Download "Филолог Софья Корчикова – о поэтах Серебряного века и художниках-нонконформистах | Докфильм"

"videoThumbnail Филолог Софья Корчикова – о поэтах Серебряного века и художниках-нонконформистах | Докфильм

Комиссар Рекс, 14 сезон, 7 серия «Дом с привидениями»

Комиссар Рекс, 14 сезон, 7 серия «Дом с привидениями»

Channel: Город Небес

СЕРГЕЙ ЛЮБАВИН. " ПУСКАЙ ТЫ ВЫПИТА ДРУГИМ..."

СЕРГЕЙ ЛЮБАВИН. " ПУСКАЙ ТЫ ВЫПИТА ДРУГИМ..."

Channel: Алексей Исхаков

филолог

софья

корчикова

–

поэтах

серебряного

века

художниках-нонконформистах

докфильм

серебряныйвек

неофициальноеискусство

репрессии

00:00:19

[music]

00:00:30

and these are my favorite poets whose poems

00:00:34

I

00:00:39

read. I have many favorite poets and

00:00:42

Gumilevs in general, Symbolists and

00:00:46

Acmeists and

00:00:48

Futurists, that’s all the Silver Age, poetry

00:00:53

and theater and art were brought up by me

00:00:58

from childhood, I grew up in a family

00:01:02

doctors in Moscow was born studied and

00:01:06

worked in Moscow at the Lenin Pedagogical

00:01:10

Institute

00:01:12

at the Faculty of Philology by

00:01:15

profession

00:01:17

I am a teacher of Russian language and

00:01:20

literature, a candidate of philological sciences

00:01:24

and at school during my school years I was very

00:01:28

fond of poetry and even wrote poetry,

00:01:31

that is, a love for the

00:01:36

block, well, well and many poets arose

00:01:41

during my studies at the institute.

00:02:05

this profession after graduating from the institute

00:02:09

I worked first at the military academy and for the

00:02:13

last 50 years I worked at the Moscow

00:02:16

Mining Institute after working there for 50 years I

00:02:20

retired When I was 89

00:02:28

years old

00:02:32

[music]

00:02:36

Alexander

00:02:38

Blok years of life

00:02:43

1880

00:02:47

1921 the main theme in Blok’s work is the

00:02:52

theme of a lonely

00:02:57

person I enter I

00:03:01

perform a poor rite in dark temples, there I wait for a

00:03:07

beautiful lady in the glow of red lamps

00:03:13

in the shadow of a high column, I tremble from the creaking of

00:03:19

the doors and an illuminated image looks into my face,

00:03:24

only a dream about her, I’m used to

00:03:30

these, the robe of the majestic eternal wife

00:03:36

runs high along the

00:03:38

cornice smiles, fairy tales and Dreams about the

00:03:43

Saint, the gentle candle How gratifying your

00:03:49

features are, I can’t hear a sigh or a

00:03:54

speech, but I believe, Dear you,

00:04:01

I carved a staff from oak to the gentle

00:04:06

whisper in the

00:04:07

south, the clothes are poor and rude Oh, how

00:04:13

unworthy are my friends, but I will find the beggar’s

00:04:18

way, come out, frosty sun I'll try all

00:04:23

day for God's sake in the evening

00:04:27

I'll knock on the door

00:04:30

and a white hand will open the

00:04:33

secret door in front of

00:04:38

me, a

00:04:40

young woman with a golden

00:04:43

braid with a clear, open

00:04:48

soul, a moon and stars in her braids. Come in, my

00:04:53

welcome Tsarevich,

00:04:56

and the poor oak staff

00:05:01

will sparkle with a

00:05:04

semi-precious tear. This is,

00:05:06

first of all, true poetry because not

00:05:10

everyone a person who writes

00:05:13

poetry masters the art of poetry,

00:05:17

although he can perfectly

00:05:22

compose

00:05:24

stanzas and lines and rhythms and rhymes,

00:05:29

but poetry is something that is

00:05:32

difficult to define, just like love. What

00:05:36

is love, it is understood differently by everyone

00:05:40

[music]

