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00:00:00
[music]00:00:29
[music]00:00:37
good afternoon dear friends00:00:40
guests of our our broadcast of our program00:00:43
we are starting another report because00:00:45
low to the museum named glaxo shadow00:00:47
trees00:00:48
an exhibition has opened on the walls of our museum00:00:51
dedicated to memory00:00:53
Ukrainian artist Stepan Ivanovich00:00:55
he was born in chemical engineering on December 25, 193700:01:02
in Ukraine in a village again in Iraq why00:01:05
Odessa region and left quite recently00:01:08
Not yet00:01:09
years since his departure he left 2700:01:13
March 2020 then a small exhibition00:01:17
which we will represent00:01:18
we called it as it sounds in00:01:23
teaching of living ethics nazima only vesnik00:01:27
spring and let's start, as always, with music00:01:32
entry today will give you00:01:35
musical works of Bach00:01:37
our guest, or rather, they’re not even guests, they’re00:01:41
a man who grew up within the walls of our00:01:43
museum but which is engaged in the fourth00:01:45
course00:01:48
Conservatory of St. Petersburg00:01:50
Conservatory named after Rim Korsakov00:01:52
violin class with Professor Mikhail Gant00:01:56
Varga and so the performer00:02:00
Yuri although performed by violin00:02:03
he produces the program abundantly00:02:05
himself women's00:02:11
[music]00:02:22
[music]00:02:28
[applause]00:02:29
[music]00:02:34
[applause]00:02:39
[music]00:02:44
[applause]00:02:46
[music]00:02:56
[applause]00:02:58
[music]00:03:13
[music]00:03:41
[applause]00:03:42
[music]00:03:46
[applause] [music]00:04:06
check00:04:07
And00:04:08
[music]00:04:50
[music]00:05:33
at00:05:37
And00:05:47
[music]00:06:10
[music]00:06:15
so dear friends00:06:17
besides me today's program will be00:06:21
lead and our guest is a friend of our museum00:06:23
a very famous person not only in00:06:26
our city not only in Ukraine but also00:06:28
outside Vladimir Andreevich00:06:30
where is the night artist art critic00:06:34
writer-researcher friend of Stepan00:06:38
Ivanovich00:06:39
chemist please 1 drisch if something is wrong00:06:42
agreed please introduce yourself00:06:47
sufficiently represented by Kom and Stepan00:06:57
Ivanovich for the last 10 years or so00:07:01
a person who has great confidence00:07:05
treated me and I appreciated his friend00:07:10
despite the even greater difference in00:07:12
age we were on you I am this00:07:16
I emphasize precisely as a moment of great00:07:19
I want a person to trust me00:07:22
say that Stepan Ivanovich00:07:25
due to various life circumstances00:07:30
was quite controversial00:07:33
circumstances Odessa-Kyiv00:07:37
Moscow and one day I told you everything00:07:43
that's when you left for Moscow he did this00:07:48
reacted quite clearly not for years I haven't00:07:52
he was leaving, that is, he felt himself in this00:07:57
spiritual space00:07:59
which shaped him as a person but00:08:02
first of all it's cheap, it's not even Odessa00:08:05
and his old Cossack family his family yeah00:08:08
his father Ivan Ivanovich is shining, he is a bauble00:08:14
hosted Pebble Cable Nation00:08:16
this would still be the side of the Arbat of Romania and00:08:20
there was active educational work00:08:23
and tommen they understood the famous00:08:28
the writer was further formed in Belgrade00:08:34
instructions contacts put it there00:08:36
met with Ivan Ivanovich case00:08:39
there he is, I take this opportunity to pass it on00:08:41
hello everyone who knows who doesn't know this00:08:45
wonderful artist art teacher00:08:48
more than 50 years spent in a sad school00:08:51
and it so happened that it was the first00:08:57
professional artist with whom00:08:59
Meets .00:09:01
all the money. there was a lemon bath orphans00:09:04
he really wanted to meet him and00:09:06
once on sketches00:09:08
Ivan Ivanovich was returning and approached him00:09:11
girl with old Cossack you get his sister00:09:15
students of Ivan Ivanovich and introduced00:09:18
a young man of 15-16 years old it was00:09:22
Stepan Firmochka he showed his work00:09:25
and he noticed that he was like everyone else00:09:29
beginners copied a lot00:09:31
copied by cell and of course ambition00:09:36
always wanted to be at this age00:09:39
great masters famous portraits00:09:41
famous people and drew attention from00:09:46
nature, your work is what we need00:09:49
what do you need today00:09:52
where's the attention on this this this this will be00:09:54
it will always be your practice and he his00:09:58
I obeyed and entered a year later00:10:00
art school and thanks00:10:03
Capricorn noticed him immediately00:10:07
attention man he was so annoying and00:10:12
I would say flare up this quality of him00:10:18
character remains the same for life with00:10:20
nevertheless you were very kind00:10:22
man of heart00:10:24
quiet and I would say so philosophical00:10:27
warehouse you school he studied gu00:10:29
individual frumin and our southern pride00:10:34
painting school students Yablonskaya and so on00:10:39
it was fate that after a sharp stifling00:10:41
schools00:10:42
Ivan Ivanovich excuse me sofa sofa00:10:45
entered the Kyiv Air Institute and00:10:48
was transferred to the second year in my year00:10:52
workshop00:10:53
Tatyana's monumental workshop00:10:57
Nilovna Yablonskaya and then Kyiv00:11:02
period still similar to those that, together with00:11:07
by your son by your brother in families00:11:09
famous artist ignition recently00:11:12
they painted for the one who had also passed away00:11:18
intro station Minsk this work00:11:21
she remained in this style00:11:25
Ukrainian Baroque style Ukrainian00:11:27
Baroque this work is very but he was born00:11:33
this work then painted on Khreshchatyk00:11:40
in a cafe on the theme of ancient Rus'00:11:45
cue cheek horiv from the swan composition00:11:48
such a moment is still dramatic00:11:51
because when he recently came with00:11:55
Moscow00:11:56
Well, relatively speaking, it’s not necessary there, but it’s not there00:11:58
I know about four years ago, of course, when00:12:01
shelf and he couldn’t help but go into this cafe and00:12:04
suddenly he sees that they should open it there00:12:07
The cafe is already closed, they should open00:12:09
mobile phone store and00:12:12
much provided for although it is painted over00:12:16
water emulsion its painted but possible00:12:19
imagine his reaction it was not00:12:24
just indignation I don’t know what it’s about00:12:26
ended but in the end he00:12:29
resigned himself to this fate, but00:12:35
A few years will pass and things will change.00:12:39
owner and will remove these colorful layers00:12:45
and his fresco will appear again00:12:48
these are the twists and turns00:12:51
dramatic moments are associated with fate00:12:54
artist because works work00:12:57
artist they live they have their00:13:00
biography and the longer they00:13:04
the more complex the biographies of these works, well I00:13:09
I'm very glad that I was invited all day00:13:11
and that there is a place in Odessa00:13:14
where they appreciate love but also in many places00:13:17
love and appreciate here special00:13:20
atmosphere I remember those ledges already00:13:23
the twelfth year it was Ivan00:13:27
Ivanovich to Zeron when Sergei Savchenko and00:13:31
many artists' unions were here00:13:34
there was an exhibition of his works, glasses and him together00:13:39
He probably took a photo with us by his grandfather in00:13:41
in this place in this hall00:13:45
what I wanted to say everything about the chemical engineer I00:13:48
I last saw him when he was nineteen00:13:52
year in the summer quite recently and he is very00:13:56
I wanted to have an exhibition of my works in00:13:59
Odessa I still remember the exhibition00:14:02
art museums are like this00:14:05
large-scale quickly conquer the museum00:14:08
Western oriental art where is it00:14:12
admirers of talent Vladimir Ostrovsky00:14:14
made a lot of effort and is not ready00:14:18
one there were several of these quickly and00:14:21
here is the shape to the body00:14:23
be sure to make an exhibition for him here00:14:25
I had to transfer to work but he00:14:26
arrived in the summer when people are already in00:14:29
vacations and do not agree with someone00:14:33
it worked out and I've been hoping all my life that he00:14:36
will arrive in the twentieth year and we will decide00:14:41
this question but unfortunately as you know00:14:46
He passed away on March 27 last year00:14:50
and this idea of the exhibition does not leave me00:14:55
I think that the public of our city00:14:59
100:15:00
Well, what's the point of this artist?00:15:05
deep, kind of honest in his00:15:10
art is open, well, I'll say this00:15:15
the pride is the pride of our city00:15:18
Ukraine00:15:19
he was recognized in Russia, although he was not00:15:22
received an Honored Artist00:15:24
Russia how he didn’t get what he deserved00:15:26
Unfortunately, I am an artist of Ukraine00:15:30
I think when I watch these crumble00:15:34
titles are sometimes received far from00:15:40
high level of skill00:15:43
artists, it’s a shame, of course, but not00:15:49
this is the main thing for anyone interested00:15:53
artist of spain and america before libido00:15:57
or folk artists and so on this is for you00:16:01
no that's not the main thing the main thing is the content00:16:04
high art is service to high00:16:07
art that characterizes her00:16:12
Stepan Ivanovich.00:16:14
I thank you again for the invitation00:16:17
or because of this treacherous meeting I think00:16:23
that the exhibition is retrospective00:16:29
posthumously to this issue we still00:16:31
you will find thanks for00:16:34
thank you Vladimir Andreevich00:16:36
They opened the water heating, which can no longer be done00:16:38
unfold like a good button accordion completely00:16:43
so that everything you have in relation to00:16:45
20 Ivan Ivanovich poured out, you can still00:16:48
do this near my performance00:16:50
we don't mind, I'll pack it and that's why00:16:53
that we really gathered until the evening00:16:55
memory to talk about either overhead than I00:17:00
I would like first of all to touch him00:17:01
biographies00:17:03
this is not a simple place where it was scattered and00:17:06
the gang is not yet a simple family because00:17:08
all of it and here is Uncle Sergei Stepanovich’s grandfather00:17:12
Ivan Savich Ekhimovich00:17:14
Ivan Ivanovich chemical engineer it was00:17:17
artists00:17:18
Bagana Sami name of Ivan Savvich Khimichka00:17:24
immortalized here in Ukraine where00:17:28
is the Church of the Intercession of the Most Holy00:17:30
Virgin Mary which was built by the architect00:17:32
Pokrovsky on the territory have which00:17:36
acquired against the head one head00:17:38
one bend was placed there and no other00:17:42
speak on your dick00:17:43
he was invited to create00:17:46
and interior painting for gran00:17:48
and the mosaic is full of main candle lords00:17:52
this is hay from the Volodarsky district00:17:55
not far but actually abandoned is located00:17:59
this is a huge temple of large size00:18:02
the painting inside has not survived00:18:05
it was done but there are blisters inside00:18:08
cross and on the vertical part of it00:18:10
the cross is carved with surnames00:18:13
exactly the sofa from the archive glasses me in this00:18:15
Styopa Normans herself told me that00:18:17
the people there were great pride00:18:21
for us this is a huge base00:18:25
eternal soul to say this is the pride of Ukraine00:18:27
because in Russia there are no such big ones00:18:31
various works for lifestyle00:18:34
height covered00:18:36
height 6 meters and width 4 meters where00:18:39
presented at the00:18:41
and the limit that is00:18:44
father's tomb00:18:47
brothers hunger boulevard and victor00:18:51
there is also a mosaic panonika I00:18:54
By the way, the boss saved the miraculous00:18:58
The fate of this building is still very interesting00:19:01
they wanted to demolish it in principle and during00:19:03
another cell of Svyatoslav Nikolaevich00:19:05
Roerich then he took 17 and brought these00:19:08
he was a very interesting man00:19:10
Viktor Gennadievich brick he is not00:19:13
