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00:00:00
This is Durban, the third largest city in
the country after Cape Town and Johannesburg,00:00:04
in 1910.00:00:05
Could it be that all these buildings were
erected by Dutch farmers, who lived apart00:00:09
on their land, as history tells us?00:00:10
They had enough to worry about on their plantations,
to say nothing of construction.00:00:13
And strangely enough, there is a single classical
style in the architecture, and if it were00:00:17
not for the inscription on the photo, one
would think that this is some kind of Paris00:00:22
and others like it.00:00:23
In other major cities of the country the picture
is about the same.00:00:26
If you trivialize the amount of materials
used for construction, and compare the number00:00:28
of people who lived on those lands (Africans
don't count), you can easily prove that both00:00:32
the Dutch and the British have nothing to
do with these buildings.00:00:33
This too Durban in 1898, and then oops...
streetcar with no wires.00:00:36
About the same as seen many times in old photos
of other countries, only on a different continent.00:00:40
Maybe the angle is unfortunate and you can't
see the horses?00:00:42
However, no, the streetcar is really without
wires.00:00:44
And the street is the same, but only in 1891.00:00:47
If you look closely, in the background we
see a pole without wires, which is turned00:00:50
by traverses not in the direction of the road,
as usual, but to the house standing opposite,00:00:54
more precisely, to its roof.00:00:55
And on the roof of this house is a power installation,
discussed earlier in many articles.00:00:59
This is the one where the line of poles without
wires takes its starting point.00:01:02
In the left corner you can see the same pole,
only in profile.00:01:06
It is pointing in some other direction.00:01:08
Most likely there were many buildings with
such roofs.00:01:11
I would venture to guess that the circled
building in this photo is the same as the00:01:15
one in the previous photo, only done from
a different angle and older by at least ten00:01:20
years.00:01:21
And strangely enough, wireless streetcars
crowd this street in piles.00:01:23
Transvaal (my country - sang in some song)
is the country of wireless streetcars.00:01:26
Judging by the building with a clock in the
background, this place could be reconstructed.00:01:31
Another photo from the same street, only two
blocks closer to the sea.00:01:33
As you can see, behind the streetcar there
is a pole, on which objects similar to sports00:01:37
cups are placed in a circle, And on the buildings
(and not only) again we see simplified wireless00:01:40
poles, these are basically the same poles,
only instead of traverses there they did with00:01:43
a single cup, mounted on a regular pole.00:01:45
The same constructions are very well fixed
in the photo of the same Brazil.00:01:50
Most likely, the power of sources was enough,
so they did not make poles with large grids.00:01:56
And this is again a photo of the same street,
only in 1860.00:01:59
As they say, feel the difference.00:02:00
The streetcars are still running on horses,
but the pole with the cup is already there,00:02:05
and the height of the cup is again at the
height of the roof with the power plant.00:02:09
A trend, however.00:02:10
But we can conclude that streetcars with incomprehensible
electric propulsion obviously didn't appear00:02:14
before three decades from the end of the 19th
century.00:02:16
And when did poles without wires, albeit simplified,
appear?00:02:19
The same technology was used in Johannesburg,
around the same time.00:02:22
And in Pretoria, with the pole not even standing
on the building and above the ground with00:02:27
no visible connections to the porch structures.00:02:28
It appears that somewhere on the porch there
were field receivers to which this pole was00:02:33
connected.00:02:34
This technology has apparently been used around
the world since the first half of the 19th00:02:37
century, the first photos that documented
it date back to the 1850s (around the time00:02:42
photography began to take mass distribution).00:02:44
It is not impossible that it happened earlier.00:02:46
