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Table of contents
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Table of contents

0:00
Introducción
3:44
No Hay Nadie Como Tú
8:43
La Cumbia de los Aburridos
14:04
La Fukin Moda
17:37
Fiesta de Locos
22:33
Entrevista Calle 13
29:40
Entrevista Calle 13 Segunda Parte
34:13
Atrévete-te-te
42:12
Despedida de programa
43:13
Electro Movimiento
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Video tags

WARP
WARP Magazine
WARP.la
WARPTv
Alejandro Franco
Calle 13
SesioneS
Sesiones
Live
Warner
cine
película
live
Mexico City
WFM
WRadio
AF
Alex Franco
concert
banda
band
Musica alternativa
Musica del Mundo
Rap Rock
Fusión latinoamericana
reguetón
René Pérez Joglar
Residente
Eduardo Cabra Martínez
Visitante
Ileana Cabra Joglar
PG-13
No hay nadie como tú
La cumbia de los aburridos
Fiesta de locos
Atrevete te te
Electro movimiento
La Fukin Moda
en vivo
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00:00:03
session season. It is a very
00:00:06
special program for all of us who do it and
00:00:09
I would not like to start the program without
00:00:10
first thanking all the people who
00:00:12
make it possible from the technicians to the
00:00:15
post-production people to all the
00:00:17
people who coordinate the whole thing that
00:00:19
so many bands from so many parts of the world
00:00:21
and with so much talent have been on this
00:00:24
stage this season, so
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a round of applause please from everyone who
00:00:28
is here not only for them but
00:00:30
also for All of you who have
00:00:32
come to the program and who have obviously
00:00:34
followed it from the community, the
00:00:36
comfort of wherever you follow it,
00:00:38
but I am also very excited about
00:00:40
the band we have today, a
00:00:42
Latin American band that without a
00:00:44
doubt comes to represent well.
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what this program is about this program
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from good live acts and this is a
00:00:51
great live act it is a project that I
00:00:54
would not want to pigeonhole into a genre I
00:00:56
only demand that it be pigeonholed in the
00:00:58
genre of good music that says things
00:01:01
and that always proposes so
00:01:04
you are welcome to this last
00:01:05
program
00:01:06
this season of sessions Calle 13 was born
00:01:09
in Trujillo Alto which is a town in
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Puerto Rico
00:01:15
outside the metropolitan area which is
00:01:19
how to say this how to say the outskirts
00:01:21
of the DF this is the case Well, we started
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making music with the idea of
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giving it away on the internet and after
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that
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we made four songs and an
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independent left saw us and we
00:01:38
haven't stopped all of that, it was like the idea
00:01:39
was to make music for free out
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there. and it seemed like that would be the thing and we
00:01:44
started to continue making music but
00:01:47
it was more for fun it is still an
00:01:49
obligation yes I think there are
00:01:52
several things this travel always
00:01:54
affects listening to music this
00:01:58
pressure also works
00:02:01
is that work come on dress like What affects me
00:02:05
helps me work on oppression and
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chilli or there is also the calm that
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also affects me, you get different
00:02:12
themes
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in both cases I know that they are more or less
00:02:15
states of mind it inspires me you
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see I always say this but the thing is that everything
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What surrounds us inspires me everything that
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everything I see out there the people in
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my country my country is quite surreal the
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social and political condition is like
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half crazy and it also inspires me in
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cinema I like cinema so the
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movies inspire me but more than what
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I see what is what I see at all
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levels religious sexual this
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politician this was a greeting from
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Calle 13 to all the people in
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Latin America from the heart
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Latin America unity with fire Calle 13
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[Music]
00:03:30
It is a pleasure to present to you in this last
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program of the season 13th Street
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[Applause]
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[Music]
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hey
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it shows
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[Music]
