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00:00:03

video I want to talk about defects in the

00:00:06

fit of trousers and how to correct them. The

00:00:09

first thing I would like to say is that it is

00:00:11

worth understanding and accepting that initially

00:00:15

using only the mathematics of

00:00:17

drawing it is impossible to create such a pattern

00:00:19

and which would fit perfectly for

00:00:21

absolutely any figure because we are all

00:00:24

different and everyone’s beauty is also different,

00:00:27

so after we have created the

00:00:29

basic pattern we need to do a fitting and

00:00:32

during the fitting we can correct those

00:00:34

defects if there are any and adjust

00:00:37

our products exactly to the figure completely;

00:00:39

the skill of fitting clothes according to the figure this is

00:00:42

like the next stage after mastering the

00:00:45

skill of tailoring,

00:00:47

the skill of designing, and only then is the

00:00:49

skill of fitting clothes to the figure. In my

00:00:52

personal opinion, you are exactly like this because

00:00:54

to make a good fit to the figure

00:00:56

you need, firstly, a lot of experience,

00:00:58

observation and analysis, that is, you need to be

00:01:02

able to correctly visually

00:01:04

analyze the figure in order to notice those

00:01:07

features that need to

00:01:09

be emphasized, that is, this is the same skill

00:01:12

that requires time like any

00:01:15

other skill, for example, drawing, we don’t come

00:01:19

to the first lesson immediately after it, we

00:01:21

immediately make claims on ourselves

00:01:24

to write masterpieces, we naturally will

00:01:28

spend During this time, we will regularly

00:01:30

go to classes to practice placing our

00:01:33

hands, acquiring this skill. In the same way,

00:01:36

with the skill of fitting to a figure,

00:01:37

you need to treat this as creativity,

00:01:39

and I literally compare it with

00:01:42

sculpture because we started with

00:01:46

only a flat piece of fabric, which,

00:01:48

in principle, itself is just a

00:01:51

set of threads and there is a blank sheet of paper from

00:01:54

which we can make a pattern and only

00:01:56

then using all this we give the fabric

00:02:00

volume and shape, trying to repeat the

00:02:03

anatomical volumes of the human body

00:02:05

to emphasize its advantages,

00:02:08

mastering the skill of fitting clothes according to the figure,

00:02:10

some are trying to achieve perfection,

00:02:13

they bend a little the edge of adequacy,

00:02:16

what I mean, that is, there

00:02:20

should be some freedom in the trousers so that

00:02:23

we can move in them, sit down, walk

00:02:26

naturally, when standing straight, these

00:02:30

trousers should not have any folds, folds,

00:02:32

wrinkles, twisting, but when

00:02:37

we move, all this should appear

00:02:39

because we are moving and the fabric

00:02:42

along with us, if we absolutely

00:02:44

completely get rid of some freedom of

00:02:47

tissue that we have under the buttocks,

00:02:49

then it will be difficult for us to be like how

00:02:51

to move and when we sit down in

00:02:54

them, our waistline will move,

00:02:55

exposing the buttocks, this is

00:02:59

not necessary if we will get rid

00:03:01

of absolutely freedom of fabric on the band line,

00:03:05

that is, the groin,

00:03:06

then it will be difficult for us to simply walk and

00:03:09

move our legs in these trousers, and in

00:03:10

principle, in essence, these trousers will cease to

00:03:14

be trousers and will become leggings or

00:03:16

leggings, therefore, mastering the skill of fitting

00:03:19

trousers to the figure with limbs to

00:03:21

perfection don’t go too far on

00:03:23

this line of adequacy; the first thing that greatly

00:03:26

influences the fit of the blue is that they are

00:03:28

competent, so I talked about this, and in

00:03:32

another video, now as for making

00:03:34

adjustments to the basic pattern of trousers,

00:03:37

firstly, there is no such construction

00:03:39

that would fit absolutely any

00:03:42

