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Всем привет, это Долин. Антон Долин.

4:08

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Как Бонд превратился из британского сноба в деловитого мачо. Бондиана как фанфик

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В поисках идеального мужчины: как бондовские сценаристы пытались угнаться за духом времени (и сделать из агента 007 секс-символ)

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Есть такая профессия — наблюдать. Чем бондовские экранизации отличаются от других фильмов про суперагентов?

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Фатальное сходство Крэйга с Путиным (не только внешнее)

28:50

Джеймс Бонд — это Гамлет. Не верите? Антон Долин тут довольно убедителен

38:06

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Женщины в фильмах о Бонде: мы долго не замечали их сексапильности — и этому есть объяснение

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«Не время умирать» — очень неудачный фильм. И кажется, это связано с нынешним политическим кризисом

1:00:05

Бонда заменит женщина? Точно нет. Сценаристы Бонда слишком мизогинны

ЛЕДОКОЛ. Трейлер

ЛЕДОКОЛ. Трейлер

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АСЛАНЯН: ФСБ нашла Джеймса Бонда. Как российские силовики врут про ликвидацию суперагента ГУР

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НЕ ВРЕМЯ УМИРАТЬ - Бонд ливнул или оподливился? Обзоры фильмов из Тик-Тока. Супермен поехал кукухой.

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Как понять «Малхолланд Драйв»? Антон Долин о культовом фильме

Как понять «Малхолланд Драйв»? Антон Долин о культовом фильме

Channel: Радио Долин

007

казино рояль

долин

бонд

джеймс бонд

доктор зло

бондиана

трейлер

тизер

джеймс бонд трейлер

джеймс бонд тизер

шпионаж

фильм про шпиона

кинообзор

обзор на кино

бэдкомедиан

евгенбажен

евгений баженов

bad comedian

anoir

ануар

кинокритик

ностальгирующий критик

баунов

виленская

аронсон

билли айлиш

адель

агент 007

бонд смотреть

пирс броснан

дэниел крейг

долин ургант

дюна

холодная война

девушки бонда

леа сейду

ева грин

саундтрек к бонду

спектр

скайфол

00:00:00

[music]

00:00:18

[music]

00:00:27

hello everyone, this is Anton Dolin and radio

00:00:30

Dolen

00:00:32

[music]

00:00:38

but [applause]

00:00:42

this special issue we are grateful

00:00:46

to you for the increased attention to our

00:00:48

special issue about the film Dune and

00:00:51

we decided to prepare for you another one

00:00:54

dedicated probably and only to the expected

00:00:58

film but also one of the main franchises of

00:01:01

world cinema in history

00:01:04

we are talking about James Bond agent 007 and the

00:01:08

film No Time to Die one of the most

00:01:13

anticipated and at the same time discussing their

00:01:16

series in the cinema of recent years

00:01:20

becoming outdated at the same time not aging

00:01:22

constantly dying and at the same time,

00:01:25

we don’t know whether he’s immortal or not,

00:01:27

and we’ll try to answer this question in this issue. The

00:01:31

conditional title would be his funeral for

00:01:34

James Bond,

00:01:36

that is, it’s not about the fact that we are sure

00:01:40

that the immortal spy is finally

00:01:43

protected by the death of the brave or simply will die of

00:01:45

old age, but we know for sure that many of the

00:01:49

most important features of James Bond without

00:01:52

which it is impossible to imagine him

00:01:54

from his political function, I give

00:01:57

relationships with women, all this is

00:01:59

hopelessly outdated and very risky

00:02:02

and looks strange in today’s world, no matter

00:02:04

how traditionally conservative you were in it there

00:02:09

will soon be a shortage of possible spectators, but even if

00:02:13

Bond reforms, will he be able to survive

00:02:16

and remain himself, and what does the

00:02:18

DNA of James Bond actually say, as well as

00:02:21

films about James Bond, as well as books about

00:02:24

James Bond, all of this we, as always, at a

00:02:27

fast pace, but we’ll try to find out in

00:02:31

this time, in addition, we just know that

00:02:33

this particular bond, performed by

00:02:36

Daniel Craig,

00:02:37

will appear on the screen for the last time in the

00:02:40

next race, if he appears it will be

00:02:42

completely different,

00:02:44

so we can bury this

00:02:47

particular bond and, as is often the case

00:02:49

with spies, maybe this death will be

00:02:51

temporary, maybe maybe this death will be

00:02:53

fake and it will help him to be reborn

00:02:56

from the ashes, well, or not, today we are

00:03:00

in the library of foreign literature,

00:03:02

this is one of the most important cultural places in

00:03:06

Moscow and the

00:03:07

place is not accidental, it’s not only

00:03:10

that the library is celebrating its 100th anniversary

00:03:13

this year, not only The fact is that it was

00:03:16

and remains the largest

00:03:18

repository of literary foreign

00:03:21

languages in Russia, but the fact is that

00:03:24

once it was the only place where you

00:03:27

could read

00:03:28

forbidden, semi-forbidden secret

00:03:31

texts not translated into Russian,

00:03:34

including, of course, Yen texts

00:03:36

Flemming, the creator of James Bond, and

00:03:39

partly even the prototype of his character,

00:03:42

and now that

00:03:45

Flemming’s yen is almost gone from Bond,

00:03:48

he’s all worn out about this,

00:03:50

maybe we’ll still have time to talk about this, this is the

00:03:53

time to return to

00:03:56

the basics and look into the future life of

00:03:59

this character

00:04:02

[music]

