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Самый красивый мультфильм: Хранитель Луны. "Кунг-Фу Панда" в Инстаграм фильтре.

Самый красивый мультфильм: Хранитель Луны. "Кунг-Фу Панда" в Инстаграм фильтре.

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Обещанный

Promised Neverland

обзор

yakusoku no neverland

рецензия

разбор

объяснение сюжета

сюжет

аниме

критика

японская

анимация

Юмор

все серии аниме

moonlighter

00:00:03

the rules have changed

00:00:07

the line between the original and the remake is very

00:00:11

subtle

00:00:14

sometimes

00:00:16

we have to

00:00:19

step over

00:00:25

and for the 6 main thing I see season 2 I authorize

00:00:29

the liquidation of the first review

00:00:33

right 6

00:00:35

5 years

00:00:37

[music]

00:00:42

[music] [

00:00:51

music] the

00:00:59

rules of the game have really changed

00:01:01

because 2 seasons in Orlando suddenly got

00:01:04

completely original The plot, as for the

00:01:06

first season, I wasn’t very happy with that

00:01:08

review, and the good part of it

00:01:10

simply became irrelevant, so this

00:01:12

rushed edition will bring us back again to the

00:01:14

wonderful year 19, and I call it wonderful for a

00:01:17

reason, the

00:01:18

year nineteen gave us one of the

00:01:20

most exciting detective series,

00:01:22

I don’t argue the format is not innovative, but

00:01:24

Nora Typhus 100 retail execution

00:01:27

really makes the land gain

00:01:29

unique and the adaptation did not keep the

00:01:31

fans waiting I confess Arai began releasing

00:01:33

on Varlam in 2016 in the seventeenth year in the

00:01:37

manga has already sold 2 million copies and in the

00:01:39

eighteenth year everything on jump was

00:01:41

officially announced 1 season, a lonely

00:01:44

shelter in the middle of the forest, at first glance it

00:01:46

seems like a real Garden of Eden, good

00:01:49

food, clean clothes, a carefree life with a

00:01:52

loving family,

00:01:53

however, like any utopia, this shelter

00:01:56

is built on blood and never the Garden of Eden

00:01:58

or is hidden by our hero like a real

00:02:01

nightmare after learning the truth about the purpose of

00:02:03

this shelter the main character has

00:02:05

only one thing to

00:02:06

avoid at all costs, intriguing

00:02:09

isn't it, but the gain of land is from a

00:02:11

true Jumpa

00:02:12

and what is he doing, he simply tears up all the

00:02:14

socks and templates of Zion,

00:02:16

I approve of the adaptation itself came out from under the

00:02:19

wing of the studio clavier works known to us

00:02:21

for the girl bunny persona 5 anime which

00:02:23

is better not to name this what is this which is

00:02:26

for young morons and carrying a shtele

00:02:29

for wtf not from well but for that matter the

00:02:32

guys from studio panda again

00:02:33

agreed to participate in the video

00:02:35

because not using such a

00:02:37

[ __ ] dub would be

00:02:38

blasphemy of reference they will be in

00:02:40

the description remember once I said that

00:02:43

I wanted to erase my memory just to

00:02:44

erase my favorite title again for the review,

00:02:47

but for the review Tishchenko

00:02:54

2045

00:02:55

Grace Field a lonely shelter in the middle of the forest

00:02:58

where the plot of the land of dreams unfolds the

00:03:00

children living here are not relatives to each other

00:03:03

the woman they love as a mother is also

00:03:05

dear to me, like this shelter is

00:03:08

not their real home, however they live like a

00:03:11

real family, the children take care of the

00:03:13

house, study, eat well and

00:03:16

just spend time with friends, the children

00:03:18

are allowed to do whatever their heart desires,

00:03:20

except one thing

00:03:22

goes beyond the limits They are not allowed shelter

00:03:25

because who knows what dangers might

00:03:27

await them without the sensitive supervision of their mother and

00:03:44

this red bun is our main

00:03:47

character, an exemplary excellent student with outstanding

00:03:50

physical fitness. Emo appears to

00:03:52

the viewer as the most devoted heroine to her family,

00:03:54

who will never leave her

00:03:56

loved ones in trouble,

00:03:57

but in terms of learning ability cannot be

00:03:59

compared with except that Diman is not that

00:04:04

frame of hell,

00:04:06

[ __ ]

00:04:13

Norman is in second position, without

00:04:17

exaggeration, the most gifted child in the

00:04:20

orphanage, Norman, from childhood showed incredible

00:04:22

intellectual abilities and leadership

00:04:25

qualities, a kind of local prodigy,

00:04:27

just like Emma Norman shows

00:04:30

himself to be extremely capable pupils with the

00:04:32

highest points I know someone who could

00:04:35

compete with him in this flight, the last of

00:04:40

our trinity is the walking encyclopedia that

00:04:42

stands out not only for his erudition but also for his

00:04:44

incredible composure Reilly Sean and

00:04:46

party norm on yuppie rtas topics

00:04:48

he does not allow emotions to take over, not to

00:04:51

say that the spectrum is particularly wide, but

00:04:52

this also contributes his own adjustments, he quickly

00:04:55

gives up, doesn’t get involved in noisy companies

00:04:57

dfc, he prefers to avoid people, just

00:05:00

like you went to hell,

00:05:03

don’t go there, moms always

00:05:06

talk about it because in the depths of

00:05:08

the forest and dodging is dangerously dangerous and lies, it’s

00:05:12

all so much you love to play in general,

00:05:20

yes and besides, the flight of the first

00:05:22

minutes hints to the viewer that his

00:05:24

worldview is very different from the

00:05:26

others,

00:05:27

but in some ways he is still right; the

00:05:29

children who left the orphanage were never associated with the

00:05:31

other orphans, which is suspicious for

00:05:34

so many years, although here I already had to

00:05:36

use all my deduction skills

00:05:38

to notice that they are all numbered as in

00:05:40

code m, why would it be,

00:05:43

and to the fact that this evening one of the orphans

00:05:45

named the horseman was just leaving the orphanage,

00:05:48

having forgotten his favorite toy,

00:05:50

only now, with a complete ban on leaving the

00:05:52

boundaries of the orphanage, paradise still pushes

00:05:54

oh my Normans return the bunny to his

00:05:56

mistress the car there is no one body

00:06:20

[applause]

00:06:27

so it seems like someone is talking here or basic

00:06:44

[music]