figure; a construction that fits for

00:03:45

most figures up to according to such

00:03:48

there are very good constructions, but how to

00:03:51

take into account, for example, such a difference if we

00:03:54

take two different people and each of

00:03:57

them has a hip volume of 95 centimeters, for example,

00:04:00

only one person has these 95 cm,

00:04:02

this can be due to the width of the hips and the

00:04:05

other there may be narrow hips but

00:04:07

convex buttocks, absolutely the same

00:04:11

volume of hips, but the construction will be different for these two figures,

00:04:14

we will need to make

00:04:16

different adjustments to fit these

00:04:19

trousers on two different figures, and of course,

00:04:22

adjustments need to be made some kind of

00:04:24

base, that is, initially we must

00:04:26

have the basic basic construction of patterns and

00:04:28

trousers, a link to our online master class

00:04:31

on constructing the base of a trouser that is

00:04:34

suitable for most figures,

00:04:35

I will leave in the description under the video and

00:04:38

before making adjustments after fitting,

00:04:41

I want to talk about such nuances

00:04:43

that can be initially taken into account

00:04:46

immediately when constructing the drawing if, when

00:04:49

constructing the front part of the trousers, you already

00:04:52

see in the drawing that you have too

00:04:54

much distance and too big a

00:04:57

difference between the waist volume and the hip volume,

00:05:01

and here you get a distance of more than

00:05:05

four centimeters, a

00:05:09

problem such as wrinkles and

00:05:12

folds on the side seam may appear,

00:05:15

to avoid this we do the following, we

00:05:20

reduce this distance, we add

00:05:23

here along the waist line, for example, how much do

00:05:26

we need, let’s say for one pastry, we will

00:05:28

add two centimeters, we will increase the

00:05:31

waist line by two centimeters

00:05:36

and these two centimeters we will need to

00:05:39

remove the

00:05:40

dart, the second dart, that is, now

00:05:43

we will not have a single twig abc

00:05:45

so that to make these two darts, we

00:05:48

divide the distance along the waist into approximately 3

00:05:52

equal parts, we build verticals

00:06:00

and these will be our

00:06:05

bases for the darts, then the dart that is

00:06:09

closest to the center will also be

00:06:12

11 centimeters in length and also

00:06:21

two and a half centimeters in depth

00:06:23

there was a tuck before this

00:06:27

[music]

00:06:32

that is, we won’t have this pastry anymore,

00:06:33

but the second tuck we will have is

00:06:36

2 centimeters deep because we

00:06:39

added two centimeters of gold and

00:06:41

now here we need to remove them and

00:06:46

we will have it shorter nine centimeters

00:06:50

[music]

00:06:59

so we get 2 darts

00:07:01

and the hip line will be

00:07:05

smoother; we will have this line

00:07:08

and the new line here will no longer have such a

00:07:13

steep transition; the waist line will

00:07:21

also need to be aligned as we did

00:07:23

before smoothly bring it to the dart here,

00:07:28

equalize it, and here, from the beginning of this dart,

00:07:32

also smoothly bring it here if, for

00:07:38

example, there is too much of a

00:07:41

difference, there are as many as six centimeters from

00:07:44

when it is very narrow or very voluminous

00:07:46

at the hips, then we will add here, for example, 3

00:07:49

centimeters necessary, then we have two

00:07:51

centimeters they will go along the bottom of the dart and

00:07:55

then we will need to remove one centimeter

00:07:57

here, that is, if the middle line

00:08:00

we had before was here here, now we

00:08:03

will have it here and smoothly and we will

00:08:06

bring it

00:08:08

here also to the bend of the saddle shpa

00:08:14

but it is a natural goofy We

00:08:16

will now take away this line

00:08:19

out but it will also be taken from us at

00:08:24

an angle and then our drink will

00:08:30

change and the lines will now be

00:08:35

different

00:08:38

[music]

00:08:49

[applause]

