Download "Переход по кусочкам Premiere Pro"

"videoThumbnail Переход по кусочкам Premiere Pro

Как говорить на камеру?

Как говорить на камеру?

Channel: Радонец Алексей

Метод глазиков

Метод глазиков

Channel: Радонец Алексей

Техника переход по кусочкам Vegas Pro

Техника переход по кусочкам Vegas Pro

Channel: Радонец Алексей

Вырезание маской. Пример 4

Вырезание маской. Пример 4

Channel: Радонец Алексей

Цветокоррекция как в кино с Денисом Петуховым

Цветокоррекция как в кино с Денисом Петуховым

Channel: Радонец Алексей

Вращение логотипа в 3D в After Effects

Вращение логотипа в 3D в After Effects

Channel: Радонец Алексей

Видеомонтаж

Vegas Pro After Effects

Сони вегас

Интро для канала

Как сделать заставку

Заставка ютуб

Футажи для видеомонтажа

Программа Видеомонтаж

Радонец Алексей

00:00:03

[music]

00:00:11

hello everyone, Polina here and now we

00:00:14

will learn how to make a transition piece by piece

00:00:16

using masks in the premiere pro program,

00:00:18

for the beginning I’ll add my own footage, I’ll take the same ones

00:00:22

as in the previous lesson so that it

00:00:24

will be easier for you to learn how to do this

00:00:26

when you’ve already gotten your hands on it,

00:00:28

you’ll have practiced you will be able to take more

00:00:30

complex footage and work with them,

00:00:34

this footage with the girl I will move to the top,

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it will be just with the transition,

00:00:39

but I will move this one to the very beginning, I will

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increase the timeline, I will move it a little

00:00:44

closer and the first thing we need to do

00:00:47

is directly take a screenshot because

00:00:50

if we you and I will cut out the masks on the

00:00:52

video, we will have to animate them too,

00:00:54

since the girl moves a little,

00:00:56

the camera moves and this will be

00:00:59

completely inconvenient, so we take a

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screenshot of 1 frame, I am with the cursor on

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the timeline and at the beginning of the track and the screenshot

00:01:09

is taken simply by clicking on the

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export frame icon here in the preview window

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such a window appears, let's

00:01:17

call it screenshot 1 and what is important,

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the format is best to choose png and jpeg

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because in JPEG we slightly

00:01:27

change the color of our photo, namely

00:01:29

png, and also put a bird next to the import

00:01:33

intro project so that our the screenshot

00:01:36

was immediately imported into the project, click ok and now

00:01:39

I have my screenshot in the project section,

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I just transfer it to

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the timeline, let's put the beginning somewhere

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in the third second and

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cut it off by about 20 frames,

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moving 20 frames forward,

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cut it off and move it down and I’ll move

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our video to it, so it turns out that

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first there’s a screenshot and then the video goes and

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now it’s in the screenshot that we’ll be

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working with the mask. I’ll increase

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my previews by about 150 so that it’s easier for me to

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cut and I’ll need

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hotkeys today speech key to

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switch to the date handle, I

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clicked and I also had this

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handle tool open, now here in the

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effect controls section

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in the opacity tab I have these

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tools that allow me to just

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cut out a mask and so that we can make a

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mask of any shape, I click on the free job

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bader I have a fold mask

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dye and we begin to draw a mask, but what’s

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important is that I have the pen tool turned on now, you

00:02:47

don’t need to press the pi key

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to switch to the pen, I click

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on the first point to put it and

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now I draw our mask, I click further

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here to put a second point if

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you put something somewhere that is not perfect, no

00:03:04

big deal, then you can

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fix it, click on the third point, then

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click on the eh to move the handle

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again, click and and in order for me to

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now make such a rounding, I

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click the mouse to add a second I

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don’t remove the point with my mouse finger and

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move it a little like this so that we

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get this little arc and this is

