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Download "Martha Is Dead - Gameplay - Part 2"

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Martha Is Dead - Gameplay - Part 2
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  • ruRussian
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00:00:12
oh yet another nightmare
00:00:15
she entered my dreams once more
00:00:18
maybe she wants to talk to me
00:00:21
what am i saying fairy tales coming true
00:00:24
yet i feel
00:00:26
no no these are the thoughts of a crazy
00:00:27
person and i'm not crazy
00:00:41
oh damn it what's all this blood i'm not
00:00:44
julia and there's a lot more than usual
00:00:46
what's happening to me
00:00:48
am i going to be joining martha sooner
00:00:50
than i thought i have to wash up and do
00:00:51
what needs to be done if i'm sick i have
00:00:54
little time the truth awaits me
00:00:56
it must be hidden within those roles
00:01:29
what am i thinking i would stain my
00:01:31
clothes with blood
00:02:08
that's better
00:02:10
but i still don't understand all of that
00:02:12
blood
00:02:14
that's never happened to me before but
00:02:16
i'm not going to tell my doctor
00:02:18
otherwise he'll make me stay in bed and
00:02:20
rest
00:02:29
this dress is only for special occasions
00:02:43
it's very rude but i could pick up the
00:02:45
phone and listen to their conversation
00:02:53
how are you doing today
00:02:54
i'm worried father
00:02:56
very worried
00:02:58
we found more partisan tracks in the
00:02:59
woods right next to the house that lapo
00:03:03
i suspect he may be involved in the
00:03:05
death of no please don't say that it's
00:03:07
not possible
00:03:08
i know the boy and i don't father
00:03:10
anything is possible in these dark times
00:03:13
anything
00:03:14
that boy didn't even come to say goodbye
00:03:17
to julia
00:03:18
didn't they love each other dearly he
00:03:20
must be terribly scared and julia always
00:03:23
used to say that yeah sure she used to
00:03:25
say they were just friends but you know
00:03:27
too right friends are not supposed to do
00:03:30
such things father or are they but
00:03:33
anyway you're defending them both you my
00:03:36
husband and even the nanny who deep down
00:03:39
is a good woman the nanny i believe the
00:03:42
nanny is the one who hurt julia with her
00:03:45
evil passion for those cards they are
00:03:47
cursive things
00:03:49
i hope you made them disappear
00:03:51
of course i keep them safe in my room
00:03:54
anyway you must forgive me father i have
00:03:56
to go they've come to pick me up have a
00:03:58
good day you too
00:04:01
lapo's involved in martha's death my
00:04:04
mother is losing her mind again
00:04:06
how could anyone even imagine such
00:04:08
nonsense
00:04:09
and donatello he is a great friend but
00:04:13
what a weird view
00:04:14
those cards are just a game
00:04:16
but most importantly they're mine
00:04:19
why on earth did they take them from me
00:04:22
new ordinance for the safety of citizens
00:04:25
from this moment on it is forbidden for
00:04:28
anyone to leave their homes and walk the
00:04:31
streets of san casiano all windows
00:04:34
including cellars house entrances and
00:04:37
doorways must remain closed night and
00:04:40
day
00:04:42
[Music]
00:04:54
who are on the street or who are found
00:04:56
looking out of their windows i shall
00:04:59
repeat for clarity 25 iso films when the
00:05:02
sun is high in the sky it's perfect
00:05:05
it is forbidden for anyone to leave
00:05:07
their homes and walk the streets of san
00:05:10
casiano all windows including cellars
00:05:14
house entrances and doorways must remain
00:05:17
closed night and day the population are
00:05:20
advised to stay in their cellars or
00:05:23
where these do not exist
00:05:25
churches and other large buildings the
00:05:27
patrols of german armed forces have
00:05:30
orders to shoot at people who are on the
00:05:32
street
00:05:33
or who are found looking out of their
00:05:35
windows
00:05:40
dear mother
00:05:41
this is hard but i have something to
00:05:43
tell you
00:05:44
i found out that julia is pregnant
00:05:47
go to the lake tomorrow morning at seven
00:05:49
and watch her as she bathes you'll see
00:05:52
that her tummy is growing
00:05:54
martha
00:05:55
what i'm not pregnant
00:05:58
why is everything becoming even more
00:06:00
confusing
00:06:01
i'm searching for an explanation but
00:06:03