And this is Pretoria in 1881.00:02:47
Everything is still just beginning.00:02:48
As you can see, the future capital is practically
not there yet, but the poles are already standing.00:02:55
Even South African farmers used this technology
in the early 20th century.00:02:58
And they weren't the only ones.00:02:59
This is the train station in Cape Town, in
the early 20th century.00:03:02
If it weren't for the caption and the British
flag banners, I would have thought it was00:03:07
the Palais de l'Electricité from the Paris
World's Universal Exhibition - so similar00:03:10
in architectural style.00:03:11
Apparently, the engineering systems of this
and that building worked on the same principle.00:03:16
This is the Palace of the Republic in Pretoria
at about the same time.00:03:21
Exactly the same on the roof.00:03:22
Actually, private houses were not far behind
either.00:03:24
This is a wealthy private house in Johannesburg.00:03:28
Note its porch and the lanterns at the entrance.00:03:31
They are unambiguously connected.00:03:32
I wonder why there are two stovepipes on the
same house in Africa.00:03:36
That it is cold there is hard to believe.00:03:37
And here the people are moving out to the
Anglo-Boer War.00:03:39
Very strange poles stand on the porch of the
building in the distance, with glowing advertisements00:03:44
attached to two of them.00:03:45
Very interesting light fixtures are located
on the Cape Town waterfront.00:03:49
On the bottom are the light bulbs, and on
top are the familiar mini-domes.00:03:51
And these lighting fixtures do not lend themselves
to sound analysis.As we can see, even in little-known00:03:54
South Africa is buried a lot of secrets of
the industrial grandeur of the past centuries.00:03:58
How they got there is an interesting question,
apparently with those individuals who built00:04:01
buildings there in the classical style, and,
in fact, all over the world as well.00:04:04
As much has already been written before and
by various authors, a great many ancient technical00:04:08
objects of the past have been deified, adapted
to the primitive or explained by aesthetic00:04:11
necessity due to a lack of understanding of
the principle of their operation in the very00:04:15
recent past.00:04:16
This proves once again that in human evolution
there was a certain gap in the degree of development00:04:20
with subsequent degradation, but now we are
not talking about this, but about one of such00:04:25
technical objects.00:04:26
Well, obviously not for beauty and mysticism.00:04:28
Perhaps the climate was milder in the northern
latitudes, but the fireplace nevertheless00:04:35
has a chimney.00:04:36
Experts will confirm that in warm climates
because of the reverse thrust to stoke the00:04:42
fireplace is even more difficult.00:04:43
So what is the secret?00:04:44
Let's look into it.So, the fireplace.00:04:48
The older it is, the more reminiscent of the
design over a fire, which breed right on the00:04:53
floor.00:04:54
Fireplace design, France, 17 century In addition,
the height of the furnace on the fireplaces00:04:57
of the old design is obviously higher than
human height.00:05:00
Probably the artist of these engravings did
not burn fires in pioneer camp as a child.00:05:05
In this case, even with a good draft, half
of the smoke will escape into the room.00:05:10
There are even prints of people sitting in
a luxurious palace and stoking a fireplace,00:05:11
with puffs of smoke coming out of it.00:05:13
The feeling is that these people are savages
who first got into a derelict palace, and00:05:16
found no worthy purpose for the fireplace,
except to burn wood in it (by the way, many00:05:20
historians so argue that modern people came
to ancient palaces as savages, in the 18th00:05:25
century).00:05:26
All ancient engravings depict fireplaces with
as large a firebox as possible.00:05:27
That is exactly how they originally were.00:05:29
Naturally, in this form they were poorly heated
with wood, and people refined them to at least00:05:35
somehow improve the draught.00:05:36
It is easy enough to do.00:05:38
You just need to reduce the size of the firebox
by filling it with masonry.00:05:41
