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00:00:00
franck ferrand on europe 1 at the heart of
00:00:03
history for the last time of the
00:00:05
week the time has come to find
00:00:06
franck ferrand on europe 1 hello
00:00:09
franck hello julien hello everyone
00:00:11
we are going to dare today the
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once upon a time of us tale of fairies it is
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indeed a legendary universe that I
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suggest you explore together that of
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Brittany the immemorial Celtic Brittany
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and I feel that we are going to
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walk in the forest of Brocéliande and
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yes we walk Julia or perhaps we get lost
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there The only guarantee I
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can give you is that we have
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the best guides in the person of
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Claudine Glot who is the true
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memory of this forest 6 and more
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generally of this Brittany there
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from 1 p.m. to 2 p.m. still
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in the heart of the history
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franck ferrand
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[Music]
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in the belle époque a man of culture and
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passion
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it's true that it often goes well
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together roamed all over northern Brittany
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in search of meters during
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the vigils of the time
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you have these meters which transmitted
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almost intact the old oral heritage
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of legends and Celtic tales this
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corpulent gentleman with an opulent beard
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tutelary figure of Breton regionalism
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was called Anatole le Braz
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he had been a teacher 7 Anatole before
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rising to the rank of professor at the
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Faculty of Letters from Rennes I can
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assure you that the Bretons
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fortunately have not forgotten all the
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benefits they owe to it
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anatole le braz and crisis is the forest of
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brocéliande and the last kingdom of
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fairyland remained on earth when they
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identify it with the name the forest of
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paimpol 7 brocéliande remains in any case
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the kingdom of fairies and elves of
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knights in sparkling armor of
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witches with infinite hair
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magical forest with fountains of eternal youth
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with living trees obviously speaking
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almost forest populated with symbols and
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spells
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we are going to venture there later in the
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footsteps of a repository of
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secrets and legends of Brocéliande and
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beyond all of Brittany of yesteryear
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but before this inspired stroll
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I would like you to count one of the most famous
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stories most emblematic of this
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armoric folklore this story I
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discovered them late myself
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during a filming that I
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carried out for television in the island
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of Ouessant
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five or six years ago now from that
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we were received there you have to imagine an
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evening like one can find on these
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Breton islands, a very foggy dark evening
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full of drizzle we were
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received in an old fisherman's house
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these houses which tend which still have their
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bed closed and the repatriation this we
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were squeezed on a bench like
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hypnotized by the spinners who for the
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camera obviously turned their distaff in front of
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us and we listened open-
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mouthed to the breath of them hanging
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we listened to the falsely hesitant deep voice
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of a local storyteller
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and outside there was the sound of the wind
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whispering from the sea which only added
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to the magic of the vigil in
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the mouth of this Breton storyteller
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the story of the city 10 city swallowed up
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by the waves took on
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hallucinatory accents I should have recorded it and
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we did in part for TV
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but I don't know what became of this
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document very modestly I will
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simply try to give you
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this story Franck Ferrand on
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Europe 1
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heart of history and we
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offer you today over a meal a
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dive into the legendary landscape of
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brittany franck once upon a time there was a
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marvelous holy city with
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perfect walls which isolated it from the world
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this dream city had been built so
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close to the sea that it was impossible
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to dissociate it from it only if we were
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not otherwise if we had not had this
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enormous dike
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the city would probably have been flooded