00:06:51

curse even a piece with your fingers bribe

00:06:54

network very soon we will harvest a

00:06:56

high quality harvest Isabella, you should

00:07:00

try with these three who have

00:07:03

perfect scores for sure Isabella this is

00:07:09

where all the

00:07:11

fun begins, first of all let’s talk

00:07:14

about Isabella, as we remember,

00:07:16

Isabella is not just a teacher or a

00:07:18

nanny, she is a mother for these children,

00:07:21

however now Isabella is revealed

00:07:23

as an antagonist and combines two

00:07:25

conflicting roles in herself, this is not just a

00:07:28

plot twist,

00:07:29

this the whole idea is not only that a comfortable

00:07:32

life in this orphanage turns out to be

00:07:33

the cultivation of premium food, but behind

00:07:36

all this there is the closest loving

00:07:38

person in their life, a squirrel

00:07:54

[music]

00:07:57

and whatever the name of the puzzle is put together,

00:08:00

not a single news from the orphans who left are

00:08:02

numbered and necks

00:08:03

daily tests selection based on academic performance,

00:08:05

from which we can conclude that the most

00:08:08

delicious delicacy for demons is the

00:08:11

human brain, it is

00:08:12

not easy to realize this and no wrong

00:08:14

focuses all attention on emotions and May

00:08:17

Norman, the studio very competently adapts

00:08:20

the manga without resorting to a monologue from the

00:08:21

original when the hero reveals the whole

00:08:23

truth about their life in the orphanage, this is what

00:08:26

needs to be shown on the hero’s face and the

00:08:28

studio copes with this perfectly, despite the

00:08:31

horror of the situation, the heroes see only

00:08:33

one way out

00:08:34

to escape, but they cannot leave the

00:08:36

rest of the children to wait for their

00:08:38

unenviable death, they are first and foremost

00:08:40

a family and leave their brothers and sisters

00:08:42

in the shelter is simply unforgivable we are in a hurry, we are

00:08:47

definitely in a hurry but still I have a

00:08:50

better idea

00:08:52

mom but something happened baby how does he

00:08:56

not give you a bow

00:09:05

after the norm nemo

00:09:07

comes to their senses a little the story turns into a

00:09:09

real detective thriller where the characters

00:09:12

begin to study in the smallest detail

00:09:14

their opponent, first of all, the heroes

00:09:17

find out that behind a small fence

00:09:19

there is a giant monolithic wall,

00:09:21

but not only do they not have time to understand how to

00:09:24

overcome the wall, the heroes are also faced

00:09:26

with the fact that Isabella is able to

00:09:28

track the

00:09:30

children of the orphanage with surgical precision before, they did not pay

00:09:33

attention to this, but now Isabella is

00:09:35

defiantly shows her

00:09:37

superiority knowing that one of the children

00:09:39

found out the truth of the orphanage, she is not just

00:09:42

trying to intimidate them, the horseradish there because it was

00:09:44

open is challenging them, I don’t

00:09:46

think that we have already been figured out, otherwise my

00:09:49

mother would not have beat around the bush,

00:09:51

however, she noticed that these were not horses at all

00:09:54

she brought us a bunny that evening,

00:09:55

she doesn’t suspect us, and by the way, I forgot to

00:10:08

warn you that elements of horror are also present here

00:10:10

only a couple of times, but it’s so

00:10:13

accurate and on topic that you can’t write ideal moments. The

00:10:15

meticulousness of the store body

00:10:17

is expressed in plot twists

00:10:19

that are let down not by a couple of scenes, but what

00:10:21

about half of the season I

00:10:23

won’t reveal all the cards; all the most interesting things will be

00:10:25

left later, but during the course of the review you

00:10:27

will catch this hole typhus and so now

00:10:30

our heroes have a problem that has tripled in size, a

00:10:32

monolithic wall, tracking sensors and

00:10:34

Isabella herself;

00:10:36

the prospects, let’s say, are frankly deplorable, and

00:10:38

therefore the guys decide to tell Ray everything,

00:10:41

well, how they decide he comes to them himself what

00:10:46

happened in the evening dodge you said that you

00:10:48

didn’t have time but returned without a bunny and don’t

00:10:51

lie that everything is fine you say as a

00:10:55

result of a sudden connection of minds there

00:10:58

arises 1 and a fundamental conflict

00:11:00

of priorities ray as the most pragmatic

00:11:03

character put forward the most reasonable

00:11:05

idea cannot be dragged to the rest of the

00:11:08

orphanage, to be honest, will escape and

00:11:10

only the three of them will not be able to, each

00:11:11

and the children, due to their age, will become only

00:11:13

a burden, and Norman understands this, but he does

00:11:16

n’t quite catch up that the outside world can

00:11:18

finish them off much faster than the dinner

00:11:20

table,

00:11:21

paradise in this regard is the most complex archetype

00:11:23

because in essence it is radical for the

00:11:25

Normans and the question of sacrifice generalized

00:11:28

for Ray is an exclusively

00:11:30

selfish question; however, in such scenes,

00:11:32

the characters most clearly show their

00:11:34

individuality; the Norman, for example, may

00:11:37

adhere to the idea of his fighting friend;

00:11:39

however, he does not share her optimism;

00:11:41

the Norman rather agrees with the assessment of the repair of

00:11:44

his in this they give away but Ray is a

00:11:46

diametrically opposite character and says

00:11:49

everything as it is, it is necessary to leave them this is the best choice

00:11:54

[music]

00:11:59

[music]

