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Download "Карнавальная ночь (с тифлокомментариями) (комедия, реж. Эльдар Рязанов, 1956 г.)"

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карнавальная ночь
тифлокомментарии
гурченко
эльдар
рязанов
огурцов
мосфильм
советское кино
комедия
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Карнавальная ночь
лучшие комедии
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комедии
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00:00:00
[music] feature film carnival night
00:00:03
begins screensaver Mosfilm film studio
00:00:06
statue of faith a man worker and a collective farmer
00:00:07
on a rotating to remember
00:00:09
the picture depicting people
00:00:12
dressed in carnival costumes dancing around the New Year tree,
00:00:15
in the background of the picture the title of the film appears in the background of the picture of the
00:00:17
son and Boris Laskin and Vladimir
00:00:20
Polyakov production director Eldara
00:00:23
Ryazanova
00:00:24
cameraman Arkady rings you
00:00:26
artists Konstantin Efimov Oleg Gaz and
00:00:29
composer Anatoly Lapin sound engineer
00:00:31
Viktor Zorin lyrics by Vladimir
00:00:34
Livshits Vadim Korostylev
00:00:36
dance production Galina Shakhovskaya Arkady Orban then
00:00:39
director of the film Valentin Maslov and the
00:00:42
secretive orchestra conductor and tremors
00:00:45
played by
00:00:46
Serafiya Ivanovich Ogurtsov Igor Ilinsky
00:00:48
Elena Krylova they'll get it and Grisha the
00:00:51
ring of mustache passes Georgy Kulikov
00:00:53
lecturer Sergei Filippov Romashkina Olga
00:00:56
Vlasova
00:00:57
accountant Andrei Tutyshkin Tasya Tamara
00:01:00
Nosova conductor Gennady Yudin clowns
00:01:03
Boris actor Vladimir Zeldin
00:01:05
the film was attended by pop artists
00:01:07
in Odessa and Yuri high power a terrible
00:01:09
experience since this is a new Peter by smear
00:01:12
production in the Moscow order Lenina
00:01:14
Mosfilm film studio 1956 indoors a
00:01:19
fabric-covered slide on top of a girl
00:01:21
she puts her feet to the east matting, well, she
00:01:24
squats down the slide
00:01:27
on it a girl walks through the hall,
00:01:42
which is decorated with garlands, along the paddock,
00:01:45
decorates a Christmas tree, they pass a stepladder on which a
00:01:48
guy in brown boots is standing
00:01:49
the guy jumps off the stepladders runs after the
00:01:55
girl to the camp, but how did you guess it for
00:01:58
you, I just want to say that the grandfather of
00:02:02
convenience has not yet been congratulated on the
00:02:05
natural disaster with the new director,
00:02:07
Vladimir Vasilyev, on a business trip, have you
00:02:09
appointed a place, comrades wrestler,
00:02:10
he should wait in Grisha’s hands for a coil of wire and a
00:02:13
light bulb I want ask
00:02:16
seriously let's talk about and Grisha nothing I
00:02:27
found a way out and together garna assistant
00:02:29
modern technology you will hear you will understand
00:02:34
Lena enters the door with a sign of the directorate
00:02:41
I a man enters the office in confusion
00:02:47
freezes in front of the table
00:02:51
smiling reservedly comrades from the
00:02:55
nike cart advanced man true members of
00:02:57
only trade unions city council deputy
00:02:59
I will find a man in a mask and at our
00:03:01
New Year's party in this form, she would have
00:03:04
red hair, red, but why do our
00:03:06
Soviet people hide their faces,
00:03:09
why are you taking off your mask atypically, but
00:03:14
that’s not the point, I’ll move on,
00:03:18
comrades, there is an attitude to have fun meeting
00:03:22
cucumbers, you have a large face, a low forehead, we
00:03:30
our world must come so that no one
00:03:33
can do anything
00:03:35
cucumbers pointing with a finger up
00:03:37
must be attached looks in a notebook
00:03:40
ebro
00:03:41
altay so that all the estimates are glowing to hold
00:03:45
our event at a high
00:03:48
level comrades and the main thing is to
00:03:54
prepare a good evening with the help of this, this is a matter of
00:03:56
serious concern. but I myself
00:03:59
joke to the hatch
00:04:00
and people and I think that you need to start like this
00:04:10
on stage
00:04:13
according to Russian fairy tales
00:04:16
there is a tower tower a tower from a tower
00:04:26
someone comes out at 40 no longer need to give
00:04:43
their performances how good are you this is
00:04:48
serious and at the same time somehow
00:04:50
mobilizes from the the world is being taught to us here by the
00:04:55
Serve Munch
00:04:56
here, comrades wing, you are
00:04:58
the planned Santa Claus one units and
00:05:02
then you are ready to cut back,
00:05:10
ready to cut the years correctly, and the
00:05:15
minimum and then dad’s fun game from
00:05:21
the outside, we won’t take it to our
00:05:24
peak,
00:05:28
but it’s not in vain that it can work with the gray
00:05:31
matter of the brain not so much
00:05:33
I have it gray, what do you think?