Look at the material and quality of the fireplace
itself and the white tiles, which reduced00:05:43
the size of the firebox, as well as the seams
between them.00:05:46
The fact is obvious - the owners of the house
got the fireplace ready, and it was refinished.00:05:49
Wait.00:05:50
And what are the objects standing near the
fireplace?00:05:51
For beauty or just happened to be in the frame?00:05:52
Probably not by chance, since in almost all
of the above drawings some such objects are00:05:56
always present.00:05:57
As we can see, at different times and in different
countries, all fireplaces have one thing in00:06:00
common - the presence of a metal plate on
the back wall of the firebox (or execution00:06:03
of the entire firebox as a metal caisson placed
on the side), and the presence near the fireplace00:06:08
of metal cups, and the cups can be of different
sizes, the largest being placed in the corners00:06:14
of the fireplace.00:06:15
The presence of a metal sheet on the back
wall is quite understandable - it serves to00:06:17
radiate infrared rays during heating, strictly
in front of itself, as it should be fireplace.00:06:20
But the cups have nothing to do with the process
of burning wood.00:06:23
Here, apparently, the European mentality kicked
in.00:06:24
Europeans did not understand what these cups
were for, but if they were there from time00:06:28
immemorial, it means it was necessary to put
them away.00:06:31
And these cups are nothing but devices for
the concentration of atmospheric electricity,00:06:34
and their step-by-step installation increases
the current in the closed conductor along00:06:36
which they are placed.00:06:37
So what is the result?00:06:39
For starters, probably the fact that no wood
was burned there in their owners' fireplaces00:06:43
in a past life.00:06:44
And the fireplaces were not designed for that
at all.00:06:46
The secret is probably something else.00:06:49
And of course, the fireplace also has nothing
to do with the Santa Claus passageway.00:06:52
Let's imagine that the chimney pipe from the
roof of the building has metal links, as in00:06:57
the picture, and comes to a thick conductor,
which is formed by the frame at the entrance00:07:02
to the fireplace firebox.00:07:03
This frame is metallically connected to the
slab on the back wall.00:07:06
This connection can be single conductors,
or it can be continuous, as here: Let's imagine00:07:08
that the metal connections run down the chimney
from the roof of the building, as in the picture,00:07:12
and come into the thick conductor that forms
the frame at the entrance to the fireplace00:07:16
firebox.00:07:17
This frame is metallically connected to the
slab on the back wall.00:07:21
This connection can be single conductors or
it can be continuous, as here: When the cups00:07:25
are placed in close proximity to the frame,
a strong eddy current begins to be induced00:07:31
in the frame.00:07:32
This current generates eddy currents in the
slab on the back wall as well, roughly concentrating00:07:39
in the center of the slab.00:07:42
Probably because of this, in the center of
the stove the density and strength of the00:07:45
current was such that the metal there heated
up and began to radiate heat, so that, as00:07:49
the proverb says, you don't need wood or a
lighter, you can live without a torch.00:07:52
It is possible that there were also secrets
inside the fireplace, and the same cups were00:07:56
built into the upper part of the firebox.00:07:59
In some pictures, the two cups stand not only
at the bottom, but also at the top, which00:08:01
confirms this version.00:08:02
In addition, there was a grate on the chimney,
which provided an unbreakable electrical contact00:08:06
between the metal connections of the fireplace.00:08:07
The chimney actually was not provided for
nothing, because of the contact with the red-hot00:08:12
iron air was spoiled and was harmful to health,
and here he is just what was removed by convection00:08:19
through the pipe.00:08:20
Look at this fireplace, it does not even have
space for firewood (if the radiator is the00:08:24
original stove, rather than a modern modification).00:08:27
And such designs fireplaces, in which the
