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  • ruRussian
Download
00:00:02
the most powerful tool that
00:00:04
Illustrator has through a tutorial so
00:00:07
easy that even my aunt from the village
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could do it
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and I click
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very good crazy welcome to a new
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creative frame video as I know that many
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Of those who watch these videos,
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you want to undertake and set up your
00:00:27
own startup or you are designers
00:00:29
who need to enhance our
00:00:31
skills and specialization, which is why
00:00:34
I want to recommend something to you in this video
00:00:35
sponsored by crea a crea a is an
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online training platform with
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tons of courses related to the
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creative and digital industry and also in
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courses organized in different areas
00:00:49
such as design, illustration, web animation,
00:00:52
photography or digital marketing, among
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others, and today I want to recommend one of
00:00:57
their branding and visual identity courses
00:01:00
for startups, this course is perfect
00:01:02
for you because it will give you an
00:01:04
overview of the creation of both the
00:01:06
verbal identity and the
00:01:08
visual identity in addition to the values ​​and
00:01:11
personality that define your project and
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you will understand what points are key for the
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correct development of a
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complete identity the link to this course now You can find
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many others that will surely be useful to you
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in the description of this video and now
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if we start with the tutorial to
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put you in the situation in June 2019
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I made a tutorial where I explained how to
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make this neon effect and I promised
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that if we reached 5000 likes
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I would make the tutorial for the most
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voted effect and the most voted was this
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3d effect because it took us more than a year
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to get it and the truth is that I didn't even
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remember it - okay, you are there to
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remind me because what a head for mine,
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well, stop Thank you for those 5000 likes,
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I am going to explain this 3D effect but with
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a little more complexity, something like this, for
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example, and also because I will send us an
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original Illustrator file with this
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effect and with a lot more effects
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so that you can analyze how they were
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made and so expand your
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skills with the use of this powerful
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tool but what tool is the
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appearance window for me the
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most powerful tool that
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illustrator currently has since it
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allows us to concatenate effects and limits
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on strokes and fills associated with an
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object so freedom creative,
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this tool is infinite and where do we
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find this tool? Well,
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we find this tool in the
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appearance window menu, we click and
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this appearance window appears. I am going to
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write the text lights with a
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perfect future typography and I have the
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word written. I am going to make a thing
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to work more comfortably I'm going to
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do it on the gray background of
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Illustrator on this dark background that
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we have here outside what would be outside
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the work table the first thing we are going to
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do is eliminate the fill we are going
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to leave it completely transparent and I have
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placed the final effect up here
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so I can explain each detail and
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how we are going to create it, so the
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first thing we are going to do is create these little
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balls, these spheres that are going to
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represent like those little illuminated light bulbs,
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and we are going to do this by
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creating a stroke so we are going to go
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add a new stroke remember that we
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have it down here stroke and fill
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we add a new stroke and so that those
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little light bulbs are always above
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everything, keep in mind that this layer
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of stroke has to always be
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above Of all, I am going to apply this stroke with
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a yellow color and a thickness of 14
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to be able to edit the stroke options,
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well we can click on the
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word stroke that we have here in the
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appearance window and
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all the options and what I am going to do will appear
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is to leave the finish and the vertex
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rounded, then I am going to select a
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dashed line so that they are perfect circles,
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I am going to leave it at zero points and then the
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distance that we want between one
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small circle and another, I have tried this and
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in the end I have been left with 35 points
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to For all the light bulbs to be
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completely symmetrical, you have to have
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this option enabled to align the
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dashes with the angles and ends of
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the paths for dad. This is what you
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have to have enabled so that
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all the light bulbs coincide in the
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corners and that everything more harmonious and
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more homogeneous I am going to make this
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smaller because I want
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the effects to be seen well and then I will expand
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as I add layers because if
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not it is going to be a little confusing the next
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step is going to be to give it an exterior light
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as if they were a little lit
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so what we are going to do is apply
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this layer of stroke to effect
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and stylize I am going to zoom in stylize
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outer glow the color I am going to
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select the yellow that I have here