00:05:37
So, comrades, while everyone is
00:05:43
putting on round glasses, the lines are stretched out,
00:05:44
listening to comrades,
00:05:47
Telegin, the
00:05:54
last young man to come out,
00:05:56
moves the slots, take them in an hour, Seraphim
00:06:02
pinches in person, get acquainted with the numbers,
00:06:03
concert on the stage, Elena is on the proscenium to
00:06:06
her left, standing on the line, 4 girls are
00:06:08
closer to the back, musicians are located
00:06:10
next to them on a chair there is a young man
00:06:12
[music]
00:06:21
[music] a
00:06:28
young man gets up in general so to speak
00:06:34
no and it turns out again
00:06:43
no on the balcony near the spotlight with a
00:06:50
red filter I love a good
00:07:38
famous one you can rely on the record in the envelope
00:07:52
let you listen to
00:07:54
the record yours if you fall set on the envelope
00:07:58
the inscription personally I’m sweet girl,
00:08:02
this time you'll listen to me to the end
00:08:04
Alena looks at the bones, that's what it's all about;
00:08:06
shrug your shoulders and go away, you see
00:08:08
this record in front of you now, I see
00:08:10
you appear in your eyes, you understand the
00:08:13
members of every person's life, there is a
00:08:15
moment when he absolutely
00:08:17
needs to explain himself with another person
00:08:19
and doesn’t click his hands, he can do it more
00:08:21
quietly, they resort to the help of technology, but it’s
00:08:25
easier for me, do you understand me, you can interrupt me at
00:08:27
any time, I’ll stammer and fall silent, and
00:08:30
sporting, this won’t happen, you can
00:08:33
break it, but I hope that won’t you do it,
00:08:37
well, now I’ll do it for you I’ll say what I’ve been
00:08:40
meaning to say for a long time
00:08:42
I love you I love you love you and I’m not
00:08:49
afraid of this word Grishin Shaksper
00:08:51
runs up the stairs to I don’t remember exactly
00:08:53
this thing I just thought before I went
00:08:57
and wrote it all down it will seem funny it
00:09:01
will seem like a joke you knew what was in
00:09:04
every joke there is a large share of Grisha
00:09:07
bursting into the radio room,
00:09:08
it’s good about yourself what was invented, congratulate me, I
00:09:12
can turn it on again at night that the entire
00:09:14
public update of the broadcast is on
00:09:22
broadcast on the radio, you will also answer whether it’s
00:09:49
bright if she quickly leaves the radio room
00:09:58
why they stopped broadcasting Shakespeare
00:10:01
for technical reasons.
00:10:07
let's go to the objects Tasya collects the sheets in a
00:10:10
folder goes for the finished one passes under the
00:10:12
decorations and flags in the arch that's what. a
00:10:15
team of floor polishers need nothing in
00:10:26
vain the picture was not taken according to the transfer
00:10:28
bears on vacation enter the door
00:10:34
signs a choreographic circle in front of a
00:10:36
mirror wall a young
00:10:37
man and a girl are dancing across the room
00:10:40
diagonally doing a gram in the center you are doing a
00:10:42
high jump with legs apart in front of
00:10:44
us performing a double fish
00:10:47
young the man throws the partner
00:10:49
she makes a double turn along the
00:10:50
longitudinal axis the
00:10:51
partner catches and does not hold the waist of the
00:10:53
bucket on the horse in the heads downwards the partner
00:10:57
makes a turret swing of rotation with the
00:10:59
leg moved to the side the partner holds her by
00:11:01
the waist with his arms raised the dancers do pirouettes the
00:11:05
partner takes the partner by the hands she
00:11:08
does longitudinal split, resting one
00:11:09
foot on the floor, holds the other to the temple, the
00:11:11
partner moves around, connects, he
00:11:14
turns, leaning on the toe of the right leg,
00:11:17
lets go, and I, she lowers herself to the fact that 1
00:11:20
on the split, the partner stands up, holds her by the hands,
00:11:22
she does the dvp, lifts, moves her
00:11:25
leg to the side,
00:11:26
makes a jump, spear spalletti lifting the
00:11:29
bottom new top perform support
00:11:32
on the partner's shoulder leans on the partner's knee and
00:11:33
shoulder he holds her by the hands the
00:11:36
partner rotates hold the partner by the one
00:11:38
placed behind the back be the partner's
00:11:40
bent with one leg leaning and the
00:11:41
other forearm bent on the back of the head
00:11:45
cucumbers displeasedly puff out the
00:11:47
partner's cheeks lets the partner do it
00:11:50
the soul freezes in a spectacular arabesque
00:11:52
runs up to the partner they make a flag
00:11:54
the partner spreads her legs in the splits
00:11:56
holds her by the waist with her
00:11:58
arms outstretched upward the dancer freezes with her hands thrown up
00:12:02
cucumbers holding her head that’s exactly
00:12:08
what you don’t understand, I’ve
00:12:10
come I understand in general economists in
00:12:24
this form we should educate him with
00:12:31
bare feet you can’t educate in short, it’s
00:12:36
clear what youth is about if our young
00:12:51
man loves our young girl, with his
00:13:11
hands behind his back, cucumbers goes out into the
00:13:14
corridor [music]
00:13:18
on a stepladder, a young man secures a
00:13:21
yellow balloon under the ceiling and
00:13:23
[music]
00:13:34
[music]
00:13:46
[music]
00:13:52
[music]
00:14:03
[music]
00:14:15
add here it will be big here
00:14:22
rehearsals with our orchestra
00:14:24
rehearsal hall not together found a trumpet as much as
00:14:28
possible you start 1 numbers without daring
00:14:32
furniture
00:14:33
the conductor saw Ogurtsov encouraging
00:14:36
winks at the musician
00:14:40
[music] [music] [applause]
00:15:15
[music]
00:15:28
[music]
00:15:30
[applause]
00:15:37
[ music]
00:15:50
and
00:15:51
[music] the
00:16:03
musicians sit down cucumbers boner well,
00:16:06
comrades, the
00:16:07
team is a big people, a
00:16:10
lot of qualified work has been done, I personally have no doubts about
00:16:13
doing it like that, it won’t work, your brain gives that
00:16:18
no, it doesn’t, but you need to give a very
00:16:21
straight husband, what will happen at the same time his