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the dike of which I speak and is
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admirably masonry the strong locks
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which were very watertight locks
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the locks of this work titanic
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was locked by a device of which
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only the sovereign had the keys
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so of which sovereign what I
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spoke well this city was under the
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reign of Granon Gradlon of high memory
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king of Cornwall whose
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natural authority imposed on everyone except his
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daughter the beautiful the whimsical
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the irresistible is what others
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call d'agde
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this radiant princess was born from the
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love of the king with a fairy a fairy
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met during a campaign towards the
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north of all the radiant pageantry of
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those who They admired, to put it bluntly,
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what had neyret retained first
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the abundant profusion of hair the
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color of old aure
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but with the wavy softness of the
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finest silk six as presented the
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perfect and chaste exterior of a young
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girl with above all suspicion
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the truth of his conduct was less
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pure and the best informed of the
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inhabitants said they told but if they
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lowered the way to do so
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told stories of festivals of
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excesses which little by little gave the
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people licentious ideas
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the king gradlon could not remain
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inert as these
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bad rumors spread, they no longer really knew
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which saint to turn to so he
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resorted to the advice
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of his cousin Guénolé ab de
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landévennec, the brave pastor did his best to
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reason with the lost sheep he preached
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serves mona in flat to the most
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sacred duties but nothing did more gueénolé
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to rise against the essays the excesses of the
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subjects 10 and against those of their
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princesses and more and proposals were
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ridiculed at the at the end furious to
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see his breasts of speech flouted the abbot
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became threatening he predicted the loss
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of the city before three days at the
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third crow of the rooster
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or by dint of tempting the devil with his
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misconduct the princess had ended up
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meeting him and by allowing herself to be
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circumvented, this beautiful woman did not know how to
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resist the pressing demands of the
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evil one and she did not take long to
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give in to him; she went, it is said, at night
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to her father's apartments,
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entering on tiptoe in the
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room where gradlon slept reached the
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chest where he kept the insignia of
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power and the keys to the famous locks
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she grabbed it leaving the room and
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her heart beating with fear and
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excitement but ran them to carry her
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innocence this the goal a little ran to take
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the keys to the one who had become his
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master to the devil the king gradlon awakened
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with a start by the terrible cries of the
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inhabitants of the low streets of the
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low streets already swept away ravaged by the
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raging waves the king understood the extent of the
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damage
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the floodgates had been opened by the
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devil he jumped on the first mount he
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found and through the pond his castle
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tried to flee at full gallop he had
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not left the walls that his miserable
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daughter the poor one was tossed by the tide
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20 passed within his reach she managed to
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hold on to the harness of her easel
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devoured this time with fear and remorse
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begged leroy her father to save her of
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course king gradlon was just but he
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was a father too he took pity on his
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daughter he lending a strong hand
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he made her ride behind him in a
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group then the horse, as if
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suddenly shaken by the weight of the princess,
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began to waver, seemingly guénolé who
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from a makeshift boat begged
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his royal cousin to get rid
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of the demon that he hipped door gradlon
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hesitant does not know what to answer
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they remain forbidden but guénolé
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manages to approach the young girl
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and only touching her with the tip of his
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pastoral staff deprives her of all strength
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and all spring he condemns her to sink