00:08:51

that is, our pattern will

00:08:54

have a completely different look with two

00:08:56

darts also if you are working on the back

00:08:59

parts and you already know move that a

00:09:05

person has too voluminous buttocks for

00:09:09

such a figure 1 darts are not enough

00:09:12

trousers will not fit such a figure well

00:09:14

so you can immediately take this into account in the drawing

00:09:17

and make adjustments

00:09:19

1 baking will be small 2 baking

00:09:23

accordingly we will when we build the

00:09:25

waist line

00:09:27

we took into account one pastry by two and a

00:09:29

half centimeters and we will need to

00:09:32

add for the second dart if we have a depth of 2

00:09:35

darts will be two centimeters then here we will

00:09:39

also add 2

00:09:41

of them then we will take away the dart of the hip line

00:09:47

we already have the other one, so if for

00:09:53

2 darts this dart will no longer be

00:09:56

located here for the son will be 2

00:09:58

if we also need to take into account the size and

00:10:02

weight, we have sizes up to 44 inclusive, then

00:10:06

the darts will be located so we

00:10:08

will need to divide the waist size

00:10:10

into three equal parts

00:10:15

and these places and will be our points for

00:10:19

constructing the bases of the darts the bases of the darts

00:10:23

we also have a parallel construction to

00:10:28

sit on the front sight this we will have places

00:10:35

for the darts of the main dart cannot

00:10:38

be the same length those closest to the middle

00:10:40

it will be longer it will be the closest

00:10:43

flap to the side seam it will be shorter

00:10:45

the top here of this dart, closer to

00:10:48

the middle, it will be about 5

00:10:51

centimeters long above the hip line, here we have

00:10:53

my hips

00:10:56

rising 5 centimeters higher, here

00:10:59

will be the top of the dart, the depth will also be two

00:11:03

and a half as it was for this

00:11:09

[music]

00:11:15

2 dart which is closer to the side cut

00:11:18

it it will be 8 centimeters above the hip line,

00:11:22

this also roughly all depends on the

00:11:27

characteristics of the figure and also on height, so the

00:11:30

depth of this dart will be two

00:11:32

centimeters because here we

00:11:34

added two centimeters, these two centimeters

00:11:37

we will remove the dart, so we have built

00:11:42

another one you. that is, now we have 2 of them,

00:11:46

this is if up to size 44, but we need to

00:11:50

take into account if our size is 46 or more,

00:11:53

then instead of baking, they will adjust a little

00:11:56

differently, that is, we will

00:11:59

also divide into 3 equal parts 1

00:12:02

pastry will also be in this place and the

00:12:04

second dart will deviate from it by

00:12:10

6 centimeters to the side, that is, measure

00:12:13

6 centimeters, this will be the edge of the next

00:12:15

baked goods, then from this mark measure the

00:12:18

depth in and wheelbarrow 2 centimeters, for example, this is how

00:12:20

we have it and these points

00:12:23

will be the correct darts in the center will be

00:12:27

the base and also on its basis we will build a

00:12:32

second dart in another place like this, that

00:12:36

is, taking into account the different sizes of

00:12:39

the position flowed out now I will outline with a different

00:12:43

color with a marker what happens

00:12:46

if, for example, very voluminous hips and how

00:12:49

I built it the first time we need the days of the

00:12:52

dart first construction for size up to 44

00:12:57

inclusive,

00:13:01

then as usual

00:13:03

[music]

00:13:07

that is, my pattern for the back part

00:13:09

will look different if it has

00:13:11

2 darts; this is for very convex

00:13:17

buttocks; another problem that may

00:13:20

appear when trying on is these

00:13:23

transverse folds that form

00:13:26

under the buttocks of one one of the reasons may be

00:13:30

this is the extra length of

00:13:31

the middle cut, that is, which goes to us in

00:13:34

the center and we need naturally, if the

00:13:37

extra length we need to reduce the height of

00:13:40

the seat, the back parts and so what we will

00:13:44

do to change the pattern,

00:13:46

I will show it in this

00:13:49

pattern format in the menu so that it is

00:13:52

clear so that the pattern is

00:13:54

completely visible, firstly we need three

00:13:57

auxiliary lines, the first line is

00:14:02

our middle line, the second line is our

00:14:04

seat line and the third line we

00:14:08

draw vertically through the

00:14:12

dart

00:14:15

to the seat line, we also need to

00:14:20

sit on the

00:14:23

saddle Swede to make an inclined one,

00:14:26

roughly divide this distance in half

00:14:29

from the hip line to the seat dome

00:14:32

and to the intersection of the seat line with the

00:14:37

middle line and here we need to draw an

00:14:41

inclined line,

00:14:47

that is, now our task is what we

00:14:49

need to cut the length of this saddle seam, it is

00:14:52

too long

00:14:54

so to shorten what we are doing we are

00:14:59

now cutting we cut the pattern along the line of the

00:15:03

seat,

00:15:04

that is, we do not completely

00:15:08

cut from the edge the rein of this slant and

00:15:11

from the edge of the rein this is vertical

00:15:15

[music]