00:16:32
deeds are clear that it turns out that a and b
00:16:36
played the trumpet, take a serious
00:16:41
repertoire, it’s like performing as a child and you are
00:17:00
not a respectable people for peeling cucumbers at
00:17:02
the table, pick up, wear eating kefir with a
00:17:05
spoon from a cut glass next to it, is it worth exchanging
00:17:07
glances with Grisha, he
00:17:09
secures Belinda
00:17:11
has a master’s degree in the south,
00:17:17
pensioners again, they have a relationship with art in
00:17:21
the order of cultural exchange, the
00:17:26
working apparatus of the cucumbers leaves,
00:17:39
on your advice, I re-read the spring waters of the
00:17:42
tournament in the library for the third day, I’m walking based on
00:17:47
impressions, love, the power of feelings, poetry,
00:17:56
such a turmoil with this New Year’s Eve,
00:17:58
and I’m a sinful person, I like silence, putting
00:18:03
them in the accounting department is not You will say that
00:18:06
the youth overcomes the whole day 3 sign, list,
00:18:09
pay and everything
00:18:12
is successful
00:18:13
and I am a man and a calm
00:18:16
widower, you understand me correctly in
00:18:20
your company, I rest my soul
00:18:25
because you are a serious person Adelaide
00:18:29
Kuzminishna closed the lid of the piano and
00:18:31
the age
00:18:32
that I have to be serious is not
00:18:36
long ago yes and I honestly say
00:18:42
not 38 collective something in the
00:18:47
mood I’ll come
00:18:48
Adelaide Kuzminishna dressed in a gray
00:18:50
dress on her shoulders a down scarf in the hands of
00:18:58
Fyodor Petrovich folder annual report
00:19:00
[music]
00:19:19
[music]
00:19:41
ogurtsov walks along the corridor turns off the light
00:19:44
turning the switch knobs
00:19:46
[music]
00:19:54
sing culture and a poorly pleasant voice
00:20:25
or that the other last time he performed was
00:20:28
just reading the wing one day with a quiet and
00:20:57
dreamy good good so at the end of slightly
00:21:03
wording I’m in my second clip on
00:21:18
stage a mustache in overalls throws a brush
00:21:27
and what are we going to do accordingly
00:21:57
good health forgive me please
00:22:01
I did I will publish based on the
00:22:04
orchestra's account to us torch ogurtsov called you
00:22:07
can talk to the cucumber 2 2 to the left
00:22:10
with the cucumber
00:22:11
thank you again I realized that I will have to
00:22:15
talk to this one like you have Frolova here or something,
00:22:18
maybe Krylov can see the water and why
00:22:20
here I don’t say dryly and indifferent
00:22:23
especially this he said cucumbers it turned out awkwardly
00:22:30
sorry please answer
00:22:34
who but I can’t in front of strangers I can
00:22:38
go smoke
00:22:39
visit for us please forgive me you’re
00:22:41
saying I’m a grandfather grandfather with a beard
00:22:47
no that my grandson loves you and the meaning is
00:22:51
sleeping parked thinking about Armenians a good one
00:22:54
will love you she spends her whole life what do you
00:22:57
teach your child about?
00:23:01
India darling steps on the storm she
00:23:03
looks in surprise at his brown
00:23:05
boots grandfather draws his head into his shoulders walks the
00:23:07
stairs you walk in a hurry runs up it
00:23:15
Lena runs after bravely jumping
00:23:18
grandfather runs along the corridors runs past those
00:23:22
walking nearby Adelaide Blacksmiths
00:23:24
Fedora Petrovich
00:23:26
climbs the stairs to the floor above,
00:23:28
avoid getting up and filling us with
00:23:30
bottles of mineral water, he doesn’t have time to
00:23:32
drink the budget of length, they run under
00:23:38
the stepladder near the bride and panties, he
00:23:40
hangs a yellow flag on a rope and
00:23:42
grandfather runs around him, hides behind the
00:23:44
wooden Grisha comes out from behind the wooden
00:23:59
doors I look they 1
00:24:08
they are numbers abortion it's the same
00:24:13
mustache took the beard out of his pocket Grisha and
00:24:15
what should I tell my grandson Grisha leaves
00:24:31
Lena takes Usikov by the arm in the hall
00:24:38
cucumbers looks at his watch
00:24:40
well the game is putting out the clowns please don't
00:24:43
care about white or clones on stage
00:25:02
[music ]
00:25:14
[music]
00:25:28
[music] how
00:25:42
much you need to cry, not quite,
00:25:55
you say that yours doesn’t know about the
00:25:58
other one, it’s not good to know what’s going on, you think,
00:26:07
and what else do you have there for exactly the
00:26:11
clown mine, tip-top, these are traditions, you’re
00:26:16
adults, here surname, let's put
00:26:20
your surname, they like to put it on and be more
00:26:24
cheerful director you sad clowns go
00:26:32
backstage the mustachioed floor polisher shakes his head
00:26:36
[music]
00:26:51
that I'm getting married I chop off and what kind of parsley
00:27:03
if he has a bride as a person is a
00:27:05
different woman so that's
00:27:07
the element of satire that's all the thing is
00:27:11
that he is a frivolous person
00:27:12
who deceived his university and
00:27:14
then, well, yes, she will burst, yes, yes, I want to
00:27:20
congratulate him, somehow I don’t understand if a
00:27:25
person has morally decayed, this should be said
00:27:28
directly and not laugh, not T-shirts, the appearance of
00:27:32
some incomprehensible cucumbers is distracting the
00:27:35
red butterfly topah is held on by an
00:27:37
elastic band and now I think the monster come out
00:27:42
like people and tails so put the
00:27:46
question directly let me have little and once again
00:27:52
pulls the butterfly the type holds the topah
00:27:56
you can read in the hands of Fyodor Petrovich
00:28:07
the book I will be very much for you a tall type comes on stage
00:28:14
and gray-haired, they are without makeup in
00:28:16
gray jackets on their faces, feigned
00:28:18
seriousness come on in our environment,
00:28:22
unfortunately, in some cases there are still
00:28:24
manifestations of a frivolous
00:28:27
attitude towards family and marriage,
00:28:29
and you rarely say with all directness that it is
00:28:32
completely unacceptable to
00:28:35
bow sharply, here again it’s different and
00:28:39
like that.