00:12:05

you understood everything right away

00:12:10

that evening Emma cried, then I was afraid

00:12:13

for my life

00:12:14

Aima cried because I was afraid that my

00:12:17

relatives would die, but she he’s wrong, this is a

00:12:20

sinking ship, frankly speaking, we

00:12:23

can only escape with the three of us, there’s no time for emotions

00:12:26

to cloud the mind, Norman, we’ve gone crazy

00:12:29

with the subject and we’re dividing the coils,

00:12:32

you won’t abandon us,

00:12:39

how can I abandon you, in short,

00:12:42

if you die with a twinkle and believe

00:12:44

the sparkle, it will be what you need but all this

00:12:46

fighting spirit is very quickly extinguished because of the

00:12:49

problem that I acquired during this time,

00:12:51

from this day on I will live with you, sister

00:12:55

Krona acquired the living embodiment of chaos

00:12:59

and degradation, sister Krona is not only a

00:13:02

character who put your

00:13:04

mental stability on it, but also on the canon and

00:13:06

manga including the

00:13:07

collapsed attic is not a death sentence for her,

00:13:10

and Yasuko didn’t even exaggerate the villages

00:13:12

and immediately the stairs next to the children’s

00:13:14

rooms would seem to be a pain in the

00:13:17

ass, however, our heroes see the new residents

00:13:20

not as a problem, but as two new sources of

00:13:22

information based on general knowledge

00:13:25

then the transmitters should be easy to get,

00:13:27

the demons won’t eat scrap metal, which

00:13:29

means you can find a post-operative

00:13:31

scar on the body of the recently arrived Carol,

00:13:33

especially since the nightmare of the

00:13:35

newly arrived spirit should be speaking

00:13:38

louder than

00:13:39

time, but the

00:13:41

crown itself has completely different plans for

00:13:44

this the orphanage having

00:13:45

learned that the local orphans discovered the secret

00:13:47

and Isabella decided to hide it, the thought

00:13:49

is imposed on itself, who would

00:13:52

miss such a chance and that’s when the crown

00:13:54

begins to study the heroes the narrative

00:13:56

goes into my favorite phase when we are

00:13:59

shown only goofy emotions

00:14:01

glances sighs body language the viewer

00:14:04

reads it himself the scene and immediately understands the thoughts of the

00:14:06

characters, not knowing whether this is the merit of the studio or the

00:14:09

edits of the author himself, but a significant

00:14:11

part of the plot on Borland is conveyed to the

00:14:13

audience exclusively by visuals and this, to

00:14:15

me, is a

00:14:16

real mastery of adaptation of OCES,

00:14:19

this is

00:14:20

hell, but getting rid of the transmitters is

00:14:29

only half the problem in order to really

00:14:31

escape from the plantation, children need to be

00:14:33

trained diligently, and you can’t

00:14:36

do it just like that, and therefore the

00:14:37

training is disguised as ordinary

00:14:39

yard games like catching up; the children are taught to

00:14:42

cover their tracks,

00:14:43

use the leeward side and

00:14:45

study their opponent; I won’t lie,

00:14:47

but they catch on the fly; the

00:14:49

guys have no problem breaking up into a group.

00:14:51

and they work in teams and in different

00:14:53

formations, and after all, these are just kids,

00:14:56

but the older guys in practice are not

00:14:58

inferior even to Krona, who, between you and me,

00:15:00

has first-class training, well, you

00:15:23

know these 11 years old and again Orlando

00:15:25

[music]

00:15:28

find

00:15:33

she needs to know about our actions

00:15:36

without doing anything, most likely there

00:15:39

is an informer among the children, it would seem that what else we are

00:15:43

missing on this obstacle course is a

00:15:45

correctly unreliable narrator, navar

00:15:48

land begins to flirt with the viewer,

00:15:50

making us suspect

00:15:52

several children at once, what the hell they did here,

00:15:55

although we could have guessed how it would all

00:15:56

end,

00:15:57

add to this and those moments with

00:15:59

screamers and the picture develops by

00:16:01

itself, but in Rwanda there are few heroes of the same condition as

00:16:04

constant wow,

00:16:05

he also needs the viewer to sit on the

00:16:07

ass, [ __ ], I approve, but I still don’t

00:16:11

understand what our heroes should do

00:16:13

in order to bring the informers to

00:16:16

light, no, no so of course you know, but I’m

00:16:18

telling the story of the movie here, it’s called the

00:16:20

first act, but we need a tour,

00:16:27

and what’s up with the destruction of the transmitters,

00:16:30

when you can figure it out, I think in

00:16:34

ten days we’ll escape in 10 days. On November 8,

00:16:39

the heroes decide to start with a small introduction to the

00:16:42

house and Gilda Norman. decides

00:16:45

that the whole truth cannot be told to them,

00:16:46

no one knows how they can

00:16:48

behave in such a shock, but even such a

00:16:51

minor character is given a lot of

00:16:53

attention. The Don shows himself to be a very

00:16:56

hot-tempered, loud guy, he

00:16:58

should break up a little and any of his actions

00:17:00

becomes an uncontrollable fucked-up

00:17:02

Gilda, the complete opposite of the quiet,

00:17:05

modest one. a thoughtful girl with such and such

00:17:07

characters, it’s simply impossible to predict their reaction,

00:17:11

all the brothers and sisters were sold to very

00:17:14

bad people and you don’t give up, so what’s the

00:17:23

joke, shame for jokes like this, it’s true,

00:17:27

but in case there is an informer among them,

00:17:30

Norman hides a few

00:17:32

ropes for escape, he

00:17:34

will tell them about each place selectively in order to

00:17:37

detect the informer if he is missing,

00:17:38

but so far this plan exists only in

00:17:40

words and only Ray knows about it,

00:17:43

but what he didn’t know for sure is that

00:17:45

Norman will lie so openly, we don’t

00:17:47

know they were collected bad people,

00:17:50

they are probably still alive, this is no good, and

00:17:53

Paradise, as the most far-sighted character,

00:17:55

understands what else we don’t know,

00:17:58

we can’t give them false hope

00:18:00

that friends are alive, when and how will you tell

00:18:03

them the truth, I’ll tell you when the time comes, but

00:18:06

for now we can’t rule it out the fact that they are

00:18:09

spies, as if they tormented the viewer with

00:18:11

guesses about which of the children is the

00:18:13

informer, the end result becomes

00:18:15

quite unexpected. The storytime of these

00:18:18

series generally repeated the structure of

00:18:20

Ray's appearance in the plot with only one

00:18:22

difference: this time the subtext has nothing to

00:18:25

do with the result an unreliable

00:18:27

narrator is not some kind of voice-over,

00:18:30

it’s a whole system of narration that

00:18:32

brings us to the most key plot twist,

00:18:36

it turns out he did it before it

00:18:40

turns out the traitor is you, Ray,

00:18:45

let’s be honest,

00:18:47

Ray is not a gift, but

00:18:49

my psyche personally did not plan such a turn, the [ __ ]

00:18:51

was preparing this plot twist 4matic

00:18:54

series from the very beginning, Ray purposefully

00:18:57

pushed the heroes to think about escaping,

00:18:59

knowing that they would see a dodge,

00:19:02

sent them there, closely watched

00:19:04

them until the conversation in the forest, and here we are,

00:19:06

betrayal on the level of ancient Rome and

00:19:09

decrease, but is it so much

00:19:12

on the other side of this conversation no matter what?