local historian is a chancellor collector00:19:15
but of course, falling in love with your city00:19:17
where Kyiv was born00:19:18
but besides that he is more interested and00:19:21
you yourself were interested in creativity00:19:23
Nikolaev then on his forehead and when00:19:25
came here slam Nikolay he was in queues00:19:28
always met them during one00:19:30
from the conversations it was from hotels in Moscow he00:19:34
mentioned that in the park00:19:36
the mosaic of the walls has been preserved00:19:38
now the video is suitable for me, what I need00:19:40
would have died long ago00:19:41
if it was Nikonovich himself who expressed the desire00:19:44
to visit this place I must say that00:19:47
boys economy time roof00:19:49
failed urgently00:19:51
then by order of someone there is our 9 or00:19:55
heads of government were urgently suspended00:19:58
destruction there00:19:59
the temple was restored, the roof flew in00:20:02
everything inside was finished there00:20:05
the road or the first one to see00:20:08
cardinal term which00:20:09
the brick that actually laid00:20:11
speaking on the first excursion road to00:20:13
this temple which will be preserved but ears00:20:16
words need to be said that these 2 are mosaic and00:20:18
smoothness at the beginning of the century from the customs of skylab00:20:20
Trinity Cathedral by architect Shusev in action00:20:24
the Savior not made by hands is found with the saints00:20:27
upcoming saints steve on you so00:20:31
this important sanych painted both temples and00:20:33
was an amazing artist traveled around00:20:37
Father Ivan told himself in advance as the sauce00:20:41
Ivanovich but it was a very difficult time00:20:43
it was very difficult and not even simple00:20:46
time and00:20:48
there were many such interesting rehearsals00:20:50
which today he doesn’t really want00:20:52
tell but why looking ahead00:20:54
that it was very decent00:20:56
very much so you know probably not just00:20:59
decent respectable family of those00:21:02
people of this time because during00:21:04
Great Patriotic War this family00:21:07
Mom hid the Jewish family in a dream and00:21:13
but it didn’t bring joy to Ivan Ivanovich00:21:16
little boy born in 193700:21:19
remind December 25th00:21:20
it was 41 years he brought food to00:21:24
let this family00:21:25
was put under00:21:27
rose danger of life in general, seeds for yourself00:21:29
but it's myself that survived00:21:31
somehow she then left for00:21:33
Italy from Italy Soviet era as00:21:36
parcels began to arrive to help this00:21:39
family but the time was difficult and such00:21:41
the connections were not preserved, so it was possible00:21:43
I would say that this is a family for any of us00:21:46
appropriate completely00:21:47
the title of those people who helped and00:21:49
saved the lives of Jews in general00:21:52
who are damn destined for destruction00:21:56
Steman Ivanovich they suggested00:21:59
was strong and of a difficult character00:22:01
valid but it was very00:22:02
active boy very curious about you00:22:05
told him a lot about his00:22:06
childhood like him of course those around him00:22:09
nature you know we are city dwellers00:22:10
probably deprived of much of what they have00:22:13
people who grew up in a family, especially in00:22:16
villages with traditions where and when00:22:18
certain family structure where it is located00:22:20
animal down Ivan Ivanovich very much00:22:22
talked about a cow that would rain00:22:25
in the barn and he depicted boxes from00:22:27
works and it will burn I will never00:22:29
I'll forget I played as a boy in00:22:32
Cossack robbers played and somehow00:22:35
way I was hiding but I was warming up the neighbors00:22:38
there was a huge dog I somehow00:22:39
ran past the fields past her and admired00:22:43
in the barn00:22:44
because she would have torn me to pieces00:22:45
guide to how I crossed the sky and suddenly I00:22:48
I look at someone looking at me and this00:22:50
payment to the robot who was looking at him00:22:53
Tyunin told the crowd which ones I'll call00:22:55
shelter and even he signed his00:22:57
beautiful people spoke vividly what are you talking about00:23:00
rise people were, after all, some people were smart00:23:02
there are paintings00:23:03
with the image to the new ones you need memory00:23:08
childhood memory many paintings that00:23:11
did the surrounding nature but this steppe00:23:15
nature is still a game of style00:23:18
the endless game of clouds is one of the works00:23:21
he looks exactly like Arkhip Ivanovich00:23:23
Kuindzhi, by the way, is very needed00:23:25
strong and studied its color renderings with00:23:28
color rendition00:23:29
the clouds he saw when he got into00:23:31
childhood, completely on a bike and in drupal00:23:33
and saw these 2 ponds of pink clouds00:23:36
and of course he has a talent for steering00:23:39
Vasily's younger brother who00:23:41
really just left and he arrived00:23:43
a ticket to Odessa on the water will happen but on00:23:45
Stepan Ivanovich was one of the difficult ones00:23:47
and once during the holidays what they drew00:23:54
you asked the student after00:23:57
they came after summer practice he00:23:59
I just took it and dumped it out of this bag full00:24:02
the bag was worked by the boa constrictor which you00:24:05
paleologa Nagan school director in this00:24:08
you know so impudent what did you do00:24:11
dumps it came with this myth about the common00:24:13
sometimes we look for ourselves if00:24:15
straightened out could not serve him00:24:17
release00:24:18
rebellious Krasin then he was still00:24:21
take the scoop of the Odessa region of the universe00:24:24
where he was sent where he founded the school00:24:27
fine arts and very00:24:29
did a good job and he was00:24:31
apparently magnificent00:24:32
teacher and at the top who could00:24:35
organizing this is still very important00:24:37
organize00:24:38
became very close friends with several00:24:41
artists one of them is convenient Tanya he00:24:44
I've already talked about this for years and in 201100:24:47
year we brought Stepan's exhibition00:24:48
Ivanovich persuaded him, we talked with00:24:50
Nikolaev Art Museum and00:24:52
dissuaded Simonovich, take it better and for00:24:55
this goal of work and don’t regret giving00:24:58
museum because unknown because00:25:00
above do the children do with these00:25:01
works here are the shots you will now see for us00:25:05
we will be provided with a huge hall00:25:08
managed to make a breakdown, this is 201100:25:10
Stepan Ivanovich gives an interview and he00:25:13
gave wonderful gifts at work00:25:16
museum named after recalculated under or work00:25:19
which you now see on the screen are not00:25:21
presented at this exhibition like this00:25:26
since on this screen you can see ours00:25:27
my co-worker on the side in the back00:25:30
plan I who was filmed like smoke on00:25:32
Cherie Tigo would like to find these shots there too00:25:34
I would like to meet you far away00:25:36
friend, he also respected the artist very much00:25:42
dance and no matter how he says a and Anthony00:25:45
there was a dance to Allah.00:25:47
they organized this so-called00:25:49
union ahap warmed up the blow union a x here00:25:56
symbol of Ivanovich meeting with n we are far away00:25:58
not like this not seen student not about too00:26:00
he won't save Stepanov's daughter00:26:02
the last of the Mohicans to leave00:26:04
besides the fact that Stepanavan and our00:26:06
college man banner give filled00:26:08
Yablonskaya's student Tatyana and they are exactly00:26:12
Japanese and even completely feminine00:26:19
that's right, I'll also add it seemed the audience in00:26:24
Kyiv we'll eat, we're going to cry now00:26:26
so 1 stores choke institute00:26:28
artistic and this and he's a pro he's00:26:31
was engaged in a strip of painting after three00:26:34
year he moved to the monumental class00:26:37
painting in the eyes is flat and which00:26:40
visited him and noted his workshop00:26:43
responded very highly to his work here00:26:46
this monumentality Stepan00:26:48
at night he was strong and very profitable00:26:50
we're just in the middle but it's not like00:26:52
he was a stocky tournament man00:26:54
instant inner strength00:26:55
foundations and I would say but those foundations00:26:59
moral qualities which00:27:02
you had to have an artist and of course00:27:07
he could handle monumental00:27:09
art00:27:10
but first move between contacts00:27:12
I have to say something there assistants00:27:14
worked to their liking in production00:27:15
cabin such pipes plant work is not in00:27:18
Odessa he worked with the same combination00:27:20
in the city of Kyiv and as always tried00:27:23
identify yourself with a specific job00:27:25
artists00:27:26
especially large such layers of work00:27:30
speech said and pony mentally work00:27:34
took shape at the painting in the painting before00:27:37
Minsk metro station this work Simon00:27:40
Ammann personally knew the tree of life, this is not00:27:42
just work the tree of life is deep00:27:45
knowledge and he loved his homeland very much00:27:47
loved Ukraine very much00:27:49
he loved he loved folklore00:27:51
arts and crafts things00:27:53
loved the origins where he ate from he studied the origins00:27:56
he studied whether racks are not just an art00:27:58
it posted the origins and words in general I somehow00:28:01
they said Zia the poetess artist00:28:02
I had a choice or I was probably different00:28:05
would become a philologist and in order to00:28:07
study the origin of words and there were00:28:09
your interesting finds and captioned entries00:28:11
the words he interpreted00:28:14
and of course we talk about the tree of life00:28:16
Of course, I had to study the world tree00:28:19
world tree of life as it was portrayed00:28:22
full of countries in many people like00:28:24
was reflected in the Ukrainian folk00:28:27
creativity00:28:28
but the most interesting akathist is about Putin00:28:31
the Kremlin, of course, his family because, well00:28:33
it was a huge amount of work for me00:28:35
told before fictitious00:28:37
the artistic council is all over his house00:28:39
the apartment was occupied00:28:40
with this painting of pancakes on the bottom of a jar of goodness and00:28:45
Here he is in love with everyone.00:28:48
I came and took this pencil and00:28:51
paints00:28:52
people gathered take it away you came horror and not00:28:56
conduct this work what to do a20 dual00:29:02
you had to restore it somehow00:29:04
you see all the same we need it safely00:29:06
to say it was such a collaboration00:29:08
creation00:29:09
to tell steve they don't have to do otherwise00:29:11
I need to tell his family he got married00:29:15
adopted a girl00:29:18
this is his child, he still had in the family00:29:20
three children and his son once again00:29:23
two more girls who don't live here00:29:28
they will live in Moscow, I was in Moscow before00:29:30
Moscow and he captured00:29:33
actually did a portrait of him00:29:36
capture a new portrait of Stepan's family00:29:39
Ivanovich and now they showed footage in00:29:41
which you can see me with a long mustache00:29:45
Cossack mustache and the Czechs are in the bathroom00:29:49
barrel and Momodi the chemist himself00:29:51
if you could show it below yes00:29:54
this is a family congress yourself Stepan you can’t00:29:58
why did the sky say the rebellious00:30:00
hair, look and in general he’s all like himself00:30:04
it was not an ordinary child who said it, that's all00:30:06
family the whole family is represented together00:30:09
we see these people are just toilers shoulders00:30:11
everything was it will be working people00:30:14
what do you need to say yes leave please00:30:16
esteban peacock racing little mental00:30:19
his contribution00:30:20
art this is a cafe which is a cafe00:30:24
which is the Khreshchatyk street in which it really is00:30:28
history of Rus' what kind of happiness00:30:31
learn00:30:32
Stepan Ivanovich he read a lot he00:30:35
was he a different person to know?00:30:37
was interested in history before00:30:38
something to draw and apply artists00:30:40
who wrote for so it is written for me00:30:42