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hours
00:04:05
[Music]
00:04:20
oh
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yes
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rich poor and mini beautiful things a couple
00:04:27
of tragedies there are people
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beaches chickens sheep and cows
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a lot people sane and crazy people of
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20 unilateral measures that are truths
00:04:41
and coincidences
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horizontal vertical and diagonal
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defeats their accidental failures
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medals trophies their world cups in
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the world there are vitamins and proteins
00:04:54
marijuana ecstasy and cocaine there are trees
00:04:58
branches leaves and flowers there are many
00:05:01
colorful mountains in the world there are
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defined decisions and lost bus entrances and exits
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there are 160 and murderers there are many
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things little food there are rulers and
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they perceive the homeland and
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hot water are being tested in the world there are more than 6 billion
00:05:19
inhabitants there is
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extraordinary elegant interference but but
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but there is no nobody
00:05:29
loves
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[Music]
00:05:45
in the world the earth always moves and
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oxygen tanks war tanks the
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sun and the moon give us energy we sleep
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at night and it is measured by viana and this is
00:05:55
rectified what it says there are many people
00:05:58
who contradict themselves There are carobs and
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seaweed There are vegetarians and
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wounded meats There are bitter drinks and sweets
00:06:06
Natalie Diseases and medicines in our
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pockets We make empty wallets There are more
00:06:12
thieves than police There are religions There is
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atheism There is capitalism and communism
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Although we look alike, we are not the same
00:06:21
Why
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[Music]
00:06:32
Hey [Music]
00:06:43
sad very good ideas where they have had
00:06:47
ideas there is sex in the bathroom sex in
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bed sex without clothes
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there are never real things and they succeed me
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labyrinths and crossword puzzles there are beds
00:06:58
that no one answers many questions and
00:07:01
few answers
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[Music]
00:07:10
there are people who die people who love you
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[Music]
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and today I am there
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is no one like you
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no no no
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[Music]
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t
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[Music]
00:08:02
ah
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and
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[Music]
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imagine there
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is nothing like you
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[Music] there
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is no one
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[Music]
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[Music]
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they were thank you look the boring ones with
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their first teeth look how they get
00:08:51
up with their legs that look at them
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like me it's not the truth
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[Music]
00:08:59
look how they get tired
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[Music]
00:09:06
because everything is a lie
00:09:08
to stimulate the spine and
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really all the organs of your body
00:09:14
we are going to resurrect the dead
00:09:19
without getting up by the balls attached to the
00:09:22
young man what changes again
00:09:27
are those who in those places and
00:09:29
I restore their appetite like a little bit of
00:09:31
google pornography is quite a promise
00:09:35
and to whom the public stops I like
00:09:38
stretching stretch marks how to act as two
00:09:40
having a short miami style skirt
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and teaching on half the
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salary
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here I bring you this channel because that
