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Previous video: Корней Чуковский. Цикл бесед о русском языке. Передача 4. Канцеляризмы и штампы в речи (1963)Next video: Вызывает 425-й. Военный фильм (1967)

0:00

О чём ролик?

3:09

“Конечно, цензура нужна”

7:00

Сталин - отец народов, продюсер

15:45

Оттепель

20:50

Битвы за шедевры

29:16

Перестройка сознания

Вызывает 425-й. Военный фильм (1967)

Вызывает 425-й. Военный фильм (1967)

Channel: Советские фильмы, спектакли и телепередачи

Корней Чуковский. Цикл бесед о русском языке. Передача 4. Канцеляризмы и штампы в речи (1963)

Корней Чуковский. Цикл бесед о русском языке. Передача 4. Канцеляризмы и штампы в речи (1963)

Channel: Советские фильмы, спектакли и телепередачи

Одиссея капитана Блада 1 серия (1991)

Одиссея капитана Блада 1 серия (1991)

Channel: Киностудия Горького

С тобой и без тебя (драма, реж. Родион Нахапетов, 1973 г.)

С тобой и без тебя (драма, реж. Родион Нахапетов, 1973 г.)

Channel: Киноконцерн "Мосфильм"

советские фильмы

фильмы ссср

цензура в кино

фильмы гайдая

построссия

пропаганда в кино

эйзенштейн иван грозный

культ личности

советские фильмы о войне

оттепельное кино

застойное кино

00:00:03

Soviet cinema What to drink it

00:00:06

just didn’t pick it up, it’s the best and the

00:00:08

kindest And in general the very best And if

00:00:11

you look at Modern

00:00:13

Russian cinema today it’s

00:00:15

better not to look now there is an opinion

00:00:18

that it was such because of competent

00:00:21

censorship that swept aside all the best

00:00:23

bad and was left only by

00:00:26

Diamond censorship it was good a

00:00:31

wonderful time when everyone was in Freedom

00:00:33

Why why

00:00:37

in which they looked like that and decided

00:00:40

that this movie could be released or not

00:00:42

From now on Let’s take a closer look at it

00:00:45

And who were these people from the regional committees

00:00:48

according to what principles, they removed something from

00:00:50

the picture, forced it to be rewritten, or

00:00:52

even put the film on the shelf. Let's

00:00:55

figure out exactly how

00:00:57

censorship worked in cinema. I propose to take a pack of

00:00:59

well-known and not so Soviet films,

00:01:01

go behind the scenes and what they should

00:01:04

have been like initially, how they fought for their

00:01:06

masterpieces Many famous directors

00:01:08

will also talk about which films were

00:01:10

saved or, on the contrary, rejected by

00:01:13

Soviet driving personally, whether licensorship helped

00:01:15

Soviet cinema or was it the other way around,

00:01:17

you know, in light of all the recent events and

00:01:20

news, I wanted to exhale a little and

00:01:23

make a video on an abstract topic,

00:01:24

so today we’ll talk about censorship

00:01:27

from censorship in cinema and how it worked

00:01:30

Hello Russian

00:01:36

[music]

00:01:43

this is the city of Inta it is located far in the

00:01:46

north of Russia there were once Mines here

00:01:48

but now Inta is known for another

00:01:51

reason here you can buy the cheapest

00:01:53

apartment in Russia my friends from the channel

00:01:56

collective decided to try it for themselves

00:01:58

and they made a film about it Here is its teaser

00:02:01

[music]

00:02:03

I went to Avito in search of an apartment,

00:02:05

put a filter all over Russia and

00:02:08

sorted from the cheapest ended up in the

00:02:10

Komi Republic in the small town of Inta There are

00:02:13

many apartments here from 30 thousand rubles

00:02:16

not for rent But for sale You can even

00:02:20

for free

00:02:21

I live in Moscow where, according to statistics, the

00:02:24

average salary is around 100 thousand

00:02:26

rubles. That is, you can buy

00:02:28

several apartments at once on the internet. I went to

00:02:31

this wonderful city where people don’t know mortgages

00:02:34

to find the answer to the question: Will I be able

00:02:37

to arrange my life in the North in one

00:02:40

Moscow salary,

00:02:43

the film turned out to be funny and interesting,

00:02:45

I attach a link in the description to my

00:02:48

sincere recommendations to watch it.

00:02:49

If for some reason you have not yet

00:02:52

seen what the team is filming, go and

00:02:55

watch there many more interesting

00:02:57

videos on different topics and To be honest, I myself

00:03:01

watch it very regularly cool guys are

00:03:03

very cool, say

00:03:05

hello from the Russian post in the comments,

00:03:12

they need to be shot immediately You

00:03:15

can shoot Vladimir Ilyich in a

00:03:17

kinder way You are the most humane person to

00:03:27

immediately give the court miracles of humanism

00:03:31

and a little editing

00:03:39

in the mass consciousness Soviet cinema

00:03:42

is remembered mainly for pictures of the era of

00:03:44

stagnation, these are the comedies of Gaidai and Ryazanova

00:03:47

Sherlock Holmes Maslennikov's original

00:03:50

films by Tarkovsky and so on,

00:03:52

all sorts of censorship battles also took place with their works.

