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00:00:05
film company devil works
00:00:12
[music]
00:00:16
fan art film
00:00:23
[music]
00:00:37
what companies cut
00:00:43
producers peony this is squirrel
00:00:49
composer dan babulin
00:00:54
director of photography andy tove
00:00:58
editing jim page
00:01:03
sound director slave wingfield
00:01:09
must director cleanse bromine feel
00:01:12
starring william j halse that grace
00:01:16
courtney
00:01:17
[music]
00:01:20
im 40 gear
00:01:23
robecca cullen to elite mclaren matilda
00:01:26
darmody
00:01:31
executive producers henry brain tonsils
00:01:33
christopher magician grave townsen
00:01:37
screenwriter
00:01:38
tobias
00:01:39
original idea fian this is byod
00:01:43
directors fian this is what
00:01:46
you have
00:03:27
[music]
00:03:35
I'm here just a nightmare you
00:03:54
'll tell me everything
00:03:57
I moaned that you ask you want to
00:04:02
spend with cigars it’s better to voice your
00:04:06
fear you’re strange
00:04:11
I’m the one
00:04:30
you slept
00:05:20
overnight or the next day you’re a bore and I don’t
00:05:28
like you or you don’t like them that they
00:05:32
understand I’ve
00:05:33
known you for a couple of months new on the
00:05:36
block on the block the queen of a Scottish
00:05:39
castle no only That’s not what I hate when
00:05:42
they say that, but where are all your friends then
00:05:51
why should I look for them first of all
00:05:53
I’m looking for them secondly it’s your
00:05:56
graduation today I don’t want you to
00:05:58
sit alone in the room and be bored sounds
00:06:01
like your usual day before
00:06:02
but I appreciate it they pay you and you know me and bye
00:06:31
bye it's slaughter somehow stop hit me I'm late wait wait I
00:06:33
'll show you something close your eyes strength please no jokes
00:06:43
ladies and gentlemen let's see this is
00:06:46
just a grain of brilliant ideas
00:06:47
a vision of the future and so attention may
00:06:50
look like a miracle but this part show
00:06:53
transformation which is better 2 or 6 for
00:06:59
tells me I like everything as it is and
00:07:03
you’re right it’s more disgusting
00:07:06
udo
00:07:09
vii you can feign interest for a
00:07:11
second I’m not coloring I’m talking about all this about
00:07:15
this house of a new life I liked the old one
00:07:18
I’m trying to do everything for us
00:07:21
It’s not in vain I know I’m coming to life I’m coming to life alive The
00:07:26
first play is big You can’t easily
00:07:30
watch this one, but you need to live through hundreds of spectators,
00:07:34
like many people who are costumes
00:07:37
props girls from 5 5 x How the slip
00:07:42
brings the story to life and the blood runs cold
00:07:45
pink I’ll be a pile of [ __ ] until dad doesn’t
00:07:51
eat all kinds of nonsense about me
00:07:59
my patience is running out Mr. Bremmer
00:08:03
what exactly do you want for
00:08:13
another week for
00:08:17
just one week my guys will
00:08:21
work for you until I pay not
00:08:24
strong healthy if I were looking for
00:08:28
workers I would hire them myself
00:08:37
and my daughter
00:08:41
what do you care you propose to assign
00:08:45
to your house what kind of work do you propose to
00:08:49
entrust to me in your daughter doing maybe a
00:08:59
maid or or
00:10:29
[music]
00:10:51
[music]
00:11:01
on the stairs of the castle the body of a maid was found in the castle of
00:11:06
Bernal Vic on the stairs they found
00:11:08
the body of a maid many arms were broken
00:11:11
as if she had fallen from the very top the
00:11:15
lord's son was missing everywhere
00:11:20
[music]
00:11:24
[laughter]
00:11:54
[music]
00:12:01
I'm jenny glad to meet you by
00:12:07
this is an abbreviated ballet ballet this is
00:12:13
interesting
00:12:15
we were all wondering who came to the castle you
00:12:19
and your parents and dad are probably planning
00:12:24
renovations like that and dozens are boring
00:12:31
my dad is a writer that’s the point, I
00:12:35
wish I could get to know him better,
00:12:39
think about it Jack Travis, google it, I
00:12:52
sorted out the sheds, you fixed