00:28:45
why didn’t I see the skills
00:28:48
he’s rehearsing where now he personally checked the
00:28:56
cucumbers quickly leaves Elena wrings her
00:28:59
hands
00:29:00
musical moments everything well how can you
00:29:03
speak well Grisha runs after the cucumber
00:29:21
cucumbers goes out into the corridor hands folded
00:29:23
behind his back they carry a fork past him walks
00:29:30
along the corridor turns sharply
00:29:32
looking out columns Grisha moves
00:29:34
back cucumbers goes further further leaves
00:29:37
from behind the column follows before
00:29:39
rolling down drops the key and cucumbers
00:29:42
turns around sins did not sit down and turned his
00:29:44
back to them you
00:29:45
warm Igor turn off runs for cucumbers
00:29:48
cucumbers approaches the elevator Dunya
00:29:50
looks contentedly at the baskets with bright New Year's
00:29:52
toys enters in a fenced chain-link
00:29:56
fence with an elevator rises warm
00:29:59
avoids the stairs
00:30:00
opens a cabinet with a picture of a lightning bolt a
00:30:02
skull with crossbones
00:30:04
pulls down a switch elevator stops
00:30:09
between floors you clean it up Aunt Dusya is dressed in a
00:30:34
blue robe in her hands a vacuum cleaner shrugs her
00:30:36
shoulders goes down the steps Grisha
00:30:39
runs along the corridor stops in front of the
00:30:40
door hangs in the elevator between the second and
00:30:48
third floors unexpectedly time the fox
00:30:49
porthos the elevator listens to stay I know how
00:30:53
to mother I hope I get it only promised
00:31:00
but closed as if honestly layer Grisha
00:31:06
closes his eyes stretches out his lips is
00:31:08
she on tiptoe hiding behind the door
00:31:11
kiss Grisha dreamily fiddling with his
00:31:14
shirt a mustachioed polisher passes by
00:31:16
stops stroking mustache
00:31:18
kisses Grisha on the cheek he shudders
00:31:20
opens his eyes pat the floor polisher on the
00:31:22
shoulder copy leaves the floor polisher
00:31:31
shakes his head in admiration on the shoulder a mop with a
00:31:33
bucket of cucumbers hanging on it smokes cigarettes
00:31:35
looks at his watch a
00:31:39
ballerina passes by and then pays
00:31:43
alfir and hello cucumbers blows thick
00:31:47
puffs of smoke
00:31:52
[music]
00:31:55
eat brought wanted a sandwich won't go
00:32:00
I took sausages there were let's say a
00:32:02
cabbage lunch I asked with pasta
00:32:04
eat the sausage Seraphim evancho shark
00:32:07
the sausage was picked up I'll still sit here
00:32:11
you system the elevator goes up on the street
00:32:16
dark fluffy snow is falling on a large
00:32:18
building table we slowly shift
00:32:20
with new year
00:32:21
edition many people are eating in a
00:32:24
spacious hall people in carnival
00:32:26
costumes and masks
00:32:31
[music] a
00:32:36
garland is shining under the ceiling a
00:32:39
streamer spirals are flying in confessions are pouring in
00:32:41
one after another the guests enter the hall
00:32:44
sliding down the slide some of them are going down
00:32:45
100 of them some head over heels two couples
00:32:48
going down standing yours position
00:32:50
quickly spinning in a dance
00:32:52
on some young people hussar
00:32:54
costumes some girls in bright
00:32:56
outfits gypsies cucumbers with a dissatisfied
00:33:00
look makes his way through the cheerful crowd
00:33:02
[music]
00:33:23
[laughter]
00:33:33
stumbles upon I think to take more in Cossack costumes
00:33:37
not in power climbs the wide
00:33:39
main staircase into the walls decorated with
00:33:40
carved snowflakes a silver
00:33:42
paper polisher in a gray suit and paired with a
00:33:45
bright flower in the breast pocket
00:33:47
fits a newspaper, a recovered
00:33:50
woman nearby drops a mask with bunny ears, a
00:33:52
woman polisher simultaneously
00:33:54
bends down to bump their foreheads with a smile
00:33:56
or at each other, women like a
00:33:59
medieval
00:34:01
nobleman makes a deep bow,
00:34:02
intricately waves his hat, the polisher sees
00:34:07
a woman behind the orcs spinning in a waltz behind the
00:34:09
auton existing district columns standing
00:34:11
on the second floor leaning against the vaccine against
00:34:13
cars with burning sparklers
00:34:31
only the program a big change
00:34:40
refused to celebrate the New Year nothing
00:34:44
we will do without
00:34:45
and crying and the second
00:34:59
entertainer will not fit into
00:35:01
the light us those who will compete
00:35:04
enters high a thin man with a beard
00:35:06
and a mustache with a brush, I got there, hello, they shake
00:35:14
hands
00:35:19
today correctly and
00:35:34
you want the people to give
00:35:35
your lecture, I’m punching light Russia
00:35:40
to activate be only I can’t and you’ll
00:35:46
leave, you go,
00:35:49
what should we do, downloads first
00:35:55
and then the mustache lingers, takes the
00:36:02
lecturer to touch, says convincingly, the
00:36:04
lecturer lifts eyebrows and daughters in the hall,
00:36:08
professor, please
00:36:12
come in, get acquainted with the artistic
00:36:15
design of our bouquet, very much indicate
00:36:18
on the basis of what is now interfering with communication,
00:36:21
dragging around in the advancing mood,
00:36:28
my dear, I can’t now your lectures and
00:36:32
in general the grocery store is calling cash, of
00:36:34
