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Video tags
Subtitles
Russian
00:00:03
hello00:00:04
and welcome to slingblade00:00:07
which is a drama the first drama on this00:00:10
channel00:00:11
and i'm very excited00:00:12
it's from billy bob00:00:14
thornton he directed it wrote it and00:00:20
stared in it00:00:22
so00:00:24
this is very interesting for me00:00:26
um00:00:28
i know that this is about a guy which is00:00:31
particularly handicapped00:00:33
and he is in prison for 20 years and now00:00:36
gets released00:00:37
he killed his mother and00:00:39
her lover00:00:42
and now he gets released and00:00:46
that's about it00:00:48
i'm watching the director's cut00:00:50
which i always do00:00:52
because i want to experience00:00:55
the vision of the director00:00:57
and not00:00:58
from the studio which interest is in00:01:01
making money00:01:03
and a director00:01:06
wants to prevent00:01:08
the art00:01:09
and that's what uh00:01:12
that's what i want to experience00:01:15
so i'm always i always go for the00:01:17
director's cut00:01:19
this one is two and a half hours00:01:22
and i skipped a little through it00:01:24
to make sure everything is all right00:01:27
and i noticed that00:01:29
maybe00:01:30
i need subtitles00:01:33
you will see00:01:35
all right okay enough said00:01:39
let's rock00:01:46
hey sure00:01:55
that's a mental institution00:01:58
looks like00:02:05
and i know this guy from from somewhere00:02:14
[Music]00:02:17
and that's billy bob00:02:21
and she says to me00:02:23
how much do you want to spend and i said00:02:25
whatever it takes to see that bushier00:02:27
because i know it's a big one and she00:02:28
says to me 2500:02:33
he seems annoyed by this guy00:02:35
by the story00:02:38
she was a georgia peach00:02:40
in fact00:02:42
she was more like the picture i had in00:02:43
my mind than any woman i had ever seen00:02:46
so i took it upon myself to take her00:02:48
away from john leggett hunter who did00:02:50
not deserve her you know00:02:53
and i like the underlying music it gives00:02:56
a good00:02:57
atmosphere already00:03:00
i'm already sucked in00:03:04
carl i've got to take you down to the00:03:06
old classroom mr woolwich has some00:03:08
people for you to see danny00:03:12
come on let's go00:03:19
some people00:03:21
is this00:03:22
isn't his family00:03:29
i reckon what you guys want to know is00:03:30
what i'm doing in here00:03:33
reckon reason i'm in here because i'll00:03:35
kill somebody00:03:38
but i reckon what you guys are wanting00:03:40
to know is how come me to kill somebody00:03:42
so i reckon i'll start at the front and00:03:44
tell you00:03:48
well old man dixon00:03:51
he had a boy00:03:54
his name was jesse dixon00:03:57
yes he was really more cruel than his00:03:59
daddy was00:04:00
i used to make quite a better sport of00:04:02
me00:04:04
when i was down there at schoolhouse00:04:10
i sitting out there and she had money00:04:12
not doing too much nothing just kind of00:04:14
staring at the wall and00:04:16
waiting on my mother to come out and00:04:18
give me my bible lesson you know00:04:23
well i hear the commotion up there in00:04:24
the house00:04:26
so i run up on the screened in porch you00:04:29
see what is going on i looked in the00:04:31
window there and i seen my mother laying00:04:32
on the floor that didn't close on00:04:41
i've seen jesse dixon laying on top of00:04:43
her00:04:47
he's having his white weather00:04:51
well i just seen red00:04:57
i picked up a kaiser blade that's00:04:58
sitting there by the screen door00:05:01
some folks called him slang blade i call00:05:03
her the kiter blade00:05:06
well i went in there in the house00:05:09
and i hit jesse dixon upside the head00:05:11
with it knocked him off my mother00:05:15
i reckon that doesn't quite satisfy me00:05:20