00:13:01
the TV, it worked anyway, you
00:13:04
heard me, you said something about tea,
00:13:23
DJ, no, better go and sort out the shed, as
00:13:27
I’ve been asking for several times now daughter, after all,
00:13:29
no one will buy grandma’s house with these miserable
00:13:31
sheds in the garden, they’re standing there and rotting,
00:13:34
yours should have sold everything,
00:13:38
grandma died a hundred years ago, why do I
00:13:41
seriously agree, now is not the
00:13:43
best time, we came here and
00:13:45
should have arranged everything should have been a year
00:13:48
relaxing in the north is too cold and
00:13:53
gloomy for a baby to come to you, but I’m just
00:13:56
bored and sucks, life is like that, what
00:13:59
difference does it make to you where you sit on the sofa and
00:14:01
watch football, and to the impudence you hear in
00:14:07
feces, it’s similar to the sound with which a big and
00:14:09
strong man breaks down a ranch, I’ll persuade you to
00:14:12
run away after everything I've done
00:14:15
jenny
00:14:16
you'll get tea if you do anything he'll leave
00:14:18
said tea is better than coffee coffee makes
00:14:22
me a man crack travis master of the castle
00:14:33
what are you doing what the time jack travis
00:14:39
writer
00:14:42
I'm now look jack trace what jack
00:14:51
travis we don't damn it and even how he wrote a
00:14:54
play that scared the crap out of everyone,
00:14:56
burns on tilt to listen to it, it looks like he’s a
00:15:00
real expert in all kinds of horror stories,
00:15:02
that’s crap n.a. but why did he come here
00:15:07
[ __ ] Jack Travis gate in the castle
00:15:21
[music]
00:15:25
then you should drink all the goals and
00:15:29
drink to the bottom in one gulp before Alex truth or
00:15:45
deed truth
00:15:48
what was the name of your very first eat
00:15:56
nonsense called nonsense now the queen of the castle
00:16:12
[laughter]
00:16:15
drink truth or deed about how
00:16:22
boring you are and damn why are you friends with Alex
00:16:26
and why because we are friends no what is the
00:16:37
real reason this is some kind of nonsense
00:16:41
okay like
00:16:43
I like me and I like her like that cross
00:16:49
okay by really why do you think
00:16:52
drink with me are friends and but I don’t know, maybe she’s
00:16:56
just asserting herself at your expense,
00:17:00
after all, she’s actually a good girl, and
00:17:07
what the hell are you up to, woman, we
00:17:15
had an agreement, I couldn’t, Camble, he already
00:17:25
knew everything if you don’t leave, and before
00:17:32
the estate we’ll all be Brock for years and
00:17:46
this says who is sitting in the gallery
00:17:49
drawing dragons and mice in the clearing at
00:17:51
least I’m drawing in everything it’s all crap
00:17:54
how old is your father I got pregnant by my mother at the
00:17:58
age of 15 I at least know who my father is, [ __ ] off
00:18:05
arrogant fool like you’re sitting like a
00:18:09
thieve in this [ __ ] castle it’s better
00:18:11
here than in a shitty neighborhood and
00:18:13
you’ll see it’s gone a little in the back of a garbage truck than
00:18:15
in this shitty haunted castles
00:18:19
you know why no one else came, they
00:18:21
hardly know, and why 1 cold
00:18:33
difficult stormy night the rain whipped
00:18:37
the tires like a granny who pisses on the kitchen
00:18:41
floor
00:18:43
in short when- then here lived a very evil
00:18:46
baron named Lord Makeyev, supposedly
00:18:49
everyone hated him and there was a rumor
00:18:52
that he wrote to his maid Tabitha and
00:18:55
of course
00:18:56
she got knocked up and became pregnant, in short,
00:19:01
they had a son a ladder who became a little
00:19:04
older, somehow betraying my lord in front of all the
00:19:06
precious guests mother is not
00:19:09
mine actually my manga maid you are a
00:19:11
bunch of suckers but these are all flowers Lord
00:19:17
Mackay drove Alastair to the very depths of the basement and
00:19:20
spent the whole night building a wall around him
00:19:24
left him there to die without food and
00:19:27
water,
00:19:28