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in color samples all the ones that I have
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created then I am going to select This
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yellow, which is the same one that I have
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placed in the color of the bulb, the
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opacity I am going to set to one hundred percent,
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I am going to preview to see
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how this exterior light is looking and
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then the blur I am going to set to
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approximately 55 ok and This is how the bulbs would look
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with that exterior light effect
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so that the bulbs have a little
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transparency as if it were glass. What
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I'm going to do is lower the opacity and
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apply a blending mode that is a plot,
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so with the selected stroke here
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where it says opacity we click I'm going to
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lower the opacity to 85 percent and
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the blending mode I'm going to set it to
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raster right now we're not going to see any
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effect because there are no more layers but
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as we add more layers
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you're going to see how it looks that
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great effect now we add a second
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stroke below these light bulbs so we are
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going to place it, for example, on
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the bottom layer that has a fill, add a
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new stroke, it will add it just
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above, the color will be an
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orange color and the thickness It's going to be three
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points. I'm not seeing anything because it
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keeps applying the stroke properties,
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so what I'm going to do is leave it
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as it was and remove the
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dashed line. The next thing I'm going to do is create
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a fill below the two strokes
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as I already have. a fill here that is
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empty, I'm going to use this one and I
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'm going to assign this fill, well, one of the
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gradients that I already have made, I'm going to
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put this so that it's a little
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bigger and I'm going to select the keyboard
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that I have, which is from red to orange
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is already applying that gradient but from the
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left of the word to the right of
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the word and I want it to go in this
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case from bottom to top that
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can already be done from the
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gradient window, I don't have it open so
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I go Let's open it, well, it's as
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simple as where it says the degrees here,
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put it at 90 degrees so that it goes
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upwards and we would have the gradient from
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bottom to top. I'm going to leave this
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fill in normal blending mode, although
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later we will change the
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blending mode. To apply it on
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a texture of lines that I am going to
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place, the next thing is to create a
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filling layer below the filling
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that we have created, I am going to click here
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where it says characters, which is the last
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layer below, always
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add new filling As you can see, it has
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created a fill with the last
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gradient that I have used underneath
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everything and in this case what I want is to
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apply a texture of
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horizontal lines to give a bit of that
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strobe effect to the letters and
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where those textures are we can
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Also take out from here this little button that
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we have here at the top of the
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samples palette, a new drop-down menu appears
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and down here we have to open the
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samples library and in this case
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we are going to look for motifs, I am going to zoom in
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because if every time it goes to the
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right and here we have the textures that
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come by default in Illustrator
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line textures motif textures and
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then basic graphics textures
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you can load this because to fill in
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certain applications the truth is that
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it comes in very handy well well I'm going to
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open the basic graphics one lines
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all the textures that come by
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default in these basic graphics lines
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and I am going to apply to this fill that I
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still have it selected as you see
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here I have it selected I am going to put it
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here because I am going to assign one of the
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textures 10 the pp 30% now I have applied it
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but what happens is that it is not seen because it is not
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seen because above it is the
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fill with the gradient so for
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now we are going to remove the eye this
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works a bit like Photoshop we are going
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to remove the eye to be able to see those
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lines but we have a problem that the
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texture has black lines, how do
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we convert this texture to white lines,
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super super simple, as we see now,
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who is showing, the texture
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that I just applied appears to me because it is as
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simple as double-clicking and it
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appears as an editor From the sample
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we select all the lines and here
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where it says the stroke color the
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stroke color is valid so we double click and
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assign it a white color and
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we would have our texture with the
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white lines in the options
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that we have up here we can or ok
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save a copy of the texture give it
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done to modify the texture we