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part your mother that she greeted
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like a sneeze I start vomiting
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breakfast
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[Music]
00:09:59
but some They say, look at the boring ones
00:10:03
with their raw teeth,
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look at how they get up with their legs, a
00:10:09
mba, look with his leg at the same time,
00:10:11
look at the chubby girl growing her belly,
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look at how
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old women get tired, I follow him with my
00:10:24
womanizing rhetoric with a little bit of philosophy
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well. until he lies down in the trash can
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and they start painting with bees but in
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the shade
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when I play a little charango we are going to
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repair the sun wind very late
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to show all the fruit that
00:10:46
the box comes out there like a noise to fill his
00:10:49
eyes with your wall the cameras are
00:10:52
kill proof that an asthma attack is not
00:10:55
going to kill me like the ghosts and a
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strong scare the immediate scramble
00:10:59
if I reached Cusco I reached
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Peru
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but you and I
00:11:16
ah
00:11:18
like the pilgrims because so much return It does
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n't end with the Roman guard,
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slopes and pretty actors like
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Snow White and the Seven Dwarfs with
00:11:30
that one, she invited me to my little egg, they're taking
00:11:34
that hair, look at the boring ones
00:11:37
[Music]
00:11:38
depressed, look at how she gets up with her
00:11:42
legs
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when he looks at her how she gets tired
00:11:50
[Music]
00:12:00
[Music]
00:12:08
[Music]
00:12:13
[Music]
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the fast speed mind
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[Music]
00:12:41
now everyone jumping the camera
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I feel too
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[Music]
00:13:08
[Music]
00:13:26
[Music] [Applause]
00:13:30
[Music]
00:13:42
we are already back in this which is the The
00:13:43
last program of the
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session season is a crazy program, yes or no,
00:13:48
everyone who is here
00:13:50
is a crazy program, and I am
00:13:53
leaving you again with these crazy people,
00:13:55
although they say they are not that crazy, but
00:13:57
they were presented here again. In
00:13:59
sessions, the profane and prohibited music
00:14:01
of 13th Street
00:14:06
hears
00:14:08
a little war
00:14:09
[Music]
00:14:12
hey
00:14:16
and even more unemployed they have them elected for a
00:14:19
while
00:14:20
than for this same topic that everything
00:14:22
breathes that looks at me towards new trafficking
00:14:24
for you you did not cut your hand as a
00:14:27
resident 13th Street against being charged with
00:14:29
being just another insect, for a while, a
00:14:32
horn for this dirty door, a
00:14:35
fast thing, it can sound like
00:14:37
Mexican piñatas, I'm not going to use it like jazz and with
00:14:39
basins, I'm not going to apologize in
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my life, I don't care. win, I'm not your
00:14:44
friend and even if I don't like it, I'm not
00:14:46
Cuban, some of the dead were tiny. On
00:14:49
Wednesday, it should happen if you spend 90
00:14:51
pesos 91 90 liters of being heard in your
00:14:55
neighborhood and now 200 miles of Torres attack
00:14:57
[Applause]
00:14:58
[Music]
00:15:00
the president Your dad, why did you learn
00:15:08
and I didn't have classes
00:15:15
but if you weren't late preparing the
00:15:22
answer it would be not to follow the man
00:15:25
remembers like grandma's coffee kilo at
00:15:28
half a step climbing with the sole I
00:15:30
move forward artist the orderly came out fatal and
00:15:33
you make me look like a pout meek what is
00:15:36
yours irons like on the current
00:15:39
song of going out the door that those
00:15:41
of hard compound even in the revenge
00:15:43
with my dairy pitches in progress
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never the foreign words to the
00:15:48
jugular that is a degree with the beatriz
00:15:51
without country that does not It is going to save him from his
00:15:53
mobility
00:15:54
this is very musical for you to understand
00:15:56
the level with Johan I think that in
00:15:59
simple terms I do not write eating without
00:16:01
building respite behind us
00:16:04
notebooks and with cojones practical
00:16:06
heart just as I say it already says it
00:16:09
our rite assists with junks and venues
00:16:12
with funds to throw
00:16:16
in the same range of fanatics who
00:16:19
want to sing and are crazy about
00:16:21
chewing but they need to practice a
00:16:25
new practice luck lie like that
00:16:28
not for love
00:16:32
[Music]
00:16:33
it is a lie
00:16:39
what you want
00:16:48
[Music]
00:16:51
life is
00:16:57
not late people for whom
00:17:03