walked day after day and the master did everything
00:19:32
to help but even his mother, his
00:19:35
real mother, never came,
00:19:39
but the other cage came,
00:19:43
the devil himself
00:19:46
and the devil made a deal with Alastair, I
00:19:49
will help take revenge on them all,
00:19:51
avatar, and you will help me forever and
00:19:54
ever, and then bucks
00:19:59
Tabitha was found dead at the bottom of the stairs without a
00:20:02
single intact bone, makey came down with crazy and
00:20:06
jumped out of the very top window of the castle
00:20:09
or something like that, they tell you if you put your
00:20:13
hands on the wall behind which the pattern remains,
00:20:15
you can hear his screams, cries and pleas to
00:20:18
let him out, not children's fairy tales, so
00:20:24
check more precisely your deeds, put your hands
00:20:28
on that wall, what's the joke, it's a simple
00:20:33
wall a
00:20:34
deal with the devil then why be afraid
00:20:38
I'm afraid I'll just look like a complete
00:20:40
fool
00:20:41
but you have to lose not only are you on good terms with me
00:20:51
you leave me no choice Tabitha
00:20:54
please McKay
00:20:56
he's a child he's and he'll stay he'll leave
00:21:03
here you're his mother the trouble isn't
00:21:08
it you do you want him to leave leave
00:21:10
the house
00:21:31
[ __ ] this is here for anyone
00:21:37
so who is first
00:21:39
so and Abbas or a stupid question
00:22:09
so for now why don’t you drink it’s
00:22:14
your castle
00:23:22
elf I’m
00:23:34
sorry yesterday I behaved like a [ __ ]
00:23:37
yes no I’m Randa
00:23:40
why do you think so
00:23:43
things are all for school
00:23:45
and it was promised
00:23:51
why do you need a castle, it’s too much space for the two of you,
00:23:56
my dad he
00:24:00
writes all sorts of horror
00:24:05
about how the past without
00:24:11
I didn’t watch
00:24:13
you didn’t go sober c
00:24:25
what he’s writing to you now
00:24:27
yes he has a crazy idea I won’t tell you
00:24:32
I won’t blab
00:24:39
like an immersion interactive play
00:24:44
in this castle
00:24:51
and about what
00:24:57
come sometime and ask the
00:25:52
night and darkness
00:25:54
the author Jack Travis Bruce settled in a
00:25:58
chair by the fireplace
00:25:59
studying the notes on the manuscript and he writes
00:26:02
horror and you can see from it
00:26:16
[music] the
00:28:58
corpse of a maid was found on the stairs of the castle the
00:29:02
son of a lord disappeared
00:29:08
with this place something- it’s not like that at all not
00:29:11
like that
00:29:22
[music] it’s
00:29:30
only made it worse you’ll have to
00:29:33
save me, dear, that these people decided to take up the
00:29:38
iron, that’s exactly what I’m talking about, who are they
00:29:41
anyway, the police of the folds, you don’t
00:29:46
have to and those he no, I don’t want to drink wine with
00:29:49
cheese in the castle no, I’d rather stay at home
00:29:51
Perry ironing the rest of the things
00:29:56
the girl took and invited us filter out of
00:30:00
politeness well that’s
00:30:01
even cooler yes you want to leave I
00:30:05
mean you want to go you do
00:30:09
n’t want to take me
00:30:10
I’m not talking about that actually her father loves
00:30:17
solitude
00:30:19
so why are you going
00:30:23
you know jenny if I had something else to
00:30:26
do believe me I would do it I won’t
00:30:29
interfere with hanging out with a famous
00:30:30
writer
00:30:32
I really don’t understand how your family
00:30:34
survived here I swear to God
00:30:42
all people are afraid of the dark right like we
00:30:46
can just forget about our
00:30:50
problems
00:30:51
all around bathyscaphe kittens or by doing
00:30:56
meditation in general the idea that we are just
00:31:02
containers there is nothing, well seriously
00:31:08
the idea is that we are like a garbage container
00:31:11
full of crap and all we need to do is empty ourselves
00:31:14
breathe evenly stroke the
00:31:16
iguana to the songs of whales and mothers
00:31:21
everything went how would you do with this
00:31:25
garbage but if to continue the analogy with the
00:31:28