00:05:55

is understood differently by each lonely person

00:05:58

a dream,

00:06:03

how in

00:06:05

life I go out on the road, open

00:06:09

to the eye, the wind bends the elastic

00:06:13

bushes, broken stone lies on the

00:06:16

slopes of yellow clay, scanty

00:06:20

layers have cleared up, autumn has cleared up in the wet chests,

00:06:25

exposed the cemetery of the

00:06:28

Land of Rowan trees in passing villages, the red

00:06:33

color is ripening from afar, here

00:06:35

it is, your joy is dancing and

00:06:40

ringing Ringing in the bushes having disappeared and in the distance in the distance

00:06:46

waving invitingly Your patterned

00:06:51

colored

00:06:54

sleeve who

00:06:58

prayed grinned at me through the window of the prison

00:07:03

or the stone path drawn

00:07:06

The beggar

00:07:10

is chanting

00:07:11

I am going on a journey not invited by anyone and the earth May it

00:07:18

be

00:07:19

easy for me I will listen to the voice of drunken Russia

00:07:24

rest under the roof of

00:07:28

Yulia's tavern about my luck how I

00:07:34

ruined my youth in

00:07:37

drunkenness over the sadness of your fields I will pay for your

00:07:42

space I will

00:07:45

love forever many of us free young

00:07:51

stately people are

00:07:53

dying Not

00:07:55

loving the shelter of you in the distance there is no

00:08:01

way to live and cry without you Leonid

00:08:07

Osipovich Klein I bore his last name before

00:08:10

marriage and then changed it during

00:08:15

marriage

00:08:16

Yes, in my husband’s last name and When

00:08:21

the divorce happened, I decided to leave my husband’s last name. My mother’s name was

00:08:25

Ekaterina Semyonovna

00:08:30

tuntse, my father was from the Baltic states, my

00:08:35

mother was Jewish, my mother was from Sergiev Posad, where her

00:08:41

father served as a

00:08:43

strawman in the church. My

00:08:47

parents met, apparently either during or after the

00:08:53

Civil War. No, more likely during

00:08:56

because the first sister was born in

00:08:59

2010, both doctors, father, a surgeon, a children's doctor,

00:09:04

performed operations, mother, a physician, a

00:09:09

therapist, died during the war, mother

00:09:13

suffered from cancer, father from pneumonia.

00:09:19

If he had not been so exhausted,

00:09:22

we

00:09:25

survived the hunger, that is, the hunger was not the same

00:09:28

as in St. Petersburg because that every day you

00:09:33

could get bread with coupons on cards

00:09:36

And besides bread, tea and salt

00:09:40

Matches and bread were issued regularly And all

00:09:44

other products,

00:09:46

although they were rarely issued to the nobility in cards but in very

00:09:53

limited quantities,

00:09:57

but we survived Everyone received a higher

00:10:01

[music]

00:10:16

education at on the

00:10:22

railway under an embankment in an unmown ditch

00:10:28

she lies and

00:10:30

looks as if she were

00:10:33

alive in a colored scarf

00:10:38

thrown on her braids,

00:10:39

beautiful and

00:10:42

young, she used to walk with a decorous gait to the

00:10:46

noise and whistling behind the nearby forest, all the way around the

00:10:51

long platform, she waited, worrying under

00:10:55

the canopy, three bright eyes, a

00:10:59

softer blush, perhaps

00:11:04

someone cooler curl of the

00:11:06

passers-by would

00:11:08

look more closely from the windows; the carriages walked in the

00:11:14

usual line; they trembled and

00:11:16

creaked; they were silent; yellow and

00:11:22

blue in green;

00:11:50

slid over her with a gentle smile,

00:11:57

slid and the train

00:12:02

sped off into the distance.