so i hit him again with it in the neck00:05:22
with a sharp age and just plumb near00:05:24
cutty's head though00:05:26
killed him00:05:29
my mother she jumped up and there and00:05:31
started hollering why'd you kill jesse00:05:33
fire would you kill jesse for well00:05:37
come to find out i don't reckon my00:05:39
mother minded what jesse was doing to00:05:41
her00:05:42
i reckon that made me mad and what00:05:44
jesse's made me00:05:46
so i taken the kaiser blade00:05:50
and i hit my mother upside the head with00:05:52
it00:05:56
killed her00:05:58
will you ever kill anybody again carl00:06:05
that's a question everyone is asking00:06:10
everyone on the outside i don't reckon i00:06:13
got no reason to kill nobody00:06:21
i can already tell00:06:24
that00:06:25
this00:06:26
this scene00:06:27
was already so great with the music and00:06:31
getting into more00:06:33
more intense00:06:35
the camera just on him00:06:40
it was so great in00:06:42
and by the time he said00:06:44
i killed her00:06:45
the music stopped00:06:47
it was00:06:49
i like that00:06:56
[Music]00:07:05
so where's he gonna live now does he00:07:07
have family00:07:10
must have family00:07:16
i guess00:07:17
[Music]00:07:21
and that's all he has00:07:23
some books00:07:25
kind of books00:07:31
[Music]00:07:34
and that's so00:07:35
so impressive that's billy bob fountain00:07:37
the guy who did bad santa00:07:40
he writed directed and stared and he was00:07:42
nominated for two oscars for the writing00:07:45
and for the00:07:46
for his performance and he won00:07:49
for for his uh00:07:53
[Music]00:07:57
you riding any biscuits for sale in00:07:59
there00:08:00
well no this here's a frosty cream we we00:08:02
don't serve biscuits00:08:05
that guy looks familiar too00:08:10
he looks like he looks like jim yamosh00:08:17
these darn things are heavy hard to00:08:19
carry too00:08:21
ain't you got no mama daddy to attend to00:08:23
it00:08:24
i got a mama she's at work over at00:08:27
hoochie's dollar store00:08:29
i can help you tote it but don't give00:08:31
out first00:08:32
okay00:08:34
she don't have to00:08:37
all right then00:08:42
my name's frank whitney what's your name00:08:45
carl my name00:08:47
what's your last name the elders00:08:52
don't you live somewhere did live up00:08:54
there in the state hospital00:08:57
why did you live there00:08:58
i killed some folks quite a while back00:09:01
they said i wasn't right in the head so00:09:03
they put me there in the nervous00:09:04
hospital instead of putting me in jail00:09:07
i let you out yeah00:09:09
how cool00:09:11
they told me i was well00:09:13
had to turn me loose00:09:16
well are you well00:09:18
i cannot feel all right00:09:22
this here is my house00:09:25
you don't seem like you killed nobody00:09:28
let me just set these bags on the porch00:09:31
all00:09:34
right really straight on the sky00:09:40
you like play football00:09:43
i never was no count at it i never did00:09:45
get picked out for it00:09:48
i think i had a very difficult childhood00:09:51
getting bullied all the time00:09:55
and so on00:10:01
[Music]00:10:09
sorry he00:10:12
has no00:10:13
no place to stay00:10:16
[Music]00:10:24
but he stayed somewhere i saw pictures00:10:27
where he was00:10:30
with people00:10:33
don't you have anybody down there to00:10:34
help you out00:10:36
no sir00:10:42
no place to go so it comes back00:10:45
and that's all he he knows00:10:48
i don't know how old he was when he00:10:50
committed the murder00:10:53
but i guess not very old00:10:58
maybe a teenager00:11:06
would you like some coffee00:11:09
coffee makes me might nervous when i00:11:11
drink it00:11:12
um can i be excused go to bed00:11:16
sure honey00:11:17
you sleep with your mama tonight i'ma00:11:19