instead i'm left with more questions
00:06:20
here are my cards
00:06:22
nanny and i always used to play with
00:06:23
them she would predict my future and i
00:06:26
pretended to predict hers
00:06:28
the future was always good for everyone
00:06:31
maybe when she read them she saw my true
00:06:34
future which she hid for me or more
00:06:36
likely these cards are actually just a
00:06:39
stupid game to reassure and deceive
00:06:41
oneself with
00:06:42
but deceiving oneself is sometimes
00:06:45
necessary
00:06:47
how can we live happily otherwise
00:06:57
ramallah 15th of july 1944
00:07:02
dear mrs renee
00:07:04
i'm writing to let you know that all is
00:07:05
well here at the villa
00:07:07
thank you for being so considerate and
00:07:09
caring
00:07:11
i apologize for the simplicity of the
00:07:13
housing you were forced to live in
00:07:15
i also locked the room where the little
00:07:17
one used to stay as requested i've left
00:07:19
you the key it is the one with the pink
00:07:21
key ring
00:07:22
try to stay safe
00:07:24
best regards nani
00:07:27
why on earth did mummy have that door
00:07:29
locked it was my room what is she trying
00:07:32
to hide
00:07:33
perverton again i feel like these pills
00:07:36
do nothing other than agitate her
00:08:00
[Music]
00:08:04
so
00:08:18
the superior commander of the german
00:08:20
federal armed forces announces
00:08:23
one
00:08:24
whoever is in possession of weapons or
00:08:26
explosives not reported to the german
00:08:28
headquarters will be shot
00:08:30
2.
00:08:31
whoever harbours bandits and or protects
00:08:34
them and provides them with clothing and
00:08:36
or weapons will be shot
00:08:38
3.
00:08:39
whoever is aware of the existence of any
00:08:42
rebel groups or even lone rebels without
00:08:44
reporting them will be shot
00:09:04
[Music]
00:09:44
red filter for super high contrast
00:09:46
photos
00:09:47
with this lens everything gets bigger
00:09:50
this lens increases the framed area it
00:09:53
allows me to fit more into the image
00:09:58
i have to be careful and keep the volume
00:10:00
down as i listen
00:10:01
i must go unnoticed
00:10:03
i am meant to be deaf after all
00:10:07
ready
00:10:08
julia
00:10:10
you ready sure daddy i'm good to start
00:10:13
i've already started recording
00:10:15
no my voice will sound awful no way come
00:10:18
on
00:10:19
didn't you want to study singing anyway
00:10:22
no no no i was young and stupid when i
00:10:25
said that okay
00:10:27
ready
00:10:28
go
00:10:29
oh how nice
00:10:31
it's the rehearsal for last week's
00:10:32
concert
00:10:34
i never heard the recording
00:10:36
but i was right my voice is awful
00:10:39
cannot be called singing
00:10:41
anyway it's time i develop these film
00:10:43
roles
00:10:44
i can't wait any longer
00:10:46
i wish i could just stop time
00:11:01
these images could change everything i
00:11:03
cannot bear the fact that i may have
00:11:05
hurt martha
00:11:06
i would rather die
00:11:08
damn my head in these memory lapses such
00:11:11
a pain not remembering it's like getting
00:11:14
lost inside yourself
00:11:51
i'm carrying martha to shore i'm trying
00:11:54
to save her my memories although fuzzy
00:11:57
do match reality
00:11:59
i feel a little better
00:12:01
now i can
00:12:02
find out who really hurt martha
00:12:05
maybe i should meet with the white lady
00:12:07
she might be able to tell me something
00:12:10
is this crazy talk
00:12:12
yes definitely but what's normal about
00:12:14
any of this
00:12:16
maybe you have to be a little crazy to
00:12:17
get anything done
00:12:30
um
00:14:05
lost schnapps
00:14:08
[Music]
00:14:17
[Music]
00:14:35
what is going on here
00:14:37
what are the soldiers doing
00:14:39
it's dangerous i know but i want to
00:14:41
follow them and see what's happening
00:14:57
[Music]
00:15:02
[Laughter]
00:15:08
oh god please no
00:15:11
my dear friend
00:15:13
what have they done to you
00:15:21
[Music]
00:15:24
the handkerchief
00:15:26
[Music]
00:15:28
at least that is left of you
00:15:34
[Music]
00:15:44
dear julia
00:15:46
are you surprised that i've addressed
00:15:48
this to you and don't think you're dead
00:15:50
everyone calls you martha now right
00:15:53
i know you too well
00:15:55
i can never understand why no one else
00:15:57
can ever tell you apart
00:15:59
not even your own mother and father
00:16:02
martha is gone and i cannot reconcile
00:16:05
myself
00:16:06
[Music]
00:16:10
oh
00:16:14
[Music]