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into the waves or legend has it
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that she became mermaid gradlon alone to
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line up to escape burial
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10 moore nevertheless has sorrow guénolé
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will have him buried at the monastery of
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landévennec as for the city say those
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who believe in his damnation are
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also certain that 'it still exists as
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I speak to you well and truly
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masonry in the bottom of the sea
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somewhere in the bay of douarnenez
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franck ferrand on europe 1
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yesterday of history
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it is a retransmitt on a
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meal l history the legend of the
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sunken city 10 street yes this city say
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that they are said to be
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somewhere in the bay of douarnenez between trustees
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and red bull said moreover that every
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year at christmas the bay of landévennec
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continues to be there celebrate midnight mass
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in front of some repentant ray ghosts
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unless unless the legend is a
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little different and clearly more
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historical
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some in fact assert that the good
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guénolé did not come alone to earth
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seventeen evangelists were
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accompanied by 'another Corentin they
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will become for the church Saint-Guénolé
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and Saint Corentin
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as for King Gradlon concerned about
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freedom of conscience he would have imposed
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in 7 years Payen he would have imposed on the two
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missionaries to build their church
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outside the walls of the city only
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after some time the emperor of rome
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having converted he would have demanded
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jointly with the pope that the great
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the magnificent that the exemplary city
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of ys converted in turn and at that
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time rome demanded that a church be
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built in the walls then the
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princess is what others
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call daoud would have gone to
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the hills which since bears her name
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in the mountains of arrée for nothing to cry
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the help of the Celtic god cern a rise
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the great god with the horns de Cerny
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Most promises the princess that he will save
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the city and this is what he does in his own
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way when at night he triggers
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the incredible storm which sees the coastline
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changed and the marvelous city disappear
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intact into the floods to King Gradlon
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survivors and to the two future saints
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will return the merit of going to found in
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the lands the city of Quimper
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unless unless another version
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is preferable but for my
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part I will stop there if you
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you understand that these
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legends are changing, malleable,
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evolving that they are perhaps also
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the mirrors of the eras which constituted them
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to tell you the truth
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the legend of city 10 undoubtedly transmitted
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for a very long time has not been
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laid down on paper that at the beginning of the
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17th century in the famous history of
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Brittany by Pierre Lebeau this
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legend
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leaves me in truth that very few
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traces subsequently we have to wait until the
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middle of the 19th century for it to
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really reappear and it It was in 1926 that he
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only heard yesterday that Charles
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Guyot would give him his letters of
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nobility Europe 1 Franck
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a listener who has a very
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Breton name and I can't give you her
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name but I assure you that it's a
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beautiful name. time to
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point out to me that my tongue was forked and that
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I apparently spoke of the forest of Paimpol
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it is the forest of Paimpont which
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obviously had to be heard is precisely to
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guide us in this thick and
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dark forest full of extraordinary
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luminous mystery too in places
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we found a wonderful guide
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it's claudine glot thank you very much
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for being with us you know we can
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say that you are at home in the
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forest of brocéliande golino
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some time ago already eight hairs that I
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try to feel at home but you
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know all the forests are a little
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bit the same mystery we know them and from one
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day to the next we know them no more and