00:03:54

But Soviet cinema

00:03:56

does not end with them, we will go through the

00:03:58

chronology first and before the collapse of the Union,

00:04:00

because at different times censorship took on

00:04:03

different forms, but before moving on to

00:04:05

many specific examples and stories,

00:04:07

let's first take a look at the origins of

00:04:10

how the censorship apparatus became overgrown with its own

00:04:12

blood and flesh, so we will understand How

00:04:14

this system developed and why it was needed

00:04:16

Despite the fact that cinema in the 20s was

00:04:19

still developing and was of little interest to the

00:04:21

general public, the Bolsheviks noticed

00:04:24

it as one of the most promising

00:04:25

tools for future politics and we must pay tribute to it; they did not

00:04:28

fail, like

00:04:31

paintings, books and poems, this art

00:04:33

should have been under the control of a large and

00:04:36

wise party; the propaganda power of cinema was

00:04:38

well understood by Lenin when he called it

00:04:41

the most important of the Arts and Lunacharsky

00:04:43

further The main task cinema in its

00:04:45

scientific and artistic branches

00:04:47

lies in the propaganda of cinema; this is the

00:04:50

most powerful weapon of scientific

00:04:51

propaganda and the strongest, acting

00:04:53

directly on the imagination and sense of agitation,

00:04:56

the proletariat must necessarily master

00:04:58

this weapon; cinema literally became a

00:05:01

continuation of state policy.

00:05:02

It had to disseminate

00:05:04

ideologically correct ideas and, of

00:05:07

course, not allow sedition But in addition to

00:05:09

politics, there was also aesthetics, morality, this is an

00:05:12

eternal conversation about what qualities the

00:05:14

heroes of the screen could have and what are

00:05:17

completely unacceptable in this place

00:05:19

censorship and Propaganda were intertwined because

00:05:21

one always cleared the other But we must not

00:05:24

forget that behind all these majestic

00:05:26

words there were people They are poster heroes

00:05:29

and Despite all the talk about their

00:05:30

own professionalism, they

00:05:32

could also cut something out or take away something here

00:05:35

simply because of taste, we will see

00:05:37

later, the people who were supposed to check

00:05:39

this or that film were part of a special

00:05:42

body in the artistic council. This was a

00:05:44

group of people consisting of one on the other hand,

00:05:46

from members of the Union of Cinematographers and, on

00:05:49

the other hand, from sports officials in order to

00:05:51

evaluate the film both artistically and

00:05:53

ideologically

00:05:55

[music]

00:06:09

Thank you all,

00:06:16

in 1922 a chief leader appeared who

00:06:20

controlled all printed materials,

00:06:22

painting exhibitions, and then a year later,

00:06:25

under the leadership of the main leader, the chief pitman was born,

00:06:27

who was responsible for the circus theaters and

00:06:30

of course cinema, all these authorities

00:06:32

will be changed more than once,

00:06:33

renamed until the very end of

00:06:35

Soviet history, only

00:06:37

their main meaning will be control over art

00:06:40

since 1922, no more films

00:06:43

could be shown without the approval of the

00:06:45

state, as one

00:06:47

famous and important man once said Of course, censorship is

00:06:50

needed, there should be no films that are

00:06:51

contour-revolutionary and immoral.

00:06:54

Well, now let’s take a look at how

00:06:56

this formula worked using real-life examples.

00:07:02

In the 20s, young Soviet cinema

00:07:06

was in the field of experiments in search of

00:07:08

new creative techniques; it was the

00:07:11

Avant-Garde Age, which discovered such authors

00:07:13

as Eisenstein and which greatly influenced

00:07:16

even world cinema. But then censorship was

00:07:19

just being formed. But already in the

00:07:21

30s, films began to be censored. Much more

00:07:23

diligently at this time, the artist was more

00:07:25

like an employee who

00:07:27

had to create a movie stylistically, in form and in

00:07:30

meaning. a certain

00:07:32

format And who was the employer of

00:07:36

the victories of today Who opened up

00:07:39

all the opportunities for us You know

00:07:42

who I’m thinking about Comrades Stalin I would like to

00:07:45

dedicate a separate part to the story

00:07:47

because all the censorship of the 30s and right up to his

00:07:50

death took place under the watchful gaze of

00:07:52

the leader in 1939 two films were released,

00:07:55

dialogues: Lenin in October and Lenin in

00:07:58

1918, both films were historically

00:08:02

propaganda, they told the

00:08:03

story of the position of the Soviet

00:08:05

state, these are significant events of

00:08:08

the Revolution, the Storm of the Winter Palace, a shot

00:08:10

from the Aurora, the preparation of the Uprising, but at the

00:08:13

same time they tell about the insidious machinations of

00:08:15

Zinoviev and Kamenev, who in in the end

00:08:17

they lost in the leader’s internal party struggle.