would not have occurred to me00:30:45
but this needs some lining00:30:47
a certain specific building and00:30:49
dessert there was a tragedy with this00:30:51
painting of the new year but the Grisha began00:30:54
buy these cafes00:30:55
not only was there there they would have been00:30:57
survive made if bent recoil from00:30:59
we shouldn’t forget about this either, and he told me00:31:02
told me how he was when he was in you00:31:04
paint it hanging00:31:06
grabbed this man by the chest to the owner00:31:09
of this cafe, did he hang out to the attention of 10 and what00:31:12
you can destroy me in India with your phone like this00:31:16
was unfortunately the story of the artists at that time00:31:19
time but you received a different order00:31:21
Stepanych didn’t do more than just painting00:31:24
for example Chernobyl before the tragedy00:31:27
Chernobyl, by the way, Simonovich went to00:31:30
Moscow 1985 because the goblin's wife00:31:33
children need to be saved from radiation therefore00:31:36
Stepan Ivanovich00:31:37
it was who took the children out then00:31:39
safe place because no one00:31:41
knew how this tragedy would end00:31:44
happened in the cultural center00:31:48
Chernobyl so I was atomic00:31:51
Power station Stepan and bathroom did00:31:53
hall painting00:31:55
directly besides in many00:31:59
places00:32:00
At the same time many buildings in Russia were decorated00:32:03
in Tolyatti00:32:04
there was such a medical and health center00:32:06
complex and hall 200 meters it was00:32:10
swear but here life is on the topic of life00:32:13
it was called Stepana Banderi came00:32:15
I just tell the chemist and it will be there00:32:18
tell the city where the Yans slept00:32:21
there was a hotel intourist russia I00:32:24
I don’t know where Vienna is today00:32:25
day and here is the lobby of this hotel guests00:32:29
Bathing in Madrid is also yours to do00:32:31
poppies and that is, it was not an easy chicken for me00:32:34
but you'll need a small one00:32:35
small-small few songs00:32:37
symbol of Ivanovich carved from wood and00:32:40
gave it to me but it's not made like that00:32:43
polished but at least I'm strong00:32:46
I was surprised, I love you, as you can see, the whole dad00:32:48
camera told me about this material00:32:50
test work so this is step on00:32:54
ball00:32:55
but it ended let's say this00:32:58
monumental but these works which are on00:33:01
today presented in the hall is00:33:03
not those huge floors that Stepan wrote00:33:06
[ __ ] nurses great job tried00:33:09
myself in various genres I would say00:33:11
painting of course first of all step 100:33:15
charioteer with deep realism00:33:17
but unlike many00:33:18
and the tread say the artists I am a leaf00:33:22
you see it clearly because he copy00:33:25
naturalness of Panova night light 100:33:27
Sipango night understood perfectly well that in00:33:29
nature and three wives are an act of God and for sure00:33:33
we see nature puts us in a good mood00:33:35
beauty, harmony, and all I need is nature00:33:38
distorted by ugly paths00:33:40
factory buildings and everything else00:33:42
python's passion for glass00:33:44
generation it is not harmonious it is inscribed00:33:47
in the cityscape but there is a work00:33:49
cityscape of Nato Stepan00:33:51
Ivanovich and of course I saw nature00:33:54
identifying God talked with him a little00:33:57
on for the body00:33:58
he studied the philosophy of the work00:34:00
Western philosopher water latch high00:34:02
myself lyricists but illuminated the hard Ulyana00:34:04
Petrovna Blavatsky it was widely00:34:06
educated incomplete was educated00:34:08
man and u change share some00:34:12
for example, notes from Stepan Ivanovich and us00:34:15
invited [ __ ] to an ultrasound and he gave00:34:17
interview because I understood what was needed00:34:19
save00:34:20
what the artist is not sacred about, what he thinks about00:34:23
here is the scene of Slavnikov and severe them in one00:34:24
from his books and life art he wrote00:34:27
about the fact that and the look of Pudozh he wrote that and00:34:31
so I believe that the stars take notes00:34:33
and the artist's view of art about his00:34:37
own theory problems approaches00:34:39
in other words about everything kirk00:34:42
various00:34:43
This is an expression that is known only to oneself00:34:45
to the artist if we have00:34:47
evidence of that kind00:34:49
we are all capable of more fully appreciating it00:34:52
painting and creativity00:34:54
however, it is not often that an artist turns out to be00:34:56
is also a good storyteller more often than not00:35:01
that the habit of thinking in language is00:35:05
consecutive scenes make translation difficult00:35:08
these thoughts words are described by the glorious swami00:35:11
she was not shy in the evening00:35:13
translate your thoughts into words I why I00:35:16
always trying to figure out what the client is like00:35:18
his view of the universe, evolution,00:35:21
man, what place would he have in life?00:35:23
occupies but the concept of a rich higher power00:35:26
which is undoubtedly creative00:35:28
strength or let's say with great intelligence00:35:31
our little planet earth for our oh00:35:34
there has never been a way to stepanov night00:35:36
atheist or negative but he was looking for00:35:39
this is the expression of God in man in nature00:35:42
in the surrounding space or its life00:35:45
then if here everything in this world is00:35:47
all jars00:35:48
what enchantment is there between earth and space such a hall00:35:51
harmony and should not be disturbed00:35:54
package violation lead to negative00:35:56
consequences00:35:57
I try to reflect in my works00:36:00
the wonderful world of the creator of the creator00:36:02
amazing in every way00:36:05
people could see this beauty and harmony00:36:08
the world is infinitely interesting, he just needs00:36:11
just be surprised and create00:36:13
grammatical things and this SBU00:36:15
when you learn to see they are simple00:36:18
watch this is very important to see00:36:20
they just watch and also hear it00:36:24
a lot of work and self-education I'm all00:36:27
I love time with the beauty of nature and want00:36:29
this vision can be improved00:36:32
just decoratively reflect what is seen and00:36:35
you can strive for the light00:36:37
if I had such luck, I called00:36:40
insight, that's how to say Simonovich00:36:43
this behind the unicorn chair is internal00:36:48
the artist's world certainly manifests itself in00:36:50
his painting is definitely energetic00:36:53
who have an apartment artist00:36:56
it reflects exactly this artist not00:36:59
only she reproduces it to those around her00:37:01
not naturalism00:37:02
and this is some kind of nature or conveniently started00:37:05
his soul through and air through his thoughts00:37:07
these thoughts Stepan Ivanovich before00:37:09
than something to depict this long00:37:11
time snuggled into nature became with00:37:14
her and not anti to the real one and the whole00:37:17
because his paintings are his works they00:37:20
so close00:37:21
close to people you want00:37:23
look and see in them not only earthly00:37:26
and creation, but it especially appears in them00:37:29
light light to which thanks two of these00:37:32
date of sight this luminosity he00:37:35
studied the works of Arkhip Ivanovich00:37:37
Kuindzhi and indeed he studied this00:37:40
he studied divisibility00:37:42
you know conversations and snow are great00:37:44
he knew physics he knew composition00:37:47
light its divisibility he knew the laws of physics00:37:51
reflections00:37:52
7 talked we can't if you00:37:54
look at his work and see00:37:56
laws of optical reflection over the years they00:37:59
depicted absolutely perfectly accurately00:38:01
a work by Stepan Ivanovich and another00:38:04
the quote is not at all in his works00:38:06
I am critical if the picture is not00:38:09
falls under my worldview, I don’t00:38:12
I finish and if it works out I strive00:38:15
the wedge develops further in this vodka00:38:17
I'm sure if I write something then only00:38:20
piercingly so that it fills the soul00:38:23
ranks00:38:24
I served creativity and Stepan Ivanovich00:38:26
Vladimir and meet and negative00:38:28
moments he never captured00:38:30
some kind of disgrace you know00:38:33
I would say mental abnormality00:38:35
he never does anything perverted00:38:38
he approached, penetrated, I wanted to serve it00:38:41
better and what he saw in the world around him00:38:43
sometimes the same topic Steman Ivan00:38:45
Dychko tank and the same topic00:38:47
contacted many times we talked with00:38:49
him on this topic and he said that he00:38:52
because every time I seem to say00:38:54
I find I'm leaving the New Year's hooves here00:38:57
it's new year it was like that00:38:59
expression, I would find it gone or a thing00:39:01
q Speaking of which, the price of lemon has gone up00:39:04
I can't say that this artist is00:39:06
imitated but it was better for them what it was00:39:09
close for example he took he loved very much00:39:11
took the Ukrainian and armed himself with it00:39:14
gasoline one was processed of course through00:39:16
your personality through your00:39:18
individuality he still love the artist00:39:21
Ukrainian Peter Levchenko it was his00:39:24
idols00:39:25
and here are some works from my factory00:39:28
the area was told that he was afraid on00:39:29
our exhibition they are endowed of course00:39:32
and the Ukrainian hut from the light that comes00:39:36
from the law or somehow I bought one00:39:38
postcard00:39:39
1porn store with artist's work00:39:41
Levchenko and looked like not Vadim00:39:44
I’ll note when I met I need to say00:39:47
that I was very lucky, we got along very well00:39:50
Close to Stepan's submission and when I happened00:39:52
repeatedly take you up in the city of Khimki00:39:55
and he had an amazing one I would have00:39:57
he was given an amazing amazing00:39:59
workshop on the top floor00:40:02
friends, can you imagine this was a workshop?00:40:04
disembarkation 10 meters away, he actually already lived00:40:07
in this workshop it was not morality it was00:40:10
it was his altar00:40:11
it was his temple high to explore00:40:14
glad as expected it was huge huge00:40:16
window00:40:17
he could watch the sunrise and sunrises00:40:21
sunsets and this head and this palette00:40:23
this color is always assumed to be on the left side00:40:26
at his fight in the same awards room00:40:28
it was as if the gods were also a screen00:40:32
him the bed who slept the hooves of the guide00:40:35
kv to another used electric00:40:38
stove he was absolutely unpretentious00:40:41
man's cell that he went like him00:40:43
ate he was not interested and she was00:40:46
always littered with paintings it was possible00:40:48
just so this one is small on which00:40:50
how he left again and the rest was this00:40:52
painting painting painting painting and it00:40:54
creativity stepan ivanovich00:40:58
I still want to read the quote of course00:41:01
tried to find harmony, he wanted this00:41:03
find harmony in nature00:41:05
this harmony was restored to his soul00:41:07
and in fact00:41:08
harmony of his soul and harmony of the environment00:41:11
peace they were in such a constant state and now00:41:14
he spoke from documents to give harmony00:41:17
when the street does not get to the right point00:41:20
cavity were people and god and at the same time00:41:23
feel your purpose00:41:25
hard work itself touch all life00:41:28
they are looking for when I was preparing for00:41:31
today's program I of course00:41:33
re-read it doesn't say those things00:41:35
which are many songs by Valeriev and A00:41:37
Svyatoslav Nikolaevich wanted this00:41:42
Nikolaevich's words highlight beauty in00:41:45
as ends as means00:41:47
achieving more harmonies00:41:50
refinement we tune in or00:41:53
we join in the evolution of water flow and00:41:55
so we move with the current towards00:41:57
evolutionary flow to a higher00:42:01
state of higher understanding and00:42:04
achievements harmony will bring us00:42:06
happiness and joy is the joy that00:42:08
Only beauty can lead00:42:11
I don't approve of it being at exhibitions00:42:13