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have in our swatches palette or
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cancel let's say save a
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copy create a copy and I'm going to put
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white lines ok in the swatches window
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we have a new swatch that doesn't
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It is clearly seen as it is but it is
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the one with white lines, therefore if I
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applied it now we can see that now
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the lines are already white
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but I have realized that that
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texture because the lines are very small
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and they are very close together and I want the
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texture to have a larger scale and for the
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lines to have more separation. How
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do we change this? Well, we do this
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also from the fill layer. I am going to
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place this a little higher with the
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fill. In this case, the
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selected lines. I am going to apply an effect. to
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distort and transform transform
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we change the scale and I put 120 for
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example and I press preview, it is
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changing the scale of that object of that
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filling and I don't want them to change the
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scale only of the pattern of what
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the texture is so we have to
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disable transform objects so
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that it only changes the scale of the
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pattern 154 and I'm going to give it ok because
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once we have the lines created
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we are going to create a layer below a
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fill layer below these
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lines which will be the one that will to give a
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basis to these letters and it will also
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allow us to create that effect like
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shadows and brightness so that
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the word has a little more volume and is
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a little more interesting. I select
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our word and now below the
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filling of the
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and we are going to create a color fill for
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that we are going to position ourselves on the
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character layer I am going to say new
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perfect fill I have a new fill I am going to
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apply a red color this one that is more
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striking to see it better I am going to
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remove the eye from the texture of the
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lines and stay only with the
00:10:29
flat color to see how this
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effect of shadows and highlights turns out. The bad thing about
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this and that it is a bit confusing is
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that we cannot assign names to each
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of the layers, they are all called Filling
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is called stroke because I don't think this
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is lines that has degraded it
00:10:41
would be cool to change it and
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improve it and to get that effect of
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shadows and highlights in the end, messing around
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and testing I did it with two
00:10:52
interior glows frame interior glow
00:10:54
to make a shadow well if not
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ask me because surely with the
00:10:58
shadow you can also achieve it but in the end well
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trying it turned out well and I said
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why not let's leave it like this and all
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this came out trying it don't think that
00:11:05
I'm such a geek to do everything this is
00:11:07
the first impossible series something that
00:11:09
we are going to do two exterior glows we are going
00:11:11
to apply the first exterior glow
00:11:14
where this is placed is in styling
00:11:16
sorry interior glow 2
00:11:19
interior glow is worth the first one because the
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first interior glow I am going to
00:11:23
leave it in drama I am going to put a
00:11:25
opacity of 56 percent a blur
00:11:28
of 32 pixels and instead of leaving it at the
00:11:31
edge I am going to put it in the center and thus
00:11:34
we will achieve a central brightness
00:11:35
that will give a certain volume to the
00:11:38
letter and we will give it what we already have.
00:11:39
first inner glow let's go for
00:11:41
the second fx stylize
00:11:44
inner glow and it's going to ask us if
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we want to apply a new effect apply
00:11:48
new effect and this second effect is
00:11:51
going to be the shadow I'm going to do the
00:11:52
following I'm going to put it in
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blend mode multiply I'm going to select a
00:11:56
black color I am going to press preview
00:11:58
because I want to preview the
00:12:00
opacity I am going to set it to 63 important
00:12:03
important not placed in the center it has
00:12:05
to be on the edge like this yes and then the
00:12:07
blur I am going to leave at 30 put
00:12:09
the mouse here Move the mouse wheel
00:12:11
up and down and see
00:12:13
how the effect turns out until you
00:12:15
like it, in my case 30, well, ok,
00:12:18
we would have that volume,
00:12:19
that effect like brightness and shadows
00:12:22
on the layer that is going to act as the base.
00:12:24
color
00:12:25
the letters let's see now how
00:12:27
the lines look I'm going to enable the eye but I'm
00:12:29
going to lower the opacity of these I'm going
00:12:31
to put an opacity of 55 so that they are
00:12:34
a little clearer so they aren't so
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sharp so don't knock so much
00:12:38
attention so 55 and now the
00:12:41
color layer that we had above and that we
00:12:42
had removed the eye I am going to re-
00:12:44
enable the eye as you see it is for
00:12:46
everything but I am going to put it in a
00:12:48
blending mode that is going to be superimpose
00:12:50
superimpose is the blending mode that I am going to
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enable on this gradient layer
00:12:55
once we click we see how
00:12:57
this effect looks and I repeat this what I
00:12:59
achieved by trying adding strokes to
00:13:01
radiating fills is the good thing about
00:13:03
this tool that allows you to try
00:13:04
editing redo undo the truth is that we are
00:13:06
going to create a fill
00:13:08
below everything, as I have told you, we
00:13:10
select the word, we
00:13:12
go to the character layer and
00:13:14
we add a new fill, okay, we are not going to
00:13:16
make it white because
00:13:18
I am interested in seeing now exactly how
00:13:20
this effect is going to look and once I
00:13:22
like the effect and it looks good because I have already
00:13:24
changed the color to create this
00:13:26
extrusion effect it will be achieved
00:13:28
with the effect of distorting and
00:13:30
transforming
00:13:32
this too we have it here in fx
00:13:34
distort and transform transform
00:13:37
we click and here we have all the
00:13:39
options for the transform effect we are going to
00:13:43
leave the scale at one hundred percent and we are
00:13:44
only going to touch these two
00:13:47
boxes of move or horizontal and move
00:13:49
vertical the first thing we are going to do To do is
00:13:50
to put the copies that we want to say the
00:13:53
depth, we are going to start with 30, we are going to
00:13:55
preview it and now I
00:13:58
am going to move the horizontal axis minus one pixel
00:14:01
so that it goes to the left and the
00:14:03
vertical axis, well by trying we could
00:14:05
put minus 1 also in this case 1
00:14:07
so that it goes downwards but I didn't
00:14:09
like that it was so inclined so I
00:14:11
am going to place 0.7 on the vertical axis
00:14:14
and that inclination the truth is that I
00:14:16
like it better ok let's see a little thing that
00:14:19
can be improved and what What happens when
00:14:20
we apply this replica effect or
00:14:23
create copies by moving them one pixel if we do
00:14:26
not realize that
00:14:27
the copies are seen and we also
00:14:30
realize that this extrusion effect does
00:14:31
not come out or is not part of what the stroke would be.