00:19:14

happened if Borey did not send them to

00:19:16

the gate and in other situations he

00:19:18

directed the heroes on the right course, so what’s the

00:19:20

matter? It’s not like heaven knew

00:19:22

about the demons and about the dispatches,

00:19:24

and even an unexpected denunciation and Izabo wouldn’t have

00:19:26

believed it, which means he’s doing this This is not

00:19:29

the first year I have set several traps

00:19:31

Don I will say that there is a rope under the bed and

00:19:34

geldi

00:19:35

that behind the ceiling of the toilet on the second floor

00:19:37

it is I told you heaven you are right I have been

00:19:42

working for my mother for a long time in general I am like a

00:19:45

shepherdess and a dog so you knew about

00:19:47

the demons and still helped my mother

00:19:49

Yes, nothing will change, everything will remain in

00:19:53

its place, is

00:19:55

n’t it great you can hide your

00:19:58

puncture,

00:19:59

you wanted to remain a spy, you even

00:20:01

tried to spread suspicion until in the end

00:20:03

Norman turns the game around so that Borey

00:20:06

became a double agent and continued

00:20:08

to organize an escape from him, it will

00:20:10

only be necessary to leak it to your mother false

00:20:12

information is a St. Petersburg move, but since

00:20:15

Ray is not our hero’s enemy, he is

00:20:17

happy to talk about his

00:20:18

successes and deals with the funny one,

00:20:21

you really are not our enemy at all, I

00:20:25

volunteered personally, so I wanted to

00:20:30

prove myself and all for the sake of

00:20:33

preparing for this escape and I demanded

00:20:36

she has two things, the first is not to send me

00:20:40

away ahead of schedule and the second is

00:20:42

to give me rewards if I achieve

00:20:44

results, that is, when you said that

00:20:47

you know a way to destroy transmitters,

00:20:49

yes, I am of the personal kind,

00:20:51

that is, I understand correctly that the flight

00:20:55

ordered transmitters from Isabella

00:20:57

and nothing bothered her like or how he

00:21:00

presented it I need methylamine

00:21:03

pseudoephedrine and sodium sulfate why do

00:21:06

you need all this we will cook the highway

00:21:08

we will cook the cleanest product in

00:21:11

this large city you say it’s dangerous it’s me the

00:21:14

danger of cartilage when you send me transmitters

00:21:19

so I before making a deal with

00:21:22

Norman Ray on -as before, he sets only

00:21:24

one condition:

00:21:25

Emma Norman escapes on their own without the others,

00:21:28

otherwise he won’t help them, but this

00:21:30

situation does not put the position of a

00:21:32

negative character in heaven; he is a heavenly optic

00:21:34

pragmatist and by nature is radical in his

00:21:37

decisions, only in the course of the dialogue

00:21:39

it becomes too obvious that the rail

00:21:41

simply doesn’t care about the others Norman's children, after all, are the

00:21:43

only people close to him;

00:21:46

in fact, Norman is not so

00:21:48

radically different from paradise;

00:21:50

he has repeatedly shown that he largely

00:21:52

agrees with this position and that children

00:21:54

will only be ballast, but since Norman is

00:21:56

not so alienated from the rest of the children, and in

00:21:59

particular from Emma,

00:22:00

he cannot for him to lie is

00:22:02

purely a matter of conscience,

00:22:04

such small details are sometimes difficult

00:22:06

to read, but it is through them that neverland

00:22:08

reveals its heroes,

00:22:10

it leaves them alone in an intimate

00:22:12

setting and allows them to show their

00:22:14

individual approach,

00:22:16

action-filled scenes, the hero shows their

00:22:19

basic qualities, setting a certain

00:22:20

character, and this is us We see it every time in

00:22:23

training and catch up,

00:22:24

and in such subtle moments, remaining

00:22:27

face to face, they reveal their

00:22:29

character, giving it an emotional

00:22:31

coloring,

00:22:32

and the more tension the dialogue, the more clearly we

00:22:34

understand their feelings.

00:23:09

adaptation, a bright, intense dialogue

00:23:11

gives way to a minute of complete silence and from the

00:23:14

emotions on the face alone we read the

00:23:16

thoughts of the characters; from the beginning,

00:23:19

sincere joy and then contempt are on their faces, it

00:23:21

is clear to us that this contempt for

00:23:23

feels first of all for himself,

00:23:26

he is disgusted by the mere fact that he is

00:23:28

so did with his friends, well,

00:23:30

putting the bases together, the norm begins

00:23:33

to understand exactly how Paradise planned

00:23:35

everything from the very beginning, so it was me, I

00:23:42

am the moment the informer along the way, the heroes

00:23:49

find out that in the layout of the house there should

00:23:51

be a secret room for communication with the outside

00:23:53

world specifically because of la can

00:23:55

contact the headquarters there and report

00:23:57

on the dispatch schedules, that is, simply

00:24:00

removing Isabella will not work, she will discover the loss

00:24:01

faster than a day before and

00:24:03

meddle in the room, it’s

00:24:05

suicidal because it’s cold

00:24:07

and scary there, but since

00:24:09

such a clear guy appeared in our suicide squad,

00:24:12

then how you think what is he doing, he

00:24:14

immediately falls into this room without

00:24:16

leaving the cash register,

00:24:18

I don’t want to go out again, the shields are here, the chase

00:24:22

and before

00:24:26

[music]

00:24:29

meanwhile, Emma and the guys discover

00:24:32

mysterious symbols in the emblems

00:24:35

of a certain you or mom’s nerves all the books from

00:24:37

his symbol contains

00:24:39

Morse code through which he tried to convey the

00:24:42

truth about the shelter, I’ll be honest, these

00:24:44

messages are too out of

00:24:46

context and a bathhouse dedicated child

00:24:48

can interpret them as his heart desires

00:24:50

harvest of the monster to doubt, in other words,

00:24:54

this message has no meaning, no sense if you do

00:24:57

n’t know the secret shelter, but

00:24:59

we’ll talk about William Minerva in the next review,

00:25:01

but for now let’s return to the store t.a.