Stepanovich Ivanovich chemical actions00:42:15
us he wrote about it with his Moscow friends00:42:18
portraits of my Moscow mud00:42:20
and from a young age we shower or 17 years old they have00:42:24
There is a portrait of her leaflet at home00:42:26
central house of the artist00:42:28
it happened many times, of course it happened in00:42:30
his workshop and every time I00:42:32
I was leaving Bodaybo I will definitely start Daryl00:42:34
some of your own work00:42:36
Norman and I came to Odessa in the summer00:42:38
of course we definitely met him00:42:40
We have had more than one exhibition of Stepan00:42:42
Ivanovich first exhibition00:42:43
it was like this I would say I came to00:42:46
him when it was amazing and fast00:42:48
bodywork at the Oriental Museum00:42:49
and the day before he promised in the previous summer00:42:52
that he will give our museum00:42:53
two jobs two or more jobs00:42:56
there was no gift at the training ground, checks for the day00:42:59
his friends are at the exhibition in the castle00:43:01
the eastern ones looked around at him at the veche00:43:03
congratulations on the descent, support hboot and get out00:43:05
here and there I fall I gave my word I will give00:43:09
they don’t bring such a pack of theirs past00:43:11
jam sketches travel sketches and00:43:15
al take care he had members of wounds take care00:43:18
that's what to do this call come in with00:43:21
I practically chose everything in this pack and00:43:25
then he came and we delivered he came to00:43:28
floor and how I love my car so much00:43:30
I give you my word that it's clearly a [ __ ]00:43:33
catalog album that was published is 100:43:38
besides, it was you know what year 200900:43:42
In addition, I will write an introductory article00:43:44
to a new attack, yes you wrote [ __ ] Stepan00:43:46
Ivanovich was still giving an interview, he was sitting00:43:48
having considered the question against the backdrop of a piano and that’s it00:43:51
work of your form and we will arrange becoming a00:43:53
these were new days of development of freedom00:43:56
he walks in circles, and in the Caucasus he used to00:43:58
I saw Western Ukraine very well00:44:00
I traveled to Ukraine in Boyarka, I need something00:44:04
time there is even work on the covenant00:44:06
where did he come and where was the exhibition held?00:44:09
any work feature milk is very00:44:11
I love pop00:44:12
I told windows it's a whole world00:44:16
world to another space these are squirrels00:44:17
just from the house outside of disturb their house00:44:21
these works represent windows00:44:24
and your first workshop when he00:44:26
moved to the city kinky he live in00:44:28
everyone then lived in a communal apartment00:44:29
communal you give that I will00:44:31
a separate apartment that was never given00:44:33
In general, he was so excited about the series00:44:35
cormorant we are white masterful haze right there and00:44:38
it was from this workshop that he left00:44:40
its last journey so it took place00:44:43
us this is an amazing exhibition with sketches00:44:46
got dressed and placed it here with me00:44:50
some newspaper articles about creativity00:44:53
joke grandma so I complied and00:44:56
he even made him such a logo emblem00:44:59
always when it’s easier to describe love00:45:01
in the mirror image he wrote00:45:02
magnificent left hand right in general he00:45:04
there was even Lyusha00:45:05
and he could easily write in reverse00:45:09
in the mirror direction entire phrases and you00:45:11
ginger but invariably he signed his works00:45:14
so letters 2 s.s. I even wanted to see him00:45:18
developed such a logo I wanted you to00:45:20
promised as a paint palette and00:45:25
This is the monogram of Stepan Ivanovich for chemical engineering00:45:30
I must say that Stepan Ivanovich00:45:34
exhibited very fruitfully00:45:36
he exhibited a lot he exhibited in00:45:39
Ukraine he exhibited in Russia but very00:45:42
we work early and received a calling and00:45:44
from other places, for example sprinkled00:45:49
you still exhibited in sixty-five00:45:50
hand and stark slaves of the twin cities00:45:52
they are neighbors 2 bar at this exhibition stepan00:45:56
Ivanovich fell apart 100 bonus00:45:58
republican group exhibitions in00:46:01
zonal00:46:02
there were personal exhibitions, but for example00:46:05
there was an international exhibition in 9000:46:09
there is a gallery union in the city of Seoul in Korea00:46:12
Ivan Ivanovich exhibited there, visited in00:46:14
city and Houston worked four00:46:16
worked for a month until several colleagues00:46:19
his work was exhibited to him in Nazareth00:46:21
an exhibition was held near Mansour for00:46:24
who wrote his works about Christian00:46:27
churches for example in the city of Seoul about Karen00:46:30
is their work from 1989 leaving00:46:34
Madonna museum collection sukarno point president00:46:38
if Sukarno is famous there is a museum of it00:46:41
named first snow work 1991 work00:46:45
located collected poured yen switzerland00:46:49
Zurich work search '86 tape of the same year00:46:54
dream 89 example 199000:46:58
Pereyaslav-Khmelnitsky he was I’m not saying00:47:01
already about the art gallery00:47:03
Odessa where is the work of steppe00:47:05
Kaganovich his children's many museums00:47:07
we work west east and of course in00:47:09
ours will be sufficiently represented00:47:11
works of different years by Stepan Ivanovich00:47:14
is in a private collection in Russia00:47:17
in Germany in Korea waist give in00:47:20
Norway in the United States of America00:47:23
I would like to say that Ivan Ivanovich00:47:26
supplied for example group exhibitions00:47:28
ninety-third was an exhibition year00:47:30
complex of Galilean films connected00:47:34
states of America city of Houston or00:47:37
group exhibition Russian salon00:47:39
Germany 1994 city minutes ninety00:47:44
fourth year group exhibition00:47:45
University of the Ukrainian Diaspora00:47:47
Germany for teaching group exhibition in00:47:51
her nation's pledge radio freedom germany00:47:53
Same00:47:54
personal exhibition in the transition halls00:47:57
ancestors of the Catholic Church too again00:47:59
still torment we will be in line00:48:01
gallery mansur israel00:48:03
notable said and group exhibition00:48:06
1994 sayona what's on camera in the city00:48:10
San Francisco but whose exhibitions00:48:13
took place at Stepan Ivanovich's in Moscow00:48:15
I won’t list Russia, but he00:48:17
I can only say that they were00:48:19
dedicated to some important event00:48:23
for example, dedicated to the day of the great victory00:48:27
Patriotic War exhibited in00:48:29
regional computer exhibitions00:48:30
Moscow new in Lipetsk them others00:48:33
Rattaki final Khingan Stepan Ivanovich00:48:36
I would really like to see it displayed to me like that00:48:38
repeatedly that's where she is his exhibition00:48:40
Esteban is looking for a body to work00:48:42
he was accepted by the state00:48:44
Tretyakov Gallery us Ivan Ivanovich not00:48:48
belonged to the artist to say which00:48:52
pave the way for themselves00:48:54
pushing the hood of the world, come to someone00:48:57
find some ways to appease00:49:02
he didn't ask, but he still gave00:49:06
of course when besides the fact that he was00:49:08
endlessly received us from the Union of Artists00:49:10
and Ukraine00:49:11
and Russia he received an assistant to the union00:49:14
artists of the soviet union00:49:17
he waited pete he waited and on the other hand00:49:20
he understood that this is not always given00:49:23
deserved the toilet title he was not the one00:49:27
who was he, how can I tell you00:49:34
groveling before whom he was warming up00:49:37
he gave his works about the soul but00:49:39
they didn't do any groveling00:49:41
practically therefore he would not be able to drive00:49:44
when he turned00:49:45
was already 80 years old, he thought it was00:49:48
they will still give the title of meritorious00:49:51
artist of the honored artist or00:49:55
Ukraine and Russia for me, yes, and so I want00:49:57
read Adolf Loza's review and00:50:00
deserved it was a bark beetle00:50:01
equally Ukrainian artists who00:50:04
painted by the Moscow regional branch00:50:05
All-Russian creative public00:50:07
organization of the Union of Artists of Russia00:50:10
Chairman of the then People's Artist00:50:12
Russia Kharlamov for many years since college00:50:15
navigon I know Stepan Ivanovich the chemical engineer00:50:17
he went through a difficult path of quest00:50:19
as a result of which it was formed00:50:21
Stepan's individual creative handwriting00:50:24
The chemist continues the tradition bequeathed00:50:27
traditions used by the artist00:50:29
painting in the south of Ukraine all over, yes it is00:50:31
no matter wearing it went to painting I think00:50:34
that the skill and capabilities of the artist00:50:36
check especially after00:50:39
he definitely deserves recognition00:50:42
member of the set would be with you00:50:43
personal decorative in Ukraine and00:50:45
Russia and abroad00:50:47
published two album catalogs00:50:50
fixing the achievement yesterday I made a company note00:50:53
worthy of the title of Honored Artist00:50:54
Russia Nedelin personally to the people of Ukraine00:50:58
Stepan Khimichka dedicated many but00:51:01
mental work on national topics00:51:03
as well as the author of fiction00:51:04
decoration of Minskaya metro station in Kyiv00:51:07
you can make paintings using technology00:51:08
encaustic00:51:10
how do you promise 1 semantically different00:51:13
diarrhea and reinforced concrete products on00:51:15
swamp of the city of Kyiv in Russia chemical00:51:18
Valiev performed such works as the city00:51:20
got burned hotels intourist russia lobby00:51:23
carving until 180 square broken city00:51:27
Togliatti plant you treatment room size00:51:30
200 square meters called00:51:33
life and many other works in different00:51:35
locations in Russia and Ukraine all works00:51:37
performed as the author of cardboard sketches and00:51:41
performance lost deserved00:51:43
ukrainian outdoor artist addressed00:51:46
Unfortunately, Simon Ivanovich had slabs00:51:48
the obstacles of vegetables were caressed00:51:51
and still awarded, I want to say00:51:54
I would like to prepare a list, I don’t see something00:51:57
at least you were the type for the baby00:52:00
medals like the gold medal and how he00:52:03
received from Russia for participating in a high00:52:06
there was a silver medal for the exhibition00:52:09
call over the one who passed the golden one00:52:11
brush Ivan Ivanovich were00:52:13
and awards that were aimed at the anthem00:52:16
Ukraine received a medal for him at least for00:52:18
your exhibition to the Kyiv metro station00:52:23
Stepan Ivanovich was still noted00:52:26
grapes and so he doesn't jump from00:52:29
grass I would like to say that the exhibition00:52:32
Stepan Ivanovich00:52:33
had a fitting in the center00:52:37
cultural center of Ukraine in Moscow on00:52:40
Arbat and you know such an exhibition under00:52:44
name in Ukrainian about amateur00:52:46
step up to thai personality all mind this00:52:50
the exhibition took place in 200900:52:54
the discovery is true, you are Simon Ivanovich00:52:56
we have an exhibition00:52:58
she year it was an exhibition in 201100:53:01
There are not many different Odessa artists00:53:04
we wrote a catalog like this Bergen booklet with00:53:08
Stepan Ivanovich's exhibition is what I00:53:11
spoke the Ukrainian center of Moscow from00:53:14
The exhibition is very interesting about Capricorns00:53:16
day one thousand nine hundred 201000:53:18
in the Odessa Art Museum, as it were00:53:21
touchingly called this to the troops I felt00:53:23
at this exhibition ukraine00:53:24
now who am I working damn very beautiful00:53:30
at this exhibition there are monumental works00:53:32
unfortunately there were00:53:34
some frame is damaged and because00:53:36
Simon Ivanovich ran around, carried himself and00:53:39
there was a huge amount of work left00:53:41
way spoke Vladimir Andreevich00:53:43
he still has it in the attic at home00:53:46
batteria survived in a narrow alley here00:53:49