I did not have to agree not to follow error
00:17:07
[Music]
00:17:31
[Applause]
00:17:32
[Music]
00:17:35
thank you [
00:17:38
Music]
00:17:56
[Music]
00:18:04
in my head I have green colored worms
00:18:07
turning the veins of my brain that's
00:18:09
why I am rebellious like an old man
00:18:11
running you surprise me little songs
00:18:13
with viagra in his pockets I'm a believer
00:18:15
like a rabbit in church smoking
00:18:17
cigarettes so I put it on I
00:18:19
suspect it I'm rebellious like a cow that does
00:18:22
n't want to give milk all the old ladies
00:18:24
with hair on their legs with me
00:18:26
free and crazy spirit
00:18:29
the head and bric on the table on top of
00:18:31
the French fries with beer in the
00:18:34
bright air and even Buenos Aires with
00:18:37
the entire mafia in a group the box
00:18:39
contains Brazilian dancing country table
00:18:43
for it a dog after bottle in
00:18:47
prison paradise
00:18:48
[ Music]
00:18:56
about water
00:19:00
[Music]
00:19:04
but I am the only one that I am I am the
00:19:07
only one that I am crazy
00:19:11
but let's talk openly
00:19:17
[Music]
00:19:24
and sexuality surrounds everything that the
00:19:27
natural sexual tm of the monkey collaborates
00:19:30
as an animal tulares of sperm
00:19:32
like several take escober and chanel now
00:19:35
their mentality of 10 million
00:19:38
[Music]
00:19:44
and if I fall
00:19:55
dirty for nothing from Russia
00:20:03
well
00:20:04
[Music]
00:20:13
[Music]
00:20:21
the abuser arrived as a
00:20:24
Spanish colonizer if I give you a china everything has
00:20:26
to be a goal
00:20:27
me I go straight to the point the heart of the
00:20:29
apple where the worm sleeps after it
00:20:32
's legal a little pressure and the
00:20:34
song doesn't hurt
00:20:36
if you're good and at night I really get
00:20:38
a kiss on the mouth and then
00:20:43
dancing with your body success As
00:20:46
a teenager, any living being
00:20:48
gets hot, you are so good, little
00:20:51
princesses, heaven that helps is
00:20:53
holy water while yours arrives at
00:20:55
any coliseum and makes
00:20:58
anyone believe, but I know that I liked it and that
00:21:00
it is good, but when I stop selling I make
00:21:02
music Christian, for now you have been
00:21:04
damaging your digestive system
00:21:08
[Music]
00:21:26
here
00:21:29
[Music]
00:21:43
or
00:21:45
[Music]
00:21:54
this is not reading but anyway
00:21:57
you dance a lot
00:21:58
if you don't like this song
00:22:00
then throw yourself off a balcony
00:22:03
[Music]
00:22:08
its location
00:22:10
[Music ]
00:22:17
[Applause]
00:22:18
[Music]
00:22:25
[Applause]
00:22:33
we are with Calle 13 to whom you are doing the sessions,
00:22:35
thank you for being on the program,
00:22:37
key guys, we had a great time and it
00:22:39
is also a very special program for
00:22:40
us because it is the last one of the
00:22:42
season and many bands were there
00:22:44
many musical projects and the truth
00:22:46
is that we cared a lot about what
00:22:47
you study in the end no thanks for the
00:22:50
invitation the model base rather but
00:22:52
more beautiful also the particular thing I must
00:22:55
say is that there are 13 I have liked it a lot
00:22:57
since the first time I heard them
00:22:59
I think What's more, unintentionally and lovingly,
00:23:04
they have shown many people that they are a
00:23:07
solid group that has things to say
00:23:09
that have music to propose and it
00:23:13
seems to me that although they have had certain
00:23:15
detractors at certain levels, the truth
00:23:17
is that they are making it very clear
00:23:19
what they are doing. What the project is about and that it is a
00:23:21
project that will last many years, six
00:23:23
and it has always started since we started, Calle 13
00:23:28
has been a group.
00:23:29
In addition to the musical mix, it has been a group that,
00:23:33
not belonging to any specific musical genre,
00:23:36
was a lot. more difficult
00:23:38
because several purists,
00:23:40
the music was not rock, it was not hip
00:23:42
hop, it was not reggaeton, it was neither salsa nor
00:23:45
cumbia nor anything pure, it was all a mixture,
00:23:48
so it was more difficult and walking
00:23:52
that line between the
00:23:55
massive and the conceptual, perhaps a little
00:23:58
intellectual but with the popular that is
00:24:01
that line difficult to maintain but really
00:24:03
difficult I don't know about you
00:24:05
but for me the issue of genres and that
00:24:07
bothers me a lot because for example
00:24:10
in the US it happens with Latin bands it doesn't matter
00:24:13
What it sounds like, it doesn't matter what you
00:24:14
do, they pigeonhole you into a Latin genre
00:24:17
where at the end of the day it doesn't matter if
00:24:20
your music is extremely different from
00:24:22
certain contemporary things or not, but
00:24:27
at the end of the day they end up locking you in
00:24:28
the same little box, no, yes, and I think. That the
00:24:31
issue of genres has stuck with you,
00:24:33
that's what I feel,
00:24:34
not everyone pigeonholed it in the
00:24:37
reggaeton category and that's it, and for example in
00:24:39
this last album it's clear to me that you
00:24:40
say and you say it very loudly that what
00:24:42
They do not just have to be
00:24:44
reggaeton
00:24:45
the musician wants an alternative to a
00:24:48
real mix that we had never given
00:24:52
each time to the clear that that genre
00:24:54
we wanted to participate
00:24:56
musically speaking this that was then
00:24:59
the record label well then where are they going
00:25:01
this they are this urban alternatively
00:25:04
they started looking for the name but I
00:25:05
think they should not look for the name.