00:04:09

I I think that the movie was simply doomed to

00:04:13

include its own multi-universe, such a

00:04:15

genre as a spy film because what a

00:04:18

spy is is a person who

00:04:22

looks out of the shadows and

00:04:26

at the same time tries to remain invisible

00:04:30

invisible, that is, he is a professional

00:04:33

voyeur, a

00:04:35

professional peeping tom, what

00:04:37

is a moviegoer, this is a person who

00:04:40

sits in warm hall or even at home

00:04:43

on the sofa in front of the TV but in complete

00:04:48

almost anonymity, spying on

00:04:51

someone else's life and at the same time remaining

00:04:54

invisible, but the genres themselves, it seems to me,

00:04:57

can be fully attributed to the merits of the great

00:05:02

German

00:05:03

expressionist director Fritz Lang in

00:05:08

1928, he directed a film that

00:05:11

was called a spy and it was in the era of the so-

00:05:15

called gamer republic when the

00:05:18

German nation was immersed in a

00:05:21

state of such hopelessness, apathy,

00:05:25

depression after

00:05:27

losing the First World War, and

00:05:30

this film was imbued with these

00:05:32

sentiments and the main character was just

00:05:36

such a person

00:05:38

peeping in and remaining

00:05:42

unnoticed because he all the time

00:05:46

he was under a mask, as befits a

00:05:50

real spy of spies, this is called

00:05:53

a cover to be under cover,

00:05:57

this spy had two masks at once, he

00:06:00

worked as a director of a bank and at the same time as a

00:06:05

clown in a circus, that is, here

00:06:08

his two sides are simply ideally

00:06:10

presented, that is, this it turns out

00:06:14

such a

00:06:15

rational calculator and at the same time a

00:06:18

buffoon buffoon who makes fun of those

00:06:22

around him who ridicule the

00:06:26

situation itself, and it seems to me that this canon

00:06:30

was completely mastered by

00:06:32

Alfred Hitchcock,

00:06:34

who highly appreciated Fritz Lang,

00:06:37

but it must be said that his quite

00:06:42

numerous spy films

00:06:45

differed from each other depending on

00:06:47

from the historical situation, first of all,

00:06:51

I’ll name a picture like the

00:06:53

saboteur, which was filmed in

00:06:56

1942, that is, during the Second World

00:06:59

War, here the

00:07:01

director seemed to be guided by the idea

00:07:06

that for a person who is an

00:07:09

enemy of your nation, there

00:07:12

cannot be forgiveness and retribution is

00:07:17

inevitable,

00:07:19

but people who carry it out

00:07:21

must remain inviolable,

00:07:24

this is actually what was done in

00:07:28

this film, and the main character,

00:07:30

by the way, is the owner of a cinema and

00:07:34

take it overtakes him in the cinema in the

00:07:37

cinema when his

00:07:39

own wife shoots at him, he has

00:07:42

a gun and because he absolutely

00:07:45

calmly and shamelessly sent

00:07:48

almost to the certain death of her brother and

00:07:51

now she is carrying out this

00:07:55

retribution, but the shot falls at the

00:07:58

moment when an explosion is heard on the screen in the hall,

00:08:00

so no one

00:08:04

managed to detect this crime and the crimes remain

00:08:07

unsolved,

00:08:09

well, after the Second World War, a

00:08:12

rather difficult period began,

00:08:15

firstly, paranoia associated with this with the threat of

00:08:18

nuclear war, such

00:08:21

films as say kiss me at the gathering appeared, where

00:08:23

even a nuclear suitcase appears, but

00:08:27

at the same time

00:08:32

a series of books by Ian Fleming appeared, a

00:08:35

British writer who had experience

00:08:41

in intelligence and, in addition, he worked

00:08:46

outside the country and in the colonies and Now the

00:08:49

Second World War was the end of the Second

00:08:52

World War and, by the way, marked the

00:08:54

collapse of the British Empire, as a result of

00:08:57

which

00:08:58

numerous former veterans of the troops

00:09:02

who served in India and Pakistan

00:09:05

returned home with a feeling of emptiness,

00:09:08

loss

00:09:11

of restlessness, and these sentiments were very

00:09:14

well understood by Ian Fleming himself, and that’s

00:09:17

how to console them, he created such an image of

00:09:19

James Bond as a

00:09:21

real knight without fear or reproach

00:09:24

who could stand up for his motherland and

00:09:29

defend its dignity; in the film,

00:09:32

quite late,

00:09:35

the coordinates of Skyfall m performed by Judi

00:09:39

Dench and the wounded woman lies in the arms of James

00:09:43

Bond played by Daniel Craig and

00:09:47

this episode itself is a

00:09:50

repetition of the

00:09:52

well-known plot of the slab, that is, Christ

00:09:56

lies in the arms of his mother,

00:09:59

but this is an inverted image and it means

00:10:03

that as long as the motherland is

00:10:06

in the arms of such a person,

00:10:08

nothing threatens her, she will live, she

00:10:11

will prosper, she will be healthy

00:10:15

[ music]

00:10:21

in my life I had the good fortune

00:10:23

to talk with real spies several times;

00:10:25

it’s funny that many of them were

00:10:28

engaged in literary work in one way or

00:10:30

another, and

00:10:32

one of them, since we

00:10:34

were in very close literary

00:10:37

relations at the moment, I asked him, will he say if we

00:10:40

came out like this,

00:10:42

tell me frankly what is the most difficult thing in the work I don’t

00:10:45

know is to notice everything or

00:10:49

systematize a huge amount of

00:10:51

information to speak in five languages

00:10:54

the spy with whom I communicated actually

00:10:57

worked in Asia and for him it was

00:11:00

quite important, he instantly turned gray in

00:11:04

his face and said the most difficult thing is that the

00:11:08

timo cabin is being preserved for a decade you are not

00:11:10

you know, will it end like I'm not a

00:11:13

spy, work consists

00:11:17

mainly of nothing and failures and a strict

00:11:21

creature if we look at the

00:11:24

literary bond, he is not so far

00:11:28

removed from, say, Soviet spies, that's

00:11:31

where you know the spies and counterintelligence officers of the

00:11:35

dead season cinematic bonds

00:11:37

with this tediousness tore he

00:11:42

embodied not only what the author wanted to write, but

00:11:45

what the audience wanted to read, read and see,

00:11:49

firstly, he of course

00:11:52

commands the world, he is an absolutely global

00:11:56

figure, deeply rooted British, and

00:12:00

secondly, he

00:12:03

demonstrates this British culture and

00:12:06

model sample, note

00:12:10

why cinematic under the city is

00:12:13

so much more interesting than

00:12:15

literature because when Flemming

00:12:20

tries to describe everything that is in Bont

00:12:23

is actually the essence of British sti

00:12:26

his suit and his

00:12:29

cocktails

00:12:30

it looks terrible for well the

00:12:34

famous Bond cocktails please

00:12:37

take 3 shares of gin mix everything

00:12:40

until it becomes very very

00:12:42

cold serve in a tall champagne glass,

00:12:45

lower it into it when it is already

00:12:48

completely cold, take it and fill

00:12:49

the glass, lower a thin slice of orange into it,

00:12:52

please note that as

00:12:54

it became either hill or

00:12:58

cinematic, yes, this tediousness

00:13:01

completely just completely disappeared, yes

00:13:04

this

00:13:06

mixing a martini and not shaking it is a completely

00:13:09

different cocktail, that is, the bond

00:13:12

that Fleming composes is the report of an

00:13:15

outstanding and such, I would say,

00:13:16

conqueror of tediousness, which

00:13:19

is certainly also an important part of British

00:13:21

culture, it is impossible to imagine

00:13:23

British culture without this

00:13:24

idea, this interest in little things and with the

00:13:28

readiness to little things go into as much

00:13:30

detail as you like and

00:13:32

of course without the

00:13:34

culture of strong alcohol as long as the

00:13:37

flemming account describes the words it doesn’t

00:13:40

work out

00:13:42

rather a cute bore as soon as all this

00:13:45

stepped into the cinema where I will no longer

00:13:48

need to explain anything, it

00:13:50

was enough to snap my fingers,

00:13:53

suddenly it turned out that it was exactly what I

00:13:58

liked in the gang the

00:14:00

intelligence officer of both countries in the books, they

00:14:03

like precisely the fact that it is very

00:14:05

authentic eshki in the movies, of course, there was

00:14:09

no trace left of him and the movie erased everything that

00:14:12

Bond did, a real spy, it seems to me

00:14:16

that this is how one of the few

00:14:19

literary heroes overcame the problem of

00:14:22

authorship after I the prisoner

00:14:24

died two more writers, the

00:14:27

copyright holders ordered a continuation

00:14:30

about Bond and these continuations

00:14:33

are single, and there are a lot of novels, it is clear

00:14:37

that they are becoming simpler and simpler,

00:14:40

predictable and predictable, all the

00:14:42

monotony from the splashes, well, this is because

00:14:47

Bond is a very strong figure, but not the fund

00:14:52

that wrote Flemming this an

00:14:55

amazing story about how the character

00:14:57

escaped from the author, here are

00:15:00

great comments:

00:15:02

at some point he was very tired of Sherlock

00:15:05

Holmes and even killed him, but the reader’s

00:15:08

demand to return

00:15:10

Holmes to circulation forced him to

00:15:14

start writing about the sun again, of course they wrote a

00:15:17

sequel, and mostly today we would

00:15:20

call this literary activity

00:15:22

of the pirate, with a bow, similar stories happened

00:15:29

and

00:15:30

[music]