sleep with your brother so carl can have00:11:20
your room00:11:22
why00:11:24
because he's company00:11:28
well carl looks like you got plenty of00:11:29
blankets and things and the00:11:31
bathroom's00:11:32
out there in hall00:11:40
so nice of him to00:11:44
invite him in his home00:11:51
i know he sleeps00:11:52
now he has to sleep there that's bad00:11:58
now you say he can uh stay out back00:12:00
well i got a room full of work for him00:12:02
to do i can't get scooter to do anything00:12:05
carl00:12:06
that's the thing if if anyone is00:12:09
treating him well00:12:12
yes00:12:14
he wouldn't snap00:12:16
he's just fine00:12:18
and he's a nice guy00:12:20
so00:12:26
scooter did i tell you the one about the00:12:28
tour boys pissing off the bridge00:12:30
i don't remember00:12:32
well00:12:33
these two boys hugging the crackers off00:12:35
a bridge to fist00:12:36
the one on one california and one from00:12:38
arkansas00:12:40
one boy from california says boy this00:12:42
water's cold00:12:43
my boy from arkansas said yeah and it's00:12:45
deep too00:12:46
[Laughter]00:12:50
get it i don't get it00:12:55
your french fries good00:12:57
yeah they're good all right00:13:01
it's your favorite food00:13:08
for now it goes quite well for him00:13:13
i thought he would struggle more00:13:16
but it's fine00:13:18
pretty much00:13:23
and00:13:24
it's a very00:13:25
slow paced film00:13:27
but the music00:13:29
makes it really an enjoyable00:13:32
watch you want to go with me you can00:13:35
meet my mama00:13:38
all right not worry your mama with00:13:40
company00:13:41
she's real nice00:13:42
and she'll give us anything you want or00:13:44
to00:13:45
candy or something00:13:49
like a child00:13:52
he's like a big child00:13:56
i want taylor about you being in a state00:13:58
hospital00:14:00
come on let's go00:14:02
that's why it's not to tell everyone00:14:05
especially especially not the mother00:14:07
[Music]00:14:10
i reckon00:14:12
she would freak out00:14:15
nice to meet you carl00:14:18
pleased to meet you00:14:22
frank why don't you come back here with00:14:23
me for a minute00:14:26
i don't think i've seen you here before00:14:30
i have the feeling if you ask him00:14:33
what his story is he will tell him00:14:38
i think he tells him now00:14:42
why are you here now00:14:45
they turned me loose from state hospital00:14:48
here we go00:14:50
how long are you going to be staying00:14:51
here00:14:53
mr wordage00:14:54
they got me hired on to work for bill00:14:56
cox's outfit00:14:59
he's such a straight on the sky00:15:01
and has no filter i guess00:15:04
so if you ask him he will tell you00:15:09
oh did you really kill somebody00:15:13
yes sir i did00:15:14
who'd you kill00:15:16
two people00:15:17
were they bad people00:15:19
i thought they would00:15:22
but he00:15:24
he didn't tell him the whole story00:15:28
so he has a filter00:15:31
wait is this kind of [ __ ] drills rep00:15:34
shitness here and all that00:15:35
cause i'm gonna have a hard time eating00:15:37
around that kind of thing now00:15:39
just like i am at antique furniture00:15:40
midgets00:15:42
this guy will cause problems00:15:45
i'm pretty sure00:15:48
so carl come over here and sit down talk00:15:50
to me00:16:06
see frank here needs all the friends he00:16:08
can get00:16:09
frank's a weak little kid00:16:12
his daddy taught him how to be a [ __ ]00:16:15
stop though don't talk about my dad00:16:17
go on get out of here go out garage let00:16:19
me be00:16:24
people like that causing all kinds of00:16:26
trouble00:16:34
again fries00:16:38
okay carl the reason that i00:16:41
brought you here is00:16:43
to talk to you about something that's on00:16:45
my mind but you see you and i are a lot00:16:48
alike00:16:50
as strange as that may seem00:16:52
i don't i don't mean physically or00:16:54