00:12:05

Useless youth in empty dreams,

00:12:12

exhausted melancholy on

00:12:16

the road, an

00:12:19

iron whistle, tearing the

00:12:21

heart

00:12:25

apart, yes,

00:12:27

yes, but the heart

00:12:31

has been taken out, so many bows have been given,

00:12:37

so

00:12:39

many greedy glances

00:12:43

are cast into the

00:12:45

deserted eyes of

00:12:49

the carriages, don’t approach her with

00:12:53

questions, everything to you

00:12:56

equally, she’s

00:13:02

happy with

00:13:04

love, mud or wheels, she’s

00:13:10

crushed, everything hurts, they say that Bloc is a

00:13:15

symbolist, they say that Gumilyov is an Acmeist, yes,

00:13:19

of course this is so, but this is most of all in the

00:13:23

first part of creativity. And then they

00:13:27

grow up to be poets who are very close to the

00:13:33

human soul; a real feeling; earthly feelings

00:13:38

among the Acmeists. By the way, Acmeism is this is from the

00:13:43

Greek word acme What does dawn mean?

00:13:47

That is, they say that the Acmeists brought

00:13:51

poetry down from heaven to earth,

00:13:55

and the symbolists believed that our world, the world

00:14:01

that surrounds us, is a reflection of the

00:14:05

actual real world that is

00:14:10

located. Well, in an unknown

00:14:14

space, we are a reflection, we are symbols, but

00:14:19

as we see nearby at the same time in the

00:14:23

same

00:14:24

year,

00:14:26

poems can be

00:14:29

written in the spirit of a symbolist or simply a

00:14:32

realistic poem like this from

00:14:38

newspapers stood up in a

00:14:41

radiance, baptized

00:14:43

the children and the children saw a joyful dream,

00:14:49

laid the last bow to the floor with his head

00:14:53

Kolya woke up

00:14:58

joyfully

00:15:00

sighed to a blue dream yet glad on Eva

00:15:05

rolled and froze the glass rumble the

00:15:09

ringing door slammed downstairs

00:15:14

hours passed a man with a tin badge

00:15:18

on a warm

00:15:19

hat came knocking and waited at the door

00:15:24

a man No one

00:15:26

opened they played they

00:15:30

hid my mother's red

00:15:33

scarf in a scarf she left in the morning

00:15:39

today she left the

00:15:42

scarf at home the children hid it in

00:15:45

[music]

00:15:46

crept up in the corners

00:15:49

Twilight children's shadows were jumping on the wall

00:15:54

in the light of the

00:15:56

lanterns someone was counting the steps on the stairs

00:16:03

and began

00:16:06

to cry

00:16:08

and knocked at the doors the children listened and

00:16:13

opened the

00:16:15

doors the fat neighbor brought them cabbage soup

00:16:20

she said

00:16:24

eat she knelt down and

00:16:29

how her

00:16:30

mother baptized her

00:16:34

children mothers did not painful pink

00:16:39

children mommy herself lay down on the rails to a

00:16:45

kind

00:16:48

person Fat neighbor thank you thank you

00:16:54

mom

00:16:55

couldn’t mommy was good

00:16:59

mom

00:17:01

[music]