container, it’s mine, if anything I would say
00:31:32
that we need to look into this garbage
00:31:36
better and dig around there and find something
00:31:41
that will be garbage not
00:31:50
something useful isn’t it easier to just
00:31:54
pay taxes so that someone else
00:31:57
will take it out and self-analysis is not Apparently
00:32:00
this is needed and the problem everyone wants is how easy it is
00:32:03
to take Jack, for example, Jack has
00:32:06
problems with his garbage, so you’re a
00:32:09
writer using garbage to write, you can’t
00:32:12
describe it without delving into yourself and not
00:32:16
analyzing it before the pool is still as possible okay, yes it’s possible, but
00:32:20
it will work out yes, I guess I’m saying that you
00:32:23
just need to look back at life,
00:32:25
dig up the garbage and use it for
00:32:30
good
00:32:31
if he asks, for example, what made
00:32:36
you buy this castle, the witch,
00:32:46
what did I say, apparently it was a realtor, this is
00:32:53
something that caught me perfectly liquid,
00:32:56
you see, Jack is not afraid of his dark
00:32:59
thoughts like that people know themselves if we
00:33:03
don’t know our fears, what do we even
00:33:05
know about ourselves?
00:33:26
of the gods and yes, he definitely has
00:33:31
85 regions of demons and also
00:33:45
[music]
00:33:48
why a Cambridge student decided to have a
00:33:51
child even before graduation,
00:33:57
I understood or he didn’t decide anything, everything
00:34:01
happened by itself, enough was enough and he thought
00:34:04
that now it can hurt and wait,
00:34:11
what kind of records do you have There’s a castle with ghosts in your office,
00:34:14
don’t talk nonsense, what kind of
00:34:16
paranormal murders are there on a stupid board with
00:34:18
notes, nothing like that, just rumors and a
00:34:21
local
00:34:22
only you adore him like a fly on
00:34:25
Christ’s [ __ ], we wouldn’t have allowed ourselves
00:34:29
a castle if it weren’t for my work, yes, I don’t
00:34:31
need that one of yours castle account mom was
00:34:35
right the whole problem is in you you screwed up
00:34:46
listen here no
00:34:48
I’m so close to a breakthrough thousands of
00:34:51
people will come here this is an
00:34:53
incredible unique experience
00:34:55
and I don’t give a [ __ ] you should respect everything I
00:34:58
do for you you’re a useless
00:35:00
piece of meat just let me go
00:38:13
think again, I really don’t want
00:38:17
people to pop in to see Jack Travis’s new play
00:38:19
on their lunch break on the way
00:38:21
out of town, it will be something unique, you
00:38:23
know, I’m sorry, but it’s unlikely that people
00:38:27
will come for a few days or a
00:38:30
week for a month and will forget about the mouse fuss
00:38:33
and want to live on the shore
00:38:35
samand samand
00:38:39
I respect your passion as you know
00:38:42
the idea really lived your story
00:38:44
who will support you financially
00:38:48
have already supported the truth everything is going as usual
00:38:52
what am I glad simple heard that
00:38:55
large investors are not interested this is
00:38:57
too far from you know it’s even for the
00:39:02
better that call how come back to
00:39:06
London
00:39:12
we'll show them alla pass
00:39:15
together father and son
00:39:54
hello
00:39:58
join me
00:40:01
how are you doing spices
00:40:04
knowing that there used to be a big village over there
00:40:07
you write about it
00:40:13
when like and this is like when the muse decides to
00:40:16
visit me like by
00:40:21
bye bye
00:40:26
let me think about it, didn’t think that yours interest in
00:40:28
evil and dinner row
00:40:34
she is only a teenager she looks
00:40:37
anxious and it is also likely that success will await her
00:40:39
like her father as much as you want
00:40:44
I want for what I will buy your house you will return
00:40:48
back to the eye like your past life
00:40:49
without thinking that my great-grandmother la police
00:40:52
bushka belonged day she and you are
00:40:56
no longer with us tribute with you
00:40:59
is buried in your garden
00:41:06
and