close to the station and there is a number00:53:51
works what order are they in what sometimes00:53:54
he came and the men slept on the monkey00:53:56
every summer the museum brought works00:53:58
givers take 1 forests to your collection here00:54:01
is right here00:54:03
and of course in his ballad workshop00:54:07
a huge amount of work in the city of Khimki00:54:08
where are these works Yakovlevna Stepanovich00:54:11
give away the auto work give away donate00:54:13
museum because your work should00:54:16
be there you generously give and that's when I00:54:19
album delivered amazing album00:54:22
well, self-portraits of artists were published00:54:26
here in Odessa00:54:27
a self-portrait of one of Ivan entered there00:54:30
Ivanovich and Ivan don't call00:54:33
gridview00:54:34
urgently please tell me00:54:37
I'm at home, I'm probably Aladdin00:54:39
self-portrait did the wrong thing and has already00:54:43
basically an album00:54:44
where were those who had to work00:54:47
Stepan Ivanovich00:54:48
here was another little Oleg00:54:51
Esteban Khimichke painting00:54:53
and Stanislav Aidinyan was born because of his weight00:54:57
who lives and works by mosquitoes herself00:54:59
introductory article such an album00:55:01
who will wake me up a lot Simon00:55:03
Ammann PM him with his materials00:55:04
because when he was moving towards his 80th birthday00:55:07
I really wanted to help Stepanovich publish00:55:10
album and write an introductory article00:55:14
because there are a lot of gifts of entries00:55:17
Today we will show a film where Ivan00:55:19
Ivanovich speak out such an album was00:55:21
in general, I’ll rent these out to seba for painting and00:55:24
graphics donated this album was published in00:55:27
Moscow publishing house00:55:31
ska 2012 but I want to say he00:55:35
wrote at the top00:55:37
wrote subscribe peculiar00:55:39
work 13 it was on00:55:42
2013 [ __ ] brother hotel bombs in00:55:45
I signed myself in the workshop, you know00:55:48
Stepan Ivanovich amazing colorist he's amazing00:55:51
colorist00:55:52
This artist can't kill Peter00:55:54
stress he has perfectly laziness and he00:55:57
great colorist, he's great00:55:59
space his compositions are really simple00:56:02
and the very eyes because Simonovich but00:56:05
if this river flows along with a little of it00:56:07
with her and he is so full of hiding00:56:10
muffles dreams and everything he sees00:56:12
attacked of course there must be color rendition00:56:14
recently dinar when from work combat00:56:17
Afghan Christmas step 1 watt not yet00:56:19
I remember that it was exhibited and sold00:56:21
I don’t remember it will be at the Sotheby’s auction00:56:25
the scene was appreciated this work on00:56:26
in England tens of thousands of dollars this00:56:29
got the job00:56:30
and this says a lot, such a confession00:56:33
so the album is pretty good or bombs but to00:56:36
unfortunately the color rendition in this album and00:56:38
she's somewhere close but no you know what00:56:41
no light00:56:43
there is color and light and it’s very important here00:56:47
hand over00:56:48
Svetka robots Stepan Ivanovich my shoulders00:56:51
than run to work Stepan Ivanovich and00:56:55
which are on display I wanted00:56:57
I would like to read one more statement00:56:58
Svyatoslav Nikolaevich Roerich in00:57:01
art it seems to me that Stepan00:57:03
Ivanovich doesn’t seem to exist yet, but he exists00:57:05
yours every morning and on this some00:57:07
scrap00:57:08
so he showed crit the service will come00:57:11
sometimes bring it to you, we give ours00:57:12
small jobs but then from small ones00:57:15
his work needs pearls00:57:17
they are made to some kind of icon00:57:19
cardboard when some mattress is on and a fabric picture00:57:23
have to give you take you do00:57:25
Simon Ammann. that one is falling apart you are not00:57:28
you see, it was written to me, I wrote it because00:57:31
what can be submitted and then sharpened00:57:33
the work won't be available for a long time, but this one00:57:35
a fist with our address written on it00:57:37
in my mood I want these works to live00:57:39
centuries and preserved as it will preserve00:57:42
hanging cardboard 1 like00:57:43
he took one and wrote sometimes his00:57:48
painted road design paintings from him00:57:51
there were also Soviet posters used00:57:53
this cardboard used hardboard of course00:57:56
he wrote and cavities oil he wrote and00:57:59
acrylic but also grilled as it looks and00:58:01
watercolor that we made an exhibition00:58:03
many creations he brought on board the base00:58:06
I see it’s not really crappy, so let’s go00:58:12
the government you gave a whole pack00:58:15
these works, but they are stored with us and I would00:58:17
so that we can spend such a great time together00:58:19
exhibition stepan ivanovich holistic00:58:21
Nikolaich I said service in art00:58:25
art flow on service by i why00:58:27
you Tesla and dance until you drop today00:58:29
there are all kinds of sofa what is it00:58:32
nice so he's good00:58:35
bad something appears is it00:58:39
works of art or is00:58:41
skill you know you can be a master00:58:44
this may not be a work00:58:45
art because it is a work00:58:47
art on becomes then when but00:58:49
here are 2 boiled animatedly and if this00:58:53
not present she could be great00:58:56
reproduced technical skill but00:58:59
if there won't be a breath00:59:01
photographer life it can be considered00:59:04
just mastering sleep time doesn’t mean00:59:08
to be an artist you still need to be able to00:59:10
breathe life so it lives photo00:59:12
Stepan Ivanovich has always had it00:59:14
opportunity you know for many years volume on00:59:16
website while still a medical student00:59:18
Institute, I was reading in the hall while sitting on00:59:22
famous surgeon people on and he00:59:23
thought about something the service said00:59:25
such art came, it's detailed there00:59:28
all this is the result described this a long time ago00:59:30
literature so what to argue about is indisputable before they have00:59:33
right, it’s not clear what kind of square and they00:59:35
have the right to life00:59:36
who knows has the right bolt dream00:59:40
but you always have to remember here it is00:59:42
little netapp strations by the way believe him00:59:45
guessed yourself prosthesis role-playing country00:59:47
art and technical00:59:48
I asked if you would like to have abstract00:59:50
at dinner he asked the question they were talking about00:59:54
what against he said that this search00:59:57
but it can't be as abstract as01:00:00
art01:00:01
there can be all kinds of searches01:00:04
talk about this search were them01:00:06
strewn midnight I would never have seen01:00:08
his works on the abstract theme01:00:10
maybe Vladimir's speech was better01:00:12
knows but I ended up like this01:00:14
this is Nikolaevich again, what is it01:00:17
art01:00:18
service listen to art like01:00:21
serving God01:00:22
finds its embodiment in the highest01:00:25
human impulses when an artist01:00:27
absorbed into the highest realm of the spiritual01:00:30
depths to the very heart of our manifested01:00:33
the universe is a prayer of faith awareness01:00:37
your unity with all that exists01:00:39
the penetration of our self into the secret creation01:00:43
when the artist tunes in and vibrates01:00:46
in harmony with the higher consciousness are poured over01:00:51
the endless expanses of selenium and Uzbeks01:00:53
harmony of all-pervading consciousness01:00:56
come and subjective01:00:58
objective with this higher power01:01:01
the greatest artists come into contact01:01:03
provinces and become guides01:01:06
let them reveal these higher powers01:01:10
interpretation is what ministry is all about01:01:13
higher and replenish what we call01:01:15
god people who reaches the highest01:01:18
called01:01:19
pig trees about faces and we01:01:22
look at him like gods and don’t be afraid01:01:25
are not the gods of this earth I cannot01:01:28
say01:01:29
Ivan Ivanovich is God's hell on earth01:01:31
but what he served is what he penetrated01:01:34
the fact that he did not walk on the rise of Phrynes01:01:36
so that he does not waste his time and01:01:39
remained often idle01:01:43
artist and when I told him correctly01:01:45
wife Tamara Lifanova Burbank she01:01:47
said that you01:01:49
classic already during your lifetime when you leave01:01:52
you will be especially appreciated01:01:54
said the wife who scientific life 201901:01:58
year she came out Simanova start with a lot01:02:01
experienced the meaning01:02:02
and now I would like to introduce you to01:02:04
those works that are in01:02:06
us in our museum here is one of the works before01:02:12
stepan ivanovich this is the first snow01:02:16
1 laugh when Simonovich looked at the water01:02:21
gave one of his interviews he said01:02:25
water has always seen the abyss, then we’ll show you01:02:29
its hindi01:02:30
how amazing it is to see this01:02:32
you are really new deeply he01:02:34
there is nothing superfluous here in the composition01:02:36
she puts you in the right mood I want it01:02:41
be in this place you want to feel this01:02:43
the aroma of the first snow is the apples of this01:02:45
air and boil to breathe and the moment to me01:02:48
when the artist of a market town is like everyone else01:02:50
the vertebral glasses convey they are filled01:02:53
so you can feel it too01:02:56
this air and breathe because it's not01:03:00
just a work painted en plein air01:03:03
worked squeeze milena and this is survival01:03:05
in nature I felt I would extend01:03:08
the next work that was given as a gift01:03:10
Simonovich of our museum has already begun under that01:03:14
dance the sun has already appeared the reflections have already appeared01:03:17
depth01:03:18
maybe he spoke without some seeing in01:03:21
this first one main light01:03:22
pay attention to the light the sun these are01:03:25
glare is a reflection01:03:27
which is reflected and hits you01:03:30
eyes you see this sun is amazing01:03:33
master master sphere master sun would01:03:37
said array of public murals01:03:39
next job is so crispy01:03:42
work took01:03:46
snow blue purple moon hung at home01:03:53
tree yes this work is work01:03:56
burns out on the signal from these big01:03:58
some made an impression01:04:00
artists especially Zhukovsky is very01:04:01
loved this artist this is the work of01:04:05
motives he has several works on this01:04:07
theme of glades about Galina Sergeeva01:04:10
Galina summer sold for luck01:04:12
Stepan Ivanovich and01:04:15
each one failed, the main thing is that it would always be01:04:17
go into this amazing spark01:04:20
Elena, there’s something beyond the horizon01:04:23
trees and there is always something simple01:04:25
you are always positively radish01:04:26
the desire for some gift01:04:29
which were also reflected in the small01:04:32
the lake that has already left you are next01:04:36
work this work in this work01:04:38
amazing this is yes here is the old new01:04:41
Khimki warmed up the whole family him glasses and01:04:44
made by his workshop01:04:45
I painted this house at different times of the year01:04:48
at different times of the day and in different years01:04:51
its mass is the work of the named01:04:53
surprise symphony and masses and here Simon01:04:58
Ivanovich performs amazing transfers01:05:01
look pay attention light01:05:03
which shines from the front door and comes to01:05:06
us from a firewood the second light which01:05:09
located in glass windows01:05:12
a completely different light and a third light01:05:15
which were with the naughty one in the background01:05:18
paintings we understand that this is how it gathers dust01:05:20
artificial light source light bulb on01:05:23
street which is also light and four traces01:05:26
which we see four here we see01:05:29
the stars in the sky, then the whole world is roaring01:05:32
proud miraculous you are on the left side01:05:36
we'll see I suspect there's a moon there01:05:39
illuminated in icicles01:05:40
and Stepan Ivanovich this entire symphony01:05:43
light symphony01:05:45
salinity luminosity and transmits to01:05:48
such a small quick job from the ground01:05:51