00:16:54
i thought
00:17:04
i'm dying i thought but strangely enough
00:17:07
i wasn't afraid
00:17:08
in fact i was almost relieved
00:17:11
when i returned i found myself once
00:17:14
again in the midst of a bad dream
00:17:17
one whose meaning i did not understand
00:17:20
at the time
00:17:25
[Applause]
00:17:31
[Applause]
00:17:37
[Music]
00:17:42
i give you back
00:17:45
[Music]
00:17:49
i keep
00:17:54
[Applause]
00:18:01
[Music]
00:18:07
[Music]
00:18:12
[Applause]
00:18:19
if
00:18:26
[Music]
00:18:30
[Applause]
00:18:37
i give you back
00:18:39
[Music]
00:18:49
[Music]
00:19:00
[Music]
00:19:04
[Applause]
00:19:08
now
00:19:14
[Music]
00:19:22
[Music]
00:19:31
[Music]
00:19:36
two sisters were destined to die
00:19:40
julia the first sister and martha ii
00:19:45
on julia's day of departing
00:19:47
identical twins stood before me
00:19:50
impossible to tell apart
00:19:52
they questioned my presence since they
00:19:54
were still so young
00:19:58
julia must come with me i demanded
00:20:01
but they both claimed to be martha
00:20:05
i explained that martha's fate was soon
00:20:07
to be the same
00:20:09
and their games were useless
00:20:11
i didn't have time for it the war was
00:20:14
keeping me busy
00:20:17
but they didn't concede and instead kept
00:20:20
insisting
00:20:22
can we follow you together
00:20:24
no
00:20:25
impossible
00:20:27
are you sure martha will die too
00:20:30
nothing is certain in wartime
00:20:34
what if the wrong person went with you
00:20:38
then you would have cheated death
00:20:41
one would die unjustly
00:20:44
and the other would simply be delaying
00:20:46
her fate
00:20:48
they discussed amongst themselves then
00:20:50
hugged before one of them came forward
00:20:53
she stayed in a determined almost
00:20:56
threatening manner
00:20:59
i guessed it was martha sacrificing
00:21:01
herself
00:21:02
giving more time to her sister
00:21:05
but i stayed silent not to reveal their
00:21:09
failed deception
00:21:10
no one lies to the face of their own
00:21:13
death
00:21:14
so i asked how their choice was reached
00:21:18
we do lots by throwing a medallion
00:21:21
she said quietly
00:21:23
they had trusted in fate
00:21:26
oh how naive they were they knew fate
00:21:31
plays by its own rules which is true
00:21:35
but it is also my ally
00:21:37
fate never would have allowed the wrong
00:21:40
girl to follow me
00:21:43
in that case
00:21:44
my work was done
00:21:46
she must have been julia
00:21:50
however
00:21:51
little to my knowledge at the time
00:21:54
that blasted medallion had the same name
00:21:57
engraved on both sides
00:22:01
martha's
00:22:03
so
00:22:04
my first assumption was correct they
00:22:06
were too damn smart and had fooled both
00:22:10
fate and me
00:22:13
one thing is for sure
00:22:15
i'll put things back where they belong
00:22:18
i will correct my ignorance and give
00:22:22
fate back it's blindfold
00:22:39
damn this hurts so bad
00:22:42
i can hardly breathe
00:22:56
so
00:23:12
no no no my bag is not here my diary
00:23:16
lappo's letter
00:23:22
how is she
00:23:24
how is my daughter
00:23:26
please doctor
00:23:29
please give me good news
00:23:31
it's a miracle she's alive eric but she
00:23:34
will be all right
00:23:40
the bullet passed right by her heart and
00:23:42
exited her chest unbelievably it missed
00:23:44
her lungs spine and heart
00:23:47
she could have been paralyzed or died
00:23:49
but thankfully she's fine
00:23:52
i examined her thoroughly
00:23:53
she didn't even lose that much blood she
00:23:56
was lucky
00:23:57
and you were lucky so to speak she was
00:24:00
lucky that my wife went for a walk in
00:24:02
the woods
00:24:03
otherwise
00:24:05
otherwise she would have bled to death
00:24:07
yes i don't know what to say
00:24:10
all of this
00:24:11
it's too much
00:24:14
so much death and suffering
00:24:18
nothing more
00:24:20
don't worry eric she's young so she'll
00:24:22
recover quickly i'll be here all day
00:24:24
anyway thank you doctor for everything
00:24:28
do you mind coming with me to pick my
00:24:31
wife up from the cemetery
00:24:34
the funeral will start soon in the
00:24:36
chapel
00:24:37
of course not lead the way
00:24:41
you know
00:24:42
with all of this preparations for the
00:24:45
funeral
00:24:47
irina wants everything to be perfect
00:24:51
it's a way of coping
00:24:53
so she doesn't have to sing about
00:24:56
everything going on
00:24:58
she is a woman
00:25:00