course we can’t have a drink in the ring once again, we
00:36:43
met you, mustache artist
00:36:46
very nice very Nikodimov lecturer
00:36:48
distributing things with you at stake
00:36:51
darling I have lectures lecture of the year I am
00:36:54
fond of car-duck space
00:37:00
space lecturer takes a highly steamy
00:37:04
pose antennae puts a glass in his hand
00:37:06
darling multiply lectures be healthy
00:37:11
allow into the giant well comrade yes you
00:37:15
just look at this mass
00:37:22
[applause]
00:37:45
[applause]
00:37:50
[applause] the
00:37:54
spacious hall in front of the stage, roll up the
00:37:56
yellow curtain, the guests sat down at
00:37:58
the tables
00:38:03
in a light jacket behind the curtain that he will not
00:38:16
come out, the
00:38:25
musician of the light ones lie as he runs out onto
00:38:27
the stage, the curtain opens in the center of the stage
00:38:30
decorations in the form of an alarm clock and height
00:38:33
meters, take it off, the arrows show
00:38:35
five minutes to twelve
00:38:37
[music]
00:38:44
I’ll sing you a song about five minutes,
00:38:48
this is my song, let it fly
00:38:52
around the world, I give you 55 minutes,
00:38:59
I’m leading
00:39:01
oh, the number is just five minutes, five minutes
00:39:15
can be done 5
00:39:19
[music]
00:39:26
musician askance us 12 5
00:39:30
new year is probably already on the way to us a little
00:39:34
and at full speed we’ll tell you again
00:39:41
[music]
00:39:48
he’ll run
00:39:50
and touched dear friend is in a hurry sighted
00:39:54
from the minutes don’t need that
00:39:57
unspeakably tell
00:39:59
the core
00:40:01
hurry up
00:40:03
what unspeakably let’s say five minutes
00:40:12
people sometimes decide not to get married for anything and
00:40:16
never
00:40:19
[music]
00:40:35
[music]
00:40:45
[music]
00:40:59
[music] the
00:41:06
alarm clock on the stage shows 12
00:41:11
telegins click your wife
00:41:13
[music]
00:41:15
polisher become walking two young people
00:41:17
turn to the oldest between them the
00:41:19
girls move towards her she crouches the
00:41:21
young people kiss each other
00:41:24
Lena 5 visible clearly and tsos surrounded and and
00:41:27
guests
00:41:31
in the hands of musicians glasses clinking glasses guests
00:41:35
raise their hands many shake
00:41:37
carnival hats on the shoulder of one
00:41:39
young man syrup and he waves a
00:41:41
sombrero some guests stood up mugs
00:41:44
a man in a vest raised his hand with a
00:41:46
bottle of champagne the guy near
00:41:49
whom she performed a fragment about
00:41:51
us soon shakes a pointed
00:41:53
cap
00:41:55
[music]
00:42:11
[applause]
00:42:25
[music]
00:42:31
[music]
00:42:37
got to the sample came out of the encirclement and
00:42:40
now will be here to help us only you
00:42:43
say you can bet a free
00:42:47
evening the person is going to make a report and
00:42:48
so in her pocket most
00:42:50
courts do what - the magician in the
00:42:52
shuttle with a feather nods affirmatively and the spa
00:42:55
of help raises the palm of the cucumbers
00:42:59
let me greet you from the
00:43:01
workshop workers hello hello the stack
00:43:04
hugs that cucumber snook procession of the
00:43:07
day fast puny
00:43:17
dream
00:43:19
sleight of hand and no report
00:43:22
crazy the magician takes out sheets of paper from his sleeve
00:43:26
on stage scenery in the form the mansion
00:43:29
sat down behind it, there are cucumbers, he waves his hand,
00:43:31
he opens the plywood door, he comes forward
00:43:36
[applause]
00:43:42
the box, first of all, let me
00:43:44
congratulate you on the New Year and wish you
00:43:46
everything, it seems good
00:43:49
[applause]
00:43:58
[music]
00:44:02
lowers his hand by the elbow,
00:44:08
then another first one sits on the
00:44:15
cucumbers shoulder and takes it out a pistol sticks out of its barrel, a
00:44:18
bright figlia takes a handkerchief from his
00:44:20
pocket, applies it to his
00:44:21
bookmarks, a multi-meter chain
00:44:24
of handkerchiefs stretches, I don’t mean pockets
00:44:28
above his head abu soma, a rainbow umbrella takes off,
00:44:31
coloring by Novikova
00:44:34
[applause]
00:44:37
Friday from the stage holding an umbrella over his
00:44:40
head passes by two or with them not
00:44:42
so pouring popularity there is no sprinkling behind the
00:44:50
stage of cucumbers holding an umbrella over his head we are
00:45:07
rushing to create the mood that you
00:45:10
need pop the yacht ready potatoes as an
00:45:15
equal
00:45:16
let go of the mustache and see the swinging
00:45:19
lecturer he leans on his shoulders the
00:45:20
mustache puts a briefcase in his hand
00:45:23
pushes in the direction of the stage
00:45:24
winks with two with the eyes of laziness the lecturer
00:45:27
returns kisses the mustache will
00:45:32
fall off his head the hat mustache
00:45:34
rounds his eyes Lena puts his hand on the
00:45:36
cards the lecturer rushes between the trees on the stage
00:45:43
turns to the curtain
00:45:47
goes to the proscenium made a mistake at the bottom of the
00:46:03
asterisk on whether and it’s
00:46:07
only worth it for us five telescope
00:46:10
collector holds his hand as if outside the market
00:46:12
brings it to mouth and look with the naked
00:46:15
eye there is no life on Mars this
00:46:31