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how I will now put

00:03:31

our points, it’s very important to enlarge

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as much as possible, that is, put

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here somewhere around 150 or even 200 because

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here we can’t

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put very close points to each other right in the premiere until

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you see when I get closer, she

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suggests that I turn there or do something with

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this point, they don’t need to

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move away from the point to put the

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next point, so it’s better to enlarge

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our frame well and so on We continue to draw our

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mask,

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we try to do it in as much

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detail as possible so that later there will be fewer

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corrections, but nevertheless, if it’s

00:04:08

not perfect somewhere, then

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it’s okay, in principle, then during the animation it’s

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forgiven not so noticeably, and I carefully

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carefully

00:04:18

move on, switching to the stove

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so that the handle turn it on and on pi to

00:04:24

return to the pen tool,

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like this I put these dots, the work is

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quite painstaking

00:04:33

and long, but nevertheless, here she has

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hair, we will go around it a little,

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but nevertheless, when you are already filling

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your hand, you do it much faster.

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I move around the picture and carefully

00:04:51

place points, I soften them so that we

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have arcs to uneven lines after all, and I

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put I put these points,

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switching to the handle, I move and

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continue to place them

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here, we will cut it off together with the sofa, it

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will be easier for us to move along the sofa

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if what if you put a dot somewhere in the wrong

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place or you

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can’t align something, then

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because here I have done a little awkward

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softening, just click control

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z to cancel and

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put this dot a little differently and by the way we’re straight in the

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process of work we can move the point

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and we can change the slope,

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this is also quite convenient, and for

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example, if you

00:05:51

accidentally put a point somewhere in the wrong place, you can click on it

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and move it where you need it, you’re

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almost done

00:06:02

here, by the way, it’s very close, it’s better

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to do it like this

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or even now I’ll try

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these moments, it’s difficult to set up, yes,

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because you see how we’re doing it, let’s

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do it differently, let’s try

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to increase it, I’ll just move it here,

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switch back to pint, and that’s how

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we’ll do it

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super, no big deal, it’s not ideal, and

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basically we’re done, we need

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loop our mask so that it

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closes

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now I have somewhere around 100 and

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then I put a dot here below to

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our picture of our video I move

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I put it here and I place the last dot

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at 1 thousand when I

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get close to it I put my cursor on it

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I'm showing off next to the prince,

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this little circle appears that says that

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our mask will close, I click now,

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switching to fit and now I have

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the picture cropped, let's see what

00:07:17

happened, that is, in principle, the cropping is

00:07:19

quite good, here you can see that the

00:07:21

sofa can be cropped better, let's

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zoom in again

00:07:26

by switching on the handle

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I click on my screenshot, switching

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using in just on the mouse, click on the

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screenshot, click on the mask so that I

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have a selection of the mask and here I

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’ll move these points a little like

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this

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again switching to fit switching

00:07:51

to the tower using view and see what

00:07:54

looks good not bad

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and you can see that there is already a slight

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blurring of the edges, we have the

00:08:01

mask feather parameter here, which is responsible

00:08:03

for blurring the edges and it already has an

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indicator of 10, that is, there is a slight

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blur, I’ll create it now, but then

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you will see how it will interfere with us a little then

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yes, in principle, you

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can initially set zero here,

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but now I’ll leave it and set it to 10

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so that you can see later why ok, our

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main mask is cut out and what’s convenient is that we do

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n’t need to add screenshots again now,

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cut out other pieces, yes, we

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can just copy the track with you

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I I click on alt, hold down alt and move

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this track up, so I have

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created a copy, I will now turn off the bottom

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track so that only it can be seen, and the first

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thing we do is in the

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mask parameter we have saved the mask in the copy,

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here I put a bird next to and that’s enough, so we can

00:08:56

see everything except

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the girl, yes, that is, we changed

00:09:01

the visibility, on the contrary, we made the girl

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invisible and everything else visible, but