00:15:28

[music]

00:15:30

[applause]

00:15:31

[music] we

00:15:34

do not completely cut where you are.

00:15:41

we make an offset of about 5 millimeters

00:15:45

and glue it, then here the edges will be on

00:15:56

top of each other and here the reason for

00:16:00

this line is about one and a half centimeters you

00:16:05

need to go up like this, that is,

00:16:09

we were here, this triangle

00:16:11

was here now we go up like this

00:16:13

finds we get a king on top

00:16:15

of each other and thus we

00:16:18

shorten the length of the saddle seam and

00:16:21

also glue it

00:16:27

and now we need to combine these

00:16:33

two of our parts we need to make it so

00:16:37

that we can fit the side cut and the

00:16:40

saddle seam here in the center the parts

00:16:47

will find each other on a friend, this is

00:16:49

normal, we need

00:16:53

our lines to coincide along the edges along the axis of the front sight

00:16:57

and along the side seam

00:17:00

[music]

00:17:02

here we will need to align the side

00:17:05

seam if it has shifted;

00:17:07

also here in the middle, glue the paper from the bottom

00:17:10

so that our line is exactly

00:17:16

because now it’s not even

00:17:23

and we’ll need to level it,

00:17:29

for this we’ll need to glue a small piece of

00:17:31

paper and make a

00:17:34

straight line for the seat and that’s what we did,

00:17:38

we left the side seam the same length,

00:17:42

but it’s one and a half centimeters, remember, we

00:17:45

made it here by plus one and a half

00:17:47

centimeter

00:17:48

we reduced the saddle seam, here we have the

00:17:51

middle line, you see it

00:17:54

has shifted, it has become here at an angle, already

00:17:59

at an angle, so we need to draw a

00:18:02

new middle line so that it is

00:18:07

even, here the middle line is new,

00:18:12

so we made adjustments to the

00:18:16

patterns of the back part and shortened the

00:18:20

saddle seam,

00:18:21

if the trousers are narrow in the buttock area and the

00:18:25

middle seam cuts into the buttock, then

00:18:28

our middle seam is the mouth and we

00:18:32

need to lengthen it, as we will

00:18:34

lengthen it using the saddle seam,

00:18:36

we can do it this way, we

00:18:40

take a horizontal straight line below the

00:18:44

waist about 15 centimeters and along this

00:18:50

line we make a cut from the saddle seam to the

00:18:55

side seam not completely and spread it apart by the

00:19:02

required number of centimeters, that

00:19:06

is, how much we want to lengthen the

00:19:08

saddle seam, so we spread it apart, that

00:19:13

is, the side seam does not change in length, the

00:19:15

saddle seam changes in

00:19:18

length and we need it will be alloyed with a thread and

00:19:23

outline the pattern of a different type,

00:19:26

naturally the middle line we will need to

00:19:29

change if our pattern

00:19:32

takes on a different look, then

00:19:40

our middle line becomes uneven,

00:19:45

so we draw it again on a new

00:19:50

pattern, our middle line will already go

00:19:53

under here, this is already for us the old line does not

00:19:57

fit; if necessary, add a

00:19:59

little width to the crotch seams on the

00:20:02

back half of the trousers and at the same time

00:20:04

the population of the seam,

00:20:05

we can do this at the same time

00:20:12

repeating the

00:20:13

saddle seam that we had, lengthening

00:20:17

it as much as we need, for example,

00:20:19

by one or one and a half centimeters and

00:20:25

expanding along the crotch seam

00:20:29

going out to the knee line and then

00:20:33

the line will be maintained

00:20:37

[music]