00:25:06
Something we do is music and jazz and
00:25:09
then you enjoy it and if you have good
00:25:10
quality it is good any
00:25:12
musical genre can be good if they do it well
00:25:15
with good taste I am very struck by
00:25:17
the composition process they have, that
00:25:18
is, for example, they start
00:25:20
crying on the album and then a band
00:25:23
doesn't and suddenly I hear a lyric that is also
00:25:26
super strong and that also goes for
00:25:27
the entire reggaeton genre, but what?
00:25:29
It happens first with you,
00:25:31
it happens that you have a lyric that you
00:25:33
have to put to music and then you
00:25:35
go crazy and you decide where you're going. It
00:25:38
happens that you go crazy first and
00:25:40
then the resident starts putting together everything he
00:25:42
can think of upstairs. For example,
00:25:44
at a crazy party, this is where my
00:25:47
sister says, I don't understand this
00:25:48
song, but now I
00:25:50
dance however I want,
00:25:53
that's what I give that suggestion to my
00:25:55
brother, my brother, well, and he makes
00:25:57
music for him, the same way he does it with
00:25:59
music for me with his brother. there are
00:26:02
7 of us 108 in me 8 brothers then and
00:26:07
those who are in the project are 3
00:26:10
someone behind the scenes one more there are 3
00:26:13
but behind 13th street there are more
00:26:16
brothers working so how many there are three
00:26:18
more there are three more working here they live
00:26:20
there the money They take more or less care of
00:26:23
the agenda in Milena Margarita
00:26:26
and Gabriel's trips from 13, it is a
00:26:28
family business in a few words, if not, well,
00:26:31
this is the family, the family that one
00:26:33
trusts equally in this industry,
00:26:36
so our world goes crazy and what
00:26:39
can happen Whatever it is, it's good
00:26:41
to work with the family. I agree.
00:26:43
Listen,
00:26:44
something that really catches my attention
00:26:45
is everything that happens around your
00:26:49
music in terms of the musical references
00:26:53
in the lyrics. I hear about
00:26:56
coldplay, green day, gospel. from
00:26:59
madonna well a countless number of
00:27:03
artists not only from the pop or
00:27:06
rock or alternative side like jamiroquai or
00:27:09
things like that but also even from the
00:27:11
east side that we grew up listening to no you
00:27:14
I imagine that we are more or less in the
00:27:15
age and juan gabriel and well people
00:27:23
but but since this matter of
00:27:27
landing all those
00:27:29
musical influences in lyrical references and
00:27:32
suddenly also in certain sounds that
00:27:34
occur in the songs happens, it is totally
00:27:37
premeditated or it is something that is
00:27:38
happening to them and they say puta that rhymes with
00:27:40
jamiroquai, you have to leave it no good, I
00:27:43
I say about the rhyme and my brother
00:27:45
will tell you about the music because interesting
00:27:47
with the rhyme is something that we have experienced
00:27:50
this thing that people say abc
00:27:55
this I almost never sacrifice the rhymes
00:27:59
because I no longer put anything for
00:28:03
the measures but sometimes I
00:28:06
I put everything on a scale once and if at the
00:28:09
sound level it sounds good, if
00:28:12
the rhyme sounds good, then I'm seeing the weight of the
00:28:15
word. The most important thing for me in the
00:28:16
idea, more than the word, is the
00:28:19
fancy words and not the idea that it contains. an idea,
00:28:21
you can say a lot of things this one
00:28:24
but for example jamiroquai we
00:28:25
played with him in europe we were
00:28:27
playing in spain and well that's where the
00:28:31
jamiroquai thing can come from this because
00:28:34
the guy was also half alive there
00:28:36
then well his teachers
00:28:40
so he can continue in the limousine of the east and
00:28:44
then this one but they are experiences and they almost
00:28:47
always combine because we work on it
00:28:49
together and with the music I think
00:28:51
there is also a play on this of
00:28:55
Latin American experiences
00:28:57
and well, the party of what I was