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they are never yes that's it they
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are never the same
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it changes one hour to the next
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then depending on the light on everything
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we think of ourselves as very knowledgeable guides for
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this father and I believe that it is very
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happy to get lost in a forest
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because we have sensations of
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feelings outside of the common and gets lost
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in a legendary forest of which we
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all know the dream farm of 2.2 charm
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of worry also that it can arouse
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it is absolutely vital I believe
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nowadays it is a feeling that we need
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then Later we are going to
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walk with you in this
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forest of Brocéliande
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but first I would like us to conclude
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the question of this legendary city 10
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even the great Breton myth that
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we find in the stained glass windows of the churches that
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we even find on the placemats of
00:13:05
restaurants finally really this
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sunken city is a is a major element
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of the oral heritage of Brittany
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or it is this one it is a legend which
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was forged late very late or washed
00:13:18
very very well explained the history of
00:13:20
this legend with the first
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relatively late texts what we do not forget
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is that its first texts
00:13:25
themselves take up stories from
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Brittany a story in the Middle Ages it
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is not from history history
00:13:33
science does not exist and
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still tells a story
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historians are also poets and
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singers of a time when two or
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a king so I told less these
00:13:42
two versions that of the storyteller
00:13:44
of the the island of Ouessant and then that can
00:13:46
be more historical who would like to
00:13:48
place this in the evangelization of
00:13:51
Gaul and Brittany in particular
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but if there are still other
00:13:56
versions of the city dweller yes there are
00:13:58
other versions because 'there are
00:14:00
piats plays 19th century
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Breton quite long there are tastes r
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you know these Champs Elysées the famous
00:14:06
song recorded by the city marked
00:14:10
in the Barzaz Breizh that a little bit the
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founding text of the poetry
00:14:13
Breton from ancient times he adheres to it
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there are always versions of the city
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of Ys since there is therefore the piece of
00:14:20
Michel Lebris froze there in the hands
00:14:22
the piece of Michel Le Bris it is called
00:14:23
hisse therefore there is healthy for
00:14:26
crossword lovers I think it is well
00:14:28
known in the rumor of the waves it is
00:14:30
published by artus which version does
00:14:33
he give us michel to risk your
00:14:34
co author elsewhere and in Aquitaine
00:14:36
not co-author or with whom I have worked a lot
00:14:38
yes gives us a version very inspired
00:14:39
by the 19th century and you have also clearly underlined
00:14:42
that the final form was
00:14:44
made in the 19th and 20th with this guillot
00:14:46
so what we are waiting for in the search we do
00:14:48
not know very well where he after these
00:14:49
sources
00:14:50
but we still know that we do
00:14:52
n't really have to look for
00:14:53
historicity so we learn it point
00:14:55
by point we realize that grin long we
00:14:57
don't have much about him
00:14:58
we say of him that he was the son of the
00:15:00
great founding king of
00:15:02
continental Brittany conan meriadeck of whom we know
00:15:04
even less
00:15:05
all that these are legendary figures
00:15:07
and that is where we are going from history
00:15:09
needs to lighten it this character daes
00:15:10
or da u which is a major character
00:15:13
who is the heart in celebration of lightening it
00:15:15
speaking the heart of the legion and it is
00:15:17
a legend that we will find in
00:15:18
Wales has the same type in
00:15:20
Wales in Ireland it is always a
00:15:22
king's daughter who has custody of a
00:15:24
fountain who is in one way or
00:15:26
another
00:15:27
not necessarily with a handsome devil
00:15:28
elsewhere and who at one time or
00:15:30
another left her country be swallowed up
00:15:33
but when we read the legend with the
00:15:35
keys a little bit of the mythology of the
00:15:37
myth behind in fact we
00:15:38
realize that we are at the moment where we change
00:15:40
that we told you about religion and
00:15:41
where the woman c 'is the woman from the other
00:15:44
world it's a loss she's a person
00:15:45
who has a charge of divinities she must
00:15:47
step aside and he feels the legend of the
00:15:49
city say in fact we tell you what is
00:15:51
she becomes she does not die
00:15:52
she becomes a mermaid and she becomes
00:15:54
eternal
00:15:55
but she no longer has first place and
00:15:57
it is no longer even bold the umq in
00:15:58
first place is corentin gainot
00:16:00
so there we completely erase the
00:16:02
growing old a threat in the
00:16:04
martyrology and the king himself must
00:16:07
give up his place the most important thing is
00:16:09
the saint and the legend tells us all
00:16:11
that too while listening to you claudine glot
00:16:13
I think of some of our listeners
00:16:14
who wrote to me to tell me ah when
00:16:16
will you tell us about the legendary
00:16:17
city 10 I hope they are
00:16:19
satisfied until 2 p.m. on Europe 1
00:16:22
dive into the heart of history
00:16:25
with Franck Ferrand the tales and
00:16:26
legends of Brittany are in the spotlight
00:16:28
today 'today on europe 1 to talk about it
00:16:29
frankly that you receive the specialist in
00:16:31
the Arthurian legend claudine glot and
00:16:33
you can see julia that the tablet
00:16:35
in vahid work signed claudine glot the
00:16:38
least we can say is that you
00:16:39
have written a lot about the subject and
00:16:41
present albums, some of which are
00:16:42
sumptuous gelas Celtic countries with secret places and
00:16:45
paths at éditions
00:16:46
Ouest-France you also publish a
00:16:48
certain number of novels we will come to that
00:16:51
later on the Arthurian legend
00:16:53
you are at the origin of the creation of the
00:16:55
center of the Arthurian imagination where
00:16:58
does this passion come from for for
00:17:00
merlin for viviane and for arthur
00:17:03
originally it is a passion for the
00:17:04
legendary in general I did not know
00:17:06
when I was when I was a kid but
00:17:07
it was always this kind of story where the
00:17:09
most fantastic stories
00:17:10
possible which when I was young is
00:17:13
not so easy to find today
00:17:14
fantasy we see everywhere we ran
00:17:16
after it and we got it tasted with great
00:17:17
pleasure and the legends and even
00:17:19
somewhere and that I say sometimes
00:17:21
with a little embarrassment even religion did not exist
00:17:23
had the same effect it was
00:17:26
a magical story it's this evening
00:17:27
others no it's It is true that with the wave
00:17:30
in particular of video games,
00:17:32
the Arthurian legend is
00:17:34
very popular today and then the big
00:17:35
TV series etc.