00:20:43

our cries take on a different look the

00:20:47

saddle seam is lengthened and widened along the

00:20:50

crotch seam if the arrows on the trousers

00:20:54

turn out the road reason may

00:20:56

be high hips and we need to

00:20:59

draw auxiliary lines on the front and back parts of the trousers

00:21:06

these horizontal lines should be

00:21:09

perpendicular to the middle line,

00:21:13

we lower ourselves below the waist line by 10

00:21:18

centimeters

00:21:22

[music]

00:21:32

and also step back from the center to the side, the

00:21:38

value divided by 8 minus 4,

00:21:43

calculate the value and step back from the center on the

00:21:48

side of the side seam on both the front and

00:21:52

back parts and we draw a vertical line

00:22:02

and we need to cut the patterns at the

00:22:05

horizontal line from the side seam to the

00:22:08

vertical line

00:22:10

[music]

00:22:15

and from now on, either cut to the horizontal line

00:22:24

and along the side seam

00:22:35

we move apart like this and add along the thigh

00:22:38

here the missing length our reason

00:22:41

was that it is too high hips,

00:22:44

here we didn’t have enough length, so we

00:22:48

move them apart here, and here in this section we get

00:22:52

an overlap, we must

00:22:56

measure the amount of overlap and along the

00:23:01

vertical line we push the

00:23:05

natural ones on the front on the back

00:23:07

part by the same amount,

00:23:13

we will outline a new part and here is the

00:23:17

amount of overlap that we

00:23:19

got it, for example, if one and a half

00:23:20

centimeters, that is, one and a half centimeters,

00:23:22

we will need to add at the waist

00:23:25

[music]

00:23:31

in the hip area, we can add width

00:23:35

if necessary

00:23:39

[music]

00:23:48

if, on the contrary, the arrow

00:23:52

is wrapped inside the crotch seam, then

00:23:56

with the pattern we do exactly the opposite in the

00:24:02

same way, we cut

00:24:05

horizontally from the side seam, here we have a

00:24:10

cut vertically, that is, everything is as

00:24:13

it was before, only we will not

00:24:16

push it apart along the side seam,

00:24:19

but on the contrary,

00:24:25

it will overlap,

00:24:27

that is, remove the excess length because the

00:24:30

reason for the arrow inside the collar

00:24:35

is sagging on the sides, so we

00:24:40

need to remove the extra length along the side seam,

00:24:42

that is, we made an overlap in this way

00:24:45

also on the back part by the same

00:24:49

amount, naturally, on both the front and

00:24:52

back parts, we will trace the new

00:24:56

pattern again at the moment when we

00:25:03

overlapped the

00:25:04

vertical section here on the contrary, there was a

00:25:08

discrepancy, we need to measure

00:25:10

by what amount the discrepancy occurred here

00:25:12

and remove this value along the

00:25:16

waist line,

00:25:17

if here we got one and a half

00:25:19

centimeters, then along the waist line of

00:25:21

the blow, a centimeter should be removed also on the

00:25:23

back part

00:25:25

[music]