00:15:34

Diana was born from several drops about the

00:15:38

qualities of the ideal hero of a man, this is

00:15:41

one man army and that is, a man who

00:15:44

can scatter a whole platoon there and on the

00:15:47

other hand, leiden Maine, that is, a

00:15:49

man who expresses himself can so to

00:15:52

speak, through relationships with women and in

00:15:55

the case of Bond, this is such bravado and all his

00:15:59

victories on the women’s front are such

00:16:03

beads, from them

00:16:06

Fleming collects his achievements, described the

00:16:09

great generation of people who

00:16:11

really fought and

00:16:13

who believed in their ability to be in the

00:16:16

center of Komi and create miracles, but

00:16:20

in the late 60s, this faith began

00:16:24

to weaken and the generation changed, and

00:16:27

therefore Bond could become outdated very quickly,

00:16:30

in fact, only Sean Connery was

00:16:33

this

00:16:34

representative of Fleming’s every idea and

00:16:37

he had, of course, such charisma, a killer,

00:16:41

precisely the charisma of a predator, very tough

00:16:44

which it gave me the feeling that

00:16:47

it was pleasant to look at, but it was

00:16:49

better not to cross paths, and only then quite

00:16:52

quickly it was necessary to change something somehow

00:16:54

because at the end of 6.6

00:16:56

there was disappointment in

00:16:59

some militaristic actions in the

00:17:02

Vietnam War in particular, but on the other

00:17:04

hand the cold war, which was the

00:17:07

main supplier of history for bond,

00:17:09

it had already dragged on and began to be

00:17:11

perceived

00:17:13

with irritation, Roger Moore's man,

00:17:17

he was even more sexist, he was even more racist,

00:17:21

although they tried to flirt with new

00:17:23

ideas, he also had a black girlfriend,

00:17:25

but it was all absolute ketchup then

00:17:28

there is an old type, that is, it’s like

00:17:30

Don Draper

00:17:31

parties in Harlem, a

00:17:35

strange story, and it’s all

00:17:39

about how old ideas look strange

00:17:42

in the new time, but also time, you

00:17:44

actually changed quite slowly

00:17:47

because by that time you were kitsch and

00:17:50

Superman Roger Moore ended with Brock

00:17:55

or turned to Timothy Dalton as a

00:17:57

person who could show

00:17:59

Bond suffering and Bond alive and he

00:18:02

agreed to it before he didn’t

00:18:03

agree and it

00:18:06

turned out well, but people did

00:18:08

n’t appreciate his bond at all, failed Timothy

00:18:11

Dalton was enough just wasn’t enough time

00:18:14

because it was the time of action movies of

00:18:18

tough guys pumped up by Arnold

00:18:20

Schwarzenegger he became and they on the one

00:18:23

hand were men of a completely different

00:18:26

predatory nature than the guys from the

00:18:29

time of Sean Connery but on the other hand

00:18:31

they were

00:18:33

visually much more massive they

00:18:37

had other goals and

00:18:39

these were guys from the people and not some

00:18:41

defended their simple truth, and Bond is,

00:18:44

first of all, an aristocrats, a person

00:18:47

who rightfully considers himself superior to

00:18:50

the rest, he has a license to

00:18:52

kill, that is, no one can

00:18:53

kill, but he can, this is a completely

00:18:56

different story and therefore Pierce Brosnan appeared,

00:18:59

this is such a compromise, a very evasive

00:19:03

bond, this is such a muscularity that

00:19:07

carefully observes the new world where there are

00:19:09

no gentlemen from the KGB with whom

00:19:12

you can grind and some kind of

00:19:14

wild, deep banditry is happening around him,

00:19:16

as if he has to fight with the whole world

00:19:18

and with whom exactly who is his who is a stranger

00:19:21

everyone looks at this attentively but at the

00:19:23

same time says but I’m for the good old world I

00:19:26

’ll drink a cup of tea I’m very

00:19:28

ironic I still think that there’s a

00:19:30

place for me in this world because I

00:19:33

stand for what I have and that is it was such an

00:19:37

expectant muscularity, but at the end of

00:19:39

Pierce Brosnan, it was

00:19:41

n’t now clear to the film Marina

00:19:43

that everything was with anticipation and that’s why

00:19:47

they looked for Bond so carefully after that

00:19:49

and, in my opinion, they decided very coolly with

00:19:53

the casting because Daniel Craig is

00:19:55

really, on the one hand,

00:19:58

a little bit of Timothy Dalton because that this is

00:20:00

Bon suffering on the other hand, he

00:20:03

closes the entire line, they return to Sean

00:20:05

Connery because he also has charisma, the

00:20:07

main thing is not beauty, not aristocracy,

00:20:10

it is

00:20:11

internal animal strength, but he has a

00:20:14

completely different relationship with this force,

00:20:17

that is, he has the instinct of a white shark,

00:20:20

he knows that there is a man who

00:20:22

knows about himself what it is to be a Daesh man,

00:20:25

to have this testosterone nova demon

00:20:27

inside, but at the same time he builds a

00:20:30

much more complex relationship with him;

00:20:31

if Conry served to kill in order to

00:20:34

have the right to have fun, then Craig,

00:20:38

on the contrary, kills in order to serve

00:20:41

or for him this service is a burden

00:20:45

[music]

00:20:52

in the 10s this film was released in 2011 by

00:20:58

Thomas Alfred Price Spy Get Out based on the

00:21:02

novel by

00:21:03

doctors the novel was 7 4 years old but it

00:21:08

turned out to be very relevant and this

00:21:10

film shows the routine work of

00:21:13

modern intelligence, that is, there is no

00:21:16

we don’t see here such

00:21:18

wonderful outstanding single heroes,

00:21:22

these knights without fear and reproach, we

00:21:24

see the daily paper work in

00:21:28

which these people in gray

00:21:30

suits are buried and we see another very

00:21:33

important thing, so to speak, a

00:21:35

classic bond of such a spy, the

00:21:39

feeling was very important partnerships,

00:21:41

after all, these are partnerships of

00:21:44

spies, they seemed to feel like

00:21:47

some kind of united consolidated masses

00:21:50

could rely on each other, and here we

00:21:52

see that no one trusts anyone

00:21:54

because you can’t trust anyone, and here’s

00:21:58

another film from

00:22:00

2015 that was filmed

00:22:03

unexpectedly on my opinion Steven Spielberg

00:22:05

and which was called Bridge of Spies the

00:22:09

history of this film is

00:22:11

based on the real events of the

00:22:14

exchange of the Soviet intelligence officer Rudolf

00:22:17

Abel for the American pilot pilot

00:22:22

Powers, who in 1960 flew

00:22:26

through almost half of the Soviet Union from

00:22:29

the east to the Urals until he was shot down and there

00:22:33

you go America decided to exchange him to

00:22:36

just help him out and

00:22:39

as a result of all sorts of negotiations it

00:22:41

was decided to exchange him for the

00:22:44

Soviet spy

00:22:46

Rudolf Abel, who is dealing with

00:22:50

all the complexities of this case, an ordinary

00:22:55

lawyer whose profession is essentially

00:22:58

insurance zilla, he is played by Tom Hanks

00:23:03

and so he begins to communicate with his

00:23:07

client

00:23:08

that is, this same Russian spy

00:23:11

is imbued with purely human feelings for him

00:23:14

because his feelings see him as a

00:23:17

person, first of all, not as an enemy, but as a

00:23:19

person, and this is just very important,

00:23:22

this is very significant, in fact,

00:23:25

this same Abel was an artist, he even

00:23:29

entered the Vkhutemas but I’m not asking, but

00:23:31

nevertheless he has been drawing all his life and he is known

00:23:33

for

00:23:35

creating a portrait of John Kennedy, which

00:23:38

they say hangs in the oval hall, but in

00:23:40

the film he draws a portrait of his lawyer,

00:23:43

gratitude for what he did for him,

00:23:45

gratitude not even for the fact that

00:23:48

he helped him to free himself and for the fact that he

00:23:50

felt that he was a person in him, I

00:23:53

think this is very important, what does it mean that

00:23:55

spies from this function from pure

00:23:58

functionality turn into ordinary

00:24:00

people and when we hear the film of the latest

00:24:05

Bond scam, the new Bond film,

00:24:08

when Ralph Fiennes already speaks with his lips

00:24:13

Bond, you are useless, then

00:24:17

I want to think that

00:24:20

such a classic spy is useless and a person is needed,

00:24:24

but as for the role of spies in general, of

00:24:27

course they have now moved,

00:24:29

mainly found her computer

00:24:31

scientists, IT specialists, and they will be the real and

00:24:35

main characters of spy films

00:24:38

[music]

00:24:45

when we came out from the Aurora cinema,

00:24:47

tell me dad can look at this face

00:24:49

because it looks like Putin and

00:24:51

Daniel Craig’s resemblance to Vladimir

00:24:53

Vladimirovich, and it’s not only external,

00:24:55

but this similarity has been emphasized by many

00:24:57

critics, it really seems to me to be the

00:24:58

case, this is precisely the habitus, yes

00:25:02

this is

00:25:03

the mode of behavior.

00:25:06

this one of his, it’s like he’s constantly digging into himself,

00:25:10

you have him, yes, he’s some kind of

00:25:13

murky bond, that is, after Skyfall, and I

00:25:17

see him with completely different eyes,

00:25:20

for me he’s already aging, such a product

00:25:21

of postmodernism, before such Samara, fixing

00:25:24

him, to be honest, he should be running on the rooftops there I

00:25:27

would like to see a therapist on the couch for a couple

00:25:29

of years, yes, that is, this is this image

00:25:32

of vulnerable masculinity, yes, he is like that,

00:25:37

in principle, we don’t need all this anymore, he has this

00:25:39

hedonism completely gone from him

00:25:42

and all that remains is some kind of

00:25:44

trauma, a child’s skyfall, a

00:25:46

child’s appears trauma to remove and what but there

00:25:48

in some of his luggage there are some

00:25:51

terrible events in childhood and so on

00:25:54

but in the casino royale we have not yet seen him with

00:25:56

such eyes and he really was

00:25:58

like that

00:26:00

[music]

00:26:03

vulnerable couples exactly yes there’s no other way

00:26:06

to say it,

00:26:07

that is, not the

00:26:09

arrogance of Pierce Brosnan, not the

00:26:12

cheerfulness of Sean Connery, and not

00:26:15

this foxy

00:26:18

sexuality of Roger Moore, there was

00:26:22

no smell of it

00:26:24

[music]