00:14:34
outside but part of the
00:14:36
filling so there is a little bit towards you
00:14:38
can achieve this well of course
00:14:40
everything can be achieved with
00:14:42
illustrator and with these effects that we
00:14:44
have here to achieve this we are
00:14:46
going to do it through an effect
00:14:48
called cool displacement
00:14:50
let's apply that effect again we're not going to
00:14:52
fx plot displacement and here we
00:14:55
get this little window I'm going to zoom in and
00:14:57
now here a
00:14:58
10 pixel displacement is being applied but it can't be
00:15:00
seen because we have to hit preview or I've
00:15:02
gone too far I'm going to put one pixel
00:15:03
only, well here we almost achieve it
00:15:05
if we put 1.1 it looks a little better 1.2
00:15:08
until we see that for example
00:15:10
it protrudes through the profile of the
00:15:12
upper part if we put 16 there it protrudes a
00:15:15
little you see that it protrudes a little 1.5 That
00:15:18
would be the ideal, well, to eliminate
00:15:20
or soften these saw teeth, you cannot
00:15:23
get them perfect, but well, we are
00:15:24
going to soften it, it would be where it puts
00:15:26
rounded joints and with that we soften
00:15:29
that extrusion a little, that line is
00:15:31
going to be visually perfect, it
00:15:34
will not be noticeable. too much so we are going to
00:15:35
give it ok and now all that remains is to apply
00:15:38
a color and in this case I am going to apply a
00:15:40
gradient that I have already done, if
00:15:42
we go here to
00:15:44
grade samples here which is a gradient from
00:15:46
darker violet to a lighter violet
00:15:48
but I want it to be applied from
00:15:50
bottom to top so we go to
00:15:52
the gradient window and here where it
00:15:54
says the angle we are going to put 90 degrees
00:15:56
now it is applied from bottom to top
00:15:58
next step we are going to place a line
00:16:01
behind the all this blue line and we are
00:16:03
also going to apply it as an
00:16:05
outer glow, it's great we go
00:16:07
to our word we select it
00:16:09
behind the whole we are going to create a new
00:16:12
stroke we are going to apply a cyan color
00:16:14
right now we are not seeing that stroke
00:16:16
because it is just behind the layers
00:16:18
therefore it is not seen so to be able to
00:16:20
take it out and place it more or less in
00:16:23
the same perspective of this extrusion
00:16:26
I am going to apply the effect of
00:16:27
distort and transform transform
00:16:29
was minus one pixel and 0 7 okay that is the
00:16:33
multiplier If you multiplied that factor
00:16:35
say minus 1 and 0.7 times 40 minus 1 times
00:16:39
40 is minus 40 and 0.7 times 40 is 28 minus
00:16:44
40 and 28 now if you see that it is further
00:16:48
out and continues the same
00:16:50
I will take out the 50 so that it is a little
00:16:52
more separated sorry I just
00:16:54
regretted it and I'm going to leave it at 60
00:16:57
therefore this is going to be less 60 I'm like that
00:16:59
nonconformist 07 by 60 42 now yes there
00:17:05
it is delicious now we're going to apply
00:17:08
that exterior light to this line so
00:17:10
with the word selected again we
00:17:12
go to the stroke effect stylize
00:17:14
outer glow we select and
00:17:18
now in this little window we select the
00:17:19
color that the color we are going to go to
00:17:21
color samples to select in
00:17:23
our samples the cyan we are going to
00:17:25
leave it at 100% and then the blur
00:17:28
on tastes we are going to leave it at 7 or
00:17:30
keith to finish this effect what
00:17:32
we are going to do is create behind the
00:17:33
whole and we are going to see this here in the
00:17:35
example as an exterior light that has
00:17:38
our entire design with that more
00:17:40
purple tone to separate it a little from the background
00:17:42
and to make it a little
00:17:44
more interesting and for this we are going to
00:17:46
select the word and we are going to create
00:17:47
behind the whole again we
00:17:49