00:25:03

we from the guilds entered mom’s secret room,

00:25:05

this is complete idiocy, if mom

00:25:09

or sister noticed, then you don’t have us, everything

00:25:12

that you did to us, what else we don’t

00:25:14

know what we’ll save from someone, but we can’t save you,

00:25:18

you see, they didn’t really

00:25:24

lie to us something- then you hide the style of a spy

00:25:35

you wanted to deceive, pull out to death and the

00:25:37

highway by serious enemies to pour

00:25:53

survive family

00:25:55

my relatives want that

00:26:00

but speaking as it is the norm but these [ __ ]

00:26:03

were simply necessary this is the most

00:26:05

practical and a reminder to the heroes that any of

00:26:08

their lies will have serious

00:26:10

consequences for the bottom gilda lesson also

00:26:12

quite understandable, each of their rash

00:26:14

actions can jeopardize not

00:26:17

only the escape but their own lives, but the

00:26:19

biggest risk is still Ray,

00:26:22

he has to explain himself, hushed up look for

00:26:24

yesterday's fight with a Norman who was

00:26:26

allegedly going to kill Isabel, the plan

00:26:28

was to convince and for the ball

00:26:30

in the norm's intentions are to pretend that

00:26:32

this problem has already been solved and redirect

00:26:35

her attention to the tricks of sister Krona and

00:26:37

by the way about her yesterday, I'm sorry,

00:26:51

let's not go into details and motives,

00:26:54

let's better talk about methods immediately

00:26:57

after the proposal, Krona tries to

00:26:58

win over the heroes,

00:27:00

she shows them her number

00:27:02

tells about the company and how

00:27:04

candidates are selected. Mom Krona immediately

00:27:07

shows the heroes that she was one of them, she

00:27:09

also grew up in an orphanage, was selected and

00:27:12

got an internship, is such behavior selfish,

00:27:15

how was there another way out, of course

00:27:18

no, becoming a mother is the only way

00:27:20

for a girl survive the harvest,

00:27:23

however, and they cannot leave the territory of the shelter, the

00:27:25

chip does not allow them, as soon as they

00:27:27

step outside the territory of the farm and boom,

00:27:31

they will have to get rid of another corpse,

00:27:33

not that they have a problem with this, but it

00:27:35

will be difficult to explain to the kids

00:27:37

why their nanny was scraped off the wall

00:27:39

and in the end Rey becomes the lever of pressure

00:27:43

if he tells and they forgot about the

00:27:45

crown’s plans, she will be killed without a doubt, but if she

00:27:48

reveals that Rey is a double agent, he

00:27:51

will also have a hard time living as best as possible

00:27:54

[music]

00:27:56

she said that she simply cannot not send us to another business

00:28:01

before the hero comes to talk with his

00:28:04

sister, Krona and Norman decide to play the

00:28:06

fool and pretend that they are

00:28:08

not at all in the subject of the transmitters, only their

00:28:10

body language gives them away and the sister quickly realizes

00:28:13

that no one was going to play honestly from the

00:28:15

very beginning, so why is it now counting?

00:28:18

watch Ray takes out the last

00:28:20

part from the camera and makes a

00:28:22

device for destroying transmitters,

00:28:24

but the most important thing is that he gives up the crown with its

00:28:26

giblets and throws it out of the game, then

00:28:31

he inspects the wall beyond it, he still needs

00:28:33

to get out, but how to do this

00:28:35

first of all, distracts, forgot about the Normans, they go

00:28:37

to wall addons gilda

00:28:40

remain to monitor the exits on paper

00:28:42

the plan is excellent

00:28:44

and you will give it back said the worker but in practice the

00:28:46

sister the screen is eliminated

00:28:53

because it is no longer needed just like you

00:29:01

mom what can I say for good they always

00:29:07

suffer since ray turned out to be a liar and a

00:29:10

traitor and isabeau la cancels the deal and

00:29:12

locks him in the shelter so that no one will

00:29:15

stop her from cleaning up the mess,

00:29:16

you will see that because of the score he leaves the

00:29:18

shelter 1 house rushes to the rescue in heaven and

00:29:21

knocks down the door to his room in my

00:29:23

habits to say this, but in the manga this

00:29:25

scene looked a little more epic on the

00:29:28

way we we lived together for ten

00:29:31

years, but for the first time we’ll talk frankly

00:29:34

just now don’t pretend to be good

00:29:38

kids who don’t know anything

00:29:41

now I’m a farmer and you’re my Scott kids that’s why

00:29:44

I came here and I want

00:29:47

you to stop resisting

00:29:50

I love you and I really don’t want you to

00:29:53

suffer I don’t want to hurt you at all,

00:29:55

my dears, you were happy here

00:30:18

[music]

00:30:26

you especially are the best children of all that

00:30:31

I had the opportunity to raise, you didn’t want to give

00:30:34

up

00:30:35

and I had to do it,

00:30:41

the authorities contacted me, congratulations,

00:30:44

the norms, it’s time to send you,

00:30:54

what’s the result? no one was able to get out with her face on,

00:30:56

all five of them were

00:30:58

opened, the ropes were confiscated, the Normans

00:31:01

sent the very next day, she

00:31:03

ga.ma a fracture on the isabola, with all her

00:31:05

appearance, as if she was saying 60 years ago, during the

00:31:08

time of the dick of the New Reich, it was important to let her on

00:31:10

the bag, and by the way, please note attention to the

00:31:14

reaction of the children who saw Emma’s fracture, I do

00:31:16

n’t want to say anything, but the elaboration

00:31:18

of the plot twists is just awesome, we’ll

00:31:21

talk about this later, in the end, then the

00:31:23

heroes begin to have the most genuine

00:31:25

panic and within a day they killed their sister

00:31:28

Krona, they broke their leg, they confiscated all the

00:31:31

ropes, they prepared Norman for sending

00:31:33

more the names of rey are all freaking out, but this can’t

00:31:36

be compared with how they show us

00:31:38

Norman’s condition; a long scene of a walk

00:31:41

through the shelter turns into a continuous

00:31:43

visual story; the encoder makes

00:31:45

every slightest action an unbearable

00:31:47

burden for Norman; the camera follows the

00:31:50

hero; extremely sharp editing; amplified

00:31:52

sharp sounds; the most powerful intensity of emotions on the

00:31:55

face Norman is fully conveyed by the

00:31:57

audience his fear of death, but in

00:32:00

the finale we are also faced with the most intense

00:32:02

dialogue that throws all the cards on

00:32:05

the table enough, why did I try for these 6 years,

00:32:16

but wouldn’t it be better to break you like a dick, but

00:32:21

we need to think wider than our shoulders, the most significant thing

00:32:25

that will sound in this dialogue, what Ray

00:32:28

knew about the secret of the farm from the very birth of

00:32:30

Rainey was subjected to childhood amnesia, which is

00:32:33

typical for any person and remembered everything

00:32:35

from the womb, he retained the

00:32:38

memory and transportation of demons

00:32:40

about other children about the introduction of transmitters

00:32:43

and most importantly, he even remembers his own

00:32:46

mother his mother, because of this,

00:32:50

completely agreed with whom on this

00:32:53

issue, but I’ll put in my two cents, you

00:32:55

noticed how much the dialogues moved from

00:32:58

demonstrating characters to high-quality

00:33:00

promotion of internal conflicts, Norman

00:33:02

eats death more than others

00:33:04

forces himself to refuse to escape

00:33:06

so that

00:33:07

paradise or emu are not carried out instead of him Ray enters into a conflict with him,