00:26:30

at first it was a very naive film, so to speak,

00:26:33

that everything that

00:26:35

happened in the frame, yes this so very

00:26:36

happy with naive espionage but

00:26:40

using visual effects there were

00:26:42

almost all the edges were minimal with the

00:26:44

exception of such rare films

00:26:45

like the wise kir was all the time before

00:26:47

when a little well took off from a rocket gives

00:26:50

the use of miniatures there before combining

00:26:52

filming and so on interesting development has

00:26:54

already happened already when the last

00:26:58

film is closer, but because thanks to the year

00:27:01

Bor was born and all the origins can be seen that they come

00:27:05

from Bond, but the board is a very realistic genre,

00:27:08

yes, this is a film about the same person,

00:27:10

there is no such hero-lover before which in

00:27:13

costumes about dida a very brutal

00:27:15

killer and

00:27:18

the appearance has already the new Bond of Daniel

00:27:20

Craig, it is clear that how to say these types

00:27:23

they have already begun to take the collection on, too, in

00:27:26

a sense, I’m passing through,

00:27:28

such a mixture began to occur and visual

00:27:30

effects already play a very big role in the gods,

00:27:33

but at the same time they are not noticeable and there is a

00:27:36

huge amount of visual effects

00:27:37

in each and the Bond race right here,

00:27:40

starting from Casino Royale,

00:27:42

this is all about the fans, this is all about the

00:27:45

stunts, yes, this is all about the

00:27:47

stunts, or there are chases or fights,

00:27:51

or there are fights on the roofs somewhere, this is

00:27:54

always finishing the drawing of the fans, finishing the height

00:27:56

to this is, but at the same time, a very important point is

00:28:00

that it’s all done so that it’s as if it’s

00:28:03

happening in reality, my personal

00:28:05

observation until the last bon ton, it

00:28:07

strives towards such a realistic

00:28:09

drama, even though

00:28:11

leaving all all these elements, so to

00:28:14

speak, of the original bon dodo when it’s all

00:28:16

very beautiful, it’s all rich people, it’s

00:28:18

some kind of [ __ ], it’s big villains,

00:28:22

but at the same time, we still begin to

00:28:24

see that if before Bond was more

00:28:26

of a character, let’s say, well, caricatures, yes,

00:28:28

probably in some sense,

00:28:30

but now it’s already he is more dramatic,

00:28:33

and therefore everything regarding computer

00:28:35

graphics and visual effects, it is designed

00:28:38

not to stick out in his films, but to show

00:28:40

that all this more or less happens in

00:28:42

reality

00:28:44

[music]