00:09:06

there is a small nuance in the premiere pro, what

00:09:10

if we add, for example, a second mask

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here and to cut out only this

00:09:15

piece so that it is Apparently, we wo

00:09:18

n’t succeed because in the example

00:09:20

about you, when you add a second mask, it

00:09:23

works regardless of 1, that is,

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either 1 or 2 works, which is what I mean, for

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example, I’ll now take a square

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mask to add it, I’ll increase

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its edges a little so

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that we have was cut out

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to cut out this part and what is

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happening here, we don’t have a setting here

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that allows us to make this part of the

00:09:48

girl invisible, that is, what we

00:09:51

get is that apparently both the girl is true and

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mask 2, we can’t configure it in any other way, we

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delete it so that it didn’t

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bother us and what are we going to do?

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In the effect section we have an effect like

00:10:04

crop, I’ll find it now, I’m typing it in the

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crop search and now I have the

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transform parameters for the crop effect, but before we

00:10:13

sketch it out, let’s make another

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copy so that we immediately had two parts

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by pressing alt I move the track to the top

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so that I already have two pieces I will hide the

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top piece and transfer the

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crop effect to this track, it

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appears in effect controls and what do we

00:10:31

have here we have a laptop Wright

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and bosses yes, that is, top bottom left right

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and this effect allows us to trim

00:10:40

some part of the video, that is, now I

00:10:43

need to trim the right piece, for

00:10:45

this I will increase the indicator in the right parameter

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by clicking on it and moving it like this

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and you see that my right one is cut off

00:10:55

part cutting off somewhere on let it be 63

00:10:59

percent somewhere up to this place and

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it is important to remember the number 63 and also 63

00:11:06

subtracted from c and that is 100 minus 63 we

00:11:09

will have 37 why is this important because

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now I turn on the second track I'll

00:11:14

turn on the top one with my eye, I'll throw the crop on it too,

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and we need to cut off the left

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part from the bottom track, I'll hide it so that we

00:11:24

can see it, and now the crop parameters on the

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top track, I cut the oil to 37, I

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just click on the indicator and me and on

00:11:33

37, so we were cut off exactly

00:11:37

to one place, both parts, that is, 37 and

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63, we add up to one hundred percent.

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Now I can turn off, for example, this

00:11:46

track and look, turn off this

00:11:49

track, look and see that I was

00:11:51

cut off in exactly one place, this is

00:11:53

important, that is, if here, for example, you

00:11:55

cut it by 50 percent, then the second one is also

00:11:58

50 percent, if it’s 60, then the second one is 40 percent, and so

00:12:01

on, I think the principle is clear to you and what we

00:12:04

now have, we now have a girl, and

00:12:06

here we have the bottom path, the girl, the top

00:12:09

path, the left part, even higher, the

00:12:12

right path part, that is, now we have all

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three pieces, it’s cool, let’s see what

00:12:18

next we have a video and this is

00:12:20

exactly what I told you about blur,

00:12:23

pay attention now to this

00:12:25

piece or here where the hair is about

00:12:27

blurring the mask, I move to the video and

00:12:30

you can see that when we

00:12:33

switch to video,

00:12:34

this kind of nonsense happens, the inscription movement of this,

00:12:37

in principle, should not be noticeable, but

00:12:39

if I, for example, switch to the bottom

00:12:41

screenshot with the girl, I will set the

00:12:43

blur here to zero and for these two pieces I

00:12:46

will also set the blur to 0

00:12:49

then everything will be perfect for us, so

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in premiere pro it’s better not to blur the mask,