00:17:14

died Osip Mandelstam years of life

00:17:22

1891

00:17:27

1938 my sadness opened two huge

00:17:34

eyes Flower vase woke up and

00:17:38

spilled its crystal all over the room Napa

00:17:43

and Tomy sweet

00:17:47

medicine such a small

00:17:52

kingdom has swallowed up so much

00:17:56

sleep a little red

00:17:59

wine a little sunny

00:18:03

May and a thin biscuit

00:18:07

breaking the

00:18:09

thinnest fingers

00:18:12

whiteness Where can I go this January the

00:18:17

open city of madness on the chain of

00:18:21

closed doors I’m drunk or something and I want to

00:18:24

moo from all the locks and paper clips of the

00:18:28

alleys of barking stockings and the streets

00:18:32

skewed closet and quickly hide

00:18:36

in the corners and run out of the corners by the head and

00:18:42

into a hole in the warty one, then I slide towards the

00:18:46

icy water pump and stumble I eat

00:18:49

dead air and scatter The rooks in a

00:18:53

fever and I gasp after them, screaming into

00:18:58

some frozen wooden box of the

00:19:03

reader

00:19:05

advisor

00:19:07

doctor on the stairs of prickly conversations Well, the

00:19:11

second poem was in

00:19:14

anticipation in

00:19:16

anticipation of the

00:19:17

repression of my parents, it did not

00:19:21

affect the house at the Red

00:19:24

Gate where we lived at that time, this is one of

00:19:27

those houses that suffered terribly

00:19:30

during Well, in 1937 Why did

00:19:33

they suffer? The fact is that this house,

00:19:35

built in the twenty-ninth year, was

00:19:39

built by

00:19:41

A and

00:19:44

intended for the

00:19:48

employees of the

00:19:49

People's Commissariat of Foreign Affairs and the People's Commissariat of Foreign

00:19:53

Trade,

00:19:56

my uncle, my father's brother, worked in foreign trade. He died in the

00:20:00

thirty-third year and after his death,

00:20:04

my father's family was allowed to move

00:20:07

from Taganka from the Communal Apartment Where

00:20:10

we lived moved to the apartment where

00:20:13

his sister stayed and when the

00:20:16

thirty-seventh year came,

00:20:19

all

00:20:21

our

00:20:23

guys with whom we were friends suffered greatly, firstly the

00:20:27

People's Commissar himself lived in one of the apartments,

00:20:31

then his deputies and major

00:20:34

employees of this Ministry of

00:20:37

Foreign Affairs cases

00:20:42

Our friends

00:20:45

and our friends were shot, but They continued to live,

00:20:51

some had to leave

00:20:55

and some were taken in by

00:21:00

relatives, but in my class there

00:21:04

were also a

00:21:06

lot of

00:21:08

guys with whom I studied, whose parents

00:21:12

suffered. But Trotsky’s granddaughter, Pyatakov’s son, studied with me in the same class.

00:21:23

and the children of other famous people were friends with them

00:21:28

and it never

00:21:31

occurred to anyone to treat their children

00:21:36

any differently; it was a

00:21:39

completely equal relationship and

00:21:42

they were very

00:21:45

interesting and good and worthy children

00:21:49

of their parents or grandfathers, if the

00:21:52

poet a real big one, he can

00:21:55

predict LV, for example,

00:21:58

he saw what would happen in the near future and

00:22:02

the Great Maximilian Voloshin, who so

00:22:08

felt the

00:22:10

consequences of the Civil War and

00:22:14

depicted this war in poems of

00:22:19

terror

00:22:21

and others, and

00:22:24

there are poets who are harbingers, there are

00:22:31

poets who respond. That’s exactly what

00:22:36

modern times have such

00:22:39

[music]

00:22:43

seers

00:22:45

[ music]

00:22:47

eighth

00:22:49

eighth

00:22:50

This is Yuri

00:22:55

Vasiliev, the son of the PKO, a famous political

00:22:59

figure during the civil war,

00:23:02

executed by that time This is

00:23:06

Alexander

00:23:07

Furman Sashka Furman, a very convinced

00:23:13

Komsomol member

00:23:15

and a very active guy,

00:23:19

but he died at

00:23:22

Stalingrad, these guys studied near

00:23:25

Moscow at the Military

00:23:28

School Yes, with this Sashka Furmanov

00:23:32

Furmanov, or rather, not with

00:23:34

him, but with him, it’s a separate story with his

00:23:39

younger brother,

00:23:42

who after the war

00:23:46

would have already been shot, a group of young

00:23:51

people who

00:23:55

[music]