00:33:10

gives up slack and for the first time in

00:33:12

the series shows how much he

00:33:15

really loves these two, for the first time in

00:33:17

the series he speaks truly sincerely,

00:33:19

and now remember how many

00:33:21

conflict events led us to this in order to

00:33:24

promote the shoulder hero so much, was

00:33:26

it worth it That [ __ ] yes Ray gives a

00:33:30

device to destroy the transmitter and

00:33:32

sends Norma's legs to the wall in anticipation of

00:33:34

escaping, but still ok, he comes

00:33:37

back, in other words, security is simply not

00:33:50

necessary, such an abyss cannot be

00:33:52

overcome except through the bridge, as

00:33:54

for Norman, he was not going to escape, as

00:33:57

it were it wasn’t sad, but at least he

00:33:59

’ll give the others time to escape, it’s like

00:34:01

our heroes don’t get confused, he’s already decided everything a long time ago

00:34:07

[music]

00:34:24

to do something else, calm down, if he makes

00:34:32

noise again, I’ll kill you, I knew from the very

00:34:35

beginning that you would never if

00:34:39

you don’t decide to offend, let them live happily in

00:34:41

the house until the last seconds are allotted until this is

00:34:45

our happiness, well

00:34:51

it was painful, but it’s difficult to

00:34:53

disagree with Norman, a lot of intelligence, you don’t

00:34:55

have to overwrite how happy you can live at 30 years old,

00:34:57

12, but in some ways, Isabella is right, it’s

00:35:01

not the first since she says that she did

00:35:03

everything so that her children lived a short but

00:35:05

happiest life,

00:35:07

in other words, the formant involuntarily poses

00:35:10

to the viewer the question of carefree 12 years of

00:35:13

happiness or the daily struggle for

00:35:15

survival, wait a little in this room

00:35:18

okay

00:35:21

[music]

00:35:25

oh no, this is the most obvious hint that it

00:35:30

’s normal they didn’t kill my irony, it’s [ __ ], I

00:35:34

managed to find Inteko, I managed to fight,

00:35:37

and now, really, but even now what’s

00:35:40

happening is just a total dismantling of riot police, a

00:35:42

couple of sessions turn into such old

00:35:44

insights that even the visuals go into the

00:35:46

mode of maximum despair, the final

00:35:49

act uses all its tools

00:35:50

to convey in detail the state of our

00:35:54

heroes they they didn’t just lose a friend, they

00:35:56

lost hope there is a ditch around us and the

00:35:59

only bridge is at the headquarters I

00:36:01

can’t anymore it’s

00:36:08

hard for you to get to the norm number trochee gave up your hands

00:36:12

1 you can’t do anything at all from the very

00:36:18

beginning because it was perfectly clear that

00:36:20

she was not able to intimidate by demonstrating her strength

00:36:22

there is nothing stronger than the fear of

00:36:25

death and she knows this, which is why

00:36:28

Isabella drives them to complete despair,

00:36:31

she dominates so much that the

00:36:33

heroes simply have no methods left

00:36:35

to resist her, and now a week later you

00:36:38

also turn twelve, this is my

00:36:45

last evening, let’s

00:36:47

say you didn’t give up at all, right

00:36:53

[music ]

00:36:55

display scoring flights

00:36:57

Dima guitar [ __ ] great so what am I talking about

00:37:00

not really you really believed that they

00:37:02

all abandoned it halfway the devil two a

00:37:05

day their shipments Norman managed to

00:37:07

draw up his escape plan according to which

00:37:09

Don Igueldo worked all this time as

00:37:11

stated earlier

00:37:12

the only reasonable option to escape

00:37:15

through the bridge is what everyone would think, which

00:37:17

means they have to get over the

00:37:19

abyss, but what about the fun? There are too many

00:37:22

children here for a hidden escape, but for an

00:37:24

escape with a spark,

00:37:27

they will fry their shelter with just enough oil and throw

00:37:29

Molotov cocktails at the neighboring farms so that the

00:37:32

demons first of all take care of

00:37:34

extinguishing the fire, but suddenly the fire does not distract

00:37:36

Isabella sufficiently, the chance of

00:37:39

escape is one in a million, which means we need

00:37:41

guarantees; I will not hide the guarantees; there are

00:37:44

significant enough for Isabella and

00:37:53

[music]

00:37:55

move, listen, there is only one chance to convince

00:38:00

and make sure that Norman and I

00:38:03

didn’t die in vain, I ask you, so

00:38:08

I’m 12, goodbye Emma,

00:38:24

so okay, we were in a hurry, let’s

00:38:27

rewind

00:38:31

[music]

00:38:36

sorry in

00:38:37

the room, book dim, not only me, but the guys,

00:38:40

what are you talking about, what is this your replacement, so

00:38:44

the smell will become similar to the transmission like you

00:38:48

sit here and turn your ear to me, but I

00:38:52

really did include Norman’s plan a

00:39:02

few months ago, he

00:39:04

guessed what ray was going to do, having

00:39:07

received a dying gift from the

00:39:09

crown’s sister, Norman, I’ll instruct

00:39:10

them to command the guys through Don and

00:39:13

Gilda, to pretend to be downcast, to divert

00:39:15

attention to themselves better and sabotage

00:39:17

within the shelter, all these two months the guys

00:39:20

trained to go down the ropes,

00:39:22

worked in a team and collected equipment,

00:39:24

Don Igueldo managed to bring

00:39:27

all the children over 5 up to date, they were given crowns to listen to

00:39:30

that conversation with the guys and

00:39:31

slowly told the others

00:39:34

why there were so many children sharp reaction

00:39:36

to Emma's fracture, the younger children were

00:39:38

left in the care of the

00:39:40

smartest of them, after the disappearance of so many

00:39:43

orphans, supplies will be reduced, which means

00:39:46

that they will have time to return for them, but I don’t

00:40:01

think that we are abandoning them

00:40:06

[music]

00:40:07

and what did you think the bridge is not close yet

00:40:11

I convey messages to all workers

00:40:13

come to the factory there was

00:40:16

a fire

00:40:17

15 children ran away try to avoid no

00:40:41

let's go ahead look at a

00:40:44

picture in front of us that we couldn't

00:40:46

believe and I thought that we would

00:40:50

never run away together and the bills are a

00:40:53

heavy burden actually how much

00:40:57

do you root for the heroes on Orlando,

00:40:59

this level still needs to be achieved all this

00:41:01

time, because not only the children were being prepared to

00:41:03

escape, but also the viewer himself, this

00:41:05

emotional swing at the end still had to be

00:41:07

digested,

00:41:08

but even if it didn’t impress you, then

00:41:10

in the end, but in Roland even

00:41:12

Isabella tries to whitewash the eyes of the viewer,

00:41:15

she’s she was also in the place of the norm, she

00:41:17

also lost a loved one like Emma

00:41:19

and becoming a mother in a shelter was the only

00:41:22

chance for her to survive and let

00:41:24

anyone who would have acted differently throw a stone at me

00:41:28

my dear kids

00:41:43

[music]

00:41:46

good luck to you

00:41:48

take care of yourself

00:41:50

[music]

00:41:51

from next year we let's entrust you with the

00:41:54

third factory, yes, I will fulfill my duty

00:41:59

[music]

00:42:15

why did you give birth to me?