work didn't start talking let Ivan Ivan01:05:53
there are works on this topic he really liked01:05:57
internal surge under especially when01:06:00
sun 1 appears winter sun gives01:06:03
splash this splash is reflected01:06:05
pay attention to all the houses that01:06:08
here I wander around Dan trees then very01:06:10
loved those you know, luminous ones01:06:12
effects and very nice and we come often01:06:15
Israel saw at sunset and sunrise01:06:16
sun when at sunset01:06:19
pink city absolutely built01:06:21
made of white stone01:06:23
flashes without the city that is located01:06:25
on the hill and when the sun goes down it's01:06:28
the sun sets, everyone else is tested01:06:30
this Stepanov flash will find us01:06:32
flash and when you are no longer at home but01:06:36
the sun in them and without diets and the sun and01:06:38
the sun of the water in this lake01:06:40
and the sun on the trees and look how he01:06:42
masterfully conveys this glow as01:06:45
transformed and children withered01:06:47
Frozen in winter, by the way, I watched01:06:50
this ray of sun that comes from the left01:06:52
to the right notice how they are01:06:54
flare up in some extraordinary way01:06:56
light01:06:58
someone else is the source01:07:00
You can stand in the light on these paintings01:07:04
comes a lot of association01:07:06
joyful and you learn thanks to such01:07:08
cobblestones like Stepan Ivanovich you will learn01:07:11
see phenomenon in nature you learn to notice it01:07:14
your you we stop or life and01:07:16
says stop what a beauty01:07:19
clever girl in a simple village in a simple house in01:07:22
simple rays of the sun in a simple reflection01:07:24
these are leagues and creativity, I would say01:07:27
impressive view of the sun and tactical01:07:29
divine revelation is clear to us01:07:31
not Morrison if there is life01:07:33
in fact, such in the sun and01:07:35
stepanovich01:07:36
this is one of the works that this is the beginning01:07:40
spring01:07:41
this is a small format work please01:07:43
attention especially the background you did01:07:46
such amazing lilac-violet01:07:48
shimmers along with the greenery that01:07:52
left with the islands already cold01:07:56
absolutely cold water I didn’t have01:07:59
I want a completely new mother ready01:08:02
in the background where it's completely different01:08:03
remark I would like and not abastumani01:08:06
you also need vibration clouds01:08:09
she always plays the last class01:08:12
more creativity began to appear01:08:14
birds as mystical harbingers01:08:16
I would say even the foresters are at the entrance01:08:19
frankly speaking, for several years01:08:21
if I had a premonition he would be very sick01:08:24
learned from get sure that helps him out01:08:26
Bessarabian he has a holy door01:08:28
there were interruptions in the heart of a terrible falling on01:08:31
on the street in Khimki he was delivered by bandits01:08:34
gone?01:08:35
he then left the hospital and01:08:37
Simonovich will be taking something to eat01:08:41
I'll take Bessarabian home, that's me01:08:44
I will go to the sea to drink under medicinal01:08:47
the wine is natural and he’s drunk01:08:49
and he has such an electrocardiogram that01:08:52
it was scary to even think about what happened01:08:54
it happens in the last life and even01:08:57
several times the hospital is the same again01:08:59
the plot is already at home look in this01:09:02
spoke in the light somehow chosen01:09:05
period this brush did not give in01:09:06
look here it is the light01:09:07
finding having come something red01:09:10
shade there for a month for the time of friends01:09:12
The family phone here is completely blowing away01:09:15
another faction of the white light council this01:09:19
the light is white and the icicles stand out from01:09:22
white crowd and even meet differently01:09:25
window not window and door01:09:27
the light comes out of the front door differently01:09:29
prostitutes icicles on the left side of the picture01:09:31
on snow01:09:32
this is a completely different glow01:09:34
life is different01:09:35
if this is another one noticed I'm like this01:09:38
detail details light photo correct them it01:09:41
amazes and you are also amazed with him01:09:45
please continue, this is also work01:09:47
his earth sympho is also brighter01:09:49
but we see a brighter one in the background01:09:52
the light on the left side is more you know01:09:55
cold glow in icicles01:09:57
and look at the snow on the left side01:09:59
what different moments how it burned different01:10:03
progress he used his works please01:10:07
but this work is amazing work01:10:10
it's called work smart november01:10:14
but if it’s November for me and which is01:10:16
the herald of the land for this work I01:10:18
won in Israel by the way if you're fast01:10:20
maximum Ivanovich rule in01:10:22
Ukrainian cultural center by the embassy01:10:24
Ukraine in Israel is very important and these01:10:28
exhibitions and enjoyed amazing01:10:30
Success for Stepan and the gang he brought01:10:32
and the diplomas that he signed01:10:35
then Plenipotentiary Extraordinary Ambassador01:10:37
Ukraine in Israel Gennady Alekseevich.01:10:41
photo of Stepan Ivanovich and these certificates for01:10:44
the exhibition which received it was not a hatch01:10:45
from acrylic I brought [ __ ] to01:10:47
Israeli artists came to these01:10:50
exhibitions not in Israel and on our artist01:10:53
who lived they talked about what01:10:54
found an unusual board November01:10:57
of the passing winter as his work is called01:11:00
this background is necessary01:11:02
invaded by this pink lemon01:11:04
some kind of glow with this move, as it were01:11:07
said Svyatoslav Nikolaevich himself01:11:09
unusualness to give a lot of work here01:11:12
then it was just in stock01:11:14
you bought other works, you caught this too01:11:17
the work is very interesting stepana st ona01:11:19
still so autumnal and full of fun01:11:23
winter-spring work is different here01:11:26
shadows such a palette all woke up to life01:11:28
and evergreen fir trees already lived birches01:11:30
We are about to begin to wish for snow and consists01:11:33
but everything is already full01:11:34
full of forces that nature will develop01:11:37
Great master01:11:38
Stepan Ivanovich brought this work01:11:41
two years then his eyes he brought 3 works01:11:44
which showed the winter sim I understood01:11:45
says I love it unrealistically, I found a new one01:11:47
year this will be called the price painted this too01:11:50
the house itself which you video in various01:11:53
colors give them different colors01:11:55
conveying aggression and it's all covered in shadows01:12:01
and pay attention and you feel in01:12:03
one about the brain01:12:04
cold weather that ticks01:12:05
penetrate and are endowed there already leaving01:12:09
sickle of the month because the day begins01:12:12
sitting in the window, pay attention at all01:12:14
different character not so bright yellow01:12:17
orange glow of mine he walks01:12:19
gives way like it comes01:12:21
dawn dawn again there are several here01:12:25
on her dessert is the sky light that comes from01:12:31
doors from the window but there is a depth at how she01:12:35
still remains at night01:12:37
night light holy transmission01:12:41
dark room that has orange and01:12:43
yellow assets01:12:44
but at the same time under the nickname Davis01:12:46
Ivanovich, why do you need these pigeons?01:12:48
mixed meters up confused poisoned those01:12:50
and hunger01:12:51
black why avalanche would be on Chekhov01:12:54
look, they haven't arrived, they don't eat much01:12:56
because they don't like how their heads don't01:12:58
because I don't like how the plot is01:13:00
felt it01:13:02
something bad is like the foresters01:13:06
why wasn't there such a feeling though01:13:08
the whole picture is called dawn sunrises01:13:12
this is a vertical canvas 70 by 50 but here it is01:13:15
gave me this job to impose myself01:13:17
many years ago not many years ago01:13:20
ago I was delighted with this work01:13:21
he himself and his form brought to play around the tree01:13:24
I told you this because I love you very much01:13:27
the sun of their faces and I am generally the sun01:13:30
fan every day we are allotted to01:13:33
the sun and the hymn sang to him because01:13:35
I see behind the physical sun I understand01:13:38
what is the sun of the spiritual stream01:13:40
take this into this physical part01:13:41
stunning sunrise when she01:13:45
begins not yet in full force01:13:46
but here is the genius of Stepan Ivanovich Tom01:13:50
that they trained the sun to put matter on the slipway01:13:52
there's not enough for the match, you don't see these anymore01:13:54
this is the wind of the tree crowns01:13:56
because the sun has taken over everything and this01:14:00
the idea is already she retreats into the rough matter to the rear01:14:03
plan is a demon actually the sun01:14:06
but at the same time its rays are already falling01:14:09
rotate brilliantly built and composition01:14:11
in the foreground he is somehow close01:14:14
Liberty unison could not be transmitted yet01:14:17
came the main thing was the middle part01:14:19
we begin she is present and we01:14:22
we still see light in the windows of houses because01:14:26
Is the sun enough to shine but01:14:28
is present and again many01:14:30
traces pay attention practically and01:14:33
another face [ __ ] victory of light01:14:35
pull it gives a little01:14:37
and what a play of colors like it01:14:41
reflected by conveyed chiaroscuro amazingly01:14:46
this blue part of which is still in England01:14:49
orange and matter dissolved01:14:52
there is actually no loss, the world has become achieved01:14:55
intangible to the floor skillfully Rostov here01:14:58
he gave me this job he said you01:15:01
you know, I found a new move, this is work01:15:04
painted in oil on horseback on canvas on01:15:07
cardboard01:15:08
he region fur coat here by itself according to new ones01:15:11
in paint as you like it I like it01:15:13
I think I saw this moment in nature and01:15:16
you know for some reason it reminds me of01:15:18
here in the foreground with him and then I01:15:21
saw about India when I was on the Ganga River01:15:25
in the city of Varanasi they were chasing met01:15:27
dawn and always take out the opposite01:15:30
side of the Ganga river negotiations01:15:33
low and no sun but because you01:15:36
you know someone she jumps out and immediately01:15:40
the ball begins to shine at this moment01:15:42
amazing try it soon01:15:44
all the buildings in this this jump01:15:46
sunshine and pink see all shades01:15:50
this must be determined01:15:52
art historical research to01:15:54
talk about plans in the foreground here01:15:56
and called how fast this01:15:58
composition01:16:00
colors from the type of transmission are again an anthem01:16:03
the sun01:16:04
please, this is the work of Stepanova skis01:16:07
wrote to Khimki and he01:16:10
gave this work, wrote it for this purpose01:16:13
man this man being young01:16:18
he was confused by these chicks who did not understand01:16:20
birds fly away01:16:21
this canvas is called 50 by 70 and01:16:25
again pay attention there 100 times01:16:27
the birds are already covered with hay01:16:30
fly around when you start enrolling01:16:32
this is also similar to the same as me01:16:34
which winter comes only here01:16:36
Stepan Ivanovich01:16:37
I said pay attention I found it01:16:39
new artistic director love me it seems that01:16:42
he managed to convey this sun01:16:44
which seems to be made of gold01:16:47
red gold like molten01:16:50
only in the sun does a man sit down01:16:53
already illuminated and here is a wealth of beauty and01:16:56
birds and such dark birds that01:16:58
fly away01:16:59
these birds began to appear in it01:17:02
the latter works on the yes tardis principle01:17:05
the last very trades well this is work01:17:09
generally unique it is unique in that01:17:11
I loved walking01:17:13
artist ukrainian artist master01:17:16
Ukrainian and also the transfer of these houses and01:17:20
he won't talk about what he wrote about01:17:23
different left but here you will notice01:17:26