00:08:22

What meanness, then both films received the

00:08:25

Stalin Prize, which is not

00:08:27

surprising, because Stalin’s role in the film, which

00:08:29

means in history, was shown to be incredibly

00:08:31

significant and positive. But then on the 53rd,

00:08:34

Stalin himself dies

00:08:41

and after his death Khrushchev comes and

00:08:44

speaks Guys, we had a cult of personality, the

00:08:47

power of a person was intoxicating and he went a little

00:08:50

crazy. Let's debunk the cult of personality

00:08:53

and in 1956 the films were

00:08:55

remade and released in a new

00:08:58

edition, a kind of post-censorship, this technique

00:09:00

in the future will be used more than once in the

00:09:03

new edition, the role of the leader of nations was

00:09:05

already other not so significant scenes with him

00:09:08

were re-voiced or completely cut out

00:09:11

so comrade Stalin, move over here

00:09:13

Sorry, you missed it and now you are

00:09:18

a lamp comrade Stalin o Every time, like the

00:09:22

first time, men standing up in cinemas are

00:09:24

simply unbearable

00:09:27

Hey, historical truth is such a

00:09:29

fickle thing and it fluctuates along with along the

00:09:32

Parsi line, what was politically

00:09:34

correct yesterday may already become

00:09:36

ideologically harmful tomorrow, but let’s rewind a little back to the

00:09:40

time when Stalin himself was still alive and

00:09:42

occupied the chair of the country’s chief censor.

00:09:44

Stalin loved cinema very much and, moreover, he

00:09:47

built his own cinema hall in the

00:09:49

Kremlin; he watched Soviet and Western

00:09:51

films even Charlie Chaplin He

00:09:53

liked almost everything, except for the

00:09:55

film The Great Dictators, for some reason

00:09:57

the main producer of the country of Soviets did not come to him, the main producer of the country of the Soviets

00:10:00

not only censored the films himself, but also

00:10:02

ordered them, so

00:10:04

Eisenstein’s film was born Ivan the Terrible Stalin himself

00:10:07

proposed the idea and personally approved the

00:10:09

script, they planned to split the film

00:10:11

in three parts of the first part, Ivan the Terrible

00:10:13

is shown as a cruel but fair

00:10:16

ruler of the film, Stalin likes it, the

00:10:19

second part exposes the problems of despotism, the

00:10:21

horrors of execution, the retention of power, this part is for

00:10:25

some reason Stalin does

00:10:27

not like it at all, he says in

00:10:28

a conversation from Einstein that Ivan the Terrible is

00:10:30

some kind of film soft-bodied and the oprichnina

00:10:33

looks like a gang of degenerates, although in

00:10:36

fact, according to Stalin, this is a

00:10:38

progressive army in the perception of the leader of

00:10:41

the peoples, the tsar was a good ruler and

00:10:43

did the right things. But

00:10:45

Eisenstein’s perception is not quite But since

00:10:47

Stalin himself began to decide

00:10:49

the fate of the films, the films were eventually withdrawn from

00:10:52

distribution, and the first and the second part

00:10:54

Although in the end the second part was preserved and

00:10:56

released, many years later there was a

00:10:59

similar situation with the film Big Life,

00:11:01

also two parts, the first of which

00:11:03

receives recognition of praise from the Stalin

00:11:06

Prize and the second Lyulya from the leader, the plot of the

00:11:10

second part is at the end of the Great

00:11:12

Patriotic War, the miners return from

00:11:14

the front in order to restore the mine

00:11:16

in the Donbass, which was destroyed by the Germans, but

00:11:18

it turns out that the mine was

00:11:21

mined by the Germans; its explosion was ultimately

00:11:23

prevented, but it was decided to

00:11:25

abandon the mine because it turned out to be in too

00:11:28

poor a state. However, the valiant

00:11:31

miners decide to stay and still

00:11:33

restore it nevertheless less than the Central Committee of the Party and

00:11:36

Comrade Stalin personally. Much

00:11:38

did not like about this picture; a

00:11:40

devastating resolution was issued by the Central Committee; the

00:11:42

leader of the people himself did not like the

00:11:45

cultural level of the Miners in the film, for example, the fact

00:11:47

that in the film they drink, sing

00:11:49

tavern songs and talk about their personal

00:11:52

lives. Moreover, it takes

00:11:53

more time than think about the importance of fulfilling one’s

00:11:56

duty

00:12:04

or that the restoration of industry in

00:12:08

the film was portrayed not as large-scale

00:12:10

events organized by the party, but as the

00:12:13

personal initiative of the miners. Surprisingly, for

00:12:15

some reason this was also considered a minus;

00:12:18

censorship in Stalin’s time diligently

00:12:21

replaced real people with role models

00:12:23

for images of the correct Soviet

00:12:25

they tried to show the ideal person on the screen

00:12:27

and not real ordinary people with their

00:12:30

set of vices and experiences because

00:12:32

of course the miners in reality drank and

00:12:36

sang tavern songs and probably even

00:12:38

swore in the yard in general, it’s like the

00:12:41

Great Patriotic War is going on

00:12:50

again, the gramophone remembered and about a large

00:12:54

number talking about personal life,

00:12:56

damn it Yes, even in bed he talks about the Mines with a

00:13:04

steel spare I need me with you,

00:13:07

what am I talking about, I’m talking about life,

00:13:09

ammonia Well, movies then required an

00:13:12

ideological picture, which of course

00:13:14

deprived them of a certain liveliness. Similar

00:13:16

stories happened with many other

00:13:18

films of that period. they rejected it

00:13:20

and put it on the shelf and released it

00:13:23

only after the death of the leader in 1958.