00:28:50

I once really loved Ian

00:28:53

Fleming’s books, James Bond, I liked anime

00:28:55

more than movies, I tried to formulate for myself

00:28:57

why these books

00:28:59

are probably a little bit of a time capsule and this

00:29:02

capsule

00:29:03

the filmmakers continue to revive

00:29:06

Bond, give him new flesh, build

00:29:09

him into a new context, they stretched this

00:29:11

capsule and it’s just impossible and

00:29:14

constantly watch movies 47 question

00:29:17

when will all this end and it seems to me

00:29:20

of course not the end, but to some conditional

00:29:23

results and at the same time the antithesis of the whole

00:29:26

gang, they became two films that

00:29:29

Sam Mendes made, these are films coordinates

00:29:32

Skyfall and Spectrum, two completely

00:29:35

unusual films that I must

00:29:38

admit are my favorite

00:29:40

films of the gang, she even watched it with some

00:29:44

gloating or something on the

00:29:47

box office figure and saw that the film coordinates

00:29:50

Skyfall, the most un-Bondar Bond, became the

00:29:53

highest-grossing in history, I must

00:29:56

say that if you look not

00:29:58

only at who played the role of Bond, who

00:30:00

managed the villains, who said Bond girl,

00:30:03

look at the name of the director, you

00:30:05

will see that among the wonderful

00:30:07

there are no masters who worked on the franchise, there are no

00:30:09

geniuses, there are no directors who

00:30:12

were seriously noted somewhere at international

00:30:15

festivals or even at the Oscars, and Sam

00:30:17

Mendes in this sense is very

00:30:19

different from them, this is a person who,

00:30:21

as we all know, participates in competitions at

00:30:24

various festivals and

00:30:26

than the beginning of his film career was

00:30:29

marked by a heap of Oscars, including an Oscar for the

00:30:32

best film of the year for the film American Beauty,

00:30:35

also a director existing on the border of

00:30:38

America and his native England, he is also a

00:30:41

director from the theater, he became famous

00:30:43

initially for the theater, and that’s why he took

00:30:46

on such a franchise Well, of course, from the side of

00:30:49

such a simple story, a person needs to

00:30:51

earn money,

00:30:52

but behind this, without anything else, in any

00:30:55

case, we see that the rebellion has become different and

00:30:59

this is connected, including I started with

00:31:02

Fleming’s book, this is connected with the fact that

00:31:04

Fleming’s books have run out, not only the books have run out

00:31:06

with specific plots, names,

00:31:09

but even some motives of some books

00:31:12

that were present in these films,

00:31:14

they were exhausted, the coordinates of Skyfall is an

00:31:18

absolute complete fantasy, and this

00:31:21

fantasy was invented by

00:31:25

Sam Mendes together with a team of

00:31:27

screenwriters, including John Logan, and

00:31:29

also an interesting film playwright who

00:31:32

in particular, together with Ralph Fine, he

00:31:34

was there both as an actor and as a director, he did it for

00:31:37

Realon, transferring the

00:31:41

famous tragedy of Shakespeare to today's realities,

00:31:43

Sam Mendes, as probably everyone or almost

00:31:46

everyone knows, also works with

00:31:48

Shakespearean material many times, he is actually

00:31:50

famous as a Shakespearean theater

00:31:52

director, so I have my own

00:31:54

conspiracy theory

00:31:56

why skyfall is so good and the spectrum is a little worse

00:31:59

but they add up to a very

00:32:01

organic duology why this is a different

00:32:04

bond it seems to me that

00:32:07

sam mendes staged shakespearean and

00:32:11

comedies and tragedies did not stage on stage

00:32:15

if i don’t confuse anything with hamlet

00:32:17

made his hamlet james bond and

00:32:20

james bond Hamlet now this slightly

00:32:23

conspiratorial or crazy

00:32:25

critical theory I would like to

00:32:27

confirm with several details in general

00:32:29

who is Daniel Craig's James Bond

00:32:33

this is a different character this is a different person I

00:32:36

would even say than the previous Bonds for

00:32:39

example casino royale the first film in

00:32:42

which he appeared made not by Mendoza

00:32:44

begins with scenes of cruel, very

00:32:46

naturalistic depiction of murder,

00:32:48

in general, the numbers 007 indicate the agent’s right

00:32:51

to kill, this is a license to kill, that

00:32:54

was the name of one of the bard’s films, and

00:32:56

this is a murder that any previous

00:33:00

bond would have shrugged his shoulders and, for some reason,

00:33:02

it

00:33:05

begins to put a heavy burden

00:33:07

on the shoulders of this bond is a bond of the 21st century, he

00:33:11

cannot just kill and move on

00:33:14

Hamlet, as we know, is also a murderer, a

00:33:16

multiple murderer, including a murderer

00:33:18

involuntarily, this is a person who I am

00:33:23

absolutely selfish, fixated on myself,

00:33:25

who are in constant non-

00:33:27

stop reflection and who

00:33:30

exist in the circle of their own the castle and his

00:33:32

family are more important to him than fate

00:33:35

in fact the kingdom could

00:33:37

the kingdom be more stable steam

00:33:39

Claudius the rule everything would be ok

00:33:40

karosh he is bad there no matter and it

00:33:44

seems to me that skyfall and spectrum is the story of

00:33:48

special agent hamlet he is in constant

00:33:52

reflex with him set by his

00:33:56

seemingly iron nerves and at some point he

00:33:59

returns to his ancestral castle like a

00:34:01

policeman returning Hamlet this is the castle

00:34:03

actually the Skyfall estate

00:34:05

Scotland well when Scotland reminds us more

00:34:08

of Macbeth but it doesn’t

00:34:10

matter it’s clear that we all

00:34:12

imagine this very Denmark Shakespeare, too, like

00:34:15

ancient England, who is she here,

00:34:18

played by Judi Dench, by the way,

00:34:20

Shakespearean actress very often

00:34:22

played queens, we even see her on

00:34:24

Skype, at some point she

00:34:26

turns into the Queen of England, there is

00:34:29

such a special video virus that is

00:34:32

launched by the anti-hero terrorist, she is

00:34:36

the queen and m this is the mother, of course she is a

00:34:38

symbolic mother who raised her as a subject and of

00:34:41

course he is her beloved son who

00:34:45

feels disloyalty and betrayal on her part

00:34:49

who is his

00:34:52

main opponent appearing on the

00:34:54

spectrum of course he is both uncle

00:34:58

and

00:34:59

uncle killer and father because the spectrum is

00:35:03

called that by the organization this is a ghost

00:35:04

this is the shadow of Hamlet's father and when we see

00:35:07

the beginning of the spectrum in which the day of the dead

00:35:10

Bond answers walking through Mexico City this is the

00:35:13

existence of Hamlet among the endless

00:35:15

lawyers in that cemetery where Hamlet

00:35:18

met the gravediggers,

00:35:21

the character Silva the terrorist is very interesting,

00:35:23

played by Javier Bardem, this is a wonderful

00:35:27

character and -in his own way, this is a very bright

00:35:30

anti-bond, this is his brother by profession and he

00:35:34

enters into a mortal duel with him,

00:35:35

also associated with poisons, and of course this is

00:35:39

Laertes, and also the

00:35:42

food played by Elias appears, madeleine swan may be the most

00:35:45

unusual unexpectedly of the bond girls,

00:35:48

she is on the spectrum and

00:35:51

this is Ophelia, it’s even clear why her father is the

00:35:55

pale king, that’s what they call him in general,

00:35:57

the theme of these kings is always present

00:35:59

in these two Bond films, this is Mr.

00:36:03

white, who,

00:36:06

of course, is not directly killed by

00:36:09

Bond, Bond is present at his

00:36:12

death,

00:36:13

she is Madeleine Swan, she immerses Bond, we

00:36:18

see him several times in this film, she

00:36:20

plunges into the water, as if instead of a scam,

00:36:22

he drowns and this is the depth to which he

00:36:25

goes, this depth of his memories of his

00:36:28

past and his subconscious,

00:36:31

after all, the name Madeleine with one she refers to

00:36:34

another literary legend, no longer

00:36:36

Hamlet, but to Marcel Proust Suan, this is

00:36:40

direction to the war is the name of the

00:36:42

first book from the search for lost

00:36:44

time madeleine the name of the heroine is the name of the

00:36:47

madeleine cookie which evokes in the author

00:36:50

and the hero Proust of sky epic memories

00:36:54

of childhood precisely in this childhood when we first

00:36:56

learn about Shakespeare's plots and

00:36:58

Bond fails in a

00:37:00

brilliant denouement skyfall coordinates and

00:37:04

of course it is no coincidence that Albert Finney returns to us in the

00:37:06

castle at the door there, this is the

00:37:09

famous British artist who was a

00:37:12

Shakespearean artist primarily for the

00:37:14

whole people and considered his successor

00:37:17

Lawrence Olivier who was the most

00:37:19

famous British Hamlet played

00:37:22

Hamlet and more than once Ralph Fiennes who

00:37:24

appears in the role such a calm

00:37:26

other such Horace on the reason for bond

00:37:30

when his mother his Gertrude dies from

00:37:34

this tragic story there is a way out and

00:37:37

this is an unexpected happy and finally spectrum

00:37:39

I hope that this is not a spoiler for anyone today

00:37:41

because everyone has already seen these films

00:37:43

he refuses to commit the

00:37:46

murders of his the main enemy

00:37:48

played by Christophe with his finger and

00:37:52

this moment of forgiveness also has a prototype

00:37:55

in Shakespeare's tragedy, the

00:37:58

very moment when Hamlet wants to

00:38:00

kill Claudius, but seeing that he

00:38:03

is turning to heaven at that moment, they decide to

00:38:06

hold back their hand and not commit this

00:38:08

murder, this is not committing murder,

00:38:10

this is the finale after which Bond goes beyond the

00:38:14

Bond film, he ceases to be an agent,

00:38:17

he leaves intelligence, he went many times

00:38:19

against his will, now he finally

00:38:21

gives up this weapon, and in general,

00:38:25

Bond, like Hamlet, is tied to his name,

00:38:28

unlike other spies who

00:38:29

would hide he always says who Bond is

00:38:32

James Bond, he introduces himself and it

00:38:35

seems to me that in Hamlet of Skadi Lemmy to be

00:38:38

or not to be the finale of the film spectrum James

00:38:42

Bond chooses not to be not to be

00:38:44

Bond anymore so when we hear that everyone

00:38:47

is outraged that in the new film a

00:38:49

black actress will be an agent 007 this

00:38:52

is a moment of real triumph for this

00:38:55

Hamlet Bond, who can finally

00:38:58

stop being himself

00:39:00

[music]

00:39:06

in the 90s there was such an observation, such

00:39:10

reasoning that the NATO bloc was looking for its

00:39:13

new identity; in fact, there

00:39:15

were problems with identity;

00:39:18

his opponent fell apart; it was a pity to fall apart,

00:39:20

but together with NATO,

00:39:23

not only the military bloc itself, led by the United States, was looking for a new