00:29:02
listening to who it was was always sean
00:29:05
bregovic gay and I was listening to
00:29:08
kusturica and from there through the cinema because I
00:29:11
know kusturica more than through the
00:29:12
music because of the 6 through the cinema and that's where it
00:29:14
catches and my brother with the music
00:29:17
is bothering you that door with everything is bothering us
00:29:18
attacking today sending with it
00:29:22
well the truth is the things that I am
00:29:25
very happy about that have been in the
00:29:26
program we are going to go for a break and we are going to
00:29:29
pray with a little more of the
00:29:30
interview and then we will return to the
00:29:32
show if that is okay with you Don't
00:29:33
leave this Calle 3 in the house,
00:29:41
we are still here in sessions and we are
00:29:42
again with Calle 13. Well,
00:29:46
we already talked a little about the music of the
00:29:48
lyrics and so on, but when they started
00:29:50
Calle13 they had the idea that
00:29:52
the project was going to work for them. or they continued to do
00:29:56
things, each one independently, this in
00:30:00
other activities that they had to
00:30:02
protect themselves, well, we didn't know well,
00:30:06
happy well, well, I, we are always on the
00:30:09
question of music
00:30:11
when we started with Calle 13, you saw that
00:30:13
I always went full-time in the
00:30:15
projects before 13th street
00:30:17
and this in two previous projects and
00:30:19
always friend full has like it's not
00:30:22
that if you don't go to full don't double more
00:30:25
safely and validate maybe it's half
00:30:27
chapus you already know that the chapu is
00:30:29
chapu it stays like Germans with a pig and a
00:30:32
half with If not, then when
00:30:35
we started Calle 13, well, we were both, we
00:30:38
went blue, working every
00:30:41
day, we spent more or less eight
00:30:43
months working on the first album and nothing
00:30:46
influenced
00:30:48
you, Casillas, besides me from Calle 13.
00:30:52
I studied art, fine arts, so I
00:30:55
was like looking for bad things and
00:30:58
doing like the artists looking for me
00:31:03
because I don't have the money and in different
00:31:06
jobs he says
00:31:07
work two or three small positions
00:31:10
this one after art later and you
00:31:13
even work with an architect for a little while he
00:31:16
says the work one this but if you keep
00:31:20
designing doing things for there is
00:31:22
the band thing because problems this well I
00:31:24
work a lot in the concepts
00:31:26
and methods I am quite this as I tell you I
00:31:30
incited mind and in this if I get into
00:31:32
all this in the videos I am always
00:31:35
with the ideas and in me I meet With the
00:31:38
directors who are always very good, they
00:31:40
are Gabriel Coss Israel Lugo
00:31:43
Joaquín Cambre Now here we record with
00:31:45
the floor
00:31:47
this
00:31:48
but always involved but before what
00:31:51
I did was art you saw and I didn't expect I didn't
00:31:54
expect it to be big what Calle
00:31:57
13 actually started with the idea of
00:31:59
giving it away on the internet as well as
00:32:01
making music and giving it away, giving it away on
00:32:03
the internet for free and creating a
00:32:06
cybernetic space where we could
00:32:08
also exhibit paintings and music as a
00:32:11
whole movement, well, and a whole
00:32:13
movement if what happens on the Internet is free.
00:32:15
collective our collective but there an
00:32:17
independent did not catch us and did not listen and
00:32:21
I went to see what was happening there and
00:32:24
we signed with it is independent and then
00:32:26
son arrived and then everything was faster
00:32:29
but all the machinery very quickly
00:32:32
passed the whole and that's where they told me You are
00:32:35
doing a project. You have to do
00:32:37
a project to write
00:32:39
things that have nothing to do with 13th Street.
00:32:42
Well, I would like to. I am
00:32:45
working now with some friends
00:32:47
doing some saddle projects
00:32:50
related to cinema, this one with musicals. I
00:32:53
would also like to write stories.
