 🔥 PDF с горячими клавишами Blender (актуальные) - https://vk.cc/cmQEoG 🔥 Бесплатный курс для начинающих "3D Domik" - в ВК https://vk.cc/cmQErl , если нет ВК - https://t.me/Kozhar_3D_bot ----- Подпишись чтобы не пропускать новое: - Группа ВКонтакте - https://vk.com/kozhar3d - Канал в Telegram - https://t.me/archviz3d ----- ✅ ЛУЧШИЙ КУРС для начинающих: ИЗИ Blender - https://vk.com/@kozhar3d-easy-blender или https://linkrr.click/easy_blender Работы студентов курса - https://vk.com/albums-93368814 Отзывы студентов курса - https://vk.com/topic-93368814_47710805 ✅ ЛУЧШИЙ КУРС для продолжающих: Легендарный GameDev - https://vk.com/@kozhar3d-gamedev Всего 2 шага чтобы получить новую профессию и ворваться в GameDev ----- Behance - https://www.behance.net/kozhartist Artstation - https://kozhartist.artstation.com/ Inst - @kozhartist Рассказываю секреты и фишки компьютерной графики. Уроки по Blender, ZBrush, 3Ds Max и др. Веду за руку в геймдев. Ваши комментарии, лайки и подписка, помогают продвижению канала! Подписывайтесь, спасибо 😉 *Original tutorial - https://www.youtube.com/watch?v=BgY3QMXQYLI

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