is unknown to science science is not yet in the know
00:46:37
lets out fighters peeks out from behind the fir trees
00:46:44
widens his eyes electro dances lezginka
00:46:47
alternately throws one hand to the
00:46:49
side of the other avoids and presses his
00:46:50
friends walks on half toes almost
00:46:55
falls off the stage consultation on half fingers
00:46:59
alternately ejector flags
00:47:01
roles ogurtsov rises and falls in
00:47:04
time with the rhythm
00:47:06
selector makes a U-turn near the skid
00:47:08
cucumbers grabs him by the hem of his jacket but
00:47:10
throws off the curtain
00:47:14
what is it I ask him how about our
00:47:21
daughter
00:47:23
[applause]
00:47:26
ogurtsov shoulder push lecturer Ingram
00:47:30
hand Grisha notepad feel comrades
00:47:33
I'm going on stage, just don't play around, I'm
00:47:37
not worried at all, you love the mustache, Grisha
00:47:40
gives a glass, a banquet, accounting, absolutely
00:47:44
calmly,
00:47:45
advice, a glass, a pocket, I would go, Elena took
00:47:49
him out, a blow, Grisha gets tangled up in the
00:47:57
curtain, swaying from one foot to the other,
00:47:59
comes forward, his
00:48:01
comrade scaredly darted into the curtain,
00:48:09
comes forward
00:48:12
in vain By the way, you laugh, a person
00:48:16
can say for the first time in his life he went
00:48:18
on stage and would tell him
00:48:20
the bells of actions you laugh, let's
00:48:24
ring acted saw also the other one
00:48:28
does you know how difficult it is to do the
00:48:30
first time a song to sing for the first time is difficult to take off
00:48:32
on the field it is difficult and how difficult it is to
00:48:36
say the first once in my life I love you
00:48:38
and I’m shot down, hear then I’m not for you,
00:48:42
there are probably victims who heard the most
00:48:46
important thing is not to get lost, but more on that later,
00:48:50
and now a musical group of pensioners will perform in front of you, the
00:48:54
pension and dance ensemble,
00:49:00
and let me forgive you, the song and
00:49:02
dance ensemble will perform a little-known
00:49:05
cantata of the composite you have experienced a
00:49:08
strong inflection of thousands with a christening
00:49:14
grey-haired conductor almost leans into
00:49:17
all the musicians gray hair and beard
00:49:19
[music]
00:49:28
sitting on the balcony cucumbers stops
00:49:31
smiling
00:49:32
[music]
00:50:26
three musicians standing on a dais
00:50:28
do a backflip lands on the
00:50:30
stage walk on it threesome do when
00:50:34
you click on the accordionist is walking on stage, the chair is leaning on his
00:50:38
shoulders, the chair is sitting on it, the
00:50:42
musicians are tearing off the false mustaches and beards, they are taking off their outfits,
00:50:45
bowing and you understand,
00:50:50
standing near the wings, she bit her lip,
00:50:53
excited, clenching her fists, the man at
00:50:56
the table takes a bottle of Stolichny, so he
00:50:57
fills a glass on stage, girls in soft
00:51:01
golden dresses with trumpet Chinese
00:51:03
umbrellas in his hands pushing
00:51:07
people cucumbers along the way makes his way to the stage Grisha
00:51:19
turns the handle of the cucumbers lowers himself
00:51:21
into the hatch
00:51:22
[music]
00:51:24
telegina his wife burst into laughter
00:51:27
applauds the dancers split into pairs
00:51:30
walk on pointe shoes holding each other by the
00:51:32
waist going out to the proscenium impressively
00:51:37
waves his umbrella disperse in
00:51:39
different directions
00:51:40
[music]
00:51:47
turn umbrellas to the side of the halls
00:51:49
forgive and
00:51:50
[applause]
00:51:51
[music]
00:51:52
put umbrellas on shoulders
00:51:55
curtsey [music]
00:51:58
watching the table men in vests
00:52:01
actively applaud March smoking
00:52:02
get up
00:52:03
[applause]
00:52:05
sees cheerful art makes old
00:52:09
people young
00:52:10
boxes in bold look into the hall you
00:52:14
see our waiter Vera Nadi is working and we
00:52:17
love you probably think only
00:52:20
ice cream I serve they are falling with great
00:52:23
hopes girls they are modest
00:52:25
today they are not themselves let’s say shoulder
00:52:35
[music] [music
00:52:44
]
00:52:50
[music]
00:52:55
[music]
00:53:01
holding their skirts spins in unison
00:53:05
[music]
00:53:08
[applause]
00:53:09
[music]
00:53:14
[applause]
00:53:17
[music]
00:53:20
two guests
00:53:22
[music]
00:53:25
[applause]
00:53:27
guests in costumes of images from the song worth
00:53:30
getting confused ntk they take their hands the
00:53:32
left without a pair musketeer waves his
00:53:34
cloak of cucumbers then the box lid
00:53:46
closes [music]
00:53:55
[applause]
00:53:57
[music]
00:54:18
and dislikes synchronously 2t
00:54:20
[music]
00:54:26
1
00:54:27
[music]
00:54:34
bow
00:54:36
[applause] a
00:54:39
box with a cucumber is raised to you by the
00:54:41
arrival on stage of two men in
00:54:46
black Mexican
00:54:48
costumes embroidered with gold on the right parables of a red
00:54:49
cape in the hands of a sombrero
00:54:51
[music ]
00:54:55
[applause]
00:54:56
[music]
00:55:00
[applause]
00:55:01
[music] [ applause]
00:55:04
[music]
00:55:05
[applause]
00:55:07
[music] [
00:55:13
music] [applause]
00:55:17
[music]
00:55:41
[applause]
00:55:43
[music] the
00:55:47
sides go down the 5 steps the hall
00:56:01