00:32:55
for children that's
00:32:56
why the part of the stories on the
00:32:59
album yes well what happens is that
00:33:01
perhaps they are not so for children but
00:33:05
it would be cool because with children one
00:33:07
can one cannot do a lot of
00:33:09
things with the stories this one I like to
00:33:13
write I have plans let's see what
00:33:15
happened
00:33:16
listen well I thank you very much for
00:33:17
being here these guitars are the
00:33:20
guitars especially very special in
00:33:22
this last show because they have the
00:33:24
signatures of all the artists who have
00:33:26
performed in this show this
00:33:28
season and the truth is That
00:33:30
means a lot to us and I would like them to
00:33:32
close with a flourish and have
00:33:34
both guitars signed. Please me,
00:33:37
well, we could do something right now off
00:33:40
camera to see if we can
00:33:42
agree on the price
00:33:45
on something in particular, this one that
00:33:48
we can to have 13th Street wherever they want,
00:33:51
wherever they can find a space, I have nothing
00:33:53
left to do but thank them nahr,
00:33:55
tell me what happens where the thanks in
00:33:56
this show but this one
00:33:58
means a lot to us that they have been here with
00:34:00
us in this program in this
00:34:03
program that is about live bands
00:34:04
and good bands and the time we
00:34:06
had a great time with you Caesar to
00:34:07
be here with us on fire grace on
00:34:10
fire 13th Street
00:34:11
here in sessions
00:34:12
[Music]
00:34:14
and
00:34:18
[Applause]
00:34:20
he says
00:34:21
[Music]
00:34:26
and maybe you want bad It comes to you from this
00:34:29
part to portray
00:34:33
37 breast pump when being in front had in
00:34:37
play like bags from the sweat as if you
00:34:40
were a waiver that you are street
00:34:44
and that face would be that face of
00:34:47
intellectuals encyclopedia of bojan
00:34:50
inject with the bacteria like that they
00:34:52
turn like a Vallés fair machine,
00:34:54
sir, and also from the one on strike, I know
00:34:57
what they want, it
00:34:59
dominates and it came to explode, like after
00:35:02
the bosses' union, it came to explode like Valentino,
00:35:05
not only that, I know that you like to do something
00:35:07
that contaminates, but it is certainly because of the
00:35:10
intestines below the faults Like
00:35:13
a submarine, it likes to draw out the designs
00:35:15
of flour, you know, while Parrado,
00:35:18
Mom, in the name of water, there is no
00:35:21
need for me to have a mind. I know that
00:35:24
I also want to consume. If it is surpassed, it
00:35:27
wants its beginning. It is Amazon. It is a field for
00:35:29
Brazil. call it takes about 15 to drink
00:35:33
draft beer you know that your
00:35:35
friend you have
00:35:39
the residents of the lower part portray
00:35:47
[Music]
00:36:00
the show with the miniskirt up to the back
00:36:04
her position in the legation
00:36:12
because if you are a rapper and she wants
00:36:15
us to go sheath
00:36:17
with me no you go
00:36:25
green day one way
00:36:33
I swear to you that for six
00:36:36
Latin articles they know karate she cooks with
00:36:39
tomato sauce mom the red one
00:36:42
couldn't last long no one
00:36:49
this part maybe the discarding of jade
00:36:53
this part that no one is going to portray
00:36:58
of the 30 with the sweat as if
00:37:05
you were a street person
00:37:08
etc.
00:37:11
escape, maybe you have Tuesday, leave this
00:37:14
part that no one is going to portray, rise
00:37:17
from the mountain
00:37:20
[Music]
00:37:24
as if you were an evil that you are [
00:37:31
Music]
00:37:49
you
00:37:52
[Music]
00:38:03
ah
00:38:12
how
00:38:27
[ Music]
00:38:34
[Music]
00:38:53
[Music]
00:39:18
the enamel and get to mars to portray
00:39:26
spark
00:39:29
in this game as if you were a bar
00:39:34
because you are street
00:39:40
[Music]
00:39:42
d
00:39:47
3
00:39:49
the spark of esparteros but it has it in
00:39:52
play like nine is some 31 like if
00:39:55
it were the same as you, you are street
00:40:00
[Music]
00:40:11
hey now yes now we really left
00:40:16
[Music]
00:40:46
hey
00:40:48
talent pure pure pure like hitting
00:40:53
royalty hard passa passa passa part to
00:40:56
school your grandmother has to stop
00:40:59
son passa passa passa part to the sole
00:41:06
1 1
00:41:17
1
00:41:30
[Music]
00:41:41
[Music]
00:42:02
[Music]
00:42:04
[Applause]
00:42:12