00:41:24
without
00:42:27
[music]
00:43:14
[music] [
00:43:26
music]
00:43:32
and
00:43:39
that’s the problem
00:43:49
your great-grandmother was Mackay’s maid you
00:43:58
don’t know what you’re doing so tell me
00:44:01
get away from me why are you Ginny
00:44:14
too
00:44:50
hey hi baby 100 thousand remember we
00:44:55
went to paw and missed everything because we didn’t
00:44:58
have time to get out in time shops
00:45:02
remember that ferry like pi Libyan I
00:45:07
’m writing about a couple who
00:45:08
but they can’t do what Hariri’s big
00:45:11
shots are from or maybe we won’t sell the house
00:45:18
and move here We’ll completely fix the roof,
00:45:22
we’ll plant a garden, everything is as it should be, you’ll be a
00:45:25
teacher and I’ll write,
00:45:28
yes, I know it sounds crazy, but think about it, with
00:45:32
Jack’s help and connections, I can do
00:45:34
anything you’re talking about, what I think
00:45:39
about us, about our future, I don’t want to be a
00:45:44
teacher, Kazan, you I wanted to leave
00:45:47
because I’m a loser who’s also a teacher on
00:45:50
sabbatical who’s cleaning out my
00:45:52
wife’s great-grandmother’s old house for the military
00:45:54
as if the Sword of Damocles was hovering over me Ginny
00:45:59
I have a chance here with Jack he’s
00:46:03
right here no no I forbid you to
00:46:05
go to him you and rayvac didn’t understand
00:46:08
everything with you I thought you
00:46:11
wanted to clean up here you’re not a writer
00:46:14
Callum come to your senses you
00:46:17
can’t change everything so suddenly because we’re
00:46:19
writing we’re trying Jenny
00:46:25
I’m at least adapting to this [ __ ]
00:46:28
situation
00:47:15
come on hello yes I know you’re here
00:47:20
answer me from thing why are you silent model
00:47:27
locked yourself in starvation this happens if you don’t
00:47:32
respect me I gave you everything yes you took it and
00:47:35
spat in my face I couldn’t resist
00:47:38
revealing myself and quickly
00:47:44
[laughter]
00:47:50
who is here
00:48:02
who is here
00:48:09
in
00:48:22
who is here by
00:48:31
don’t go
00:48:36
okay
00:48:43
what happened
00:48:45
where were you
00:48:52
why can't you come in you didn't miss me
00:48:55
I missed you
00:48:59
I wanted to help but you don't need me to
00:49:07
help scheme
00:49:55
raisin
00:50:13
jack hello sorry the ancient door opened on its own
00:50:30
how are things going yes I understand you
00:50:34
the process has started yes by the way I'm here
00:50:38
your health your
00:50:46
yours health and why we're drinking you know
00:50:50
why I'm here with a stake and you don't know what
00:50:57
will happen if you tell everyone that you have your
00:51:00
own castle and that sex is an
00:51:05
energy gift I'm so what kind of papers are these yes
00:51:15
so the play the play what the play is yours
00:51:18
but these are still sketches how show the skit
00:51:21
no no no, she doesn’t have to, the play doesn’t live
00:51:26
on paper, but on stage, I can tell
00:51:28
you that you don’t need to tell me, I
00:51:31
want to see a live play, and it should be
00:51:36
like a claw digging into my neck, so that the words
00:51:40
burn my sinew, and the fields and my rotten
00:51:43
soul, I want yours words pierced
00:51:47
my loins
00:51:49
filled with death my critical mind
00:51:53
throw away your papers your play must
00:51:58
swallow me swallow me like this
00:52:03
castle swallowed up Jenny's ancestors but how did
00:52:09
her great-grandmother sailed and out of the stairs and
00:52:11
threw her
00:52:12
and her great-uncle was walled up alive behind the
00:52:14
wall
00:52:22
Callum passed by serve took me Jenny
00:52:25
listen this is complete cruelty,
00:52:28
you need therapy, yes, I
00:52:33
went to therapy with it throughout my childhood, I was treated by everyone and
00:52:35
everything and that’s right, you can’t look out of the window
00:52:38
without getting scared,
00:52:39
he doesn’t understand what he’s doing, what
00:52:42
he’s gotten himself into, there’s this castle, it’s like cursed
00:52:44
your mother, your great-grandmother was standing here and