00:23:56

uh,

00:23:59

well, they

00:24:00

were against Stalin and talked about this topic,

00:24:04

but were shot, although they themselves did

00:24:08

nothing

00:24:10

and took

00:24:11

no action

00:24:15

they didn’t commit such things for which they could have been

00:24:18

shot But here’s a girl,

00:24:22

only girls were spared there for

00:24:26

20

00:24:28

years Yes, she died recently,

00:24:33

having lived to our

00:24:37

time for 25 years, these are all those

00:24:42

who were shot,

00:24:45

so this is Sashka Urman’s younger brother,

00:24:51

his mother She told me I was lying

00:24:55

in at the feet of the investigator, the

00:24:58

eldest son died in the war defending his

00:25:02

homeland Yes, but there was no Mercy,

00:25:09

well, this is Lyudochka, my friend,

00:25:16

this is also my

00:25:22

classmates, and this is Sasha Molina,

00:25:26

granddaughter,

00:25:29

such a very

00:25:31

responsive,

00:25:32

attentive person, we were friends with her. She

00:25:35

somehow was very good applied to everyone

00:25:40

and

00:25:43

[music]

00:25:56

yes

00:26:03

[music]

00:26:12

8 I got lost in the sky, what should I do?

00:26:16

Who is it close to,

00:26:19

answer it was easier for you

00:26:22

Danto

00:26:24

nine athletic dis

00:26:28

to ring, don’t separate me from life, she

00:26:32

dreams of killing and now

00:26:35

caressing her in the ears, in the eyes and in the

00:26:39

Florentine melancholy was

00:26:43

beating in the eye socket. Don’t put it on me. Don’t put the sharply

00:26:48

affectionate Laurel on your temples. You’d better tear my heart

00:26:53

into blue ringing pieces.

00:26:58

And when I die, a

00:27:00

lifetime friend who has served all the living,

00:27:04

so that the response of the sky can be heard wider and higher

00:27:10

throughout my entire

00:27:14

chest Konstantin

00:27:17

Balmont years

00:27:19

of life

00:27:23

1867

00:27:26

1900 forty-second Balmont was at one

00:27:32

time a very popular

00:27:37

poet, better known

00:27:41

as an

00:27:43

unsurpassed master of wordplay for

00:27:48

him, poetry was a game of Fun and

00:27:53

his poems are very famous which are associated

00:27:58

with the sound of imitation; he could imitate in

00:28:02

his poems the rustling of reeds and the splashing of

00:28:08

waves

00:28:09

when the waves run onto the shore with a roar

00:28:13

and roll away in the distance

00:28:18

subsides and the ringing he could

00:28:24

depict the

00:28:26

reeds at midnight

00:28:28

in the Swamp Wilderness the

00:28:32

reeds are barely audible silently rustling What are they

00:28:39

whispering about What are they

00:28:41

talking about why the lights between us are burning

00:28:46

flashing flashing and again they are gone And again the

00:28:52

flickering light of the midnight period has dawned

00:28:57

oh the reeds

00:28:59

rustle in them toads

00:29:02

nest in them snakes whistle in the swamp the

00:29:08

dying face trembles The crimson month

00:29:14

sadly droops and the smell of mud and dampness

00:29:21

creeps in Sina

00:29:24

will lure it will shrink

00:29:28

who Why do the reeds say why

00:29:34

the lights burn between us but the

00:29:40

sad month silently droops does not know

00:29:45

bows everything below your Face and sigh

00:29:52

repeating the lost

00:29:55

soul, barely audible

00:29:58

silent

00:30:00

rustling

00:30:02

[music]