my name is Alejandro Franco it doesn't
00:42:14
fit me again because this program is
00:42:16
so grateful especially in this
00:42:18
last broadcast I have nothing left but to
00:42:20
thank you again to all of
00:42:22
you for having followed us in this
00:42:24
season of sessions and I have nothing left but to
00:42:26
leave you again with this
00:42:29
band that no longer needs introductions
00:42:31
and that also comes to demonstrate the music
00:42:35
that is made in Latin America'
00:42:36
proudly and the good proposals and
00:42:38
What needs to be said about this side of the
00:42:40
planet is that by doing the
00:42:42
robot step we end this season of
00:42:45
sessions, a round of applause please for Calle
00:42:47
13
00:42:48
[Applause]
00:42:52
but with this fame,
00:42:54
the wave of the 80s, this song we collaborate
00:42:58
with a girl who It's called Christie's
00:43:00
from Afro Beta which is a group like that where
00:43:02
the ground from Miami and they make music like that from
00:43:04
the 80's and well he's no longer with us
00:43:07
but the choir is going to sing my brother so
00:43:09
fire 13th Street
00:43:14
[Music] they
00:43:20
play they play they play they play they play they play
00:43:23
they play they play they play they play they play
00:43:28
[Music]
00:43:29
so much that I'm flirty you and I
00:43:32
make a story bone you're crazy
00:43:34
and I'm crazy with you I'll stay
00:43:36
until my teeth fall out I already
00:43:38
have a simple account looking to mix I
00:43:40
don't eat bread with butter as
00:43:42
refried with guacamole well mixed and
00:43:44
take them with beans we do not
00:43:47
go out with our legs loose let's go
00:43:49
back to the 80's when madonna
00:43:52
was a virgin and I another lap on the floor
00:43:54
turned a world of colors flowers
00:43:56
of 3 without worries in the mind I already
00:43:59
mentioned it, a hot kiss from you to make
00:44:02
people disappear
00:44:12
[Music]
00:44:19
but
00:44:21
to death and then whatever it is he fought
00:44:23
against 300 girls in Korea for you he caught
00:44:26
500 dolphins and crossed the Andes mountain range
00:44:28
on skates
00:44:33
[Music]
00:44:38
I don't understand what you're saying I
00:44:41
hope you're not cursing me boy
00:44:43
measure if you give me permission
00:44:45
we can have behind that what I want to
00:44:48
make fly like render go above
00:44:50
Friday hold on bridge turned out to be 30
00:44:53
serenades like the light of the moon
00:44:55
claudio doesn't play
00:44:57
let's go
00:45:12
[Music]
00:45:16
with electromagnetic so that you move your
00:45:19
whole skeleton good music
00:45:24
what I want is for
00:45:26
u2 meetings to close manifest to eat with
00:45:28
the whole wild world count on the
00:45:32
goats
00:45:36
[Music]
00:45:49
in the same act homosexual is lesbian
00:45:51
or bisexual specialist of
00:45:54
heterosexuals dancing the electro
00:45:56
movement to dance this does not have to be
00:45:58
talented everyone because
00:46:00
ramón's control everyone with the
00:46:02
robot's control everyone in the
00:46:05
robot room everyone on the
00:46:06
floor dancing
00:46:09
for love
00:46:12
[Music]
00:46:19
[Music ]
00:46:30
good
00:46:32
[Applause]
00:46:39
[Applause]
00:46:44
oh
00:46:47
and

Description:

La agrupación puertorriqueña liderada por Residente y Visitante ha conquistado muchos países, en ambos lados del Atlántico, con su música urbana. Calle 13 ha sido reconocida con numerosos premios, MTV Awards y Grammy Awards entre ellos, y con temas como ‘Atrévete Te-Te’, ‘La Cumbia de los Aburridos’, ‘Fiesta de Locos’ y ‘Calma Pueblo’ ha sido considerada un referente de la música hecha en América Latina. 0:00 - Introducción 3:44 - No Hay Nadie Como Tú 8:43 - La Cumbia de los Aburridos 14:04 - La Fukin Moda 17:37 - Fiesta de Locos 22:33 - Entrevista Calle 13 29:40 - Entrevista Calle 13 Segunda Parte 34:13 - Atrévete-te-te 42:12 - Despedida de programa 43:13 - Electro Movimiento Suscríbete a nuestro canal https://www.youtube.com/WARPmagazine Síguenos en Twitter: @WARPmagazine (http://twitter.com/WARPmagazine) y @WARPtv (http://twitter.com/WARPtv) Facebook: https://www.facebook.com/unsupportedbrowser Agencia de Contenidos, S. A. de C.V. Todos los Derechos Reservados México, Copyright 2009 Prohibido su uso, reproducción o retransmisión total o parcial All Rights Reserved

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