00:42:17

In general, such masterpieces that move

00:42:19

you from beginning to end are very rare nowadays, to be

00:42:22

honest, everything that comes after the

00:42:25

Grace Phil arc, in short, will not be better, despite the fact

00:42:29

that fans of Zion but I really want

00:42:30

to write out from this list the promised

00:42:33

lie and is of the weekly, everything is on jump

00:42:35

and they won’t remove it for options; the truth

00:42:37

really doesn’t fit into the typical

00:42:39

idea of the genre; usually it’s an

00:42:41

endless stream of monologues of pianos in the

00:42:43

bushes through each episode and a hero

00:42:45

who overcomes any difficulties,

00:42:47

however in at this moment he lied to us, he

00:42:49

becomes exactly that hay for us that

00:42:51

breaks all the templates of his genre plot

00:42:54

twists in the land of dreams meticulously

00:42:56

thought out in the smallest details

00:42:58

visual language is pumped to the maximum

00:43:00

no monologues of thoughts at all store of

00:43:02

bodies actively uses the stage to

00:43:04

tell stories

00:43:05

nothing to overcome and does not save the heroes

00:43:08

from loss the heroes are simply

00:43:10

obliged to sacrifice everything that is

00:43:12

really dear to them in order to get at

00:43:15

least a small chance to save their lives. The

00:43:17

land of dreams lays at the basis of the plot

00:43:19

not just the instinct of survival, they are

00:43:21

able to suppress this instinct,

00:43:24

no matter what methods the system tries to

00:43:26

suppress a person, even on the verge of complete

00:43:29

despair, no obstacles we couldn’t

00:43:31

lead the heroes astray,

00:43:32

if there are no paths, we’ll pave it, excuse me,

00:43:37

so the hero in this story is not just

00:43:39

collective images, they are practically

00:43:41

living people from the Norman mrl side,

00:43:45

they are radically different heroes, but

00:43:47

at the same time they are somewhat similar to each

00:43:49

other, this is achieved thanks to the

00:43:51

incredible chemistry between them, their

00:43:54

interaction occurs not only

00:43:55

through dialogues, they manage to influence each

00:43:58

other even emotionally, for example, my

00:44:00

favorite scene after the conversation between Norman and

00:44:03

Ray 1, without realizing it, once made him

00:44:06

doubt the correctness of his decisions,

00:44:08

from his point of view, he did everything right

00:44:11

persuaded Norman not to take the rest of the

00:44:13

children and lie to them in order to reduce

00:44:15

potential victims, not the fact that

00:44:18

he acted so vilely with his best

00:44:20

friend, practically his own brother, does not give him

00:44:23

peace and it ends with you know

00:44:26

how Ray rejects his prejudices and

00:44:28

sacrifices himself to save the others

00:44:31

in Roland doesn’t just show, he

00:44:33

tells the characters through their

00:44:35

inner experiences when Norman

00:44:37

finds himself in his nightmare, the viewer

00:44:39

understands that for him to put his friends in

00:44:41

danger is much worse than his own

00:44:44

death. In a scene like this we are shown

00:44:46

what Norman fears most and this

00:44:49

will be reflected in the plot and this is a

00:44:52

reflection later it will also affect Emma,

00:44:54

she is not used to putting up with victims, her

00:44:56

exceptional love for others is

00:44:58

so strong that it often turns

00:45:00

against her in the scene with catching up with the Komi, this

00:45:03

quality is also noticed by sister Krona when

00:45:05

Emma chose to take the children by the arms

00:45:07

instead of turning attention

00:45:09

to herself, such details cannot be said that are

00:45:11

striking but very noticeable at the

00:45:14

level of perception of the hero, if you look closely

00:45:16

at this trinity, you can see how much

00:45:18

they complement each other

00:45:20

Norman the intelligence of the team Ray

00:45:22

prudence a m a her heart empathy

00:45:25

Emma does not allow the heroes to act selfishly

00:45:28

prudence Ray does not allow the hero to

00:45:30

mindlessly rush into the very the inferno of

00:45:32

Norman's intelligence does not allow them to make

00:45:34

critical mistakes, that is, the heroes not

00:45:36

only influence each other, not only

00:45:38

force each other to change, but also

00:45:41

complement each other with the most necessary

00:45:43

qualities,

00:45:44

having in the series such an unbearably

00:45:46

good character as Emma, who

00:45:48

is trying to help everyone and save everyone.