00:13:27

By the way, someone, for a reason unknown to me,

00:13:30

decided to insert

00:13:33

Stalin’s speech about this

00:13:36

film as a review, bro, I don’t know who you are, I don’t know

00:13:40

why, but

00:13:43

I know it all now not only I don’t

00:13:49

need to thank you for this information, but the most irony happened in

00:13:53

1963 when the director of the film was asked

00:13:56

to remake his creation a little, well, you

00:13:59

remember, the cult of personality is still

00:14:01

being debunked in our country. As a result,

00:14:03

all the frames where the

00:14:05

Great Leader was mentioned were cut out of the film and also everyone disappeared scenes

00:14:08

where he was shown, for example, in the form of

00:14:10

portraits on the wall This is how the

00:14:12

censorship madness turned out

00:14:18

[music]

00:14:20

and now Generalissimo Stalin wants to

00:14:24

see how you will be a hat

00:14:27

[music]

00:14:29

by the way, the Bolsheviks wanted to at one

00:14:33

point replace income from alcohol with

00:14:35

income from cinema harmful to

00:14:37

beneficial However, in the end they did

00:14:39

not give up alcohol, you can watch the

00:14:41

previous video here Yes, and Stalin’s strictness

00:14:44

regarding films at the end of his

00:14:45

reign led the industry to a

00:14:47

stage that would later be called

00:14:49

small films, only masterpieces were required

00:14:51

And therefore Soviet production

00:14:54

produced 7-8 films per year, which were

00:14:57

personally reviewed by the leader, and

00:15:00

only those that Stalin liked were considered masterpieces.

00:15:02

How can you replace the bottle?

00:15:07

Can I kiss you, comrade, for

00:15:11

everything you have done for our people

00:15:15

[music]

00:15:23

I think that it would be possible to begin a

00:15:25

gradual curtailment of vodka leading to

00:15:28

business instead of vodka, such sources of income

00:15:30

as radio and cinema Well, what can I

00:15:32

say, the turkey also thought and then he was

00:15:36

shot, censorship and the approach to cinema

00:15:38

subsequently changed, but only with the

00:15:41

death of the main producer himself in 1953

00:15:46

[music]

00:15:49

when Joseph Stalin handed over his park ticket

00:15:52

and control over film production went into another world, the

00:15:57

International

00:15:58

Film Festival began to take place in Moscow again, and our films again began to

00:16:01

receive prestigious awards in Venice, and

00:16:03

new genres began to appear on the screen,

00:16:05

for example, comedies, morals softened a little, and

00:16:08

also during the

00:16:11

Khrushchev Thaw, the places of collective farmers,

00:16:13

workers from posters, Soviet viewers could

00:16:15

observe automatic images of

00:16:17

nuclear physicists Yes, and ordinary people

00:16:20

began to devote much more time to their feelings and experiences on the screen,

00:16:22

less

00:16:24

ideological speeches delivered. You can

00:16:27

turn off the lights in the auditorium, it’s

00:16:30

easy, comrades,

00:16:37

more than human words

00:16:40

[music]

00:16:42

I understand you, there is such a

00:16:45

philosophy to be happy all your life You’re not a

00:16:47

Bastard, that there are people even worse than you,

00:16:55

morals have changed, but

00:16:58

the formula hasn’t changed, it’s just that at different times

00:17:00

different things fell under this definition, and the fact

00:17:02

that yesterday the uncle’s outcome of the council

00:17:04

was rejected tomorrow was already a completely

00:17:06

natural phenomenon, so for

00:17:08

example, the Ballad of a Soldier could appear on the screen

00:17:10

where the completed the war is shown not

00:17:13

from the perspective of a poster doll from the perspective of a man with

00:17:16

weaknesses and fears going into battle, not

00:17:18

always at the call of the commander in chief, but

00:17:21

because he just wants to live.

00:17:34

And that is why the picture The Cranes Are Flying was able to appear on the screen,