attention again in the left distance01:17:29
was the boiler Liam distant last01:17:33
list sun she hasn't given up yet she hasn't given up yet01:17:37
she hasn't given in to the teachers yet01:17:39
ear this last school which01:17:41
goes away and against the background of this there is a flash01:17:44
last hello01:17:45
people before it's full night01:17:48
there are already houses with lights01:17:50
artificial and sun rays01:17:53
at the same time and at the same time in the front01:17:56
plan for a hut that is already artificial01:17:59
the light that falls from the window and illuminates01:18:01
the path is illuminated like the table with hay01:18:04
which is covered with snow and we will also see01:18:07
hut01:18:08
which is also covered like a haystack01:18:09
Shan snow this is at the same time01:18:13
combination of artificial light which01:18:16
electrical miscellaneous and at the same time01:18:19
the last ray of the sun is already setting01:18:22
ended but not gone yet I haven't left01:18:27
frank01:18:28
I'm amazed how you can convey it like that01:18:31
simultaneously a separate background and01:18:34
foreground or I want a set01:18:36
watch watch and can't stop admiring it01:18:40
various works have been written on this topic01:18:42
it's called a window but this palette01:18:45
Stepan Ivanovich gave me these01:18:47
palettes for the workshop head01:18:49
he's his own01:18:50
the ground does not burn his remote control to love01:18:54
because the palette01:18:55
this is also a separate topic and characterizes01:18:58
artist they will be so watered01:19:01
the man is such an artist, why new01:19:03
You can also describe the palette using these01:19:07
one palette support jar01:19:11
this is a gift and another job is work01:19:15
carrying this is called the bright morning01:19:18
this is half a year of work it amazes me01:19:22
maybe someone is an artist artists01:19:24
when it looks professional it starts01:19:27
analysis is drowning since they are so friends01:19:30
the sun that she saved up again01:19:33
all materials01:19:34
this matter has faded into the background01:19:37
you see trees you only see buildings01:19:40
birch tree and the dog let's go on a diet01:19:42
the golden road and this is the driver with01:19:46
horse I love you all but you are as it happens01:19:49
it's going out into the bright spring sun and01:19:52
you're going blind because he reigns01:19:54
nature she begins to dial and say01:19:59
the day begins to lengthen she gives you01:20:01
life gave you the joy of unsoldering everything01:20:04
around but it's amazing I would say01:20:08
the work of such bright optimism of joy in01:20:12
life's joys of nature are small01:20:14
for her size but she is amazing01:20:17
backlit transmission medium01:20:19
give me compensation from nowhere01:20:21
came from the driver, it’s not clear anywhere01:20:23
where does it come from and these are the first ones01:20:27
Zelda Light Asia Which Begins01:20:31
only then she will be young and01:20:33
residential and old and dark green what01:20:36
whatever, but for now, at the expense of how young01:20:38
young nothing that we buy on01:20:39
at the market we are ready for such light green01:20:41
there is not much color available yet01:20:43
chlorophyll but they were gaining start gaining01:20:46
Stefanova didn’t give himself an hour after all01:20:48
conclusion01:20:50
then it's a very small job too01:20:52
called Kurenevsky with this work with01:20:55
everyone is miniature card somewhere01:20:57
postcard 10 to 15 this is cardboard canvas on01:21:01
cardboard like this Rene splash01:21:04
pay attention to this inner one01:21:05
splash look carcinogen01:21:08
happens and how it affects others01:21:11
what Rhodes it brings the joy of new life01:21:14
but probably just flooded the entire exhibition01:21:17
which we will have in the museum we thank01:21:21
you are important we were present at01:21:22
presentations by upstart Stepan Ivanovich01:21:24
she is small in my opinion 1801:21:28
in total they made new ones01:21:32
for Christmas01:21:33
it's high and that's why it's called01:21:36
bozeman is just a messenger of gums and here01:21:39
work is not only purely winter crying01:21:42
supplemented01:21:43
but we only hope for ourselves the songs of spring01:21:46
what will happen to Stepan and personally for01:21:48
it's eternal summer, eternal spring01:21:52
hi, can we convey our gratitude?01:21:54
what is possible with hiv with such a wonderful01:21:57
an artist and as you correctly said01:22:00
Vladimir Andreevich01:22:01
he of course thought that you were nowhere01:22:04
somehow Nikolaevna networks began to dash01:22:07
said not but because he was fed01:22:09
of course not migrants we start extremely01:22:11
I travel and you always answer so01:22:15
I'll be a prank so Sevan Ivanovich01:22:17
of course belongs to his creativity01:22:20
Ukraine doesn’t, of course, but it’s possible01:22:23
speak and but this is Ukrainian of course01:22:26
a prominent Ukrainian artist with01:22:30
huge love where they will be in their homeland01:22:33
I know where his work will be now01:22:36
I always said Ivanovich01:22:39
give it to the museum because they will destroy yours01:22:41
they don't care about work01:22:43
so that this is the purpose of the meeting so that01:22:45
she remained in some museum or museum01:22:47
Ukraine to arrange it like that and I already01:22:52
I see these works are sold somewhere there01:22:54
sold there and01:22:56
they will be dissolved possible we will buy01:22:59
the Chinese because the Chinese loved it very much01:23:02
creativity stepan and floating even01:23:04
came to pick up his work, something happened there01:23:10
at least one bad story01:23:12
what will they come out to bite01:23:16
there won't be uncertainty01:23:20
will try breeding which are close01:23:23
type touched01:23:25
some topics but abstract01:23:29
abstract art01:23:31
Stepanych I remember his exhibition of the day01:23:35
victory was strange leaving the authorities article01:23:37
there was a lot of parketoff01:23:43
wonderful packages including01:23:45
famous self-portrait01:23:48
I'll come back to him and he said that I'm not here01:23:54
then I interviewed, by the way I wrote01:23:56
probably 0 5 or 6 articles somewhere01:23:59
son because if there is an artist01:24:03
who are costly who you01:24:05
soul mate his painting concept01:24:08
his view of the world is of course ok three01:24:12
wheels and he said that for me if in01:24:16
art and prevails01:24:17
his artist I believe sent this01:24:21
it's bright it's rejected internally it's not01:24:25
said that she has no right to life01:24:27
and you are the truth of life, but also subjective01:24:30
the world of the artist is also interesting and01:24:34
develops art01:24:36
but it was unacceptable to him because01:24:39
for him art is01:24:42
books and you're looking at the right volume01:24:47
that God is always a spiritual substance01:24:53
which he always had in his mind01:24:57
when he was working because he was 301:25:00
st if he shook and spilled in nature01:25:08
God's principles say you can't violate01:25:12
zinc of nature and for me it is in nature01:25:15
All01:25:16
if you paid attention at all01:25:18
the law is probably art that the artist01:25:22
limit yourself to three colors mainly and01:25:26
further on there are variants of this color in01:25:29
within its limits and comparisons and its01:25:33
famous saying01:25:34
if in nature I take the ratio 301:25:38
flowers I already have a finished painting01:25:41
there was enough for him just love01:25:44
this could be the interior this could be01:25:46
still life and01:25:48
this is the landscape where he showed the most01:25:51
yourself of course although the composition is like you01:25:54
saw there was a few of him on the screen01:25:57
monumental compositions01:25:59
carisma and01:26:02
connected instant thinking01:26:04
the artist then01:26:09
is also very clearly expressed and probably if01:26:14
you are these landscapes01:26:15
I was thinking during your01:26:19
performances when this series took place01:26:22
the pictures on the screen resurrected me01:26:26
memories of these works01:26:28
there is no such time of year and state of the day01:26:34
which Stepan Ivanovich did not convey01:26:37
his work it's amazing how he could01:26:41
respond to everyone there are new archer01:26:43
writes spring beautifully01:26:45
great someone winter landscapes yes here01:26:48
we see his winter landscapes01:26:50
I remembered back in the summer he wrote beautifully01:26:55
winter landscapes and now I find something01:26:58
they are related and by the way he singled out01:27:00
ready too then goals less what01:27:06
he began to write this very highly and there01:27:10
to me, in my opinion, I discovered the most new ones01:27:12
looked at the capital with his eyes and he still01:27:16
Mikhail Zhukov loved the beetle very much01:27:20
you are also well represented by the superb museum01:27:24
and and Golubkova01:27:27
to whom I dedicated a monograph we are on01:27:30
This also brought us closer Stepan because01:27:34
he adored Golubkova memati racing early01:27:37
spring from ariny01:27:39
it's all in his work and so is she01:27:42
moves, that is, this tradition01:27:44
his work is peculiar but he supported01:27:48
into a tradition that has already gained strength in01:27:51
art of the late 19th century especially at the beginning of the 20th01:27:57
centuries and well, you can still remember others01:28:05
artists but perhaps a year kids01:28:07
which we just said right now01:28:10
they were closest to movies01:28:14
he has a great schedule and that's when01:28:18
mentioned that I have a great schedule01:28:20
remembered a few of him01:28:22
make drawings of school heroes for you01:28:25
beautiful drawing united front different01:28:28
laconic and somehow ascetic01:28:32
face she was a beautiful woman there and and01:28:36
and as soon as he has a protest and she doesn’t01:28:38
he was very offended by this work01:28:42
concisely in a few lines01:28:45
advanced then sultansin and I’m not going to01:28:49
And01:28:50
but sometimes they sat there at the feast and01:28:54
entertained themselves with what they drew01:28:57
Sharjah at each other and Stepan on stage01:29:01
such a chance something pounced on him01:29:06
there will almost be a brawl01:29:08
you know, he's so stupid01:29:14
found something in him that he didn’t want01:29:17
showing yourself off like such a dandy is an ism01:29:20
Very It was spring unfortunately we don’t carry weights but01:29:23
judging by the reaction I think there01:29:26
really01:29:29
conveyed by human psychology or01:29:32
characteristic features among Stepan’s work01:29:37
I but above all would be his self-portrait01:29:41
you plus I won’t spoil this author’s parquet if I01:29:44
I'm not mistaken 19 in my opinion 201101:29:48
12 here is one building I could be wrong about this01:29:54
the work was shown for the first time in our museum01:29:59
oriental art on Pushkin or01:30:04
no, this is not Russian work, but there01:30:10
her face in this one is simply attractive01:30:23
the look is such a magnetic look and there01:30:26
there is some reproach in his gaze and01:30:30
it’s understandable when you’re so much away from this01:30:35
phase I'm like this for an artist it's a rise01:30:38
Soulful Stepan approached to beautiful01:30:41
you got a self-portrait minin too01:30:45
Rembrandt itself but I sometimes use humor01:30:51
Eric approached him01:30:54
journalists, well, I want to write you an article01:30:59
tell me you were born and I was born on01:31:05
on earth it didn’t work out logically anymore01:31:13
a person of a philosophical mindset and this01:31:16
by the way, I'm back again01:31:18
remember on the forum she noted it01:31:21
when he was a student01:31:22
they love it all the students love these01:31:26
on the forum number in honor for me in01:31:29
art mother she is a spiritual mentor01:31:32
but there was not always reciprocity and this01:31:37
she would be very worried about you01:31:39
maybe other places I studied there01:31:43
classmate there were a number of other artists and he01:31:47