who has suffered so much
00:25:04
maybe
00:25:06
too much
00:25:11
[Music]
00:25:17
there's my bag thank god
00:25:25
let's hope blappo's letter is in there
00:25:34
dear julia are you surprised that i've
00:25:36
addressed this to you and don't think
00:25:38
you're dead
00:25:39
everyone calls you martha now right i
00:25:42
know you too well
00:25:43
i can never understand why no one else
00:25:46
can ever tell you apart
00:25:48
not even your own mother and father
00:25:50
martha is gone and i cannot reconcile
00:25:53
myself to that fact i have to stay
00:25:56
hidden and sadly i can't run to you
00:25:58
even if i would love nothing more than
00:26:00
to hold you tight and cry together
00:26:03
no words
00:26:04
i just want to be close to you
00:26:06
can we meet in the barn tonight
00:26:08
i will try my best to be there around
00:26:11
midnight don't be alarmed but if things
00:26:13
get ugly please remember this number
00:26:16
6934
00:26:20
he knew he was in serious danger but
00:26:22
what about the letter i had it in my
00:26:24
hand when the soldiers ran off mommy
00:26:27
found me and if she's read it she hates
00:26:29
lappo and now she must know who i am no
00:26:32
no she probably would have left me there
00:26:34
to die go to the funeral in my underwear
00:26:37
sure why not
00:26:39
mummy would definitely appreciate that
00:26:41
before i passed out i must have put it
00:26:43
back in my bag there is no other
00:26:45
explanation
00:27:07
i would like to spend a moment with my
00:27:08
sister just me and her alone before
00:27:11
people arrive for the funeral and then
00:27:13
take her away
00:27:23
um
00:27:36
i should pick up the phone but remain
00:27:37
silent
00:27:39
if i let the caller speak first i'll
00:27:41
find out who it is
00:27:53
hello
00:27:54
mum
00:27:55
can you hear me
00:27:56
is there somebody there
00:27:58
mr eric
00:28:00
what's the nanny i can confide in her
00:28:03
nanny
00:28:04
hello it's me what hello
00:28:07
oh my lord i must be dreaming or
00:28:10
something
00:28:12
no nanny you're not dreaming it's really
00:28:14
me it's julia oh my god julia my little
00:28:19
sparrow how wonderful
00:28:21
sorry but
00:28:23
i thought you were dead
00:28:25
i i saw you lying there dead
00:28:28
this brings me so much joy that actually
00:28:32
you must explain to me my little sparrow
00:28:34
what is happening
00:28:39
i told nanny everything that had
00:28:41
happened
00:28:42
she was sad for martha of course but
00:28:44
very happy at the same time
00:28:47
i was the one she had a special bond
00:28:49
with
00:28:50
i explained to her that i wanted to try
00:28:52
and meet the white lady
00:28:54
even if i knew it was a silly idea but
00:28:58
she didn't think i was a fool
00:29:00
quite the opposite
00:29:02
she explained to me what i should do in
00:29:04
an attempt to meet her it was
00:29:06
complicated i noted everything down
00:29:08
carefully in my diary
00:29:10
who knows maybe she did it only to keep
00:29:13
me occupied
00:29:14
while deciding what to do with me and
00:29:16
who to warn
00:29:17
i won't ever know though because that
00:29:20
very same day
00:29:21
a bomb struck the villa and she died
00:29:24
they all died we should have been in
00:29:26
that house ourselves but instead
00:29:28
poor nanny
00:29:34
bye nanny
00:29:35
i love you
00:29:38
goodbye careful my little sparrow
00:29:47
martha was taken to the chapel for her
00:29:49
funeral i want to say goodbye to her
00:29:51
alone before everyone arrives
00:29:54
[Music]
00:30:42
so
00:30:45
[Music]
00:30:59
poor little one he's dead poor little
00:31:02
guy his place is by martha's side
00:31:10
nanny always calls me little sparrow
00:31:13
this is the part of me that died with
00:31:14
martha it'll be safe next to her
00:31:20
here martha
00:31:21
this is my heart
00:31:23
carry it with you
00:31:24
i'm starting to understand how painful
00:31:27
your condition must have been
00:31:29
not being able to properly communicate
00:31:30
with anyone is becoming increasingly
00:31:33
difficult
00:31:34
i envied you but i did not see your
00:31:37
suffering
00:31:38
i did not understand your courage
00:31:42
i miss you so much martha
00:31:44
i'm not worthy to dress in your clothes
00:32:01
commune of san casiano
00:32:03
province of florence
00:32:05
death certificate
00:32:07
from the register of death certificates
00:32:09
of this commune number 174 part 3
00:32:14
series 12 of the year 1944.