00:17:36
Merlin has become a sort
00:17:39
of idol of youth whereas for a
00:17:41
very long time it was more the case of the
00:17:42
very first of all it was no longer the case of the whole
00:17:44
in addition during the medieval period
00:17:45
merlin is not necessarily the person in
00:17:47
whom we are most interested in who is
00:17:49
half he is still the son of the
00:17:50
devil in the official version and
00:17:52
in any case it is a character who
00:17:54
has neither origin nor death so it is
00:17:56
not really normal so we
00:17:58
actually see that in each generation in
00:18:00
each period we are interested in the
00:18:01
legend we focus on something else that is
00:18:03
quite strong, it gives the impression of a
00:18:05
sort of big gap and I love this
00:18:08
phenomenon because we are at the same time very
00:18:10
far away in a time which is even even
00:18:12
more distant than historical reality
00:18:14
since there is something very
00:18:15
archaic which undoubtedly takes us back to the
00:18:17
protohistoric periods before the
00:18:20
Celts, even probable in the sands and then
00:18:22
there is something very modern,
00:18:24
almost futuristic with the heroic
00:18:25
fantasy and that's what projects us
00:18:27
into a form of science fiction the
00:18:28
real legs that's what the real
00:18:29
legends are totally malleable because
00:18:30
the discourse or at least the images
00:18:33
that it sends back to us is readaptable to
00:18:35
each period and the legend
00:18:36
me I deeply believe that people
00:18:38
need legend and in the book
00:18:40
that you have in your hands michel
00:18:42
lebris and an afterword which is called
00:18:44
the news of legends in times of
00:18:46
crisis and I believe that we cannot
00:18:47
find something better than this necessity merlin
00:18:49
viviane arthur guenièvre and the others
00:18:51
or something to tell us either to
00:18:53
help us or to distract us from
00:18:55
doing something and above all they
00:18:58
tell us that we are not in a
00:18:59
finite time that we is in an
00:19:01
infinite time which is another world that we can
00:19:03
reach there completely other than by
00:19:05
death it is still rather pleasant
00:19:07
and that the airlock of these worlds well
00:19:09
they are the heights the magical waters of
00:19:11
the sea or fresh waters and their
00:19:13
forests on and the forests then the forest
00:19:15
of brocéliande is what we can be
00:19:18
sure that it is precisely in
00:19:20
paimpont is what it is the end is what
00:19:22
it really is the forest of paimpont
00:19:23
is -what we could not place and
00:19:24
elsewhere but there were lots of people
00:19:27
who placed it elsewhere and you knew
00:19:28
live a great sense the forest as
00:19:30
unfortunately many others burn
00:19:31
regularly and when the forest in 90
00:19:34
had burned the people's question is
00:19:35
if the forest burned what the legend
00:19:36
remains but we have known for example
00:19:39
thinking about the Celtic immigration was
00:19:41
very abundant in the 18th and 19th centuries
00:19:43
towards the United States
00:19:44
jean of his party in the boats with
00:19:46
the poor Irish or Scots
00:19:47
chased from their lands if one day god
00:19:50
god you wish that doesn't happen
00:19:51
but if if brocéliande disappears I
00:19:53
think we will find another one
00:19:54
that said to still answer
00:19:56
your question the signs the few
00:19:58
lessines that are quite thin 1 that
00:20:00
we tell us well that
00:20:02
Brocéliande without the themes of the 12th
00:20:03
century process you need to talk
00:20:05
about the main author cause is at the
00:20:07
court of Eleanor of Aquitaine and Henry
00:20:09
of the court of the girl especially the daughter
00:20:11
Marie of France was not the poet
00:20:13
the daughter of Eleanor and the King of France
00:20:15
since she only had daughters with him
00:20:18
7this maric exposed the Count of
00:20:21
Champagne great court very rich have
00:20:23
not too no but that is not is one of the
00:20:25
authors and Christian of Troyes and
00:20:26
Christian of Troyes will seize 7
00:20:28
Arthurian meters which until then is
00:20:30
conveyed orally by trouvères or
00:20:33
by bards since they are people
00:20:34
of very great cultures who travel
00:20:36
throughout Europe and he will write at
00:20:39
the request of Marie de France
00:20:40
the first novels which means that at
00:20:42
the same time he will bring us all
00:20:43
this Celtic legend and he will give
00:20:45
the major form of what is
00:20:47
still our literature today.