even mentally really00:16:57
but well emotionally actually00:17:00
the hand that we've been dealt in life00:17:05
we're different00:17:07
people see us as being different anyway00:17:10
you're00:17:11
well you've got00:17:13
your affliction or whatever and i00:17:17
i'm gay00:17:20
does that surprise you00:17:23
you know what gay is don't you00:17:26
i like men00:17:28
sexually00:17:32
not funny haha funny queer00:17:37
well that's a very offensive way to put00:17:39
it00:17:42
it doesn't understand it00:17:44
i think00:17:47
you seem like a thinker00:17:49
you know00:17:51
you seem to always be deep in thought00:17:55
tell me something what are you thinking00:17:56
right now00:18:00
on fries00:18:02
thinking of fries00:18:03
i was thinking of00:18:05
might want to take me so many potatoes00:18:07
home with him00:18:12
he said it's himself he's a simple man00:18:17
i know what i'll do tonight00:18:19
i'm gonna call up morris and have him00:18:21
get the band together we have a party00:18:23
party our asses off00:18:25
please now not tonight i'm just not up00:18:27
for it they always stay till morning00:18:29
i'll just give out doyle00:18:31
you don't got to do nothing leonard just00:18:32
put some chips in a bowl and run ice out00:18:34
to us when we go00:18:36
why is she even with him00:18:39
he's such an ass00:18:42
hey frankie00:18:43
take that tub you and carl come out here00:18:45
and help me ice down some beer00:18:48
carl help him get that tip come on00:18:50
frankie00:18:52
come on frankie00:18:56
everything00:18:59
for now everything is pointing00:19:02
that way that00:19:04
that car00:19:05
is um00:19:06
[Music]00:19:08
is doom is doing something00:19:10
horrible to00:19:12
uh this other guy00:19:14
what's his name00:19:18
the bad guy00:19:21
maybe he kills him or something but i00:19:24
don't think so00:19:26
but everything is pointing that right00:19:32
or he do00:19:33
he does something terrible to00:19:35
to call00:19:37
maybe00:19:39
which is more likely00:19:43
but what is car but what what is carl00:19:46
doing then00:19:48
that's a question00:19:51
are you sure you can drive you really00:19:52
had a lot of alcohol00:19:56
you've been drinking as long as me00:19:57
vaughn you build up a tolerance00:20:00
right that clean your legs for me00:20:05
that's what he thinks00:20:09
oh i'm not drunk00:20:11
i have a tolerance00:20:15
drunk driving are you doing00:20:18
yeah pretty much00:20:21
be careful with that [ __ ] in the back00:20:23
now you're liable to throw them out00:20:27
they don't care00:20:29
we don't ever play any songs that y'all00:20:31
wrote i ain't heard one of them00:20:33
you'll just talk00:20:34
we don't even play any songs with words00:20:36
at all that i remember we ain't got no00:20:38
[ __ ] microphone00:20:42
in this guy from home improvement00:20:50
hey00:20:51
i said get out of my house00:20:54
that goes for [ __ ] suckers and retards00:20:57
now get up off your asses and go come on00:20:59
this is not your house though this is my00:21:01
house and i'll say who stays and who00:21:04
goes you got a house why don't you go00:21:05
get one of your girlfriends and go home00:21:06
to it00:21:08
you know better to talk to me like that00:21:09
when i'm hurting linda00:21:11
don't make me knock a piss out of you00:21:13
don't you touch her00:21:16
that's funny vaughn00:21:18
linda00:21:19
go to bed and take a little snot nose00:21:22
here with you00:21:23
kyle is just sitting there00:21:25
listening00:21:28
hey don't you tell me what to do00:21:31
don't do that linda i'm calling the00:21:33
police oh god damn00:21:35
it00:21:36
hey come on00:21:44
all right00:21:46
okay00:21:47
i'm gonna leave now [ __ ] me00:21:52
[ __ ] me00:21:54
i'm gonna go home and sober up00:21:59
lonely00:22:12