00:30:17

reeds with artists I made friends

00:30:24

in the eightieth year, I became friends and

00:30:30

since I had the opportunity to

00:30:34

purchase

00:30:37

paintings since I had no family and

00:30:41

the salary of a candidate of sciences was sufficient,

00:30:44

I was also in charge the department had

00:30:47

the opportunity to buy paintings and I

00:30:50

made friends with the artists of the second

00:30:53

Avant-garde; these were artists

00:30:55

who did not agree with the

00:31:03

socialist realism prescribed for all art

00:31:07

and sought their right to paint paintings and

00:31:13

make sculptures as they wanted. My

00:31:16

friend who worked at our

00:31:19

institute, she was an

00:31:20

artist herself

00:31:26

and such an

00:31:28

acquaintance She had many acquaintances with

00:31:31

exactly these artists, and that’s how

00:31:34

this acquaintance took place: we came to the

00:31:37

artists’ studios and there we chose,

00:31:42

with her help, I was not so

00:31:50

enlightened. And gradually a collection was created;

00:31:53

although part of the collection is no longer there,

00:31:56

but there were circumstances in life when

00:32:00

I had to to part with some paintings,

00:32:02

but in any case, this is

00:32:05

what it is. And this is my

00:32:08

Vietnamese corner. I worked

00:32:11

with the Vietnamese for many years, taught them Russian

00:32:14

and was in Vietnam twice at their

00:32:18

invitation, and these are their paintings; these are the

00:32:25

gifts that were given to them. well, correspondence

00:32:30

was carried on for a long time when they

00:32:32

graduated from the institute

00:32:36

and left after that, they gathered there

00:32:41

and

00:32:43

celebrated the memorable date of the first arrival of the

00:32:47

Vietnamese to the Soviet Union in

00:32:50

1954. Well, that’s why the teachers

00:32:54

invited us there to these meetings.

00:32:58

I inherited this large painting

00:33:00

from my parents.

00:33:03

made by an unknown artist in

00:33:08

the Baltic States in the 10th century, here is a poster for an

00:33:14

exhibition in

00:33:17

1985, which took place in June in a

00:33:21

house on Malaya Gruzinskaya, in this house they

00:33:24

were finally allowed to allocate a

00:33:29

room for their exhibitions throughout Malaya

00:33:34

Gruzinskaya there was a huge queue,

00:33:37

Larisa and I came to this exhibition

00:33:40

artists there were already a lot of people there

00:33:43

Yes, and Anatoly Zverev was sitting in one of these separate ones

00:33:48

in such a niche in

00:33:51

this next to this hall,

00:33:55

and he was the then famous artist

00:34:00

and in front of him lay a pile of these

00:34:04

mm

00:34:05

posters and he is a very

00:34:09

sociable person, cheerful and friendly and when he saw

00:34:14

us Larisa says says Let me

00:34:18

draw you and took the poster and vice versa

00:34:24

the poster depicted our portraits but they

00:34:29

put their vision

00:34:33

[music] of the

00:34:41

person Larisa and I came

00:34:45

to the studio of the

00:34:48

artist Nemukhinsky

00:34:57

who was the

00:34:58

founder of this movement he left the

00:35:01

country

00:35:03

and Mukhin with his temperament with with

00:35:09

his love for art and with

00:35:16

his

00:35:18

character,

00:35:20

such a very, very bright personality. This is

00:35:24

his portrait made by Larisa Galkina,

00:35:30

this work is not Mukhina, this was an

00:35:35

exhibition exhibition in

00:35:37

Paris Yes, eighty Trey, in my opinion, the

00:35:41

year

00:35:43

Yes there was an international exhibition of

00:35:46

artists in the eighty-third year in

00:35:50

Paris And this was

00:35:53

the emblem of the exhibition of the USSR, the department of Soviet

00:35:59

painting, Plavinsky Dmitry Plavinsky, a

00:36:02

very famous artist knight.