00:25:43

if there is a pepper and in the groin

00:25:45

fold then this means that

00:25:49

we have a long line band

00:25:50

this means that we need to shorten the line of the

00:25:54

saddle seam along the front part for

00:25:57

this we just have this rounded

00:25:59

neckline we need to make it a little smaller,

00:26:02

that is, draw the middle seam with a

00:26:05

less concave line, this is how

00:26:13

we reduce the line saddle seam along the

00:26:16

front part,

00:26:17

if the trousers sag in the front and something

00:26:21

like a bag of freedom is formed in this area,

00:26:24

then the reason may be that

00:26:27

the figure is tilted forward, that is, such an

00:26:30

object and that even a stoop is possible

00:26:33

and we need to shorten the front

00:26:35

half of the trousers, that is, in this case we

00:26:38

work only from the front half of the trousers,

00:26:43

we need to draw a horizontal line

00:26:46

somewhere 12-14 centimeters below the waist line

00:26:56

and we also need to draw a vertical line

00:27:00

retreating about 8 centimeters from the

00:27:03

side seam

00:27:10

and we need to cut the pattern from the middle

00:27:14

seam to the side

00:27:16

and from the waist line along verticals and these are

00:27:20

horizontals,

00:27:32

we cut the lines not completely and we need to

00:27:36

shorten the pattern in this area,

00:27:37

so we take and overlap the

00:27:43

parts on each other vertically,

00:27:49

here too there should be an

00:27:51

overlap, here there is an overlap and here there is an overlap and the

00:27:59

hip line remains along the length is the same

00:28:02

as before, and here we have a

00:28:04

shortened line, the edges of the vertical cut

00:28:07

overlap each other and we need to

00:28:09

measure the distance of this

00:28:12

overlay and add along the waist line, that

00:28:16

is, what we have left we need to

00:28:18

add

00:28:19

[music]

00:28:28

[music ]

00:28:36

[music]

00:28:38

the dart naturally remains with us, so

00:28:43

we shortened the

00:28:45

front part here in the middle, if

00:28:50

the trousers are pulled at the hips and pull

00:28:53

the side seams forward, then we need to

00:28:58

enlarge the front part, we need to draw a

00:29:03

line in the middle on the front part,

00:29:07

we already have it and 3 auxiliary ones lines

00:29:09

that will be perpendicular to

00:29:11

this middle line less than the middle

00:29:18

further horizontally lines on the

00:29:22

saddle seam line 2 horizontal

00:29:26

knee lines and 3 in the middle between these two

00:29:32

horizontally

00:29:38

here are our auxiliary lines now

00:29:41

we need to cut along horizontal

00:29:44

lines

00:29:45

from the middle to the side seam and to the crotch seam

00:29:50

and along the vertical line from the top to the

00:29:55

last horizontal

00:29:58

[music]

00:30:27

we cut not all the way, now we need to

00:30:30

expand the vertical cut from the top

00:30:34

to the second horizontal to the required width,

00:30:39

that is, how much we are missing from our

00:30:44

pattern and

00:30:46

we need to make it so that we

00:30:48

get a wedge on top and a wedge on the bottom that

00:30:51

is, this separation, the divergence, should,

00:30:56

as it were, disappear in the center, we

00:30:59

expand the pattern

00:31:01

from below and from above the pattern remains

00:31:04

with the same dimensions

00:31:07

[music]

00:31:21

well, now we will have a new middle line

00:31:25

in the center, this is how we

00:31:30

expanded the front part if the trousers are

00:31:33

too tight on the stomach went in

00:31:35

stitching the belt pulls to the bottom this

00:31:39

may be due to the incoming belly

00:31:41

so we need to work with the front

00:31:44

part and increase it a little and for

00:31:48

this we draw an auxiliary

00:31:51

horizontal

00:31:53

below the waist line by 15 centimeters and an

00:32:00

auxiliary vertical retreating from the

00:32:03

side seam 10 centimeters to the side

00:32:08

again we cut from the middle line to the

00:32:13

side seam and from the waist vertically and

00:32:19

horizontally and we need to move apart

00:32:27

increase the middle seam here for this we

00:32:32

lift this part so

00:32:37

we

00:32:38

move the parts apart both horizontally and

00:32:42

vertically we need to measure the amount of

00:32:46

discrepancy here vertically and

00:32:49

removing the gold leaf,

00:32:51

now we need to add the missing

00:32:54

width, for this we need to draw a

00:32:58

horizontal auxiliary line at

00:33:01

knee height perpendicular to the

00:33:03

middle line and cut the pattern along the middle

00:33:08

line from the top to the knee line, and so

00:33:12

another auxiliary line horizontally to the

00:33:15

knee line

00:33:18

and cut we will cut along the middle line

00:33:27

along the middle line and along the knee line

00:33:31

from the middle of the side to the side seam and

00:33:36

in steps, well, we also need to cut

00:33:40

from the top, that is, it turns out that we

00:33:45

have completely cut off the part along the

00:33:49

middle line and now we move the parts apart to the

00:33:55

required width;