00:52:49
baked cookies in the kitchen while her son
00:52:51
was dying of hunger behind the wall, do you want
00:52:58
to know if all this is true, will he succeed
00:53:00
all, dear, you need help, and I’m sorry, he
00:53:06
wants to arrange attractions of the slaughter of
00:53:08
my great-grandmother, my grandmother and mother,
00:53:18
if you are caught, then you the end then why the
00:53:22
hell did we come because I
00:53:24
can’t give birth to a child while
00:53:26
there is such a threat in our world
00:54:05
[music]
00:55:14
jenny hi, are you doing something, it’s time for us to
00:55:21
talk I agree, have a seat, make yourself
00:55:26
at home, it’s not difficult for you what we’ll talk about neighbor
00:55:30
tell us about what you're working on what the play is about,
00:55:34
what's going to be there, I'm afraid to tell you, I
00:55:37
can't
00:55:38
wait for me, the coal's gone, that's enough, I
00:55:43
said I need coal,
00:55:51
Ginny Callum, go away, it's none of your business,
00:55:55
just over my corpse,
00:55:56
oh, stop, I don't want to cause trouble
00:55:59
with a stake, would you be so kind, bring us
00:56:02
coal with the fireplace like- then it’s more pleasant we came to no one’s
00:56:06
pager you’ll quickly find it downstairs it
00:56:23
will be more comfortable before
00:57:09
and so your grandmother was a maid makeya
00:57:15
unnamed mother and you drama kay the
00:57:18
devil himself taught you and called him a servant of darkness you
00:57:23
want me to leave the garbage in the container
00:57:25
and who gave you the right come here to
00:57:28
stir up my story put it on
00:57:31
sale arrange a parade of freaks here I didn’t
00:57:33
know that you were hiding it
00:57:34
in fact I’m interested to know
00:57:38
why a young woman whose soul is
00:57:40
traumatized by a terrifying past
00:57:44
decided to live next door to the very
00:57:47
place where her family suffered so much it
00:57:51
seems I have someone stuck in
00:57:55
the past, it’s you, but why should
00:57:58
she do something, here’s
00:58:06
your coal, let’s go, Ginny, I’m not
00:58:11
finished, no, I’m done, let’s go down, I’m not leaving, we’re
00:58:14
not leaving, but there’s nothing to
00:58:18
listen to, I don’t know what’s going on here,
00:58:22
but I don’t like everything this is what
00:58:28
happened here with your family, it’s terrible, but I know
00:58:31
that we better leave now, why is
00:58:36
the bill necessary to leave, you naughty devil
00:58:56
[music]
00:59:05
wonderful ballet,
00:59:11
you can leave already
00:59:49
[music]
01:00:01
[music] [
01:00:11
music]
01:00:29
nice place, it’s
01:00:42
really a little draughty, I want to write about it
01:00:46
let me guess, a
01:00:49
worthless playwright bought a Scottish
01:00:51
castle to maintain his career, and I was thinking
01:00:54
about the artist, the sufferers who ran away from his
01:00:59
ex-wife to the damned castle,
01:01:03
I didn’t succeed, oh no, as for me, you’re
01:01:08
really a country, you can’t give me a tour,
01:01:14
you can’t be here, I’m working on
01:01:24
plays, it’s about me I haven’t finished it yet,
01:01:31
better finish it, it’s
01:01:34
time for you to where it is, you can’t see it,
01:01:42
why what did you do to it, did it to it,
01:01:44
I’m her mom, oh mom, make yourself
01:01:47
at home, it’s now yours, no
01:01:51
no no, it’s not just a house,
01:01:56
you’re such a bastard, jack
01:02:01
travis
01:02:08
[music]
01:03:39
[music]
01:04:11
baby I myself why do you want
01:04:18
Jack
01:04:21
1 is dead that she is dead frozen who
01:04:25
even told me I myself white
01:04:30
that would be dead and says come on Jack
01:04:38
explain what happened I shouldn’t
01:04:45
be here she’s in London I’m not
01:04:48
where she is Jack so jac where is she says the
01:04:51
stairs, she's at the bottom of the spinner, let me take
01:04:55
my coat
01:05:36
[music]
01:05:39
wait
01:06:01
[music]
01:06:16
[music]
01:06:26
substances,
01:06:28
this is complete nonsense, of course,
01:06:32
be back,
01:06:38
stop, take your hands away, where are you?