00:32:17
it is certified that on the day of the
00:32:19
16th of july of the year 1944
00:32:23
julia k has died
00:32:25
resident of villa patchabaya born in la
00:32:29
ramola
00:32:30
on the 26th of february 1923
00:32:34
the daughter of general eric
00:32:36
anderneke donati will give the funeral
00:32:39
and the esteemed mr alberto m who will
00:32:42
look after the burial in the cemetery of
00:32:44
la ramola telephone number 6537
00:32:48
the official state civil service
00:32:51
general galeazzo t
00:33:59
you've called this number
00:34:01
damn that must be dead then rest in
00:34:04
peace fair comrade
00:34:05
yes lapo is dead
00:34:08
i am dude
00:34:09
don't talk we don't need to know who you
00:34:11
are by calling this number it means
00:34:13
lappo wanted you to complete his work
00:34:15
a telephone cable near the house of
00:34:17
german general eric k has to be cut one
00:34:21
goes to the house but there's another
00:34:22
cable we suspect is connected to a
00:34:24
secret base that is the one that has to
00:34:26
be cut
00:34:27
if you see any german vehicles around
00:34:29
let us know immediately we won't use
00:34:32
this number anymore it's dangerous use a
00:34:34
telegraph that will be safer
00:34:37
i hope you know how to use them
00:34:38
otherwise you'll have to come up with
00:34:39
something this is important
00:34:41
frequency x before the message telegraph
00:34:45
town on fire to identify yourself long
00:34:48
live the homeland long live the
00:34:50
liberation
00:34:51
should i sabotage the cable and become a
00:34:54
spy i don't know my father is german it
00:34:57
would be like betraying him even though
00:34:59
he himself hates this war but what
00:35:01
happened to lappo and those guys
00:35:04
i can save someone's life
00:35:06
maybe i should try or maybe i can talk
00:35:09
to daddy about it he may be able to
00:35:11
advise me on what to do
00:35:13
don't even know the first thing about
00:35:15
all this
00:35:16
what were you thinking lappo
00:35:22
to cut the cable i will need sharp
00:35:24
scissors
00:35:25
taylor scissors should be fine
00:35:32
[Music]
00:36:38
a german tank
00:36:40
i have to report its location via the
00:36:42
telegraph hidden near the cowshed daddy
00:36:44
probably asked for a garrison after all
00:36:46
that has happened
00:36:48
i should report its location via
00:36:49
telegraph
00:36:55
this wire heads towards the house and
00:36:57
then keeps going so it must be the right
00:37:00
one
00:37:07
now all that remains is to go to the
00:37:08
telegraph near the barns
00:37:56
so
00:38:12
the telegraph must be hidden in one of
00:38:14
these feed bins
00:38:30
i have to start every message with the
00:38:32
code word i saw the tank on the road and
00:38:34
the road is near the house
00:38:37
i guess i have to communicate something
00:38:39
like that
00:39:09
food
00:39:20
feet
00:39:36
okay
00:40:05
they are asking me to find a map of the
00:40:07
defensive line
00:40:09
there is one in my father's study
00:40:47
uh
00:40:57
that raven is making a big fuss
00:41:07
maybe it's the same raven that killed
00:41:09
that poor sparrow
00:41:17
i hate bullying yet it seemed as if the
00:41:20
raven wanted to bring the little bird
00:41:22
back to life
00:41:29
[Music]
00:41:40
that's it hopefully the image comes out
00:41:42
clearly
00:41:58
ah
00:42:19
uh
00:42:38
[Music]
00:42:55
the print should be fine like this you
00:42:57
can see detail clearly
00:43:02
[Music]
00:43:14
[Music]
00:43:23
ah
00:43:53
uh
00:44:10
uh
00:44:26
ah
00:44:29
[Music]
00:44:37
[Music]
00:44:44
dress
00:44:45
it's made from the same fabric i found a
00:44:48
shred of next to the lake
00:44:50
in fact it is torn
00:44:52
it must be my mother's
00:44:54
my goodness
00:45:00
i started to suspect that mummy could
00:45:02
have been involved in martha's murder
00:45:05
lost in these thoughts hours passed
00:45:09
and i completely forgot about the
00:45:10
funeral
00:45:12
when i realized it was evening they were
00:45:14