00:17:37

where

00:17:40

within the military setting the emphasis is on the

00:17:42

story of two lovers separated by

00:17:44

war. those same experiences about personal

00:17:47

life in the midst of a global catastrophe

00:17:49

that the Donbass miners could not afford

00:17:51

in the film Big Life,

00:17:58

you yourself are the agenda. Why did

00:18:05

n’t I go to my house? These are the films about

00:18:10

the war that we remember and they are the ones that

00:18:13

would never pass the test the main

00:18:14

producer of the previous era Yes Nora You

00:18:17

have changed and you could film about

00:18:20

more things, but

00:18:22

the formula has not changed, let’s take the symbol of the

00:18:24

Thaw cinema called I am 20

00:18:27

years old, or as in the original, Ilyich’s outpost

00:18:30

Khrushchev was less interested in art than all the other leaders,

00:18:32

but this

00:18:34

picture suddenly came under sharp

00:18:37

criticism even the most positive of the

00:18:39

characters in the film Three Working Guys

00:18:42

are not the personification of our

00:18:44

wonderful youth, they are shown So they do

00:18:46

n’t know how to live and what to

00:18:48

strive for, and this is in our time of

00:18:50

extensive construction of communism

00:18:53

illuminated by the ideas of the program of

00:18:55

the Communist Party You know, I

00:18:58

once thought and I realized that I am a completely

00:19:00

correct person

00:19:05

I take part in public life

00:19:07

I am a meditator like a simple Soviet

00:19:09

person Well okay simple where are they simple

00:19:12

you are simple I am multifaceted but the very

00:19:14

image of restless youth like

00:19:17

drinking miners is inconvenient correct The

00:19:19

Soviet person does not suffer from crises and the search for the

00:19:22

meaning of life he has a

00:19:25

program of the Communist Party

00:19:27

leading to a bright, great future. But

00:19:31

what he said about the ending in

00:19:34

the original was something like that you have to

00:19:39

live

00:19:42

and how

00:19:44

how How

00:19:47

old are you

00:19:49

23 And I’m 21

00:19:53

Well, how can I advise these

00:19:57

However, the ending had to be redone

00:20:00

because as Khrushchev said and you want

00:20:03

us to believe in the veracity of such an

00:20:05

episode, no one will believe everyone knows that

00:20:08

even animals do not abandon their young,

00:20:10

if a puppy is taken from a dog and thrown into the

00:20:13

water, she will immediately rush to save him,

00:20:16

risking her life. Can you imagine

00:20:18

that the father would not answer to his son’s question and

00:20:20

didn’t help him with advice on how to find the

00:20:22

right path in life Marlene Khutsif,

00:20:25

who filmed the Ilyich outpost, was perhaps

00:20:27

one of the most important directors of

00:20:29

the Thaw, but he had to suffer from

00:20:32

bureaucratic rights, there were a lot of amendments in the film,

00:20:34

I’m already tired of proving something,

00:20:37

reshooting it, because I I didn’t make a patch, I

00:20:40

re-shot entire scenes, but still

00:20:43

now I was some kind of creative

00:20:45

freedom, especially compared to

00:20:47

the past, but then this window will slam shut,

00:20:50

there will be more nit-picking and shelf

00:20:53

banned films, too,

00:21:00

during the time of Brezhnev’s stagnation, young and

00:21:03

naive heroes began to be replaced by ordinary

00:21:05

tired people of about 40 whose lives are not

00:21:08

organized, entangled in everyday squabbles and

00:21:11

work routine, the heroes have become

00:21:12

psychologically more voluminous during this time of

00:21:15

stagnation of the Soviet system. However, it was

00:21:17

during this period that films began to appear that became

00:21:19

entrenched in the

00:21:22

popular consciousness as the face of Soviet

00:21:24

cinema. I propose to see what thorns they

00:21:26

had to go through to get to screen

00:21:28

So, Gaidai's Captive of the Caucasus, more than 40

00:21:32

edits, the censors almost solved it. The

00:21:35

people's favorite picture might not

00:21:37

have seen the light of day, but the truth did,

00:21:40

by pure chance, the chairman of the

00:21:42

cinematography committee, Romanov, called

00:21:45

the film outrageous, anti-Soviet,

00:21:47

let's see what he didn't like there,

00:21:49

for example, the famous phrase about the trial

00:21:56

should have sounded like Long live the

00:21:59

Soviet court, the most humane court in the world,

00:22:02

clap-clap-stop, it seems like a purely

00:22:04

stylistic change. Although

00:22:07

they wanted to throw out that scene with the censor’s court completely

00:22:09

because they thought that it was done poorly

00:22:11

and in general it was unnecessary for the plot, or

00:22:14

they wanted to remove it entirely a song about the Sultan

00:22:16

because they considered it propaganda about a

00:22:18

moral way of life.