00:36:05

And this is Yakovlev, who painted flowers

00:36:26

as if

00:36:28

waving their branches, this is my

00:36:33

memory of the war when we four

00:36:37

sisters were already left without parents and the

00:36:40

younger sister She was lying in a

00:36:43

tuberculosis dispensary which was

00:36:45

located

00:36:47

uh outside the city

00:36:51

And my sister and I are going to visit our

00:36:57

younger

00:36:58

sister, we went there and so we

00:37:03

walked about five kilometers, we had to walk from

00:37:07

the train to

00:37:10

uh this dispensary and somehow

00:37:14

this picture reminded me of us there were four

00:37:18

sisters now there are no

00:37:22

[music ]

00:37:25

alone

00:37:28

[music]

00:37:36

tired of waiting, lonely,

00:37:39

offended by her, sex, sleepy, dying

00:37:45

seas, not like a man, I wander

00:37:51

from century to century, century from century, I see waves, I see the

00:37:57

amber, the elusive foam, minute-by-minute

00:38:03

betrayal The thirst to escape from captivity, to

00:38:07

experience the oppression of shackles again, and in the

00:38:11

distant nebula, the

00:38:14

offended

00:38:16

Lonely seeks the bright-eyed genius of

00:38:21

unknown shores hears the cries of the light

00:38:27

respond to the groan of torment for transparent

00:38:31

dreams to the peaceful temples

00:38:35

of chagu but beyond the

00:38:40

horizon the sound of the familiar

00:38:45

ringing of a

00:38:47

human

00:38:49

groan fades away I cannot fall in love with the

00:38:59

memories of the evening in

00:39:06

Amsterdam about quiet

00:39:11

Amsterdam with the melodious

00:39:15

ringing of ancient

00:39:19

bell towers Why am I here not there Why

00:39:24

not Len, oh quiet

00:39:30

Amsterdam, to your church

00:39:34

bells, to your tired ones,

00:39:37

to your burning

00:39:41

backwaters,

00:39:57

here and

00:40:00

there, across these sleepy waters, across the gloomy

00:40:04

bridges, across the windows and along the vaults of houses and

00:40:08

bell towers, where they are given over to the

00:40:12

dreams of some kind of ghost

00:40:16

sick with reproach can’t hold back,

00:40:22

yearns with a long

00:40:25

groan and an eternal

00:40:30

chime, sings here and

00:40:34

there about quiet

00:40:40

Amsterdam

00:40:43

about

00:40:47

quiet

00:40:49

[music]

00:40:53

amst

00:40:55

dam

00:41:02

[music]

00:41:18

[music]

00:41:25

M

00:41:26

[music]

00:41:38

nuno the main people in my

00:41:41

life are connected

00:41:44

with the pedagogical

00:41:48

institute with the school Yes, of course before

00:41:52

that is,

00:41:53

they were not in my life. They were

00:41:57

teachers, teacher of Russian language and

00:42:00

literature, Konstantin Andreevich Arefiev,

00:42:03

at school, a school teacher whom we all

00:42:06

admired and loved his classes. Yes, he

00:42:10

died in the war, like six of my

00:42:14

classmates, another

00:42:16

teacher. It

00:42:19

was Professor Sergei Ignatievich

00:42:22

Bernstein who My

00:42:27

supervisor during my postgraduate

00:42:29

years was

00:42:36

priest Georgy Kochetkov,

00:42:40

who then began his activities

00:42:44

and in

00:42:48

1988 I

00:42:50

took a course in studying the Gospel under his

00:42:56

guidance and I am now a member of the

00:43:01

Transfiguration

00:43:03

Brotherhood

00:43:05

and

00:43:07

have been a member of the party

00:43:13

[music]