already carrying the coffin towards the
00:45:16
cemetery
00:45:18
she never loved me i knew that well
00:45:21
but i would never have believed that
00:45:24
had it been her
00:45:26
i struggled to believe it but it made so
00:45:28
much sense
00:45:30
at the lake she must have thought martha
00:45:32
was me because she was convinced that i
00:45:34
was dead
00:45:37
[Music]
00:46:00
when the funeral ended i felt an
00:46:02
irresistible urge to play
00:46:05
i loved music
00:46:07
i started playing without thinking about
00:46:09
the possible consequences
00:46:12
i didn't care anymore
00:46:13
i needed to feel alive to exist again
00:46:24
what's going on here julia
00:46:28
is that you
00:46:29
no
00:46:30
it's not possible
00:46:32
martha's never played she's deaf yet no
00:46:37
this is madness my god so martha i
00:46:42
understand now
00:46:43
you can get all of the attention right
00:46:46
you were jealous weren't you
00:46:49
because she was a wonderful girl and
00:46:51
you're just a useless little [ __ ]
00:46:56
how did you manage to convince her i get
00:46:59
it now
00:47:00
but she
00:47:01
she talked to me i
00:47:04
i no
00:47:05
it doesn't make sense
00:47:08
i will have you locked up in an asylum
00:47:11
you here
00:47:12
that's enough
00:47:14
you will pay for what you've done you
00:47:16
cursed lunatic
00:47:18
they will torture you to reveal the
00:47:20
monsters in your head
00:47:25
her words were as sharp as blades
00:47:28
i tried to tell her that it wasn't me i
00:47:30
showed her the photos i developed that
00:47:32
proved my innocence
00:47:35
but she grew all the more angry calling
00:47:38
me crazy and then
00:47:40
she began to hit me with everything she
00:47:42
had at hand
00:47:44
i closed my eyes as more darkness began
00:47:47
to take over in me
00:47:49
memories came flooding back not memories
00:47:52
of actual past events
00:47:55
but more so of feelings
00:47:57
feelings i had when i was little
00:47:59
they were scary they were the fears of a
00:48:02
little girl
00:48:04
despite what had happened i went walking
00:48:06
in the woods early the next morning to
00:48:08
meet the lady
00:48:10
the evening before my father had tried
00:48:13
desperately to console me
00:48:18
talk to me julia
00:48:20
you know i love you
00:48:23
i just want to understand what happened
00:48:27
i am happy you are alive
00:48:31
even if we have lost mother
00:48:35
your mother was just in shock
00:48:38
she didn't want to hurt you
00:48:51
so
00:49:02
without all the necessary elements
00:49:04
there's no point traveling to the island
00:49:21
my dress
00:49:22
it could be the element that links my
00:49:24
world with that of the lady it has been
00:49:27
here for a few days in a place that is
00:49:29
both mine and hers
00:49:37
without all the necessary elements
00:49:39
there's no point traveling to the island
00:49:54
i don't know what i'm hoping to find but
00:49:57
what else can i do
00:49:59
i will hopefully see if one of these
00:50:01
graves is hiding something
00:50:03
i hope that the infrared film will show
00:50:05
me
00:51:43
[Music]
00:51:49
there's the grave i've been searching
00:51:51
for the spirit of a prisoner just like
00:51:54
the white lady he is trapped in this
00:51:55
world but they can no longer meet one
00:51:57
another
00:51:59
evil is separating them
00:52:03
[Music]
00:52:15
[Music]
00:52:53
if i wear this it should allow me to
00:52:55
make contact with her with this object
00:52:58
she'll have to hear me i have no doubt
00:53:02
now that i have everything i need to
00:53:04
communicate with the lady i can finally
00:53:06
go to the island
00:54:10
this simplified is nanny's husband's
00:54:12
pride and joy
00:54:13
he used to take me fishing in it many
00:54:15
years ago
00:54:16
i don't understand why my mother never
00:54:18
wanted me and martha to use it
00:55:15
this is the tree the lover was hung from
00:55:17
according to the legend
00:55:56
a roll of film it's the one that i was
00:55:58