00:39:27

identity, the rock epic of James Bond,

00:39:30

because James Bond’s opponent also

00:39:33

disappeared during this time, a

00:39:35

number of new opponents were tried,

00:39:37

but we won’t list them, well,

00:39:39

Islamist terrorists and mad scientists with meat and

00:39:43

obvious anti-heroes and now we have come to the

00:39:47

moment when it seems we are talking about a

00:39:50

new Cold War, a hybrid war,

00:39:52

Russia is again the enemy of the West, but the current

00:39:56

Bond, in a sense, follows rather

00:39:58

the tradition of not the blond Diana of the Cold War

00:40:01

as we understand it, but we understand, well, they did

00:40:04

n’t show it to us, so there is no

00:40:06

Soviet Union in Russia to the person

00:40:07

who saw it, but nevertheless, this is not a

00:40:10

tradition of the cold, but rather, it’s still a

00:40:12

tradition of the nineties when it’s hard for you to

00:40:16

point your finger at a certain

00:40:19

government, certain states,

00:40:21

let them be crazy military people who

00:40:22

came out of subordination, let it be

00:40:25

some kind of freaks, some villains, but not but

00:40:29

not the enemy government is what

00:40:31

actually

00:40:34

constituted the essence of the confrontation

00:40:37

during the classic Cold War

00:40:39

when

00:40:40

Indiana was born in the movies, but at the same time there are

00:40:42

some hints about

00:40:45

who this new enemy will be for now this is

00:40:49

an enemy from the 90s, that is, this seems to

00:40:51

have gone off the rails, a

00:40:53

representative of the enemy of a potential enemy of an

00:40:55

enemy power who acts in a personal

00:40:58

capacity there is such a bridge that is

00:41:01

thrown from the future to the past this is

00:41:03

the past of course this is a Soviet Soviet

00:41:06

military facility somewhere in in the area of the

00:41:08

Kuril Islands, it is obviously nuclear,

00:41:10

but it is used in a non-nuclear manner

00:41:12

correctly because the new

00:41:13

confrontations seem to be non-nuclear

00:41:15

and it is not nuclear now, but which of this

00:41:18

can be seen from the film, it is clear that what most

00:41:21

impressed modern

00:41:23

Western people is what the threat

00:41:24

posed by this new what frightens the old enemy

00:41:27

most of all to the modern Western

00:41:29

audience is that the newcomer, of course, is not a

00:41:32

nuclear bomb, it is some kind of national

00:41:35

weapon, it is a secret from and Bond is a

00:41:38

Briton, his entire office, by the way, is

00:41:41

wonderfully translated into the Russian word

00:41:43

kontora, their

00:41:45

name is the special service, those who translated

00:41:48

the creak penetrated into the spirit of the department, well,

00:41:52

this office The British are now occupied

00:41:55

most of all with Russian poisons, they are occupied with

00:41:57

polonium from the

00:42:01

2001 decade of the new century and they are

00:42:03

occupied by a newcomer from the 2nd decade of the new

00:42:06

century and naturally this threat comes and,

00:42:09

first of all, because this threat is

00:42:11

what the British American

00:42:13

English-speaking inhabitants are reading about, along with him the whole

00:42:15

world Russians they are poisoning the Russians are no longer

00:42:18

throwing the atomic bomb and in general

00:42:19

they tried to throw it away from reminding about

00:42:21

easy

00:42:22

in 50 years of nuclear confrontation more than

00:42:26

70 80 the realization has come that

00:42:30

nuclear bombs in general can be a factor of

00:42:33

stability and peace, but poison is

00:42:36

interesting from this actual poison is

00:42:38

Petrov and Bashirov poison is

00:42:41

something that can affect everyone,

00:42:43

but nevertheless, there is no Russia

00:42:45

there as an enemy, there are hints that

00:42:47

Russia is an enemy either from the past

00:42:49

or from the future, there are dozens of faces there, there

00:42:52

is a Russian language, there are Russian

00:42:54

scientists who the author of this most

00:42:55

deadly weapon, but there is no

00:42:58

Russian government there, there is no Putin,

00:43:00

this is quite important, including for

00:43:02

perception, they panicked, but everything is

00:43:03

happening somewhere right there in East

00:43:06

Asia and this also contains a hint of what

00:43:08

could be, of what could be and

00:43:10

Russia is the enemy, something from

00:43:12

East Asia, the authors seem to be

00:43:15

unable to choose who who is the main villain who is the

00:43:18

source of the threat to the modern market

00:43:22

free civilization of this Russia is the old

00:43:25

eternal enemy who gave birth to its own

00:43:28

James Bond in the movie or it could be

00:43:30

China so Russia but somewhere in the region of

00:43:34

Japan, here in Taras, something Asian,

00:43:37

something from here

00:43:38

[music] it

00:43:44

really surprises me now, when I

00:43:47

think about it, how much we didn’t

00:43:49

notice then when we watched this whole

00:43:52

Bond movie,

00:43:53

this whole

00:43:55

series of women who are there around

00:43:58

him somehow - then in this way he exists and before

00:44:01

he is served, he is

00:44:03

protected there by warriors, he dies because it

00:44:06

seems to me that

00:44:09

those men in my environment were older

00:44:12

who were somehow

00:44:14

fascinated by the image of the panda, they were

00:44:16

interested exclusively in him, his

00:44:19

skills, his tools,

00:44:22

these bond girls, I have a feeling

00:44:25

that Soviet men, in any case, of

00:44:28

this social class and this

00:44:30

habitus, Soviet engineers, they

00:44:33

couldn’t understand at all what it was, they were

00:44:35

just like the Germans, Tomsk blended, it’s

00:44:37

just the Russian Federation’s cycle that moves it because

00:44:39

they are socialized in a world where

00:44:42

women are already on horseback the gallop

00:44:44

was stopped every day, not everyone was

00:44:46

married to women who plowed

00:44:49

worked until they also had a Ph.D.

00:45:03

to not

00:45:06

look like me Magritte,

00:45:10

to surprise a

00:45:13

Soviet man with a strong woman was

00:45:17

completely impossible, and

00:45:19

to objectify I have the feeling that

00:45:22

they, the way it was done, they didn’t

00:45:24

know how, and there were such other mechanisms

00:45:26

of objectification that were launched, and there was

00:45:28

some more patriarchal idea there,

00:45:30

something like this the strongest woman, she

00:45:32

stopped the galloping horse, she must come

00:45:33

home to prepare dinner, of course,

00:45:36

no questions are asked, but

00:45:40

this whole topic of

00:45:41

sexuality and

00:45:43

bondage as a very active sexual

00:45:46

man,

00:45:47

there is a feeling that these people were of little

00:45:50

interest in her, they did not make any

00:45:52

capricious jokes and therefore, on March 1, my

00:45:54

encounters with these images

00:45:56

happened much later when now I

00:45:57

started watching with my children and here

00:46:02

I really just fell into a stupor, I explain

00:46:05

because they ask questions, we started

00:46:08

watching goldfinger and there it was right from the very

00:46:09

beginning of

00:46:11

the scene when he spanks girls on the naked

00:46:16

floor there there there in my opinion a whole line

00:46:18

or before spanks I remember it so much

00:46:21

and my 12 year old daughter

00:46:24

couldn’t understand what it was about and

00:46:28

well I had to explain that the company has been doing this for

00:46:30

almost 60 years and that it was filmed in the USA under

00:46:34

certain circumstances,

00:46:37

that is, this is a Hollywood movie

00:46:40

that was produced in a situation where a

00:46:43

man in that part of the world where she

00:46:47

interrogatively did not work before women

00:46:49

required Sasha’s different model of

00:46:52

behavior,

00:46:53

the idea there of someone who was successful, how they

00:46:55

were successful, society was structured completely differently

00:46:57

and that back today shocking

00:47:00

because it all looks

00:47:03

completely different now, but at that moment it

00:47:05

seemed normal for people to run around and did not

00:47:08

outrage, maybe some

00:47:10

individual especially

00:47:13

enlightened people were outraged, and of course there still

00:47:15

arises the question of the

00:47:18

continuous sacrifice of the

00:47:21

young, no longer a virgin to

00:47:23

the bond there in In every film,

00:47:26

some incredible number of young

00:47:27

women die who manage to get out of

00:47:30

bed and then it’s as if they are

00:47:32

expendable, yes, that is, there

00:47:34

is one and one girl who

00:47:37

dies or the concert itself always or

00:47:39

or she doesn’t die at all, all the other

00:47:41

girls

00:47:43

they have high rotation and

00:47:46

this is also such a very archetypal thing,

00:47:49

as if when exactly it looks like a

00:47:52

sacrifice, like a sacrifice, but

00:47:56

I myself tried to explain to the children

00:47:58

that this is how the

00:48:00

most beautiful

00:48:03

girl in the village is brought to the slaughter in a bent less than some kind of fairy tale and

00:48:06

this is a battle as if there is a very strong

00:48:08

visual impact on the viewer about the

00:48:11

bomb on the goods yes yes yes Sasha the right one

00:48:14

to get out of this labyrinth there you need to

00:48:16

leave a lot of young young beautiful

00:48:19

women

00:48:21

[music]