place ourselves in characters we create a
00:17:51
fill we are going to apply a fill color
00:17:53
purple like that well whatever color
00:17:56
you want but well I'm
00:17:57
going to try this one like this image is
00:17:58
strong like it doesn't matter I'm
00:18:00
going too far as you can see it can't be seen but what
00:18:02
I'm going to do is the following I'm going to
00:18:03
position it right behind the extrusion
00:18:06
That is to say, right now it is placed where
00:18:08
the letters are, I want to move it
00:18:09
to the last position of my extrusion,
00:18:13
therefore what I am going to do is apply
00:18:14
a distort and transform effect,
00:18:17
transform, remember, this
00:18:19
tool is here, it is very good and now what What
00:18:21
we're going to do is move it, I'm going to leave it
00:18:23
at zero copies because it's going to be that same
00:18:25
one that I'm going to move, I'm going to move it to the
00:18:26
last position which was minus 30 and this
00:18:29
was 0.7 times 30, which again I don't
00:18:32
remember, I'm fatal 21 that was 21
00:18:35
preview and it is not visible either but it has
00:18:37
moved this fill to the last
00:18:40
position now it is as easy as applying
00:18:43
to this fill a sefac unplug blur
00:18:45
cause no longer
00:18:48
gauss blur effects no longer we
00:18:50
have this blur here that is to say
00:18:51
we have a number of effects that
00:18:53
we can apply on fills and strokes
00:18:54
is amazing, well in this case
00:18:57
blur cause no longer appears
00:18:59
here the effect I'm going to zoom in again
00:19:00
to see how this
00:19:02
applied effect is going to look I'm going to tell you ahead of time
00:19:03
you're going to see what is going to appear,
00:19:05
I'm going to tell you 80 to blur here
00:19:08
a lot okay and something is happening
00:19:11
that already happened to us in the previous tutorial,
00:19:13
this is something that has to be edited
00:19:14
that has to be changed from the raised
00:19:16
raster settings of Illustrator where is
00:19:18
this in effect
00:19:21
document raster effect settings and now here we
00:19:23
see this cute little window I
00:19:25
usually select smoothing and then
00:19:28
add well it says you have to put the
00:19:29
number of pixels you want the
00:19:31
more pixels you put well I understand that the
00:19:33
computer will go a Just a little more, they
00:19:35
will need more power and I am going to put
00:19:36
300 pixels, which with 300 pixels would be
00:19:39
enough and you are going to see how this
00:19:41
cut line is going to disappear because it is going
00:19:44
to give more width to that
00:19:46
raised raster effect so we give it ok voilà
00:19:48
now We have our
00:19:51
full degree without it being cut because we already
00:19:53
have this effect created. All that remains is to
00:19:55
save this effect as we save this
00:19:58
effect because it is as simple as
00:20:00
selecting our word with this
00:20:03
appearance setting created, we go to
00:20:05
graphic styles and here below
00:20:08
to new graphic style is going to look like
00:20:10
a new graphic style we already have it
00:20:12
here double click and we put the name we
00:20:14
want in this case lights let's see
00:20:17
if it is to write
00:20:19
ok perfect we already have our style
00:20:22
saved and apply it to a pentagon there is
00:20:25
more or less and applied the effect and
00:20:28
voilà we already have the effect applied
00:20:30
on any shape even if we
00:20:32
want to make a mess also
00:20:33
apply this effect to this mess
00:20:36
last tip once we already have the
00:20:39
effect saved and the effect created is the
00:20:41
following because for me the truth is that It
00:20:42
has given me a lot of headaches,
00:20:45
what happens if I now scale this object,
00:20:47
look what happens because it stays at the
00:20:49
same original scale, the lines, the
00:20:51
lights, the textures and perhaps the
00:20:53
effect or the resulting effect is not
00:20:56
what we want like this. what we have
00:20:58