it was that was pretty interesting00:22:16
the camera was on was on one spot00:22:20
and00:22:21
all that time you saw00:22:23
carl sitting00:22:24
there just like that00:22:29
and i guess afraid and nervous00:22:36
it'll be fine i promise00:22:52
now uses very less music00:22:56
than00:22:57
than before00:22:59
for a while now00:23:04
i can't go to sleep i'd be at work in00:23:06
three hours you know how it is00:23:09
only sleep an hour or two you feel worse00:23:10
than if you hadn't slept at all00:23:13
yes ma'am i do00:23:17
but only only00:23:19
if it's only one or two hours00:23:23
it's from a medical standpoint better00:23:26
than00:23:27
just don't sleep00:23:30
but i agree with her00:23:32
you feel00:23:42
i killed my mother and an old boy named00:23:44
jesse dixon00:23:46
i thought they were doing wrong00:23:51
now he shoots it out00:23:55
but that means he trusts he trusts her00:23:59
because if you can figure out what's00:24:01
wrong with this thing it won't crank up00:24:03
and everything seems to be put together00:24:04
right00:24:05
it ain't got no gas in it00:24:08
you see there scooter00:24:10
things are the simplest things first00:24:14
well00:24:18
well hell there's the boys00:24:20
how you doing boys glad y'all came back00:24:24
i was wanting to talk to y'all too come00:24:26
over here and sit down00:24:28
come on sit down00:24:31
no00:24:32
no he's not drunk anymore apologizing00:24:37
really what i've come over here to do is00:24:38
apologize00:24:41
what else00:24:44
girl i don't believe it hit you did i00:24:47
it's an apology necessary i guess00:24:52
it is00:24:56
well00:24:58
at least he's trying but who knows for00:25:00
how long00:25:02
he's lying mama i'm never too bad00:25:06
i know honey00:25:11
at least she's not stupid00:25:16
or is or is she00:25:22
lift this thing down and carry it to the00:25:23
back for me it's on the blink so he00:25:25
wants to help you lift that thing oh no00:25:27
that car strong enough to let the00:25:28
bulldozer fix anything too00:25:32
i'd say he's mentally [ __ ] but he's00:25:34
weird00:25:37
i'm surprised how00:25:40
well00:25:41
all is going for him00:25:45
that was00:25:46
i was00:25:47
i was expecting more00:25:51
more trouble in general00:25:54
more conflict00:25:57
with other people00:26:00
and what they00:26:01
think about him00:26:03
which is not true00:26:06
and such00:26:07
things00:26:10
but it's going pretty well00:26:12
so far00:26:16
i feel sad about karen cross too00:26:19
i just make it like myself that she00:26:21
loves me00:26:33
this boy is such a00:26:34
positive thinker00:26:36
i like that00:26:38
and it's good00:26:40
influence00:26:41
for him00:26:42
and otherwise00:26:46
he's a good influence for him00:26:50
[Music]00:27:04
ball must hit the ground to be a00:27:06
touchdown00:27:08
or just a player with a ball standing00:27:11
standing in the00:27:12
in this field00:27:33
i'm your boy00:27:38
ain't got no boy00:27:42
hmm00:27:46
that's his father00:27:54
hey00:27:56
what the goddamn hell you doing carl00:27:59
what the [ __ ] you doing up the middle of00:28:00
the night what's wrong00:28:03
i want to be baptized well get baptized00:28:06
then i don't give a [ __ ]00:28:07
call up a [ __ ] preacher goddammit we00:28:09
can't baptize you we'll call brother00:28:11
epperson we'll go see him tomorrow and00:28:13
get you baptized it's sunday you going00:28:16
back to bed now00:28:19
what are you doing that damn hammer00:28:26
i don't rightly know i just kindly woke00:28:28
up a hole in it00:28:38
interesting scene00:28:41
maybe because of his00:28:42
father the encounter with him00:28:46
then you had some00:28:49
yeah like ptsd is it ptsd00:28:54
get somewhere coleslaw too okay00:28:56
all right y'all wanna go with me no they00:28:58
don't need to go with you there's a ball00:29:00