00:48:28

to find out that in the banking soundtracks

00:48:31

it is Bond's you need to take

00:48:33

several bank ones look there

00:48:34

to see what What is common between them is

00:48:36

to throw out the fact that they are different and this,

00:48:38

in fact, according to their logic, will be the quintessence

00:48:40

of what is happening there, if

00:48:43

you look at the song nau time they beat there and

00:48:46

only which are part of the Bulgarian

00:48:48

track itself from Adele’s skyfall, then there are

00:48:51

several such common features which

00:48:53

create a general atmosphere of something

00:48:55

magical detective suspense and

00:48:57

in general such a very banking Poltava

00:49:00

people have already settled so much on the support

00:49:01

that when I play a similar

00:49:03

sequence of chords somewhere

00:49:04

for a month or in a lesson and ask, well,

00:49:07

how do you feel these chords everyone

00:49:09

talks about that there is a Bond and a

00:49:11

superhero song, and in fact there are

00:49:13

certain chord turns that are

00:49:15

almost Bondar-like,

00:49:17

what do these two songs have in common,

00:49:20

let’s look at the chords, the

00:49:22

orchestration and the general feeling of

00:49:24

tension that form the form of the song,

00:49:27

which become its form, the chords in

00:49:30

them seem to me to be the main secret of the

00:49:33

song billy einige there at the beginning

00:49:35

four chords are repeated, two of

00:49:37

which are most similar to the clock

00:49:39

I will announce for people who maybe

00:49:41

play the guitar, so look at the chords there

00:49:45

like E minor C major A major

00:49:48

even if you don’t know any of these

00:49:51

words here are the last two chords and the bottom from

00:49:53

the former not a small difference for a major,

00:49:57

this is a light chord, a magical E minor,

00:49:59

immediately so melancholic, then it

00:50:01

takes all the emotions back and it turns out

00:50:04

that we come to a climax of

00:50:06

some kind of mysterious bright one and then they

00:50:09

remove it for us and we get this look with a

00:50:12

squinted thought that everything will be fine, but

00:50:14

no, we’ll see what else will happen, in general,

00:50:17

this is the camouflage of the same

00:50:18

chord, not a very common technique, usually in

00:50:21

songs the chords come from different notes so that

00:50:23

it turns out brightly, those who

00:50:25

play the guitar know the gentleman’s set a m d

00:50:27

n e c and so on, and here when you two

00:50:32

cities are the same but different in the middle

00:50:34

in terms of content and you get the feeling of

00:50:36

some kind of magic hoof the riddles

00:50:38

that happen there and Skyfall

00:50:41

was an absolutely similar story, I’ll also

00:50:44

look now so as not to collect a

00:50:46

Skyfall chord that is, watch the performance

00:50:48

there for minor F major e major

00:50:51

Raven, oh my God, yes you feel it right

00:50:54

even if you don’t know the chords, an absolutely

00:50:56

similar story with the construction, in the end it

00:50:59

turns out that the music, yes here the music

00:51:02

promises us something, but immediately removes it,

00:51:05

shows the candy and says no it’s you who

00:51:07

need to achieve it, for example, regarding

00:51:10

the orchestration, rebellion is always the feeling of a

00:51:13

classical orchestra, the main emphasis is

00:51:16

on the strings and this is absolutely normal, there is

00:51:18

nothing super special, but the main thing is

00:51:21

that the orchestra is

00:51:22

Yamz, of course, this is not a means of creating a

00:51:25

lush sound, creating a classic sound

00:51:27

or a reference to some someone has become a

00:51:29

classical composer, the orchestra

00:51:32

creates a general feeling of the solemnity of what is

00:51:34

happening, when you come to the

00:51:36

Philharmonic why are we doing this, you can listen to

00:51:38

us by type and listen to everything that is

00:51:41

Vich and Chukovsky,

00:51:42

this is the general feeling that there are a lot of people, the

00:51:44

acoustic sound that we all came for

00:51:46

some big action and there is

00:51:48

some secret in this, it all seems to me that the

00:51:51

orchestra here has a

00:51:52

symbolic meaning that

00:51:54

gathers us into the subconscious, makes us

00:51:56

listen even more closely to what is happening,

00:51:59

adds importance to it, the instruments

00:52:02

that are used are just with a

00:52:03

noble soft sound of pure,

00:52:06

because the orchestra is diverse

00:52:08

history, you can use orchestral cymbals

00:52:10

and an oboe with works, everything

00:52:12

else, but the riot is mainly

00:52:14

trumpets and a string orchestra, that is, just

00:52:16

the feeling of a fanfare that something

00:52:18

is approaching, these are brass

00:52:20

instruments and noble, pure,

00:52:23

strict, these are string instruments

00:52:25

and about the tension in the songs

00:52:28

any modern song is built

00:52:32

mainly from two materials from the verse and the

00:52:34

chorus, which have completely different

00:52:36

meanings and which influence the

00:52:38

listener differently; the verse is basically an

00:52:40

accumulation of tension, so cube ed

00:52:42

is quieter; there are more words; more

00:52:44

information; fewer emotional

00:52:46

outbursts; and a lower register that

00:52:48

the vocalist uses the chorus, on the contrary, is an

00:52:51

emotional outburst, high register,

00:52:53

dense bright chords and some kind of

00:52:55

accent because during the verse we have to

00:52:57

listen attentively to the words to accumulate tension

00:52:59

in the example of just singing along and often the

00:53:01

chorus it consists of could not even but for the

00:53:04

rhythm of the arches of some plans date and then

00:53:07

so on, because we don’t need to

00:53:09

listen to anything there anymore, it’s a complete

00:53:10

emotional outburst, but the

00:53:12

Dzungarian soundtracks, that Sky Fund, that

00:53:14

song of linen, and only they line up

00:53:17

completely not

00:53:19

hilly, and that’s how you dug up, you

00:53:22

stuck, you dug up, you sent it, but

00:53:23

on the contrary, it’s as if it’s so eternal

00:53:26

accumulation, moreover, even at the end there

00:53:28

is no feeling of such intense

00:53:29

catharsis when you have already splashed everything out,

00:53:32

then you went, refreshed, to sit and rest,

00:53:36

and all the time you get the feeling that you

00:53:38

need to listen further, that there will be

00:53:40

more next, that is, there is such

00:53:41

musical suspense, how it is done, it is

00:53:44

done due to dynamics we

00:53:45

subconsciously feel a quiet verse,

00:53:48

we expect a mega loud chorus because we are

00:53:50

used to the emotional swing in

00:53:52

pop music, I don’t get mine and our brain and

00:53:54

even think about it at some point and maybe

00:53:56

not the chorus at all means when the dough will be

00:53:58

further, then it will happen then

00:54:01

gradually building up instruments, that is,

00:54:03

we already somehow every time, if

00:54:05

you listen to the songs of linen, only with each

00:54:07

new performance is something

00:54:09

added there, and when something is added,

00:54:11

we expect that at the end all the orchestral ones will sound here

00:54:14

when everyone joins in and it will be

00:54:16

just bang his teeth don’t happen,

00:54:18

it’s just smooth and smooth and smooth and

00:54:20

accumulation without contrasts, and as for

00:54:22

the chords, they also have their own tricks;

00:54:24

chords, it seems to me that this is all the main

00:54:26

means of manipulating the listeners

00:54:28

because they better not rush,

00:54:30

it seems that this is not so important the important thing is the

00:54:32

melody, but in fact,

00:54:34

the most cunning manipulation of the chords is happening there, this

00:54:36

color emotional coloring that

00:54:37

gives us such musical presuppositions,

00:54:40

we already relate to the song because

00:54:42

the chords showed us how to do it, and

00:54:45

there the chords they always

00:54:47

end with something on every line and

00:54:49

stable, that is, those chords on

00:54:51

which you can’t put an end, you can’t

00:54:53

turn off the song, the theme is an order that

00:54:55

promises us something further, so we listen

00:54:58

and listen, we listen and hear the tension, we save, we save, we

00:54:59

feed, we save, and in fact we do

00:55:02

n’t really throw it out, it turns out this

00:55:04

elongated shape is not

00:55:07

hilly linear here in this there is just on

00:55:11

the back

00:55:13

[music]

00:55:20

no time to die we have been waiting for many years for

00:55:25

the premiere of this film to take place

00:55:27

it was postponed highly in appearance and finally

00:55:31

it happened of course the title is not a time

00:55:35

to die this is not just a capacious formula as is

00:55:38

typical for the Bond franchise

00:55:40

this a kind of magic formula this

00:55:43

spell

00:55:44

spell Bond must stay alive he

00:55:48

must continue to feed his

00:55:49

producers his viewers the

00:55:53

leading actors are simply fans of this

00:55:57

generally magical, slightly

00:56:00

self-contained but at the same time comprehensive world of the

00:56:02

world of Bond, which has existed for

00:56:05

more than half a century, involving new and new

00:56:08

fans and consumers in this

00:56:12

area,

00:56:14

so we are talking about the fact that Bond, who

00:56:17

practically ceased to be himself,

00:56:19

voluntarily finally left MI-6 at

00:56:22

the end of the film, the spectrum still continues

00:56:25

to be himself, that is, this film

00:56:27

was supposed to define Bond's DNA DNA is one

00:56:31

of the main themes movie, but let’s not

00:56:33

indulge in spoilers here, what is

00:56:36

Bond, can he be himself if he

00:56:38

stops drinking martinis,

00:56:41

stops seducing women, stops

00:56:43

racing sports cars,

00:56:45

stops killing, and at the beginning of the film we

00:56:49

really see Bond seemingly

00:56:50

relaxed with the woman he loves,

00:56:53

what happens then then we we see

00:56:56

that the picture, obeying this very

00:57:00

spell from the title, returns Bond

00:57:02

to square one. You can probably even

00:57:04

say that all the enormous work

00:57:06

was done with Sam Mendes, who

00:57:08

directed the previous two films, and his

00:57:11

fellow screenwriters, here it is reduced to

00:57:14

absolute zero, it is destroyed, it

00:57:17

seems to be denied from the point in terms of

00:57:18

the plot, the

00:57:19

continuation of the film is a spectrum, and in

00:57:22

terms of, well, let’s say, ideas and aesthetics,

00:57:26

what happened in these 5 or even 6 years since the

00:57:30

previous film, well, firstly,

00:57:32

humanity again became closer to the ideas of the

00:57:35

Cold War and the film, of course,

00:57:37

reflects this, we see a picture where there are

00:57:41

insidious Russian scientists developing

00:57:45

of course a defector he runs

00:57:47

here and there always to the side of evil

00:57:49

developing biological weapons

00:57:51

his name is Voldo Obruchev we see that

00:57:55

the supervillains appearing here is named

00:57:58

Lucifer Safin in the Russian dub

00:58:02

he is Safin actually I believe that he is

00:58:04

Safin but also it can be assumed that the

00:58:06

producers of the film have no idea how to

00:58:07

put emphasis in Russian surnames or did

00:58:10

not want other people, real

00:58:13

people with the surname Safin, to be confused with this

00:58:15

very Sophie when we find out that this

00:58:17

mysterious scoundrel, this micro spoiler, is

00:58:19

living and

00:58:22

will set up his own laboratory somewhere not far from the

00:58:25

Russian border, well, everything immediately becomes clear and

00:58:28

of course it is no coincidence that it is Russian

00:58:31

scientists who ultimately gather

00:58:33

around him so that his sinister plan,

00:58:36

we will not talk in detail about this

00:58:37

plan, is carried out, but as for the

00:58:41

British and Americans, what remains for them,

00:58:44

well, of course, violates all protocols

00:58:47

violating all international rules

00:58:49

to carry out missile strikes to take

00:58:51

part in the development of weapons, but why did

00:58:53

they themselves climb, we must respond in the

00:58:55

same way and we see how Ralph Fiennes is here with

00:58:58

the most current lari, the head of intelligence,

00:59:01

sighing but not very deeply, decides to

00:59:06

destroy the lairs of terrorists with them with missiles

00:59:09

the only way is the cold war in its purest

00:59:13

form, but politics is not only about this,

00:59:16

not only about foreign policy and not only about internal politics, but also about