00:20:49
is still very extraordinary
00:20:51
when you think about it the base is the base
00:20:53
where this is the base from which all the
00:20:54
others stole he himself aspired
00:20:57
from a certain number of sources although he
00:20:59
had a lot of sources but
00:21:00
it was oral so we are still
00:21:02
in the speculation and it is even a little
00:21:04
miraculous knowing his name because
00:21:06
we practically have the author do not sign
00:21:07
the author was like an artisan an
00:21:10
anonymous of course and simply a Christian
00:21:12
from Troyes gives us very
00:21:13
precious things in the forest of brocéliande
00:21:15
baiia 1 Anglo-Saxon authors before him
00:21:18
who speak about it which is called law is
00:21:19
that they immediately speak of the forest
00:21:21
as the place where we see the facts
00:21:23
I have in my hands
00:21:25
a work by Claude Art which is called
00:21:26
one of his works is called Journey to
00:21:28
Mysterious France published by
00:21:30
Pré aux Clercs it is coming out at the beginning of
00:21:31
the year it is fascinating like all
00:21:33
books by Claude Art and he tells us
00:21:36
the possibility that Robert Howe is
00:21:40
rather talking about Normandy and and we
00:21:43
could have placed this
00:21:45
brocéliande forest rather among the Normans which is
00:21:47
not to displease the Normans
00:21:48
I come in addition good red room like
00:21:51
me I am from Aquitaine I do
00:21:53
not intend to turn around
00:21:54
today it is to learn will
00:21:56
not succeed this very first thing
00:21:58
of which I told you we could
00:21:59
actually find traces both
00:22:01
me which me leans towards Paimpont
00:22:04
it is still Christian from Troyes who
00:22:05
says that the forest of Brocéliande and in
00:22:06
Little Brittany
00:22:07
good even if the limits have varied towards
00:22:10
the east seven years Little Brittany it is a
00:22:12
long and wide forest and above all it
00:22:14
locates well the barenton fountain with
00:22:16
these particularly marvelous prodigies we
00:22:18
will discover this fountain in a
00:22:20
moment and we will at the same
00:22:21
time get to know the fairy
00:22:23
viviane
00:22:25
history on europe 1 it is with franck
00:22:28
ferrand
00:22:29
[Music]
00:23:14
1
00:23:18
agnus dei excalibur composed by fabrice
00:23:21
aboulker frankel excalibur it is therefore this
00:23:23
show which will be given at the stadium of
00:23:26
france very great show missed by
00:23:28
robert hossein we had the opportunity to
00:23:30
talk about it on this antenna even with the
00:23:33
designers of the show is also the
00:23:36
historical advisor because that they
00:23:37
have they have done enormous work on
00:23:38
the Arthurian legend our mental friends
00:23:40
it is therefore the I believe that it will be
00:23:42
Saturday in Levante 4-1 next Saturday September 24th
00:23:45
I believe that there are
00:23:47
places left so don't don't hesitate then this
00:23:50
Arthurian legend you talk to us let
00:23:51
's return to the fountain precisely at the
00:23:54
base but who likes the
00:23:57
Neolithic cult sites I am served there we
00:24:01
can say in the heart of this forest the bear
00:24:02
eliandre describe there to us perhaps
00:24:04
claudine glot the barenton fountain
00:24:06
in the Arthurian legend especially in
00:24:08
Brocéliande we must always think that
00:24:10
things are the opposite of their reputation
00:24:11
and that the greatest reputation are
00:24:14
very simple objects or sites and
00:24:16
I believe that although modest in addition
00:24:17
to a very modest very moving very
00:24:19
moved that's precisely why they are
00:24:21
moving because putting everything into
00:24:23
perspective and it brings you back to the basics and
00:24:25
barenton it's exactly that goes back to
00:24:27
barenton we hope that she will blow her
00:24:29
famous bubbles there that's is bull which brings
00:24:31
good luck which tells the future sometimes does
00:24:33