00:22:30

As a result, it lost only a few

00:22:33

verses

00:22:45

[music] there

00:22:47

were also complaints about the name comrades

00:22:50

Sakhava. There’s a whole story here. Initially

00:22:52

his name was Okhov, but it turned out that this was a

00:22:55

surname First with the Chairman of the Council

00:22:58

of Ministers of the Kabardino-Balkarian USSR

00:23:00

aslanbi ahokhova why was this considered a

00:23:03

problem don’t ask then the last name

00:23:06

was replaced with Sakhava but you won’t believe it an

00:23:09

employee

00:23:11

with the same last name worked in the Ministry of Culture to end the

00:23:14

search for a politically correct last name Nikolin

00:23:16

went to the head of the Ministry of Culture

00:23:18

Fortseva who demanded to stop

00:23:21

Choosing options What if they called him

00:23:23

Ivanov we have 180 of his new ones in the Ministry of Culture and

00:23:26

that now the fool cannot be called

00:23:28

Ivanov, leave it as is, the story about

00:23:31

these changes in the film itself

00:23:33

was preserved only as a re-taped

00:23:35

inscription on the door at the 17th minute of the film,

00:23:38

perhaps someone just

00:23:40

didn’t like Gaidai, otherwise it’s difficult to

00:23:41

explain somehow According to the recollections of the

00:23:43

participants, during the acceptance of the film in the

00:23:45

state cinema, an atmosphere was created that did not

00:23:47

promise anything good, and a certain

00:23:50

big boss told the creators of the

00:23:52

film that this anti-Soviet film would be released

00:23:55

only through a corpse, I wonder where

00:23:57

his body is now, three days later, Gaidai,

00:24:00

contrary to gloomy expectations, received the

00:24:02

final verdict, the picture was accepted and

00:24:05

even received the highest rental

00:24:07

category. And there is a reason for this change

00:24:10

and its name is Leonid Ilyich Brezhnev,

00:24:15

it turned out that over the weekend the Secretary General

00:24:17

asked to Show him something

00:24:19

new, they brought him a Captive of the Caucasus

00:24:21

and he really liked it. He

00:24:24

thanked the head of the State Cinema and everyone

00:24:26

who worked on the film Eh There

00:24:29

were so many conversations: the man came and said

00:24:32

it was fine, but what if he hadn’t come? The

00:24:38

funniest thing is that this was not the

00:24:41

only case when Brezhnev saved

00:24:43

some film Another masterpiece of

00:24:44

Soviet cinema White Sun of the Desert

00:24:46

Censor and tormented with endless edits And the

00:24:49

director of Mosfilm Vladimir Surin In

00:24:51

the end he was dissatisfied picture and didn’t

00:24:53

sign the acceptance certificate, and

00:24:56

Leonid Ilyich appears out of nowhere and

00:24:58

says, come on guys, it’s been a long time since he

00:25:01

looked at the wreath at his dacha.

00:25:04

Moreover, he heard that such a

00:25:06

film was made And was indignant why he hadn’t seen it yet they

00:25:09

sent him the picture, he was

00:25:11

incredibly pleased and this removed the

00:25:13

remaining complaints from the film the picture was released in

00:25:16

wide release and received national

00:25:18

recognition complex bureaucratic

00:25:20

sensory system Versus Leonidovich

00:25:24

stupidly Leonid Ilyich perhaps without him we

00:25:27

would not have seen these films a difficult

00:25:30

fate already three decades later

00:25:32

another film about Ivan the Terrible Ivan

00:25:35

Vasilyevich changes his profession

00:25:37

so pipe skins most of all it was

00:25:39

a shame for the Tsar I will not allow you to mock

00:25:42

Ivan the Terrible why are you making him look like a fool

00:25:44

this casts a shadow on the Tsar yes

00:25:47

yes as if the communists and as if protecting the

00:25:50

Tsar but as if he is the prototype of Stalin,

00:25:53

tough but fair. In the end, for example, they cut out

00:25:56

the scene where Ivan the Terrible fries

00:25:59

cutlets, the same editor-in-chief of

00:26:01

the State Cinema for a long time convinced the artistic council that because of

00:26:04

this scene it was necessary to at least refuse to distribute the

00:26:06

films, but Gaidai managed

00:26:08

to persuade the rest, or this is the scene where

00:26:11

the Tsar is asked where you live

00:26:14

in wards He had to answer Moscow

00:26:18

Kremlin Well, it seems like such a slight joke,

00:26:21

but I didn’t like it, it’s a dream for

00:26:24

a minute Why this banquet, who will

00:26:27

pay for this, in any case, not us

00:26:29

and in this place The answer should have been

00:26:32

a little different

00:26:35

people, father People, well, it’s also clear

00:26:38

It’s a pity It didn’t work. It seems to me that it’s a scheme

00:26:42

for the ages. Sometimes, to save the film in the

00:26:44

original video, you had to come

00:26:45

up with some pretty clever and daring

00:26:48

tricks, like Gaidai. He inserted a

00:26:50

nuclear explosion into the end of the diamond hand, which you don’t

00:26:53

remember, but thanks to this you remember

00:26:56

everything else, the bet was made on the fact

00:26:59

that it an outrageous misunderstanding

00:27:01

will distract attention from all other

00:27:03

things and the sensors will calm down if they remove

00:27:06

this particular part, the bet played Gaidai

00:27:09

told his wife that when

00:27:10

the chairman of the council saw this, he almost

00:27:13

fell out of his chair so pale it was

00:27:16

necessary to see Gaidai argued with the council for more than an hour,

00:27:19

refusing to cut out the nuclear

00:27:21

explosion anything any scene but not this one,

00:27:24

have you forgotten that the international

00:27:26

situation has worsened the world is breathing war,

00:27:29

imperialism is swinging a nuclear club

00:27:32

Gaidai said that he would cut out any

00:27:34

other scene but no, in the end he still

00:27:37

grudgingly agreed to cut it out

00:27:41

director Savva Kulish said about this

00:27:43

case is what I think, that this was

00:27:45

the only picture by Gaidai that was almost not

00:27:47

affected by sensory supervision,

00:27:49

the genius of Leonid and Ovič was

00:27:52

that he specially pasted in the final scene of an

00:27:54

atomic explosion, which plunged

00:27:56

the authorities into such horrors of amazement that

00:27:59

they forgot about everything else, what

00:28:01

worked remains just clap

00:28:04

Gaidai saved a large number of scenes with this

00:28:06

trick similar battles went through a whole pack of

00:28:09

Soviet classics Andrei Rublev

00:28:11

Tarkovsky was rejected because the

00:28:13

religious theme was written within the framework of

00:28:15

socialist realism the film was cut criticized and

00:28:18

eventually put on the shelf only 4

00:28:21

years later it was released in limited

00:28:23

release and only 20 years later years during

00:28:25

perestroika, it was released in restored

00:28:27

full form, then his own film, Mirror,

00:28:29

was given a second distribution category in the brain of the

00:28:31

movie, it was considered unsuccessful and released

00:28:34

in limited distribution. Yes, sometimes instead of

00:28:36

edits and discussions, the picture was released, but

00:28:39

was simply given to a obviously

00:28:41

small number of people to see today, the name of

00:28:44

Tarkov’s standard and world classic And

00:28:47

at one time he could not

00:28:48

work normally and talked about this in letters to his

00:28:51

father Maybe you didn’t count But after all,

00:28:53

out of 20-odd years of work in Soviet

00:28:55

cinema, I was reliably unemployed for about 17

00:28:57

state cinema didn’t want me to

00:29:00

work, everyone hounded me this time and the

00:29:03

last straw There was a scandal in Cannes where

00:29:05

everything was done so that I would not receive an

00:29:07

award; these battles were almost

00:29:09

as many as the masterpieces themselves;