to do is the following we are going to go
00:21:00
to illustrator general preferences and
00:21:03
we have to activate transform tiles
00:21:05
scale vertices and scale strokes and
00:21:08
effects
00:21:09
we give it ok and now see if I scale
00:21:11
this pentagon all the
00:21:14
information is rescaled to me rescale all the
00:21:16
sizes of all the
00:21:17
effects strokes and so on and it will always be
00:21:19
perfectly applied so this is the
00:21:22
last tip I wanted to give you to
00:21:24
download this original
00:21:26
illustrator file with all the effects you have
00:21:28
to enter the creative frame period In
00:21:29
resources and there is wind you will find a
00:21:32
link to this video and to the file where
00:21:35
you can see all the effects as they have been
00:21:37
made, display the
00:21:39
appearance window to see all the layers that
00:21:40
have fills, strokes, effects and thus be
00:21:43
able to understand a little more how
00:21:45
this tool works and learn
00:21:46
new techniques and new effects for
00:21:49
your projects. I would
00:21:50
love to hear your
00:21:51
opinions and know if, for
00:21:53
you, the appearance window is the
00:21:55
most powerful tool that
00:21:57
Illustrator has. If you liked it, give it a like and
00:21:59
share so that everyone knows about
00:22:01
this powerful tool. I am more
00:22:04
I hope you are very happy see you
00:22:06
in future videos see you later
00:22:08
[Music]

Description:

Prueba los cursos de CREHANA 👉 https://www.crehana.com/marco-creativoyt/ Hoy os voy a enseñar la que es para mi, la herramienta más poderosa que tiene Illustrator a través de un tutorial tan fácil que hasta mi tía la del pueblo podría hacerlo. ★ Recursos Gratis: https://marcocreativo.es//recursos/ Pero ¿Qué herramienta es esa? Pues mira el vídeo para saberlo. Un tutorial en Illustrator paso a paso donde entenderemos cómo funciona esta herramienta a través de un efecto tipográfico muy interesante. ❤️❤️ SI QUIERES AGRADECERME EL CONTENIDO COMPARTIDO Puedes donar 👉https://www.paypal.com/paypalme/marcocreativo // MIS COSAS DE YOUTUBER: Lumix G80: https://www.amazon.es/Panasonic-Lumix-DMC-G80MEC-K-Objetivo-estabilizado/dp/B074N9XL7N?__mk_es_ES=%C3%85M%C3%85%C5%BD%C3%95%C3%91&s=electronics&language=es_ES Objetivo 15mm 1.7: https://www.amazon.es/Panasonic-H-X015E-K-Objetivo-di%C3%A1metro-distancia/dp/B00K7ZRY48?__mk_es_ES=%C3%85M%C3%85%C5%BD%C3%95%C3%91&s=gateway&th=1&language=es_ES Kit Iluminación Led: https://www.amazon.es/gp/product/B07D156PJD?ie=UTF8&language=es_ES Difusor Plegable: https://www.amazon.es/gp/product/B07C4P49FW?ie=UTF8&language=es_ES Grabadora Zoom H1n: https://www.amazon.es/gp/product/B078YYDGZ3?ie=UTF8&language=es_ES Espuma Grabadora Zoom: https://www.amazon.es/gp/product/B07CPNHH4C?ie=UTF8&language=es_ES Adaptador TRRS a TRS: https://www.amazon.es/gp/product/B00L6C8PNU?ie=UTF8&language=es_ES Micro Condensador: https://www.amazon.es/Behringer-B-1-Micr%C3%B3fono-condensador-diafragma/dp/B0002KZAK8?__mk_es_ES=%C3%85M%C3%85%C5%BD%C3%95%C3%91&s=gateway&language=es_ES Tarjeta de Sonido: https://www.amazon.es/Focusrite-Scarlett-2i2-3rd-Gen/dp/B07QR73T66?ie=UTF8&language=es_ES Capturadora Vídeo: https://www.amazon.es/Elgato-Cam-Link-deportivas-1080p-60fps/dp/B07K3FN5MR?__mk_es_ES=%C3%85M%C3%85%C5%BD%C3%95%C3%91&s=gateway&language=es_ES Brazo soporte micro: https://www.amazon.es/gp/product/B00DFUEZZI?ie=UTF8 Joby Gorillapod: https://www.amazon.es/gp/product/B002FGTWOC?ie=UTF8 Micro solapa Rode: https://www.amazon.es/gp/product/B00OFSE5RM?ie=UTF8 Trípode Neewer: https://www.amazon.es/gp/product/B0734ZZN61?ie=UTF8&language=es_ES ¿Quieres enviarme algo y que lo muestre en uno de mis vídeos? C/ Puertas de Orihuela, 24 - 2B 03330 Crevillente (Alicante - España) Música © Marco García. 📩 [email protected] 💜 Web ► https://marcocreativo.es 💙 Twitter ► https://twitter.com/marcocreativo 💚 Facebook ► https://www.facebook.com/unsupportedbrowser ❤️ Instagram ► https://www.facebook.com/unsupportedbrowser

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