not do them we are upset and barenton
00:24:35
it is the meeting place of merlin de
00:24:37
viviane it is really the the inhabited place
00:24:39
and in the same way since by the two
00:24:42
very sites ancient the other attributes it
00:24:44
to the fairy Viviane it is a stone circle
00:24:46
from the Neolithic a fairly rare shape
00:24:48
quite rare in Brittany quite rare even
00:24:50
rarer in the forest of Brocéliande
00:24:51
names which have been attributed we no
00:24:53
longer know when we do not have in being a father in
00:24:56
rural countries we have no writing we are
00:24:57
not worried like this fairy viviane
00:24:59
viviane it's a little bit it's a
00:25:01
little bit the same case as our ace dâwûd
00:25:04
these are fakes they are always
00:25:06
hybrids of creatures who are born from the
00:25:09
love of a human and a fairy more
00:25:11
rarely the reverse although it can
00:25:13
happen and as a result they are
00:25:15
never completely adapted they have
00:25:17
powers but not totally
00:25:18
and they need special places
00:25:21
the city of 'ys for one the forest of
00:25:23
brocéliande for the other besides
00:25:24
the legend of brocéliande tells you
00:25:26
viviane does not have the right to leave the
00:25:28
forest her godmother who is the goddess
00:25:30
diane el hocine ds of the forests elsewhere
00:25:32
her godmother gave her three gifts at
00:25:35
her birth which are the love of merlin
00:25:37
the beauty and the remarkable knowledge of
00:25:39
knowing it is rare for a girl at
00:25:41
the time plays an essential role all
00:25:43
these female figures in the hour one
00:25:44
site yes in fact we do not
00:25:46
realize because we first have a
00:25:47
very image and battleships armed with great
00:25:49
horses of fights afterwards we think of
00:25:52
devils of dragons but those who
00:25:54
know those who have the power between
00:25:56
the hands the one who directs destiny are
00:25:58
always women and we talked about
00:25:59
viviane vivienne and assimilates to the lady
00:26:01
of the lake ans the lady of the lake it is she who
00:26:03
will give the p o king arthur
00:26:04
so it is she who will make him king in the
00:26:06
end merlin leads but it is
00:26:09
the lady of the lake i gives the sword and at the end
00:26:11
of the story the pairs turn hand of the lady of the
00:26:13
lake and who comes to get the dying king arthur
00:26:15
it is his sister morgan which will
00:26:17
keep him in survival so the entire
00:26:19
destiny of the knights of the soul of the
00:26:22
world of the round table is in fact taken
00:26:24
in the hands of these two often
00:26:26
antagonistic facts a little bit water and
00:26:27
fire a merlin in there plays the referees in
00:26:30
merlin i love this character and at the same
00:26:34
time mayor has merlin done what can
00:26:36
because mr the aed is constrained in many
00:26:38
ways
00:26:39
merlin must tell destiny I
00:26:41
cannot change it merlin has a role to play
00:26:44
fill but will be sacrificed he will
00:26:46
find himself a prisoner to the prisoner for
00:26:48
love there is perhaps worse but he is
00:26:50
still imprisoned in the
00:26:51
merlane forest and has
00:26:53
extraordinary powers and cannot
00:26:55
exercise them comically but she has a
00:26:56
Cassandra side exactly what 'they see what is
00:26:59
going to go wrong but he cannot
00:27:00
prevent it the man of nature at the same
00:27:02
time he takes on various appearances you
00:27:04
show him constantly changing
00:27:08
then that is what the Middle Ages
00:27:09
moving appeal under the walls of messaging and
00:27:11
her lot remains very astonishing
00:27:12
because today with the sons we are
00:27:14
accustomed to magic a little bit
00:27:16
thunderous backfiring smoking merlin
00:27:19
such a strong magic which does not even
00:27:20
need that it still exists
00:27:22
in the moment he makes a gesture and he has
00:27:25
another formula and serves he and trees and
00:27:27
rocks he is a little boy he
00:27:29