00:29:12

there was always something to dig into;

00:29:19

every time the old era was replaced by a

00:29:22

new one, periodically taking

00:29:25

previously banned films from the shelf with the beginning

00:29:27

perestroika released all the krakens at once,

00:29:29

full director's

00:29:31

versions of films were released on screens,

00:29:33

banned old films began a

00:29:36

new era of weakened censorship that was becoming a thing of the

00:29:38

past, all the topics that the

00:29:40

Soviet government tried to sweep under the

00:29:43

carpet became incredibly popular, it may

00:29:45

not be said very nicely, but you know,

00:29:48

Soviet cinema at that time was looks like a

00:29:51

girl who lived all her life in a

00:29:53

conservative family with strict

00:29:55

rules and then suddenly found herself in the

00:29:57

open world, went to university and

00:29:59

began to live alone, and then she was torn apart by

00:30:02

puritanical morals, bans on images of

00:30:05

violence and sex, which ultimately led to neither

00:30:07

what was planned nor education

00:30:09

moral image of the New

00:30:12

Man, all this led to the fact that as

00:30:14

soon as the censorship slept, Soviet people

00:30:17

ran en masse to look at this

00:30:19

forbidden fruit of sex, violence and other things,

00:30:21

the film My Name is Harlequin with

00:30:24

images of violence and nudity attracted

00:30:26

42 million viewers, the picture Little

00:30:30

Vera with the first erotic scene in

00:30:32

Soviet movie 56 million viewers and

00:30:35

every fifth person in the USSR watched it,

00:30:37

or a film about a foreign exchange prostitute

00:30:40

Interdevochka watched 44 million hits of the

00:30:43

perestroika movie Look what a

00:30:46

miracle the magazine about cinema Soviet Screen found in

00:30:50

1989, issue 6, there’s a very good

00:30:54

illustration here, they usually ask me before the

00:30:57

show What is the film about? If there is sex,

00:30:59

we'll take tickets No, we won't And then the

00:31:02

tape recorder starts up On the street, they sing and dance

00:31:05

But they don't go to the cinema One day I deceived them and

00:31:07

said that there would be sex and the film didn't

00:31:10

turn out to be so they wanted to prop up the wall with me,

00:31:12

very well we had

00:31:14

a little one and Me name is Harlequin, there

00:31:18

were a lot of people even standing in the hall, a

00:31:20

paradoxical thing. But as soon as the

00:31:22

censorship rules fell asleep, Soviet people

00:31:24

went en masse to watch in the cinema what

00:31:27

they had already seen in reality, because

00:31:29

drinking miners in the youth crisis, violence,

00:31:32

prostitution is something that

00:31:34

has always existed in Soviet society, just like

00:31:37

exists now, but this is something that does

00:31:40

n’t seem to have existed all these years, if you

00:31:42

look at the screen, the most popular

00:31:44

genre of films during perestroika is salshin,

00:31:47

everyone started filming on the theme of repression of the

00:31:49

death of ideals, or just outright

00:31:52

black stuff to lure an inexperienced

00:31:54

Soviet viewer, but in their time they

00:31:57

had my jokes in 1985 the

00:32:00

last and most stringent

00:32:03

anti-alcohol campaign begins, again I

00:32:05

recommend the previous video and this

00:32:07

was also reflected in the cinema from old

00:32:09

films they began to mercilessly cut out scenes where

00:32:12

they drank alcohol, because

00:32:14

Propaganda turns out that’s all

00:32:16

Gentlemen, we don’t drink, a new era, a new morality

00:32:19

and the new order from the film Mimino

00:32:22

cut out several scenes at once, for example,

00:32:24

the merry party in the Russia restaurant, the

00:32:27

drunken cries of velor disappeared from the picture Pokrovsky Gates; there

00:32:29

were also pictures that were

00:32:31

lucky to be born during

00:32:33

Prohibition and which had to be

00:32:35

adjusted in the film Love and Doves

00:32:38

on the Pier, a very colorful one should have appeared

00:32:40

a man who was found right

00:32:42

there and was offered to act in a movie and

00:32:45

drink 5 beers Imagine how

00:32:47

surprised and happy he was to me

00:32:49

on the streets they made such offers, but the scene was

00:32:52

cut out of course and in the final film

00:32:55

She wasn’t included, sorry man in the movie

00:32:57

kin-dza-dza alcohol on chacha

00:32:59

turned into vinegar,

00:33:03

this is not wine, this is vinegar. But according to the script, it is

00:33:07

because of its use that the heroes

00:33:09

end up on Alpha instead of the earth in general,

00:33:12

they even drank it along with the

00:33:14

aliens according to the script. Although in these

00:33:17

five short years of perestroika before the

00:33:19

collapse of the Union, the audience was mostly

00:33:21

they watched not domestic cinema, but the

00:33:23

wave of Western films that poured into the country.