volume of the furnace is rather symbolic,00:08:36
very much.00:08:37
Well, this is a real fireplace, as it should
be.00:08:41
Judging by the look of it, it is rather maintained
as a museum piece and either could not think00:08:46
of heating it with wood or decided to spare
it.00:08:48
There is no trace of soot on it at all.00:08:51
Or maybe at the time of the photo in the 19th
century and there was no need to burn wood00:08:57
in such fireplaces, everything worked as it
was designed?00:09:00
It could very well be.00:09:01
The evidence is overwhelming, and there is
reason to think about it and rethink history.00:09:04
And even throw out a lot of engravings and
literary works with burning wood in the fireplace.00:09:08
But to whom?00:09:09
The destruction of free energy in the 19th
and 20th century, oddly enough, was also going00:09:16
on in the world leader of industrial production
at the time, the United States.00:09:21
Although logically things should have been
different.00:09:22
And nevertheless, it is a fact that globalization
has been no worse there than in the rest of00:09:26
the world.00:09:27
And even the historical materials remain.00:09:28
Well, as an epigraph, let's look at one interesting
photo.00:09:30
It's a portrait of Benjamin Franklin at his
desk.00:09:31
What is that strange thing hanging to the
right of his desk?00:09:34
Probably the other end of a lightning rod.00:09:36
Humor is humor, but I came across another
photo, in which the hero of Austro-Hungarian00:09:40
Trieste, the writer James Joyce, who was in
the USA at that time.00:09:43
Turns out there used to be a lot of these
things and they weren't inkpots at all.00:09:47
And not stamps, and not bell pens for summoning
an adjutant.00:09:49
And there is virtually no speculation about
the purpose of these things (readers who know00:09:52
anything about these things other than speculation,
please respond).00:09:55
But moving on.00:09:56
Ah, America...00:09:57
How long we've been taught to love your forbidden
fruit.00:09:59
This is the usual summer stable of one Oliver
H.P. of Belmont, from 1864.00:10:02
And, if I'm not mistaken, there are paintings
hanging on the left wall.00:10:05
Can you imagine anything like that in our
country at that time?00:10:08
But it's not about that, it's about the lanterns
that light up this stable.00:10:12
Gas, with sources of heavy ignition, is probably
out of the question here.00:10:16
Industrial electric generators are kind of
a long way off.00:10:18
So how did these lanterns burn?00:10:19
It's hard to say.00:10:20
And this is a photo of a simple ordinary social
shelter (!?) in Charleston.00:10:22
Apparently the lanterns were once the same,
but a shelter is a shelter, and the left shroud00:10:25
was probably swept away.00:10:26
What was burning there anyway?00:10:28
On the pedestals are griffins, as if from
the Crimea, and on them are the usual lanterns00:10:32
with a glowing element.00:10:33
And that is all.00:10:34
How did such lanterns burn?00:10:35
In terms of logic, no way.00:10:36
But again everything falls into place if you
look closely at the cylinder between the lantern00:10:41
and the griffin.00:10:42
This is the very object that causes the glow,
or rather, the contents of this object.00:10:48
The version with kerosene or gas is not valid
here, because it is too high.00:10:52
Also, the lantern itself, judging from the
view on the right, did not provide openings00:10:55
for the products of combustion to escape.00:10:56
This is also a Charleston from South Carolina.00:10:57
The same kind of lanterns.00:10:58
So how did they burn?00:10:59
Alas, we can't figure that out now.00:11:00
We can't even find the lanterns anymore.00:11:02
Keep going.00:11:03
This is the main street of Ulm.00:11:05
You can see that the wireless poles are wearing
out and are slowly being replaced by wired00:11:08
ones.00:11:09
The same on the streets of the Oil City (stereo
photo).00:11:11
Progress is in full swing.00:11:12
And this is Marietta Street in Atlanta, Georgia.00:11:13
Probably the only photo where I could find
the top of a wireless pole close-up.00:11:15
The same pole is on the roof in the back.00:11:19
Nothing really special about them.00:11:21
Just a normal metal tube, and on it a spherical