game coming on we'll just sit here and00:29:01
do man things00:29:04
here we go again00:29:07
she'll sit your asses down here00:29:11
sit down00:29:14
and that talk again00:29:17
but since you do exist00:29:19
and i'm going to be the head of the00:29:20
household00:29:22
and you're going to learn to live by my00:29:23
rules00:29:25
the first rule is00:29:28
don't talk about the fight left00:29:32
carl can stay if he wants to mama said00:29:34
well i tell you about your mama00:29:36
mister00:29:37
don't you never lay another hand on that00:29:39
boy you understand me look on my goddamn00:29:41
ham you're [ __ ] now get out there and00:29:43
get your [ __ ] and get out00:29:47
and that guy's so dumb00:29:48
he knows00:29:51
what does he00:29:52
know does he know that he killed his00:29:56
mom and00:29:59
and her lover00:30:04
if he knows then he's really done to00:30:07
provocate him that much00:30:11
and even if he00:30:12
does not know00:30:14
even then it's very it's very dumb00:30:18
because he knows that he00:30:21
he's done something terrible00:30:24
yeah something terrible00:30:27
i wonder if if he does anything00:30:32
and00:30:33
what would that be00:30:38
is it just a good deed00:30:41
or is it00:30:42
something terrible00:30:46
but in his mind00:30:48
it's a good thing00:30:50
because he wants to help00:30:53
it's a question00:30:56
it don't make no difference where i was00:30:57
to be00:30:59
we'll always be friends00:31:01
okay nobody stop that00:31:05
oh00:31:09
what is he planning00:31:11
that00:31:13
that sounded00:31:16
very don't know00:31:21
i'm worried now00:31:27
[Music]00:31:36
huh00:31:40
carl what are you doing here you want to00:31:41
come in00:31:42
i ain't staying00:31:44
i need to ask you for a favor00:31:47
okay00:31:49
this evening00:31:50
i want you to go get that mint wheatley00:31:52
let her in that frank they were here00:31:54
with you tonight00:31:57
what's wrong is everything all00:31:58
right well that door00:32:02
he's in a bad way again with that00:32:03
drinking and being mean to folks00:32:06
i want you to give me your word you'll00:32:08
do it well sure okay00:32:10
he hasn't hurt them has he00:32:12
no sir not yet00:32:15
you take care of that boy00:32:23
carl00:32:26
[Music]00:32:34
[Music]00:32:50
like i said before00:32:52
everything is pointing in that direction00:32:54
that he's gonna00:32:57
like kill him or something00:33:01
but but00:33:02
now00:33:04
but he plans to do something00:33:06
and he's00:33:07
he's he's so simple-minded what else00:33:12
could he possibly do00:33:14
[Music]00:33:16
when he's not killing him00:33:19
[Music]00:33:24
mick is making himself a weapon00:33:26
[Music]00:33:32
so what i get from now is that he kills00:33:34
him00:33:35
that's why he said to the boy00:33:38
no matter where i am00:33:40
i still love you or something00:33:46
so he's gonna kill him00:33:49
so00:33:51
they can have00:33:52
they can live a00:33:53
happy life and he's going back to the00:33:57
mental hospital00:33:59
or even jail00:34:01
prison00:34:03
hmm00:34:07
but there00:34:08
there are other options00:34:17
[Music]00:34:19
or that that's what what's the film00:34:24
is um00:34:25
trying to let me trying to uh let me00:34:28
think00:34:30
and then that00:34:32
in the end surprises me i don't know00:34:39
and that music00:34:41
so terrifying00:34:45
[Music]00:34:56
such a great builder00:34:58
build up00:35:20
where's everybody else00:35:29
you seen him00:35:38
didn't i tell you get moved out of here00:35:45
how does a fellow go about getting hold00:35:47
of the police00:35:52
what the hell you doing that lawnmower00:35:54
plate00:35:56
i aim to kill you with it00:36:05
[Music]00:36:11
girl00:36:27
just like that huh00:36:50
he wasn't even trying to fight back00:36:54