taking out of the camera just before i
00:56:00
discovered martha's body
00:56:03
it should contain shots from before that
00:56:05
moment with a bit of luck one of the
00:56:07
shots has captured the moment of
00:56:08
martha's murder
00:56:10
i will then finally have an answer was
00:56:13
it really mummy i will develop it as
00:56:15
soon as i can but now it's time to speak
00:56:18
with the white lady
00:56:34
i will wear her lover's cross to draw
00:56:37
her to me
00:56:51
a lock of my hair
00:56:53
to enter into her world
00:56:56
i will use the tarot cards to
00:56:58
communicate with her
00:57:00
the first ten will be used like i did
00:57:01
with nanny
00:57:03
once two cards have been chosen it
00:57:05
should begin
00:57:29
you camouflage yourself in the woods to
00:57:33
approach me [Music]
00:57:35
you blend in with the water to make
00:57:38
yourself known
00:57:41
you wish to communicate with me through
00:57:44
the energy of symbols
00:57:47
you use my pain to summon me
00:57:51
you are very
00:57:52
bold you call upon me for knowledge that
00:57:56
i do not possess
00:57:59
for answers i do not have
00:58:03
i am only a vessel
00:58:06
like water like air
00:58:09
a vessel to move and breathe
00:58:14
it worked
00:58:16
now i need to choose two cards
00:58:18
here we go
00:58:34
i can sense that you want to know who
00:58:37
did it
00:58:38
but i do not have the answer
00:58:41
you must find it yourself
00:58:45
do not ever try to enter through the
00:58:48
front door if you wish to reach the
00:58:51
heart
00:58:52
your twin sister might have the answer
00:58:56
you are looking for
00:58:59
even after death we leave traces of
00:59:02
ourselves don't we
00:59:05
everything is indefinite if you look at
00:59:08
the essence of things
00:59:24
part of our soul embraces the people we
00:59:28
love
00:59:29
it is then torn away from us when these
00:59:32
people disappear
00:59:35
the wound is deep and it cannot heal
00:59:39
faith vaselines
00:59:42
death causes fear
00:59:44
but the church is a safe place
00:59:48
it is home and mother to its children
00:59:52
faith is the light
00:59:55
do not lose it
00:59:57
finding it again is almost impossible
01:00:01
i lost it in sorrow
01:00:03
and without time i am lost in the dark
01:00:20
you do not have control of yourself
01:00:25
there is a dark figure inside you
01:00:29
the wounds are feeding it
01:00:32
it will do things you do not like
01:00:36
it will use your desires
01:00:39
your guilt
01:00:40
the darkest parts of your conscience
01:00:57
you will no longer be able to tell light
01:01:00
from darkness
01:01:03
in sorrow the difference is so subtle
01:01:08
you are alone and you will remain alone
01:01:12
memories are abandoning you
01:01:15
they are your only true companions
01:01:20
now they take the place of your happy
01:01:24
childhood
01:01:25
and they may return to keep you company
01:01:43
the daughter
01:01:45
the house
01:01:47
the mother
01:01:48
the daughter comes from the mother's
01:01:51
house
01:01:52
then makes herself a home and becomes a
01:01:56
mother
01:01:57
this cycle is broken
01:02:00
to undo the knot
01:02:02
find the sun
01:02:04
he is the original sin reflected on you
01:02:09
the one who gave you the light wishes to
01:02:13
take it back
01:02:15
she wants control
01:02:18
bit by bit she is crumbling your life
01:02:22
you have to stop her
01:02:31
[Music]
01:02:49
[Music]
01:03:27
ah
01:03:39
speaking with a white lady confused me
01:03:41
even more but at least now i have this
01:03:44
key
01:04:08
july 16th
01:04:10
dear sister i entrust my secrets to this
01:04:13
letter
01:04:14
if you are reading it things have gone
01:04:16
as i thought they might and i'm no
01:04:18
longer there with you
01:04:20
first of all i am not deaf and i never
01:04:23
was
01:04:24
mother scared me when we were little so
01:04:26
i decided not to speak or listen anymore
01:04:30
it worked in fact mother began to love
01:04:33
me they also found a scientific
01:04:35
explanation for my deafness