00:45:50

competently extinguishes this Senova

00:45:52

template with the character of Ray, who exactly

00:45:55

extinguishes her idealistic vision of the world and

00:45:57

returns the heroes to the real world,

00:45:59

and right in the middle of two fires we

00:46:01

have a Norman who has the same

00:46:03

harsh realistic look of Ray but does not

00:46:06

have his move on blood, but his

00:46:08

position is his love Komi,

00:46:10

his affection for children, all this is the

00:46:12

influence of different heroes on the norms, it

00:46:14

forces him to take mortal risks

00:46:17

and act fundamentally in his own way

00:46:18

rather than as m or ray wanted,

00:46:21

even at this level the story shows

00:46:23

its phenomenal ability to work

00:46:26

with heroes and it does not end with the final act

00:46:28

after the escape, the hero

00:46:30

will begin to influence each

00:46:32

other even more, me and the key characters beyond

00:46:34

recognition, I’m talking about the manga, of

00:46:36

course, a similar level of elaboration of the

00:46:38

relationships between the heroes and the hero in

00:46:40

particular makes this option a unique

00:46:42

work,

00:46:43

attention to detail can be seen in the

00:46:45

visual component, which in

00:46:47

Navarro Landi is the primary

00:46:49

storyteller pay attention to how

00:46:51

the mood of the scenes changes depending

00:46:54

on each act of the story, knitting uses

00:46:56

all his means to complement the scene with the

00:46:59

necessary emotions, however, to a greater

00:47:01

extent, I adore the gain of land for its

00:47:03

emotional squeeze,

00:47:05

the adaptation manages, without monologues and

00:47:07

voice-over text, to convey the thoughts of the characters

00:47:09

as if we were them ourselves we hear it

00:47:11

is clear to us what they feel, what they think

00:47:13

or worry about only due to their

00:47:15

emotional coloring, the musical component also helps with this,

00:47:18

which with

00:47:20

surgical precision falls into the

00:47:22

context; a good part of the series has no musical accompaniment at all

00:47:26

until it fulfills the semantic

00:47:28

load 100 retail

00:47:30

visually the series is generally built in such a way

00:47:32

as to convey to the viewer the atmosphere of personal

00:47:34

presence; the scenes are most often filled

00:47:36

only with natural sounds, and some

00:47:39

fund creates only the ticking of a clock, a

00:47:41

long walk through the corridors, an angle

00:47:43

from around the corner; all this also creates an

00:47:45

atmosphere of personal presence precisely

00:47:48

due to this atmosphere. the twists

00:47:50

look so natural and elegant

00:47:53

before Ray reveals himself as a

00:47:54

traitor to the viewer, they fully

00:47:56

process all 4 episodes,

00:47:58

first they show how Ray

00:48:00

purposefully sends the heroes to the

00:48:02

beginning of the plot, they show how closely

00:48:04

he follows the heroes, hints that he

00:48:06

knew how their walk

00:48:09

to the gate would end and they make you ask questions

00:48:11

when he appears next to the heroes in

00:48:13

the forest, later the plot tries to confuse

00:48:15

the viewer and turns all the arrows

00:48:18

on the other children for the sake of even more

00:48:20

intense plot and then when Ray finally

00:48:22

reveals his plans, this whole huge

00:48:24

puzzle comes together step by step

00:48:27

showing the viewer the level the development of

00:48:29

the series is an amazing thing,

00:48:31

they [ __ ] you and you’re glad for someone, it

00:48:34

reminds me of the attention to detail visible in the

00:48:36

development of secondary characters, even

00:48:39

Don Igueldo gets enough screen

00:48:41

time to reveal his character

00:48:43

to the fullest,

00:48:44

but the flashback because of the white bun is

00:48:46

like the final one for me knockout the heroine,

00:48:48

who appears before the viewer as a loving,

00:48:50

caring mother, soon becomes the most

00:48:52

cruel and cold-blooded killer of her

00:48:55

children, and all for the sake of

00:48:57

appearing before us in the epilogue itself as

00:48:59

just a victim of this cruel world, who

00:49:02

herself was once in the place of our heroes,

00:49:04

Isabella becomes the antagonist An

00:49:06

excellent illustration of the harmful

00:49:08

influence of the mironova diamond, that small

00:49:10

flashback tells us the whole story of

00:49:12

growing up from an infantile girl to a

00:49:15

servant of the demonic world, depressed by the

00:49:17

sending of her best friend, she

00:49:19

learns the truth of the orphanage too late,

00:49:22

having no supporters and even minimal

00:49:24

chances of escape, the only way for

00:49:26

her becomes to serve the killers of

00:49:28

her brothers and sisters, no matter how she

00:49:30

tries to seem like a heartless monster

00:49:32

in front of the heroes and the audience at the end, when

00:49:35

everything is already over, she takes off

00:49:38

this image of herself and is sincerely happy for her

00:49:40

children, she is happy for the fact that they survived

00:49:43

Isabella appears as a shining example of that

00:49:45

same victim mironova Rolanda

00:49:47

sacrifice promise given many thousands of years

00:49:50

ago, she is not a bad person and not even a

00:49:52

monster,

00:49:53

she was just trying to survive and the stories

00:49:56

are chains of suffering, loss and acceptance of

00:49:58

her fate,

00:49:59

when she meets heaven and hears from

00:50:02

him that song that she sang while

00:50:04

pregnant for a split second, her psyche

00:50:06

breaks down eyes all this time she

00:50:08

suppressed an internal conflict in herself,

00:50:10

trying to forget about how many children she

00:50:13

sent to death, Isabella was just

00:50:15

trying to be a heartless monster,

00:50:16

this image hides psychological

00:50:19

trauma after so many sendings, her

00:50:21

behavior could be considered

00:50:23

insincere, consider that she is

00:50:25

feigning her love for to these children, but in the

00:50:27

end she speaks in the words of a real

00:50:30

mother at the front, she did a great job with her

00:50:32

antagonist, turning her into a real

00:50:34

emotional attraction with a plot for

00:50:37

which, by the way, she received the award for the best

00:50:39

antagonist and the best anime in the

00:50:41

fantasy genre of 2020, [ __ ], I’m proud of this, and

00:50:46

also on the world in terms of detective

00:50:48

the thriller works extremely skillfully with the genre,

00:50:50

everything from the beginning to us Roland is thoroughly

00:50:52

imbued with panic fear and a feeling of

00:50:54

approaching death, then the plot

00:50:57

turns into a detective story

00:50:58

and at the end

00:50:59

it’s action, which is why in the beginning

00:51:01

of the series we see jump scares mixed with

00:51:03

nightmares in the second act

00:51:06

we see well-staged scenes with

00:51:08

parallel editing and in the end, the

00:51:10

most powerful intensity of the drama under the blazing fire of the

00:51:13

shelter, all these elements give the

00:51:15

rental a unique charm and

00:51:17

attractiveness. The story is not shy,

00:51:19

depending on the act, to radically change

00:51:21

the atmosphere and even the elements of the genre, summing

00:51:24

up laver worked the series perfectly

00:51:26

1 season in Orlando, this is just an ideal

00:51:29

example of a good one adaptation, all the changes to

00:51:32

the plot that the studio brought were made

00:51:34

either for the sake of realism or for a

00:51:36

deeper disclosure of the characters,

00:51:38

and by getting rid of the monologues from the manga and

00:51:40

giving the story a visual narrative,

00:51:42

they made an adaptation of the series,

00:51:45

they literally reread the manga in our

00:51:47

time, this is unfortunately rare, and of

00:51:50

course thanks to the studio gang for

00:51:52

participating in the video and providing their

00:51:54

voice acting, if you want to watch the promised

00:51:57

gain land in their takes, all links to

00:51:59

them will be in the description as for the second

00:52:01

season of gain Ando review,

00:52:04

no one will come out alive from there,

00:52:06

thanks by the way for watching this video

00:52:08

to the end if you want to support the review

00:52:10

with a ruble, please describe it

00:52:12

see you soon korando

00:52:16

[music]

00:52:29

[music]

Description:

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