container filled with some kind of substance.00:11:27
And this design was widespread all over the
world.00:11:29
During the transition to wire power transmission,
traverses with wires were attached to the00:11:33
poles, and the spherical container was demolished.00:11:35
The famous old Congress Hall building on Broadway
in New York City in the late 19th century.00:11:39
The roof contains elements that are now not
there at all.00:11:43
It was these elements that gave the building
light and heat until wires were stretched00:11:45
to it.00:11:46
A similar principle of energy supply for such
buildings before wires is seen in the National00:11:51
Library building in Brazil.00:11:53
And this is the Hotel Cadillac and Washington
Boulevard, in Detroit, Michigan, from 1886.00:11:56
The same posts are on each roof addition.00:11:59
What's the tower to the left of the hotel
(in 1886)?00:12:02
Wait.00:12:03
We're looking for something similar (thankfully
the Library of Congress has the largest collection00:12:06
in the worldThis is also Detroit around the
same time.00:12:09
Well...00:12:10
Was there really a cell phone in the late
19th century?00:12:12
If these are lighting lanterns, then their
power would have to be what there was no way00:12:20
there could have been in general in lanterns
at that time.00:12:24
It doesn't look like an advertising sign,
either.00:12:27
What is it?00:12:28
It all falls into place again, if you look
closely and see a pole without wires in this00:12:32
design, as tall as the one in Brazil.00:12:34
Why?00:12:35
There were rich people in the country who
could afford these things, and the buildings00:12:39
there were tall at the time, and they had
to be served by signal sources (probably like00:12:44
these).00:12:45
More and more surprises are coming to us in
the USA.00:12:48
What is that in the photo and why was the
retoucher plastered over the antenna?00:12:53
If it was an over-the-air telegraph, why would
the year be 1865, when the telegraph was still00:12:57
a long way off?00:12:58
Say, the U.S. Congress could lie about the
year (they're used to it), but what about00:13:01
the rest?00:13:02
Could this be the rooftop station from which
the wireless poles started and quietly distributed00:13:06
the central signal to the homes?00:13:15
That was most likely the case, but only a
further search for photos of central stations00:13:24
by the tag turned up only this: This must
have been the same teleraphone that existed00:13:29
in Pushkin's time and which is now the greatest
mystery.00:13:34
Actually, the modern territory of the United
States from the west was no less interesting00:13:38
mystery, and it belonged to the Russian Empire,
and they even made steamboats there.00:13:42
But enough riddles, let's move on.00:13:45
This is a typical interior of a typical villa
in Belmont, Virginia, in the late 19th century.00:13:51
Very cool fireplace, especially the ironwork
in its firebox.00:13:54
Judging by the shade, it's set back from the
back wall by another 15 cm.00:13:59
Why?00:14:00
In this case it steals the space of the firebox.00:14:03
But again everything becomes clear if we imagine
that this fireplace was not for wood at all.00:14:15
And oddly enough, there were many such fireplaces
in the United States.00:14:22
The fireplace from the bottom photo is particularly
impressive.00:14:25
I have to be honest, I have never seen a fireplace
like this even in a photo before.00:14:29
Judging by the whiteness over the firebox,
no one ever stoked it with wood.00:14:32
At the same time, making such a masterpiece
for beauty, to take up space, is not quite00:14:38
rational.00:14:39
This is a common 19th-century White House
Botanical Gardens greenhouse in Washington,00:14:42
D.C.00:14:43
As you can see, when the weather is cool enough
outside, it has no smoky boiler room chimneys.00:14:51
The secret is all in the same vases, which
are arranged in several tiers on the greenhouse00:15:03
structure.00:15:04
These vases form a volumetric resonator that
extracts atmospheric electricity and converts00:15:08
it into heat.00:15:09
This is the famous Dreamland Park in 1905
(!), which along with the equally famous Luna00:15:14