01:04:38
neurological damage caused by excessive
01:04:41
pressure exerted by the twin during
01:04:43
pregnancy progressively led to hearing
01:04:46
loss
01:04:47
and like that my decision was also
01:04:49
transformed into a fault of yours so i
01:04:52
must put it right do i have any other
01:04:55
secrets unfortunately yes but a letter
01:04:58
is too cold for such matters
01:05:01
now that you know that i can speak
01:05:03
please go to the dark room
01:05:05
i have a hidden recording
01:05:07
listen to it and you will hear my voice
01:05:11
farewell martha
01:05:13
why all of this madness martha
01:05:16
what else have you been hiding from me
01:05:18
you deprived me of your voice for more
01:05:20
than 15 years i can't wait to hear it
01:05:23
now
01:05:51
hi julia i know that this will seem
01:05:53
absurd but this is me and this is my
01:05:55
voice
01:05:59
we are equals in this sense too
01:06:01
well it's obvious really i've basically
01:06:04
always spoken and you were my voice
01:06:07
i'm going to meet my fate so i don't
01:06:09
want there to be any more secrets
01:06:11
between us
01:06:20
i have to tell you that
01:06:22
i'm
01:06:24
i'm pregnant julia i'm pregnant with
01:06:27
lappo's baby we had sex and i never had
01:06:30
the courage to tell you i was so afraid
01:06:33
of hurting you
01:06:34
i'm so ashamed and now
01:06:37
how can i ever bring this child into the
01:06:39
world
01:06:40
the baby is starting to show
01:06:42
could you tell
01:06:43
that's why i'm no longer getting
01:06:45
undressed in front of you
01:06:47
but for how much longer can i hide it
01:06:50
yesterday you asked me to go to the lake
01:06:52
together early in the morning
01:06:54
you the sleepy head early i asked you to
01:06:57
switch beds with me like we used to when
01:07:00
we were little girls i got up at dawn
01:07:02
and didn't wake you i put on one of your
01:07:05
dresses
01:07:27
i wrote a card to mother telling her
01:07:29
that it was you who is pregnant not me
01:07:31
and to come and see at the lake i left
01:07:34
it on the desk in her room
01:08:00
then i felt the need to talk to you and
01:08:02
i remembered the recorder in the
01:08:03
darkroom
01:08:27
i will go to the lake alone and act as
01:08:29
you
01:08:30
i will tell her everything you never had
01:08:32
the courage to tell her
01:08:34
i will be your voice
01:08:36
i know how much she's made you suffer
01:08:38
over the years
01:08:40
unlike you i remember all of the harm
01:08:42
she has done to you and it is my fault
01:08:45
take my place sister
01:08:47
you will live a better life and i will
01:08:49
be able to rest in peace knowing that i
01:08:51
at least try to put right what i have
01:08:53
done wrong
01:08:54
i will go now my last memory will be the
01:08:57
image of you sleeping peacefully
01:09:04
hi julia
01:09:11
[Music]
01:09:26
you

Description:

Game Link: https://store.steampowered.com/agecheck/app/515960/ Martha Is Dead is a dark first-person psychological thriller, set in 1944 Italy, that blurs the lines between reality, superstition and the tragedy of war. ► Become my Patreon - https://www.patreon.com/Nokzen ► Join me on Discord : https://discord.com/invite/XDZn5GE ► You can Also Donate a single amount to Help the channel, Any amount is greatly appreciated: https://www.paypal.com/donate/?cmd=_donations&[email protected]&lc=DK&item_name=Support+the+Channel&currency_code=USD&bn=PP-DonationsBF:btn_donate_LG.gif:NonHosted ___________________________________________________________________________________ ♥ Leave a Like if you enjoyed the video, it will help the channel grow, also dont hesitate to leave a comment, I love hearing from you guys, positive or negative is all good ♥ My Rig: GeForce GTX 1070 Intel(r) Core(TM) 8700 CPU 3.20GHz 32 GB RAM Win 10 Home Edition No Commentary Gameplays, Let's Plays, Playthroughs, Walkthroughs of Indie Games, AAA Games, Action Games, RPG, Horror Games, Adventure Games.

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