is an old man and it is only the
00:27:31
king who knows how to recognize himself more or less
00:27:34
Merlin's appearances but that was
00:27:36
Merlin deal sees the future sees
00:27:38
hidden things so the past Merlin
00:27:41
transforms and Merlin transports himself very
00:27:44
quickly more quickly people what
00:27:46
is in this Celtic world and which
00:27:49
obviously speaks a lot to our time
00:27:51
I was going to talk about ecology the word is
00:27:53
obviously very anachronistic but in
00:27:55
any case it is a permanent attention
00:27:57
to nature to its messages to its
00:28:00
symbols to the force that it transmits and
00:28:03
I think that there are two reasons to this
00:28:04
first of all a reason which is common
00:28:06
is that homo time where to slip away when
00:28:08
we are not extremely powerfully in the
00:28:10
rhythm of nature think of famines
00:28:12
think of droughts well that's not
00:28:14
a part of the world it 'it's everyone
00:28:15
who dies in this case not to eat but
00:28:17
actually behind that there is this
00:28:18
very old Celtic tradition which is
00:28:20
the unity of humans with nature there is
00:28:22
no man on one side who governs
00:28:24
nature there there we are all we are all
00:28:27
part of the same living being is one of the
00:28:29
powers of berlin is that they
00:28:31
speak directly to nature he perceives
00:28:33
its language he speaks to animals he can
00:28:36
therefore act as this intermediary between the
00:28:38
world of men which is in in the process of
00:28:39
detaching itself from nature and can be seen very
00:28:41
clearly in John Boorman's film, very
00:28:43
clearly explained and Merlin is
00:28:45
still at the stage where when man
00:28:47
the Lafleur bird was only raying that
00:28:49
death was only a dream trick
00:28:52
asks us if with the lord of the rings
00:28:54
tolkien was inspired by the
00:28:56
Arthurian legend obviously but we are
00:28:58
precisely in a grandiloquence in
00:29:00
a very pale monument very
00:29:02
impressive character which moves away from the
00:29:04
concrete poetry of this world it is louis
00:29:07
and I think that we always want to see
00:29:10
noon at our door and talkin 6 even more
00:29:13
than the Celtic world
00:29:14
inspired by the Nordic and
00:29:15
Germanic and Scandinavian world which is
00:29:17
much less that it's the same base
00:29:20
but it's less poetic c 'is less
00:29:21
fluctuating it's me dreamer than
00:29:23
the Arthurian world among all your
00:29:25
publications claudine glot I choose
00:29:28
the novels which are fantasy novels
00:29:32
literally directly inspired by
00:29:34
this legend then excalibur or
00:29:36
the dawn of the kingdom
00:29:37
lancelot or the age gold of the round table
00:29:40
it's a trilogy
00:29:41
it's a trilogy and the quest for the
00:29:44
grail or the destiny of the kingdom arrives
00:29:47
in a month and a half well that's
00:29:49
a trilogy published by Pré aux
00:29:51
Clercs and then published by Ouest-France,
00:29:53
the legend of Merlin,
00:29:54
it's for my nieces, I'm putting it
00:29:56
aside immediately for her, I think they
00:29:57
'll love it,
00:29:58
and in the same vein, a very beautiful
00:30:00
book, also published by Editions de la
00:30:01
Martinière, Edouard Brasey. France
00:30:04
enchanted legends of our regions
00:30:06
we saw that there is a lot to do
00:30:07
with all this beautiful heritage which
00:30:10
takes us back not only to our roots
00:30:12
but also to our deep imagination
00:30:15
I was delighted to receive you claudine
00:30:17
glot thank you thank you thank you
00:30:19
[Music]

Description:

En prélude au week-end, plongée revigorante dans le paysage légendaire de la Bretagne. De la forêt de Brocéliande à la cité engloutie d’Ys. Franck Ferrand ose aujourd’hui le "il était une fois" de nos contes de fées… Son invitée : Claudine Glot, écrivain et présidente et co-créatrice du Centre de l'imaginaire arthurien

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