he wasn't believing it00:36:56
i guess00:36:58
it just caught00:37:00
she really do it00:37:05
so00:37:18
no he has nothing to lose wouldn't00:37:19
surprise me if he kills him too00:37:24
back to business don't you say another00:37:26
word to me00:37:28
i ain't listening to you no more00:38:02
oh yeah00:38:08
that was a great film i really enjoyed00:38:16
it okay00:38:18
all right00:38:22
i will tell you in detail how much i00:38:24
liked it00:38:27
and now00:38:30
the review00:38:32
all right that's it00:38:34
i watched slingblade00:38:36
from 199600:38:38
the director's cut00:38:41
from and with billy bob thon00:38:44
who did a great job00:38:47
i really i really like this it was so00:38:50
great00:38:52
like the dialogues00:38:54
i haven't said00:38:57
anything about the dialogues but they00:39:00
were just00:39:01
just perfect00:39:03
they were so good00:39:05
like the first monologue from00:39:08
from billy bob00:39:10
where he just sit sat down on the ship00:39:13
on the chair00:39:16
holding this monologue00:39:18
with the music00:39:21
the camera just static00:39:23
and his performance00:39:25
his overall performance in00:39:27
it it was great00:39:29
deserved the nomination deserved the00:39:32
oscar for the00:39:34
the script00:39:36
it was great just just great00:39:40
he was nominated for direction00:39:42
okay00:39:44
um00:39:45
[Music]00:39:47
i saw the director's cut00:39:49
and00:39:51
it was two and a half hours00:39:53
i think it it's a 12 minutes or 1800:39:56
minutes00:39:57
longer than00:39:58
the theatrical cut and i wonder00:40:01
what was cut out00:40:03
in the theatrical00:40:05
because00:40:06
the film was so long and so slow paced00:40:11
but it00:40:13
didn't feel00:40:15
dragged out00:40:17
there was one scene00:40:20
which was kind of dragged out that scene00:40:23
where00:40:26
a00:40:30
doyle's band00:40:32
let's say00:40:33
it was a band which00:40:36
wasn't really00:40:37
but they sat together and uh00:40:40
sung00:40:42
okay00:40:43
which00:40:44
was not really singing00:40:48
but uh texting so and um for me that was00:40:52
a little dragged out00:40:54
that could be shorter00:40:56
another00:40:58
another thing i have to criticize is00:41:00
know that in the end00:41:02
the end was just phenomenal i have to00:41:05
say00:41:06
but00:41:09
everyone around carl00:41:12
should have known00:41:14
what he's going to do and nobody00:41:17
interfered00:41:19
because in the end00:41:21
there were other options00:41:27
but00:41:28
carl00:41:29
in his simple mind00:41:31
thought00:41:32
that that this was the only option00:41:36
and if he killed him00:41:38
if he kills doyle00:41:40
then all would be happy00:41:42
okay00:41:44
but00:41:46
there are other00:41:47
options the the mother00:41:50
should have just uh00:41:53
putting her foot down00:41:55
kicking00:41:56
him out00:41:58
or00:41:59
[Music]00:42:00
he could00:42:02
have done other things00:42:04
carl could have done other things00:42:07
not just killing him00:42:09
but forcing him maybe00:42:12
in another way or00:42:14
like in a more diplomatic way00:42:20
so yeah00:42:22
the camera on the other hand00:42:26
was nothing special00:42:29
but it was00:42:33
it was simple00:42:35
like the music00:42:37
and i think00:42:38
that sums up everything simplicity00:42:42
because00:42:44
it's the main character which is very00:42:46
simple00:42:47
a simple man00:42:50
um00:42:51
and that's00:42:54
like in everything00:42:56
the camera was simple but effective very00:42:59
effective00:43:00
the music was simple00:43:03
but also very effective00:43:06
effective00:43:07
it was00:43:08
um00:43:09
it was giving me a good mood00:43:12
while watching it00:43:15
and about the story00:43:18
about the story i have to say that00:43:21
i was expecting00:43:23
more00:43:27
conflict00:43:29