making it id sit down at one of
00:56:03
the tables, one pulls the pack to the other there,
00:56:05
leave the color there, I'm going to announce
00:56:20
Grisha quickly leaves, Lena follows him,
00:56:23
freezes, lowers his head
00:56:28
[applause]
00:56:30
the curtain spreads to the sides, the magician
00:56:32
than I in a black cloak bows his head
00:56:35
to the left and to the right of him, girls in oriental
00:56:38
clothes with large copper under but in their
00:56:40
hands the magician beckons Grisha he
00:56:42
hesitantly approaches the magician
00:56:46
stretches out his hand makes
00:56:47
several passes over it to the site the removed
00:56:49
cloak points to her sins in the direction of the scenes
00:56:52
Gesha leaves the magician spreads his hands the girls
00:56:56
approach him
00:56:57
stand up holding a tray and to the right and left the
00:57:00
magician covers one from under his nose with a
00:57:02
colorful handkerchief
00:57:03
waves his hands over it pulls off the
00:57:06
tray lift the tray a cardboard lantern
00:57:09
waves his hand over the old one under his nose
00:57:11
lifts the lantern from it gives it to his
00:57:14
assistants then leaves
00:57:16
[music]
00:57:25
your
00:57:27
Valdai watch one likely questioning
00:57:29
magician shows a man and guys a
00:57:32
black box with a drawer
00:57:34
get your nose the guy puts
00:57:37
a tie in it and the men watch
00:57:39
[music] the
00:57:43
magician closes the box and makes
00:57:46
a pass over it tap on it with his
00:57:48
fingertips pulls out the drawer competition guy a
00:57:52
man looks into the box the man
00:57:54
attacked you and is afraid the eaters of it
00:57:56
stock up the magician raises the gun
00:57:59
points it up at an angle of 45
00:58:01
degrees, a box is lowered onto the stage, the
00:58:14
cucumbers of the confused assistant are chosen from it,
00:58:18
only you like it, the
00:58:25
focal ones gave your hand to the cucumbers, then
00:58:28
jump onto the stage and the systems and stalled on the
00:58:30
people, the curtain closes award for
00:58:33
threatens the magician with his finger, the magician
00:58:37
accidentally points a gun at the cucumbers
00:58:39
live how are you there and your ate that backing away I will
00:58:43
disperse all of you I will stop this
00:58:47
disgrace the magician of the
00:58:50
problem monologue of the snow runs away in fright the watch
00:58:53
Alsou point out the paired men to their
00:58:59
pockets the grandfather has a tie and a watch
00:59:03
Misha on the stage
00:59:05
we all know our
00:59:07
venerable accountant Fyodor Petrovich
00:59:08
and the mirror and to whom unknown
00:59:10
historical phrase come back later the
00:59:12
cashier left for the bank today from Fedor
00:59:15
Petrovich and you will hear completely different
00:59:17
words fable because 5 at the ball and the platforms are melting by hand the other day
00:59:26
on the cannons under the pine tree and the
00:59:30
forest raccoon fell, the hedgehog deer and the line
00:59:33
danced the dance the hare under the
00:59:37
bush will give sparks
00:59:38
performed a personal resemblance licked squirrels
00:59:41
and frogs everyone drank clinking
00:59:44
glasses race duo managed two cuckoos two soldi
00:59:48
for well and ditties how fun it was in the forest
00:59:51
and suddenly a bear
00:59:54
appeared in the forest and immediately climbed into everything
00:59:58
why the badger sat on a branch why the ferret
01:00:02
entered the stall and why raccoons mole
01:00:06
dancing tango and foxtrot from these why
01:00:10
why suddenly it became boring all at once all and a moment
01:00:14
green world fishing line
01:00:16
came green board morality
01:00:20
easy to understand why the
01:00:24
bear Peter Petrovich came to the ball bow returns with
01:00:27
you sat under the keel I mention the corpses of
01:00:30
cucumbers listened Adam Smith smiling smugly
01:00:33
[applause ]
01:00:35
rectifiers binky shaft his wife's
01:00:38
side is
01:00:55
good, now he will speak in front of you,
01:01:42
you all know well, the managers of our
01:01:44
library Adelaide settled on
01:01:46
Romashkina
01:01:51
Adelaide Kuzminishna you zumrud on a
01:01:54
green dress stands near the piano on her
01:01:56
shoulders and a gas ball falls behind her back she
01:01:58
nervously squeezes Fedor Petrovich took off his
01:02:47
glasses face of
01:02:48
admiration
01:02:49
[music]
01:02:52
sounds
01:02:54
[music]
01:02:56
everything that you didn’t give away you’ll change the
01:03:35
housewarming on you stage
01:03:40
does several pirouettes keep your arms out
01:03:43
to the sides
01:03:44
[music]
01:03:52
[music]
01:04:02
and
01:04:13
[music]
01:04:20
inexpensive
01:04:21
[applause]
01:04:44
behind the closed curtain the girls applaud
01:04:48
Adelaide Kuzminishna you
01:04:51
you performed wonderfully, I would have imagined completely differently
01:04:55
that what is opposite Grisha on
01:05:01
the balcony next to the office directs him to the
01:05:03
stage to put his head to him
01:05:05
smiles dreamily or on a black
01:05:09
satin dress his hands are white muff if you
01:05:12
leave the house with a frown and an unfamiliar
01:05:27
decent guy
01:05:29
and I can without a doubt
01:05:38
[music]
01:05:49
if your beloved friend in fireworks is very
01:05:53
often the one who loves salt in vain you look at
