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famille
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00:00:00
[Music]
00:00:15
hello everyone and welcome to this
00:00:17
new broadcast of the colors of the
00:00:18
Bible if we were trying to find
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the origin of the images of the Holy
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Family in the Bible the gospel of Luke
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would be our source after the birth
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of Jesus the shepherds find Marie-Joseph
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and the newborn near Bethlerme the
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Holy Family in painting therefore presents
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the child Christ with his parents
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often joined by other characters
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who complete the family circle such as
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for example Elisabeth the cousin of
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Mary and her son in Jean- Baptiste this is
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the case in the painting by Nicolas pushes
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this French painter lives mainly in
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Rome and becomes one of the greatest
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masters of classicism in the 17th century the
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Holy Family rests in the foreground
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on the background of a landscape the Virgin dressed
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in her traditional blue coat holds
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Christ on her knees the little boy
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in front of them and without Jean-Baptiste
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accompanied by her mother Elisabeth she is
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shown still
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old and the birth of her son was a
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miracle of God Joseph stands
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behind her head leaning on the on
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her hand and observes the scene
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on the right of little cherubs amen in
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basket of flowers a pitcher and a basin
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to give Christ a bath their
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procession is reminiscent of curly ones
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it is remembering antiquity are
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part of the language classicism just
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like the measure in the composition and
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in the poses of the characters here
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Rennes the drawing completed by
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the balance of colors where the blue
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yellows or bright reds coexist
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harmoniously with the rest of the
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canvas
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you must read my painting recommend
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Nicolas Poussin him -even in one of his
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letters to read is to recognize the
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symbols of his painting for example the
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stakes which bring back flowers
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refer to the first Arthur the children
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victims of the massacre of the innocents
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organized by King Herod and
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sometimes called the flowers of the martyrs the
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LeBron basin that they bring
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alludes to the future baptisms of Christ by
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John the Baptist whose cup placed on the
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ground also tells us about it the Vase with
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roses place is near the Virgin and its
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symbol the harmonious beauty of the vase
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and its shapes harmonious speak to us
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of the pure beauty of Mary the roses
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are these symbolic flowers her purity
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would also be evoked by the expanse of water
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behind her back its
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reflective surface would be like the
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spotless mirror another metaphor of Mary
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which comes from the Book of Wisdom
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classicism coexists with baroque
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the second great movement of the 17th century
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in Europe our second center family
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was painted by Rubens undoubtedly the
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greatest Flemish baroque painter saint
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John the Baptist as a child stands near
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Joseph and Mary who is in the center of the
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painting with Christ in her arms
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Elisabeth leans on a cradle placed
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on the ground to the right a lamb accompanies
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John the Baptist and refers to the phrase
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with which he will designate Jesus
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later here is the Lamb of God
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this scene appears human and realistic
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the bare center of the mother who
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is about to feed her child
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contemporary clothing the
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biblical characters are like neighbors of
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ribbon without verse where he had his
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workshop
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the painters of the 17th century
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quickly opposed chick and ribbons
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this is which of color which emerged
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in the 1670s the Poussinists
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proclaimed the primacy of drawing the
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Rubenists those of color because
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Rubin was a true color genius
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these colors are rich and shimmering
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we are no longer in the restraint of
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classicism with him color reigns
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even in the shadows observed for
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example the body of the child Christ where
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the shadow is tempted by the red reflection of
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his mother's dress
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if it is expensive exposed to the light are
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opaque and impasto the shadows in
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ribbons are painted with thinner layers
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of glaze, that is to say with
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oil very lightly loaded with
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colored pigments, this gives them this finesse,
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fluidity and it is this
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ribbon technique which makes the fleshy bodies
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tactile and naturalistic
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in only subject and in such a
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different way of treating it with the measure
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and the symbolism in poussin with
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the shine in ribbons then in the
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quarrel of the color are you for the
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drawing or for the color I
00:05:07
thank you for having followed us today
00:05:08
do not hesitate to share this show
00:05:11
from
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site.com or from social networks
00:05:15
and I will see you next week
00:05:19
[Music]
00:05:25
[Music]

Description:

La Sainte famille présente le Christ enfant avec ses parents, et parfois d'autres personnages. Comparons deux tableaux, l'un peint par Poussin, maître du Classicisme, l'autre - par Rubens, peintre du Baroque. Qu'est-ce que symbolise un vase avec des roses ? Et une bassine avec un broc ? Pourquoi oppose-t-on Poussin et Rubens ? Olga Popova vous propose une initiation dans les grandes techniques de la peinture et vous donne des clés de lecture pour ces deux toiles de maîtres.

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