00:43:23

apple Igor Severyanin since 2003

00:43:28

life

00:43:33

1887

00:43:37

1941 Igor Severyanin belonged to a group of

00:43:42

futurists, young, perky, cocky

00:43:47

guys who considered themselves geniuses

00:43:51

and invented new words, believe

00:44:00

pineapples in

00:44:02

champagne pineapple in champagne

00:44:06

amazingly tasty

00:44:12

sparkling I’m

00:44:17

inspired by something Spanish impulse and take up the

00:44:22

pen the chirping of

00:44:25

airplanes

00:44:27

car wind clear express wing

00:44:32

Burov someone here

00:44:40

kissed the pulse of the

00:44:43

evenings in a group of nervous girls in the

00:44:48

acute society

00:44:51

of ladies I The tragedy of life the porch in the grya

00:44:57

Zohar pineapples in

00:45:00

champagne pineapples in

00:45:03

champagne from Moscow to

00:45:06

Nagasaki from New York to Mars

00:45:10

Severyanin’s work was sometimes even called

00:45:13

gastronomic because he glorified

00:45:16

delicious things ice cream lilac violet

00:45:21

liqueur and other purple trance Lily

00:45:26

liqueurs o crème de Violet I drank the dreams of

00:45:31

violets violet violet I ordered the

00:45:36

Convertible to be served immediately and sat down on a gray maple in a

00:45:40

satin interval pulled into black

00:45:44

velvet by the driver and my minion touched

00:45:47

the handle and the engine trembled like a

00:45:54

rusty stallion and the

00:45:57

admiring wind tore the beret from me I

00:46:00

ordered Give it full I impudently ordered

00:46:04

to bewitch nature and confuse the path I

00:46:09

threw out the driver when he refused roared through

00:46:14

nature with might and main and somehow

00:46:19

met the village neither voices nor huts

00:46:23

crashed into the

00:46:24

black forest of a tree not a stump when the engine I

00:46:29

exploded, I gnawed my hands, I got drunk with a

00:46:34

thunderstorm, everything on the way is

00:46:54

intoxicating Exodus, I am drunk,

00:46:56

I am spring, I am quiet, I am a thunderer, and

00:47:03

is it really my fault that lilies prick so

00:47:08

rarely one can find that the path without lilies is

00:47:13

gray about poison, the dreams of violets about crème de

00:47:24

violet

00:47:27

[music]

00:47:59

H

Description:

Кандидат филологических наук Софья Корчикова всю жизнь преподавала русский язык и литературу, 50 лет проработала в Московском Горном институте, в том числе, вела там поэтическую студию. Софья Леонидовна – знаток поэзии Серебряного века, а ещё коллекционер изобразительного искусства. У неё дома целая галерея работ советских художников-нонконформистов. 11 февраля 2024 года Софье Корчиковой исполнилось 100 лет. В этом фильме она читает стихи своих любимых поэтов и рассказывает о событиях, свидетелем которых была.

Preparing download options

Popular

HD video

Only sound

All

* — If the video is playing in a new tab, go to it, then right-click on the video and select "Save video as..."

** — Link intended for online playback in specialized players

Questions about downloading video

How can I download "Филолог Софья Корчикова – о поэтах Серебряного века и художниках-нонконформистах | Докфильм" video?

http://unidownloader.com/ website is the best way to download a video or a separate audio track if you want to do without installing programs and extensions.
The UDL Helper extension is a convenient button that is seamlessly integrated into YouTube, Instagram and OK.ru sites for fast content download.
UDL Client program (for Windows) is the most powerful solution that supports more than 900 websites, social networks and video hosting sites, as well as any video quality that is available in the source.
UDL Lite is a really convenient way to access a website from your mobile device. With its help, you can easily download videos directly to your smartphone.

Which format of "Филолог Софья Корчикова – о поэтах Серебряного века и художниках-нонконформистах | Докфильм" video should I choose?

The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

Why does my computer freeze when loading a "Филолог Софья Корчикова – о поэтах Серебряного века и художниках-нонконформистах | Докфильм" video?

The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

How can I download "Филолог Софья Корчикова – о поэтах Серебряного века и художниках-нонконформистах | Докфильм" video to my phone?

You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

How can I download an audio track (music) to MP3 "Филолог Софья Корчикова – о поэтах Серебряного века и художниках-нонконформистах | Докфильм"?

The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

How can I save a frame from a video "Филолог Софья Корчикова – о поэтах Серебряного века и художниках-нонконформистах | Докфильм"?

This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

What's the price of all this stuff?

It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.