01:05:58
each other sometimes
01:06:05
[music]
01:06:10
suddenly touches us
01:06:14
[music]
01:06:26
if someone else is thrown into misfortune and
01:06:30
let
01:06:33
people give you their heart for now 2
01:06:40
holiness home remember
01:06:45
[ music]
01:06:53
[music]
01:06:59
behind me, in a semicircle, a
01:07:01
boy and a girl are standing, moving as if
01:07:03
skating on the right and seat leon
01:07:05
100 guys, sulfur synchronously rotates,
01:07:08
turns sideways at the bail, they take
01:07:10
several dance steps forward and
01:07:11
back, entering in a criss-cross pattern,
01:07:16
goes to the front of the stage to do happens
01:07:24
[ music]
01:07:36
[applause]
01:07:42
the guests are spinning in a waltz in front of the stage at the
01:07:46
table Fyodor Petrovich
01:07:47
on the head of the arches you will change groping
01:07:49
to take a small sip a
01:07:53
hot air balloon flies above the dancers and in different
01:07:55
places the hall crosses streamer ribbons
01:08:02
only to take it away from the face - the monkeys
01:08:10
repeat the broker wants the carnival to
01:08:15
write the local mastic and cs5
01:08:19
performing
01:08:20
again looking at her cucumbers freezes
01:08:23
we face became a mask time how our
01:08:32
tasks are cultural
01:08:35
events in the hall
01:08:46
amateur performance participants Troy moon you can
01:08:49
rings let's camera and
01:09:12
it's through the air and the rumble is hidden
01:09:53
majestic about what but the fact that they
01:09:56
found your street fool
01:09:57
I'll pass . repent puts the sheet of paper on the table
01:10:00
cucumbers he takes out a fountain pen from his pocket
01:10:02
signs the paper
01:10:06
the dance continues at the table near the
01:10:09
column are there pieces of antennae sitting on the roofs
01:10:12
and the conductor in Grisha's hand the apple of the antennae
01:10:15
fills the glasses with champagne since you
01:10:24
won't everyone rise up Lena and Grisha
01:10:28
stand close to each other shyly
01:10:30
smiling necessarily streams
01:10:33
takes a small sip from the glasses the
01:10:34
remaining days slowly sit down between
01:10:37
them a man appears in a black mask with a
01:10:39
long nose
01:10:40
let
01:10:43
me dance
01:10:44
[music]
01:10:47
maybe I too why maybe where
01:10:51
shyness and indecisiveness come from necessarily when
01:10:53
dancing
01:10:54
Grisha’s cup rises does she take his hand
01:10:57
Having gone down to the hall they are spinning in a waltz, and
01:11:01
now they are already there, Happy
01:11:05
New Year, Grisha kisses Lena on the
01:11:07
cheek, why are you all looking around, how are
01:11:08
you not ashamed of
01:11:10
your happiness? Grisha, well, is it
01:11:16
good to close your eyes, is she
01:11:21
shaking her head negatively, do you love me like that,
01:11:25
honestly yes legality kiss
01:11:31
Grisha would like to learn inspired twirl
01:11:35
in a fast Vasya is dancing next to them
01:11:38
Telegin with his wife and come on Kuzminishna
01:11:40
with a bucket Petrovich and a polisher of articles
01:11:42
Dasi on the dancers covering their hair and shoulders
01:11:45
candy is pouring
01:11:46
on the clock for five minutes 7 types
01:11:49
commenting made by the branch of
01:11:51
scientific research films photo
01:11:53
institute not quick joint stock company
01:11:55
film studio named after Gorky with the support of the
01:11:57
Ministry of Culture of Russia those warmth
01:12:00
comments prepared by Stephanie for
01:12:01
the project in you film
01:12:03
[music]
01:12:08
ogurtsov just a minute I
01:12:11
officially declare that for everything that
01:12:15
happened here today I personally do
01:12:18
not bear any responsibility
01:12:20
instructively nods an inscription appears on a blue background
01:12:24
the end of the film

Description:

Данная версия фильма сопровождается тифлокомментированием - описанием предмета, пространства или действия, которые непонятны слепому (слабовидящему) без специальных словесных пояснений. Ссылка на официальный Youtube канал Мосфильма: https://www.youtube.com/c/MosfilmRuOfficial Комедия Эльдара Рязанова "Карнавальная ночь" Команда молодых работников клуба готовится к встрече Нового года. Они задумывают провести интересный и веселый праздник, но, на беду ребят, их берется контролировать директор клуба Огурцов — бюрократ, буквоед и чинуша. Собрав всех в своем кабинете, он подробно рассказывает о «своем видении» того, как правильно и полезно провести новогоднюю ночь. Организаторы понимают, что Огурцов собирается вместо праздника преподнести гостям клуба некий коктейль из смотра художественной самодеятельности и партсобрания. И тогда молодежь решает хитростью обойти недалекого начальника, чтобы организовать настоящий новогодний бал. Режиссёр: Рязанов Эльдар Сценаристы: Ласкин Борис, Поляков Владимир Композитор: Лепин Анатолий Оператор: Кольцатый Аркадий Художники-постановщики: Ефимов Константин, Гроссе Олег В ролях: Юдин Геннадий, Гурченко Людмила, Ильинский Игорь, Тутышкин Андрей, Белов Юрий, Зельдин Владимир, Филиппов Сергей, Куликов Георгий, Носова Тамара, Петкер Борис Смотрите наши фильмы - на сайте http://кино-мосфильм.рф Подпишитесь на наш канал и страницы в социальных сетях! ВКонтакте: https://vk.com/club20286388

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