00:33:26

Our cinema had little to

00:33:28

oppose Sylvester Stallone,

00:33:30

Jackie Chan or Schwarzenegger, they

00:33:32

were too curious to look at everything Western.

00:33:35

Well, then censorship itself ended, along

00:33:37

with the Soviet Union,

00:33:42

now there is an opinion that Soviet

00:33:46

cinema it was so good and so hot because of

00:33:49

competent censorship, which leaves all the worst from the metal,

00:33:51

leaving only diamonds, but

00:33:54

as you can see, sometimes even cult

00:33:57

folk films did not suit the censors.

00:33:59

Some of them might not have

00:34:01

seen the light of day at all if not for an Accident. Well, what about

00:34:03

an Accident for Stalin? - Khrushchev didn’t

00:34:06

like Brezhnev, something on

00:34:08

the contrary was going on. In general, there is in

00:34:11

all this some kind of scent of the Tsar Boyar, Who

00:34:13

came with a stick, hit him and decided something himself,

00:34:16

and whose word then weighs more than

00:34:18

the ruler of the bad council Or maybe the

00:34:22

author himself had such films which

00:34:25

at one time did not reach the screen

00:34:26

due to the incorrect depiction of

00:34:28

any event, the place of a person

00:34:31

was put on the shelf, the film Intervention with

00:34:33

Vysotsky, filmed on the anniversary of the October

00:34:35

Revolution, showed the revolution in the style of

00:34:37

comedy, civil events and the

00:34:41

Bolshevik struggle for power, told

00:34:43

comically, and that’s exactly what determined the fate of the

00:34:46

film, many banned films

00:34:49

were not oppositional, they did not shout down with

00:34:51

Lenin and so on, for this in general they could have

00:34:54

faced something worse than a

00:34:56

film ban, but they seemed to the censor to be

00:34:59

anti-Soviet simply in their form

00:35:01

because they depicted certain things

00:35:03

differently from the way they should have been depicted and

00:35:06

often This is precisely what could determine a film

00:35:08

as good or bad, and there

00:35:11

were actually plenty of truly bad films in the USSR. This is how a

00:35:16

nostalgic retrospective works, that from the 70

00:35:19

years of the film union, from several thousand

00:35:22

films, a golden set

00:35:24

of 10-15-20 popularly loved films remains in the memory And

00:35:28

about the rest, just No one remembers how

00:35:30

you like the movie Nylon one hundred percent

00:35:33

or maybe Moonlight Rainbow and Chernomorochka

00:35:36

heard something about them, while the appearance of

00:35:38

bad films in no way prevented the appearance of

00:35:41

really good ones, it’s just that

00:35:43

Soviet cinema had a cool film school and

00:35:45

talented directors who were on fire

00:35:47

their own business and worked even in spite of the

00:35:49

censorship apparatus, and the majority of Russian cinema

00:35:51

has neither the talent nor the

00:35:54

desire to create a good picture. So

00:35:56

if anyone has a heart for

00:35:58

Russian cinema, then spare

00:36:01

it, the last thing you can wish for it is that

00:36:04

state censorship somehow

00:36:06

copes with the world cinema creating

00:36:08

masterpieces and without Soviet officials, by giving

00:36:11

such power to some body, the artist

00:36:13

becomes very vulnerable to

00:36:15

the bureaucracy, especially since he used

00:36:17

this power and can

00:36:19

defend any goals in any way he wants.

00:36:29

busti, which

00:36:32

reduces the author's chances of dying of

00:36:34

hunger, I also frantically agitate to go to

00:36:37

telegram for music, texts, pictures

00:36:40

and additional materials on the video in the cart,

00:36:43

very cool, you can’t even

00:36:45

imagine how. And of course, it

00:36:47

would be nice to know what you think about

00:36:49

larger videos, comments all

00:36:53

are being read therefore write call and be

Description:

Цензура в кино - было ли это на благо или же наоборот вредило советским фильмам? В этом видео вы узнаете как именно резали известные советские комедии или фильмы о войне -- Фильм про Инту: youtu.be/1egz05GQPXA (https://www.youtube.com/watch?v=1egz05GQPXA%29%D0%9F%D0%BE%D0%B4%D0%B4%D0%B5%D1%80%D0%B6%D0%B8%D1%82%D0%B5 ребят! -- В телеге много доп контента : https://t.me/PostRussiaTelegram Бусти, чтобы кушать: https://boosty.to/postrussia?from=ema.. -- кадры русских дворов с 35:55 далее с прекрасного канала "вырос в гетто": -- 00:00 О чём ролик? 03:09 “Конечно, цензура нужна” 07:00 Сталин - отец народов, продюсер 15:45 Оттепель 20:50 Битвы за шедевры 29:16 Перестройка сознания 33:41 ...

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How can I download an audio track (music) to MP3 "Цензурные тонкости - как отбирали фильмы в СССР"?

The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

How can I save a frame from a video "Цензурные тонкости - как отбирали фильмы в СССР"?

This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

What's the price of all this stuff?

It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.