but00:43:33
for him00:43:37
it just00:43:38
worked out00:43:40
hmm that surprised me00:43:43
but in the end there was conflict00:43:46
and a lot the last 20 15 or 20 minutes00:43:50
50 minutes00:43:53
or 20 i don't know00:43:55
the last 15 minutes00:43:58
were00:44:00
the highlight of this film it was so00:44:04
uh suspense00:44:07
i was in uh on the edge of my seat00:44:12
knowing what was00:44:14
about to happen00:44:16
but still00:44:18
thinking okay maybe maybe he doesn't00:44:20
kill him00:44:21
maybe he finds another way maybe00:44:24
something happens00:44:25
somebody00:44:27
interferes but00:44:28
he00:44:29
he went straight into the house and he00:44:32
was killing him off screen which was00:44:34
also very simple but effective00:44:39
um00:44:40
yes00:44:41
the actor i noticed00:44:44
was jt walsh00:44:46
and00:44:47
i know him in quite a bit films from the00:44:50
90s00:44:51
especially in00:44:54
breakdown00:44:55
which is00:44:57
phenomenal00:44:58
it's it's a00:45:01
very great thriller if you haven't seen00:45:04
it go see it00:45:06
with uh kurt russell00:45:08
in the main role00:45:11
and00:45:12
in a few good men and that's what i00:45:17
and that's what the picture was in my00:45:18
mind00:45:19
i00:45:20
pictured him in a uniform00:45:22
but i couldn't think of the film he was00:45:25
it was a few good men00:45:28
uh yes00:45:29
that's um00:45:31
about it00:45:32
i guess00:45:35
so00:45:36
that's about it00:45:38
now i need a comedy00:45:43
after this00:45:44
um okay so00:45:47
i guess i see you then00:45:49
good bye00:46:10
youDescription:
Full-Length reaction: https://www.patreon.com/watchingcodyrice Music: https://www.youtube.com/the7thproductions IMDb: https://www.imdb.com/title/tt0117666/ "Some folks call it a sling blade, I call it a Kaiser blade." Directed by Billy Bob Thornton Writing Credits Billy Bob Thornton ... (play) Billy Bob Thornton ... (screenplay) Cast Billy Bob Thornton ... (Karl Childers) Dwight Yoakam ... (Doyle Hargraves) J.T. Walsh ... (Charles Bushman) Music by Daniel Lanois Cinematography by Barry Markowitz ... (director of photography) Film Editing by Hughes Winborne Genre Drama Runtime 2 hr 28 min (148 min) (director's cut) Country of origin United States 🇺🇸 Language English 🏴 Filming locations Benton, Arkansas, USA 🇺🇸 Haskell, Arkansas, USA 🇺🇸 Also Known As (AKA) Sling Blade (original title) Resplandor en la noche (Argentina 🇦🇷, Mexico 🇲🇽, Uruguay 🇺🇾) Na Corda Bamba (Brazil 🇧🇷) Бръсначът (Bulgaria 🇧🇬) La justice au coeur (Canada 🇨🇦, French title) Ostrica zlocina (Croatia 🇭🇷) Sling Blade - Auf Messers Schneide (Germany 🇩🇪) Κοφτερό λεπίδι, Koftero lepidi (Greece 🇬🇷) Pengeélen (Hungary 🇭🇺) Lama tagliente (Italy 🇮🇹) スリング・ブレイド (Japan 🇯🇵) Skustuvo ašmenys (Lithuania 🇱🇹) Hoja afilada (Panama 🇵🇦) Blizny przeszłości (Poland 🇵🇱) O Arremesso (Portugal 🇵🇹) Tăișul (Romania 🇷🇴) Отточенное лезвие (Russia 🇷🇺) Sečivo (Serbia 🇷🇸) Rezilo (Slovenia 🇸🇮) El otro lado de la vida, L'altre costat de la vida (Spain 🇪🇸) 彈簧刀 (Taiwan 🇹🇼) Bıçak sırtı (Turkey 🇹🇷) Відточене лезо (Ukraine 🇺🇦) Sóng Gió Cuộc Đời (Vietnam 🇻🇳) Academy Awards, 1997 Winner: Best Writing (Adapted screenplay) Nominee: Best Actor in a Leading Role (Billy Bob Thornton) Karl Childers, a simple man hospitalized since his childhood murder of his mother and her lover, is released to start a new life in a small town. *Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. NO COPYRIGHT INFRINGEMENT INTENDED. All rights belong to their respective owners. Title: Sling Blade (1996) | First Time Watching | Reaction & Review Keywords: first time watching / first time reaction / film reaction / movie reaction & review / sling blade reaction / sling blade french fried potaters / sling blade drive thru Tags:
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