Park (see main photo) existed next door on
the same island in New York in the first part00:15:22
of the 20th century.00:15:23
If you add up all the electrical power consumed
by these two parks at night, you get quite00:15:30
an impressive thermal power plant, which at
that time simply could not exist.00:15:34
For reasons still unclear, both of these parks
burned down completely in 1911, Luna Park00:15:38
being rebuilt again, Dreamland Park not.00:15:39
And the newly rebuilt Luna Park looked very
different, almost without the lighting we00:15:43
see now.00:15:44
That's a topic for a separate article.00:15:46
And this is the Queensboro Bridge, Roosevelt
Island, New York in 1895.00:15:55
Few people know that the lanterns on it provided
electric light at night.00:16:05
And even fewer know that such exact bridges
were built all along the Southwestern Railroad00:16:10
from Zhmerinka to Odessa, but photos of these
bridges have managed to get just by chance,00:16:19
such
a big secret apparently.00:16:37
The song "Zhmerinka - New York" from
the works of Willie Tokarev comes to mind.00:17:02
How everything was the same in that world...00:17:19
This
is the interior of the Third All-Columbian00:17:30
Industrial Exhibition in Chicago, 1899.00:17:31
In fact, nothing really needs to be singled
out, everything is exactly the same as it00:17:59
was here.00:18:00
The same churches in the background that got
their steam by heating water and got their00:18:15
energy from the air.00:18:23
Now they say that they didn't exist, but there
were wood boilers, which had an efficiency00:18:52
of 0.5%.00:18:55
Alas, globalization...00:19:01
And
this is Grand Court, Night Illumination.00:19:15
Trans-Mississippi Exposition.00:19:16
By the way, 1898.00:19:17
And there are no poles with wires (it is impossible
to lay underground cables because of the stone00:19:23
structures).00:19:24
But, in fact, looking at the night Luna Park,
nothing is surprising.00:19:45
Alas, it's
all gone into oblivion now.00:20:40
But maybe someday it will return.Description:
TELEGRAM : t.me/Probujdenje КАК УНИЧТОЖАЛИ СВОБОДНУЮ ЭНЕРГИЮ - ЗАБЫТЫЕ ТЕХНОЛОГИИ Это Дурбан, третий по численности город страны после Кейптауна и Йоханнесбурга, в 1910 году. Неужели все эти здания выстроили голландские фермеры, которые и жили-то особняком на своих землях, как нам говорит история? Им на своих плантациях забот вполне хватало, чего уж там говорить про стройку. И как ни странно, налицо единый классический стиль в архитектуре, и если бы не было надписи на фото, можно было бы подумать, что это какой-нибудь Париж и иже с ним. ----------------------------------------------------------------------------------------------------------------------- 00:00 - Невероятная Архитектура 00:52 - Поезда Без Проводов 04:56 - Загадочный дом 05:26 - Осветительные Приборы 05:55 - Какими Были Камины 12:13 - Как Уничтожали Свободную Энергию 13:02 - Загадочное Устройство 13:29 Загадочные Лампы 15:02 - Беспроводные Столбы 18:14 - Интерьер Виллы 18 века 19:00 - Оранжереия Батанического Сада 19:27 - Парк Дримленд 20:14 - Мост в Нью Йорке 20:47 - Промышленная Выставка 21:16 - Самый Загадочный Объект ---------------------------------------------------------------------------------------------------------------------- В других крупных городах страны картина примерно такая же. Если банально высчитать количество материалов, затраченных на строительство, и сопоставить количество населения, жившего на тех землях (африканцы не в счёт), то можно легко доказать, что и голландцы, и англичане не имеют к этим зданиям никакого отношения. Это тоже Дурбан в 1898 году, и тут упс... трамвай без проводов. Примерно такой же, как много раз наблюдаемый на старых фото других стран, только на другом континенте. Может, ракурс неудачный и не видно лошадей? Однако, нет, трамвай, действительно, без проводов. И улица та же, но только в 1891 году. Если приглядеться, то на заднем плане мы видим столб без проводов, который развёрнут траверсами не по направлению дороги, как обычно, а на дом, стоящий напротив, точнее, на его крышу. А на крыше этого дома расположена энергоустановка, рассмотренная ранее во многих статьях.
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