00:59:17

internal politics

00:59:19

within gender relations within

00:59:23

people’s relations, and Bond is closely concerned with

00:59:25

this problem, he has always touched on it, Bond,

00:59:28

who seemed to have become a real

00:59:31

sensitive person having for the sake of

00:59:34

the bodies having a beloved woman at the very

00:59:36

beginning of the film is not the time to die,

00:59:39

breaks up with his

00:59:41

beloved in cold blood without particularly serious reasons

00:59:43

because he needs to become James Bond again, a

00:59:47

man who seduces men and

00:59:50

who is stronger than anyone, a man who

00:59:52

cannot be replaced by any woman,

00:59:54

remember how much noise there was around the fact

00:59:56

that black women will replace Bond, well,

01:00:02

in fact, of course, it was an advertising

01:00:04

decoy, it was about the fact that now that

01:00:06

Bonnie works at mi6, a

01:00:09

new agent comes to replace him; this is a black woman given

01:00:11

and this is an Afro Englishwoman who

01:00:15

gets the number 007, yes, because Bond is

01:00:20

already larger than this number no, he does

01:00:22

n’t work there anymore and the actress Alla

01:00:25

Shana Lynch plays is very bright, but what do we

01:00:27

see the whole film don’t be afraid don’t be afraid

01:00:30

those who are worried about the fate of poor

01:00:32

James Bond, finally some

01:00:35

black woman will push him away don’t

01:00:37

worry the whole film is about that he’s

01:00:41

cooler than what they want there they work number 0

01:00:44

07 him and now this is a pretty

01:00:48

independent strong woman

01:00:51

absolutely consciously submitting to the

01:00:54

bond’s charm even though it’s not sexy and charm in its

01:00:56

purest form she simply recognizes he’s an alpha

01:00:58

he should be the leader of any operation and

01:01:01

outside of any political protocols

01:01:05

-he is also being hired back

01:01:07

because if you fight a

01:01:09

global enemy, then

01:01:10

only a man can do it, and only this specific

01:01:13

man, no one else is worse than Madeleine

01:01:16

Swan, the heroine, will I pass by the

01:01:18

stunning French actress who

01:01:21

brought new depth to the Bond franchise

01:01:23

in the previous film Spectrum here she

01:01:25

turns into a typical and even more

01:01:29

sad than usual Bond girl, she

01:01:32

cries all the time, she is afraid of everything, she

01:01:34

constantly changes her mind, she is afraid to

01:01:35

grab a weapon, she waits for him, and

01:01:38

when many years later, this is also a spoiler,

01:01:40

sorry, he still appears on her

01:01:42

doorstep she won’t arrange a showdown for Nick they

01:01:44

immediately go to bed and finally Ana

01:01:48

de Armas and Paloma must be a fresh

01:01:51

woman definitely a fresh hammer

01:01:53

younger prettier without this star anise

01:01:55

they live she appears and here

01:01:58

the Cuban

01:01:59

one USA or agent K I’m not even sure

01:02:02

how correct this is pronounce what is

01:02:06

typical for her she always bulges her

01:02:08

eyes he has huge cleavage she has

01:02:11

high heels she is very funny all

01:02:14

women who try to do a man's

01:02:16

job are very funny and even when he

01:02:18

invites her for a drink he does not ask

01:02:20

what she drinks he says 2 martinis he

01:02:22

drinks martini means she will

01:02:24

also drink martini and the appearance of this character

01:02:27

finally puts an end to any

01:02:29

hopes that a woman also has

01:02:32

some other place in this franchise

01:02:34

other than as a Bond girl and it doesn’t

01:02:37

matter whether they sleep or not, this is

01:02:40

absolutely secondary At the moment,

01:02:42

Bond can prove his alphaness in a

01:02:45

variety of ways, and as a

01:02:47

phallic symbol, he always

01:02:49

has a gun with him; to do this, it is not necessary to

01:02:52

take off his suit, which

01:02:54

of course fits him like a glove, and

01:02:58

finally, the third thing is probably the saddest thing

01:03:01

in this whole story, trying to prove

01:03:03

that he immortal because he is the

01:03:05

same as in the days of the doctor, but of course the

01:03:08

creators of the franchise of this film

01:03:09

sentenced Bond to death, we are talking about

01:03:13

the plot of a particular film and we are not talking

01:03:15

about the fact that Daniel Craig starred here as

01:03:17

Bond for the last time, there

01:03:19

will be no more Bond Craig, we are talking about everything only

01:03:22

that from a multidimensional complex

01:03:25

character who has already started from this

01:03:27

costume, not only in the literal actual

01:03:30

sense of Bond, to get out and get out, he is

01:03:33

obliged to return there again, he is obliged to

01:03:36

do the same, he is obliged to hunt

01:03:38

global terrorists from villains from

01:03:41

enemy powers, he is obliged to seduce

01:03:44

women he is obliged to race cars and

01:03:47

when he drives somewhere in a circle

01:03:50

it seems that these are the circles of his hell in which

01:03:53

he will be immortal so that the

01:03:55

scriptwriters don’t write it for him,

01:03:56

we’ll see what happens next,

01:03:59

maybe Bond will be forgiven somewhere

01:04:02

up there and for the same time will come for him

01:04:04

to die

01:04:05

[music]

Description:

Как закончится эпоха Дэниэла Крэйга в MI6? Чем книжный Бонд отличается от киношного? Как изменилась роль женщин со времен Шона Коннери? И что общего у последнего агента 007 с Путиным? Все это в новом выпуске #РадиоДолин Материалы, использованные в данном выпуске, предоставлены компаниями ЕОН Продакшнз, Метро Голдвин Майери и Юниверсал Пикчерс. Мы благодарим Библиотеку иностранной литературы за предоставленную площадку для съемки. Все книги «бондианы» можно почитать в оригинале в «Иностранке». «From Russia, with love» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_208480 «Diamonds are forever. Unabridged» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_180900 «For your eyes only: Five secret occasions in the life of James Bond» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_205206 «Live and let die» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_213616 «Goldfinger. Unabridged» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_213616 «Moonraker» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_270264 «The diamond smugglers» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_180893 «The man with the golden gun» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_260491 «The spy who loved me» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_335303 «Thunderball» Ian Fleming https://catalog.libfl.ru/Record/BJVVV_349183 Мы благодарим проект КАРО.Арт и киноцентр «Октябрь» за предоставленные площадки для съемок. Оглавление: 00:00 Всем привет, это Долин. Антон Долин. 04:08 Генезис бондианы. Как режиссер «Метрополиса» Фриц Ланг изобрел шпионское кино 10:19 Как Бонд превратился из британского сноба в деловитого мачо. Бондиана как фанфик 15:32 В поисках идеального мужчины: как бондовские сценаристы пытались угнаться за духом времени (и сделать из агента 007 секс-символ) 20:50 Есть такая профессия — наблюдать. Чем бондовские экранизации отличаются от других фильмов про суперагентов? 24:46 Фатальное сходство Крэйга с Путиным (не только внешнее) 28:50 Джеймс Бонд — это Гамлет. Не верите? Антон Долин тут довольно убедителен 38:06 Как Бонд пережил окончание холодной войны? (Спойлер: он, как и мы, застрял в 90-х) 43:40 Женщины в фильмах о Бонде: мы долго не замечали их сексапильности — и этому есть объяснение 48:21 Для бондианы сформировали отдельный музыкальный канон: как это работает? Объясняем на Адель и Билли Айлиш 55:20 «Не время умирать» — очень неудачный фильм. И кажется, это связано с нынешним политическим кризисом 01:00:05 Бонда заменит женщина? Точно нет. Сценаристы Бонда слишком мизогинны

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