00:12:55

it’s better to cut out the

00:12:58

piece itself more carefully than to add blur to it later,

00:13:00

and basically that’s it, now all we

00:13:03

have to do is animate this thing, let’s

00:13:05

now hide two pieces of these and put the

00:13:07

cursor at the beginning of the track with the girl

00:13:09

I click on the clock near the kidnapped, let's

00:13:12

move about 10 frames forward

00:13:15

using the right arrow, double-

00:13:18

click on the arrow and move 10

00:13:20

frames, add 2 markers using this

00:13:23

keyframe, return to 1 and want to take

00:13:26

my girl down, that is, I need this

00:13:28

this right indicator on the game by clicking

00:13:31

on it and moving the mouse to the right so that the

00:13:33

girl we have goes down,

00:13:36

now we have an animation of the appearance of

00:13:39

our first girl, I turn on these two

00:13:42

remaining tracks, I click on the next

00:13:45

screenshot, this is our left part,

00:13:47

moving to the beginning of the track, I click on

00:13:50

abducted using shift the arrows

00:13:52

twice, moving by 10 frames, add 2

00:13:55

marker, move to 1 and the

00:13:58

X parameter go to the left to move this

00:14:01

piece to the left on the first marker,

00:14:04

now we have a girl leaving and the left

00:14:06

part again moves the cursor to

00:14:08

the beginning, click on the 3rd screenshot on this

00:14:11

right one a piece of the watch is stolen 10

00:14:14

frames forward, this frame is moved

00:14:17

by 1 marker and I move the X parameter

00:14:20

to the right to move the piece to the right and

00:14:23

now we have three tracks coming together

00:14:27

like this,

00:14:28

yes, everything worked out here, now we can

00:14:30

make it so that they do not leave

00:14:32

at the same time and one by one, that is, for

00:14:35

example, a girl started

00:14:36

to appear somewhere on the fifth frame,

00:14:39

I move the beginning of the second track another

00:14:43

five frames forward and started answering the

00:14:45

tracks and here we will cut them off

00:14:49

before the start of our video

00:14:51

so that they are no longer there and This is what we

00:14:54

got: the girl leaves on the left side,

00:14:57

then on the right, and our video begins, everything

00:15:01

worked out, now your task is

00:15:03

to practice doing this in as much detail as possible,

00:15:05

and now I want to give a small

00:15:08

task for the advanced, this does not need to be

00:15:11

done in the homework for the lesson, this is

00:15:13

more of a task for you personally, but here you go who is

00:15:16

advanced, try now after

00:15:19

all this, add motion blur and give an

00:15:22

explanation why it won’t work, why

00:15:25

it won’t work, this is for the advanced

00:15:28

and for the super-advanced,

00:15:30

think about what you can do to make it

00:15:33

work, I’ll give you two tips, you do

00:15:36

n’t need to animate the kidnapped in the

00:15:39

motion section and the second tip is that you

00:15:43

will need to work a little with the animation of

00:15:45

the mask, but as I already said, this is for the

00:15:47

super-advanced, I am sure that you

00:15:50

will be able to find a solution for the rest,

00:15:53

be sure to practice, get your hand in

00:15:55

so that you can easily cut it all off

00:15:57

and you can work already with more

00:16:00

complex footage

Description:

________________________________________________________________ Меня зовут Алексей Радонец, и я - тренер по видеомонтажу своей Online-Школы Создания Видео https://vk.com/shkolavideoru Я благодарен, что Вы проявили интерес к моему ролику, который находится на моем Life канале YouTube, подписывайтесь на него: https://www.youtube.com/channel/UCUCvlFRzy7yoqy6tAUi6krA?sub_confirmation=1 🔥 Полезные ссылки: ✅ Телеграм-канал с полезным контентом: https://t.me/shkolavideo ✅ Сайт Школы Видео: https://shkolavideo.ru/ ✅ Группа Школы в ВК: https://vk.com/shkolavideoru ✅ Мой Instagram: https://www.facebook.com/unsupportedbrowser ✅ Мой основной канал на YouTube: https://www.youtube.com/c/radonetsaleksei?sub_confirmation=1 Если Вы хотите получить информацию о наших полных курсах по видеомонтажу, напишите на почту [email protected]

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