00:33:58

this cut piece should be a

00:34:02

continuation of the codpiece as a continuation the

00:34:04

middle line and the waist line are

00:34:12

spread to the required width along the

00:34:17

auxiliary lines, we fix

00:34:21

the pattern and draw a new one

00:34:32

[music]

00:34:35

[applause]

00:34:36

[music]

00:34:48

that is, our pattern will now have a

00:34:51

completely different look and we need to draw a line

00:34:55

in the middle

00:34:58

and again

00:35:03

[music]

00:35:06

and you can make 2 darts

00:35:09

[music]

00:35:15

if the peculiarity of the figure is such that the shape of the

00:35:19

legs is U-shaped, that is, in the knee area

00:35:23

they do not diverge much and then

00:35:26

taper again towards the ankles, there

00:35:28

may be such a problem that the trousers

00:35:31

wrinkle along the crotch seam, that is, in the

00:35:34

middle in the center and at the same time may even

00:35:38

be stretched along the side seams, what do we

00:35:42

need to do? We will need to

00:35:44

make a cut on the front and back parts.

00:35:46

We take the front-back part and

00:35:49

on the knee line from us, with the knee line,

00:35:55

we make a cut from the crotch seam to the center and

00:36:05

from the side seam to the center, but without cutting

00:36:09

to the end and we do the same on the back

00:36:13

part,

00:36:20

we did this and we need to tilt the

00:36:24

pattern like this,

00:36:25

shift it literally

00:36:29

by about five millimeters, this

00:36:34

way we repeat the shape of the legs in the

00:36:38

knee area, here we had wrinkles and we

00:36:42

removed

00:36:44

that we have the excess fabric that

00:36:46

was here, we remove them by overlapping the parts on top of each other,

00:36:49

but here, on the contrary, we give more

00:36:54

fabric; now on a scale, it

00:36:56

naturally turns out to be such a strong

00:36:58

slope;

00:36:59

cover it up on a large scale, that is, on a

00:37:02

one-to-one scale, it will be almost

00:37:04

imperceptible, that is, literally what

00:37:05

one is there a centimeter, maybe even 7 millimeters,

00:37:08

also depends on the figure, this will be

00:37:10

enough and so

00:37:11

we make such a tilt and happy and the

00:37:20

same thing, of course, will need to be done on the

00:37:22

back part, also where

00:37:28

we open the side seam, where

00:37:32

on the contrary we make an overlap on the crotch seam

00:37:38

and naturally we will already have a pattern

00:37:42

another view, we need to outline it,

00:37:49

leveling

00:37:50

all the corners

00:37:53

[music]

00:37:59

[music]

00:38:04

and our pattern will have a

00:38:10

completely different look with a slope like

00:38:14

this and the middle line we will

00:38:21

also need to draw again like this

00:38:29

and the same thing in

00:38:33

reverse if the shape of the legs is the opposite has an

00:38:36

X-shape, that is, they taper

00:38:41

towards the knees and diverge at the

00:38:44

ankles,

00:38:45

we do the same thing as we did before

00:38:47

only in the reverse order, if we give you the

00:38:51

pattern along the crotch seam

00:38:53

like this on top of each other and spread it apart

00:38:57

along the side, now it’s the other way around, that is,

00:39:00

we we repeat the shape of the legs, made an overlap

00:39:04

along the side seam,

00:39:07

moved it apart step by step

00:39:10

and glued it, we do this on both the front and

00:39:13

back parts

00:39:16

[music]

00:39:26

this way

00:39:29

[music]

00:39:43

we must move and move apart in the same way

00:39:47

on both the front and back parts so that

00:39:51

later we have seams coincided, that is, if

00:39:54

we shift by one centimeter, then on both

00:39:56

parts

00:39:59

our pattern will then look like this,

00:40:01

but naturally we will need to draw the middle line

00:40:06

again because it

00:40:09

will already be shifted

00:40:16

[music]

00:40:22

[music]

00:40:25

I hope that I have said enough in order

00:40:28

for the fit of your trousers to become even

00:40:30

more ideal, continue to hone

00:40:33

your skills, practice, but I

00:40:35

will try to help you with this with love for

00:40:37

you and your creativity bye

00:40:40

[music]

Description:

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