01:06:51
then in the world where
01:06:57
ray jack I’ll tell you everything that’s
01:07:00
going on, someone is going kuku hai everything is
01:07:03
wrong yo where is the body of your ex
01:07:10
where I don’t know for a long time she disappeared
01:07:21
and wake up already look at what’s happening to you
01:07:26
you have to stop this
01:08:56
I helped you finish the play Everyone
01:09:02
was so scared,
01:09:09
how are you doing all this?
01:09:23
No one is coming to a
01:09:34
live play,
01:09:37
why say something like that? You need to start all over
01:09:40
again
01:09:41
to scare everyone, maybe
01:09:47
you’ll return to your appearance, we’ll do it
01:09:57
all together,
01:10:01
we’ll do it all together, hello
01:10:37
girls, where are you going to? friend,
01:10:42
excuse me, who are you girlfriends by
01:10:44
in well, girlfriends said loudly
01:10:47
classmate what news she has,
01:10:51
how do we know the beach 1st then
01:10:54
disappears at the bottom it suddenly appeared
01:10:56
when you saw her when you were spending the night at her place
01:10:59
something happened and no let’s just go then
01:11:07
disappeared tell us that we are waiting for Katie we are
01:11:10
glad to meet the unstable ones there was
01:11:14
something strange something near the wall
01:11:21
she screamed
01:11:24
she screamed when she touched the wall
01:11:28
you need to leave places better go away we
01:11:32
need glue better let's go
01:11:36
gollum
01:11:42
[music]
01:11:45
gave
01:11:53
[music]
01:12:00
[applause]
01:12:14
what do you want jack
01:12:19
what do I want
01:12:24
leave me alone tell me to do
01:12:28
what I want you rednecks
01:12:34
walk here as if you can say
01:12:37
something important
01:12:39
what you need I want you to breathe out
01:12:47
and listen to me the fact that you are here is a problem for me
01:12:51
how so I I thought we would
01:12:57
work together and I, in short, I won’t let
01:13:07
all this crap happen in our
01:13:09
neighborhood, she’s invulnerable,
01:13:19
she needs to forget all this,
01:13:23
it’s hard for her to hold back such pain
01:13:25
[music]
01:13:29
jack, what difference does it make to you working on
01:13:32
something else on something that people want to
01:13:34
remember
01:13:36
[music]
01:13:43
jack can you even hear me
01:13:47
stop already
01:14:21
j let me go quickly
01:14:44
[music]
01:15:04
[music]
01:15:16
go away
01:15:30
[music]
01:15:40
[music] like
01:15:55
this,
01:16:02
be afraid of me
01:16:12
[music]
01:16:16
yes,
01:16:26
but
01:16:38
we worked
01:16:42
and for the sake of wanted yes it was me you didn’t want
01:16:47
what you're like
01:17:00
[music]
01:17:26
where did you come from that
01:17:54
I'm
01:18:00
mine.
01:18:03
[music]
01:19:05
and
01:19:19
[music]
01:19:23
money for
01:19:43
you, wake up
01:19:46
my you're dragging me
01:19:47
[music]
01:20:14
everything is fine
01:20:50
[music]
01:21:05
[music]
01:21:07
translated and voiced by the creative
01:21:09
team of Dobryq on the production base of
01:21:12
the film company Futurum
01:21:13
translation by Anastasia Mityanina author of the
01:21:17
simultaneous text Anastasia Mityagina
01:21:19
Edino Solomina editor Ivan Sergeev
01:21:23
at with the participation of Anatoly Sergeev, the roles were
01:21:27
dubbed by Panchenko, Konstantin Zharova,
01:21:30
Alexandra Bykovsky, Alexander Loza,
01:21:34
Anastasia evening, whom Ekaterina and others,
01:21:39
dubbing director Dmitry Gorlov,
01:21:43
sound director Evgeniy Dyachenko
01:21:50
[music]
01:22:02
a
01:22:07
[music] [music]
01:22:37
[music]
01:22:53
[music]

Description:

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