this teaching of healing belonged here01:31:50
because I was worried if there was a preference01:31:54
didn't give it away01:31:56
equal to all his students01:32:00
By the way, I want to correct myself01:32:02
Japanese student said incorrectly01:32:07
Japanese it was01:32:08
and classmate Fedor Krichevsky01:32:12
students can't, this is school01:32:15
monumental art01:32:18
work female which we are great he01:32:21
one of the founders of the Ukrainian Academy01:32:23
arts in his eighteenth year01:32:25
Krichev doctor01:32:27
on juke01:32:29
period of Ukrainian art and dub step01:32:33
on key.01:32:34
most often Ukrainian artist chatter01:32:37
about your attitude and remember it01:32:42
algorithms but this is amazing work01:32:45
monumental there and hetmans01:32:49
and one more job and unfortunately now01:32:52
I do not remember01:32:54
size to work well unfortunately here it is01:32:59
divided into books but in general that is01:33:05
view of this work view here01:33:07
very cold wave a little better here01:33:11
his tone is very convincing01:33:15
economist at these schools by the way Winn01:33:19
attached great importance01:33:23
tonality of tonal painting and I remember01:33:26
that you got acquainted with the creativity of gadgets01:33:30
I remember that he even took a match and lit it01:33:33
during the day and for him it was a camera house under01:33:36
this said the first thing is a white canvas and from01:33:40
this light needs to build a tonality01:33:43
all the canvases and the rope wall are true01:33:46
those artists we called them all01:33:51
attached great importance to tone01:33:54
all of this is what is sorely lacking today01:33:56
our abstract art artist01:34:01
let me already say that01:34:03
rejected by the way very almost mocked01:34:06
when the devil spoke01:34:08
Well, I didn’t accept Malevich’s square for this01:34:10
concept01:34:11
like conceptual art in general01:34:13
modern which does not require much01:34:17
artist's craftsmanship01:34:19
it does not require academic school but not01:34:22
requires preparation01:34:23
my teacher Valery kitten, by the way01:34:27
very much he said to saren that01:34:31
reach great heights in art01:34:35
academically you will understand nature01:34:38
arm yourself with skill and then don’t01:34:41
experiment but when they start01:34:44
half-trained artists experiment01:34:47
everything turns out very well but it’s not from01:34:51
inferior art, one might say01:34:53
it is designed for someone at first01:34:57
a glance may01:34:59
arouse some interest, but it’s not for him01:35:04
lacks depth but stepan01:35:07
Ivanovich companies01:35:08
there is depth to his creativity and01:35:12
relatively good how are you01:35:16
Elena described him realistically01:35:19
creativity what if animals and dogs01:35:22
dog, I remember the landscape that is there01:35:26
depth it and in my opinion I'm a little more01:35:29
big picture or something a little different01:35:31
angle01:35:32
but there's a homely one looking out the window01:35:36
pet dog she's probably looking there01:35:38
his owners already like him and he's all that01:35:43
now they will bring him something whole too01:35:48
nature was Stepanova, you know when01:35:53
sitting and listening to this would say this01:35:56
I remembered it wasn't entirely possible01:36:02
ready today so collectible01:36:04
collector's item has arrived01:36:06
share your memories01:36:08
a man I really respected and loved01:36:11
as a person and what art I put01:36:15
very high I'm glad there is such a place01:36:17
in Odessa once the Roerich Museum which is in01:36:23
which found01:36:24
a worthy place for this artist and I01:36:29
I think we will continue to carry this01:36:33
the light of art that burned in the heart01:36:36
Stepan Ivanovich archive glasses I have01:36:41
basically, maybe I forgot to say something01:36:47
unfortunately I think that I will respond as01:36:51
journalist for reviews01:36:53
and I'll say more01:37:01
thank you Vladimir Andreevich of course we01:37:03
you can talk about areas other than on the penis01:37:05
Of course I forgot to say his portrait of them01:37:08
Job01:37:09
which I witnessed for the first time01:37:11
exhibition when he presented the result01:37:15
artist in Moscow I saw these works in01:37:18
him in the workshop of famous people in that01:37:21
number that works on the leg01:37:24
cosmic amazing heated01:37:27
colleagues weekend loved ones I remember01:37:30
drove around him, he depicted a point, she01:37:32
came to him his exhibition was at home01:37:35
artists that's how she came with balloons01:37:38
this album has sides from01:37:40
you will see the abrasiveness at greater heights01:37:42
axis I'm glad we're here today thank you01:37:46
Vladimir still gathered at the market of course01:37:52
tell us to listen to these let's listen to ours01:37:57
program then the performance and so what?01:38:00
wish you thought of a miracle it is located01:38:02
so that it doesn’t fall off and so that we pass 1001:38:07
of course a large exhibition of his works01:38:09
which is in the apartment01:38:11
here in Odessa they were then extracted and01:38:15
many thanks to Andrey01:38:25
final layer I just want more01:38:27
remember to describe more01:38:29
Stepanova's complete personality01:38:31
he loved music very much, he was a writer01:38:34
diary I got acquainted with this diary01:38:38
I wrote something out, but unfortunately now01:38:41
I don’t have it on hand, I’ll write it in the article01:38:45
I remember these notes in his diary01:38:51
he also loved very much so that he loved very much01:38:54
fits Rachmaninoff like this01:38:59
monumental, say symphonic01:39:01
music attracted him very much and she01:39:04
somehow you listen to it when01:39:06
you write there01:39:07
people inspire this, that is, this is also01:39:12
one side of this artist's personality and01:39:16
but I would say that there is at work01:39:20
which I'll tell you they're musical01:39:23
musical pop because it develops01:39:25
color has its own logic of color development01:39:28
his own but first of all he is in front of them01:39:32
of course these are the artists ahead and also me01:39:36
I remembered in my diary, he wrote down how he01:39:39
visited the Vernadsky Museum in Moscow01:39:44
Vladimir01:39:45
Afghan and there he saw crystals01:39:48
do you appear on Gulin it01:39:51
amazing even millions of years01:39:54
this crystal was formed what is there01:39:57
to the depths, what kind of excesses are there, he’s in such a01:40:00
in the east there are two museums, I don’t know how01:40:03
this is from him undressing and about painting01:40:06
but it had a strong effect on him01:40:09
impression01:40:10
we see that the artist probably has a lot01:40:14
remember universalism and Leonardo yes01:40:17
Vinci and not only she falls, he too01:40:20
in its own way universal you jump and01:40:23
physics has01:40:25
mineral interested interested01:40:29
music literature and words semantics01:40:33
words all this accumulated by his personality01:40:37
I was on the mountains, probably like this one01:40:40
the crystal he saw in the famous01:40:44
thank you museum all the bestDescription:
Открытие выставки живописи Степана Химочки (1937-2020) в рамках вечера Памяти художника в Одесском Доме-Музее имени Н. К. Рериха. Трансляция мероприятия в формате видеоконференции состоялась 9 января 2021 года. Срок экспозиции выставки «НО ЗИМА – ТОЛЬКО ВЕСТНИК ВЕСНЫ»: 9-25 января 2021 года. В программе: [0:38] Вступительное слово. Петренко Елена Григорьевна, директор Одесского Дома-Музея имени Н. К. Рериха. [02:08] Музыкальное приветствие. Произведения И. С. Баха для скрипки соло прозвучали в исполнении Юрия Шундяка, студента IV курса Санкт-Петербургской государственной консерватории имени Н. А. Римского-Корсакова, лауреата международных конкурсов. [06:46] «Воспоминания о Степане Ивановиче Химочке». Кудлач Владимир Андреевич, ведущий библиотекарь Одесской Национальной научной библиотеки, искусствовед, журналист, художник; член Национального союза журналистов и Национального союза художников Украины. [16:57] «Творчество художника Степана Химочки». Петренко Елена Григорьевна, директор Одесского Дома-Музея имени Н. К. Рериха. Степан Иванович Химочка (25 декабря 1937 – 27 марта 2020) родился в селе Староказачье Белгород-Днестровского района Одесской области. В 1965 году окончил Одесское художественное училище имени М. Б. Грекова; с 1966 по 1969 год работал в Одесском художественно-производственном комбинате. В 1975-м году, после окончания Киевского художественного института работал в Киевском художественном комбинате в цеху монументального искусства. Как художник-монументалист, выполнил роспись потолка (530 кв.м) на станции метро «Минская» в Киеве; «Человек и природа» — роспись фойе Дворца культуры в Николаевской области (Украина); «Русь» — витражи и роспись панно в интерьере кафе «Крещатик» в Киеве; «Древо песен» — резьба по камню — в интерьере гостиницы «Россия» в Смоленске; «Жизнь» — мозаичное панно в Тольятти; «Энергия» — роспись фойе Дворца культуры Чернобыльской АЭС и др. С 1980 года С. И. Химочка — член Союза художников СССР, с 1986 года — член МОСХ. В 1985 году художник уезжает в Подмосковье, в город Химки. Много и плодотворно работает, автор многочисленных персональных выставок в России, Украине, странах ближнего и дальнего зарубежья. Участник аукциона Сотбис. Произведения художника находятся в Киевском музее искусств имени Богдана и Варвары Ханенко; в частных коллекциях в Украине, России, Израиле, Югославии, Германии, Италии, США, Корее, Индии, Индонезии. 18 пейзажных работ, составивших настоящую камерную ретроспективную выставку «НО ЗИМА – ТОЛЬКО ВЕСТНИК ВЕСНЫ» были в разные годы переданы художником в дар Одесскому Дому-Музею имени Н. К. Рериха. Характерной чертой всех работ Степана Химочки является светоносная основа и неувядающая энергия жизни: «Всё в этом мире — и земля, и космос — находится в гармонии. Её не следует нарушать. Поскольку нарушения ведут к неотвратимым последствиям. Я стараюсь в своих работах отразить удивительный мир Творца-создателя, поразительный во всех отношениях, чтобы люди могли видеть эту красоту и гармонию. Мир бесконечно интересен. Ему надо только удивляться и творить только гармонические вещи. И это возможно, когда научишься видеть, а не просто смотреть, а еще — слышать. Это большой труд и самовоспитание. Я всё время любуюсь красотой природы и хочу совершенствовать это видение. Можно просто декоративно отражать виденное, а можно стремиться к свету. Если такие удачи у меня были, я называл их озарениями». «Уверен, если писать что-то, то только пронзительно, так, чтобы это задевало душу человека»... Иллюстрированный каталог выставки произведений Степана Ивановича Химочки «Путевые впечатления» (графика, живопись), проходившей в июне 2009 года в выставочном зале Одесского Дома-Музея имени Н. К. Рериха издан в серии ОДМР «Коллекции. Коллекционеры» (выпуск 3): https://odessa-roerich-house.od.ua/ru/publikatsii/katalog-vystavki-proizvedenij-khudozhnika-stepana-ivanovicha-khimochki-grafika-zhivopis Дорогие друзья! Недавно созданный видеоканал Одесского Дома-Музея имени Н. К. Рериха постепенно будет наполняться не только новыми мероприятиями Музея, но и наиболее интересными архивными записями событий прошлых лет: выставок, концертов и презентаций, лекций и научных конференций. Настоящий канал, Лига Культуры Одесского Дома-Музея Рериха – проект абсолютно некоммерческий, никакой монетизации видео и рекламы. Поэтому единственный способ его продвижения на просторах youtube для возможности большему числу людей узнать о существовании и деятельности ОДМР – Ваши подписки на канал, лайки и комментарии. Одесситов и гостей города приглашаем посетить Одесский Дом-Музей имени Н. К. Рериха! Вся информация о мероприятиях и событиях в Музее доступна на официальном сайте: https://odessa-roerich-house.od.ua Всегда рады друзьям на наших facebook-страницах! • ОДЕССКИЙ ДОМ-МУЗЕЙ ИМЕНИ Н. К. РЕРИХА https://www.facebook.com/odessa.roerich.house.museum • ЛИГА КУЛЬТУРЫ https://www.facebook.com/pax.cultura1935 • БОРИС СМИРНОВ-РУСЕЦКИЙ https://www.facebook.com/boris.smirnovrusetsky
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