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мастеринг трека за 10 минут
сатурация
vst
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logic pro
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сведение трека
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как сделать мастеринг
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logicpro
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  • ruRussian
Download
00:00:02
is excellent
00:00:05
guys, hello everyone, my name is Chester
00:00:08
Goncharov, we haven’t released anything for a long time
00:00:09
and you know what I thought, I
00:00:12
have an order in which, in principle, you can
00:00:14
consider all the main aspects of
00:00:16
the questions that you ask, this is the
00:00:19
mixing of the kick drum with the bass, the
00:00:21
mixing of the drum, the mixing of the guitar, the mixing of vocal keys and
00:00:24
all these bells and whistles, but to make it more
00:00:27
interesting and productive for you, I
00:00:30
decided to break it down into stages and today we will
00:00:33
look at the mastering of the track, let’s start from the end,
00:00:35
let’s see why exactly, why I
00:00:37
started using these
00:00:39
plugins now, why aren’t there any
00:00:41
specific ones, in short, here’s how- then
00:00:43
I remind you that I also have paid
00:00:45
individual courses, if anyone is interested,
00:00:47
write a link to the artist, I will
00:00:50
definitely leave it in the description and let’s
00:00:52
listen to a piece of the densest part,
00:00:54
then we’ll figure it out, let’s go to the
00:00:57
evening sunset, I’m getting married soon, the
00:01:01
guys
00:01:03
visited I’m your girlfriend,
00:01:14
they’re bichan and
00:01:16
[music]
00:01:18
narrow it’s better
00:01:20
to cool it, it’s more beautiful,
00:01:26
don’t look like that and it’s sad and
00:01:31
it’s better to at least paint it,
00:01:38
friends, as I already said, who wants to
00:01:40
watch listen to the full version,
00:01:42
subscribe to the artist please,
00:01:44
the link will be in the description, let’s now
00:01:47
see what’s happening without the
00:01:49
master section, I don’t turn up the volume right now
00:01:51
I will, but you can be sure
00:01:54
that you will have to turn up the volume on your
00:01:56
devices, this is so that you
00:01:57
understand the difference in the drop in
00:02:00
volume, yes, I
00:02:02
won’t change anything late in post-production and so let’s go,
00:02:11
your
00:02:13
[music]
00:02:15
sour
00:02:16
[music] promised me
00:02:21
such a sad look
00:02:25
and my friend is the best
00:02:27
circle in Russia
00:02:30
to study
00:02:31
[music]
00:02:34
so, well, it’s clear we saw a drop in the
00:02:36
midrange and a drop in the high frequencies, a
00:02:38
drop in volume plus or minus the dynamics
00:02:42
became a little larger because we don’t have
00:02:44
a compressor, so let’s
00:02:46
figure out what I put here and
00:02:48
why I use it It is these
00:02:49
equalizers that in this case the
00:02:52
plugins are used, almost all of them are native,
00:02:55
the voice is registered here, the guitar is registered, everything else is
00:02:57
basically the standard plague some
00:03:00
do or sounds regarding the mixing of the
00:03:03
bass drum, we will return to this topic later,
00:03:05
we will definitely analyze
00:03:06
this track directly with you let's call it
00:03:08
the story of one track before the first thing
00:03:12
I did was add a plugin alliance vitalizer and
00:03:15
look what it makes
00:03:21
of the guys
00:03:23
your girlfriend
00:03:26
[music] promised me the
00:03:27
numbers I
00:03:28
[music]
00:03:34
three are so sad
00:03:36
anyway
00:03:37
and girlfriend ray
00:03:40
circle of Russia
00:03:44
because we have a minor change
00:03:47
in tonal balance but very
00:03:50
bright air frequencies appear there is
00:03:53
already a review on this vitalizer the link
00:03:56
will be in the description if something is
00:03:58
not clear to you I will file mine I don’t think it’s necessary
00:04:02
for the [ __ ] to be there in principle everything
00:04:04
is explained correctly I just lifted
00:04:06
the top not by I didn’t touch it and here
00:04:08
Thus, we got this
00:04:10
transparency, this tube one,
00:04:13
because this is emulation and
00:04:14
directly analog equipment,
00:04:16
this tube top airy sound
00:04:19
that we wanted due to the fact that
00:04:21
I have control over all the
00:04:24
source sounds in the mix, I mixed it as not
00:04:27
then you just need to add this top
00:04:28
so you don’t have to fiddle with it, you could
00:04:30
do it separately on each instrument,
00:04:32
but why if I’m going to lift it everywhere
00:04:34
and it’s more convenient to work with the middle, then just
00:04:36
add the top before if we have
00:04:38
too much top somewhere,
00:04:40
return to the instrument and remove
00:04:41
as a matter of fact this is how this
00:04:43
plugin works, it’s a very wonderful thing, please note that
00:04:45
I don’t have one of
00:04:47
Asin’s compressors, which
00:04:48
combines because I say, first of all,
00:04:51
everything is done correctly in terms of arrangement,
00:04:53
all the instruments and sounds are chosen well,
00:04:55
we don’t need anything directly, so
00:04:57
I wanted to glue it together so that the track was
00:04:59
wide, I wanted it to be dense so
00:05:01
that it was just like a drum stam,
00:05:04
if you can call it that, and that’s why I do
00:05:06
n’t use a USSR compressor at the beginning of the chain
00:05:09
because when mixing I
00:05:12
laid everything down, I use 2 saturators here, the
00:05:14
first is a vitalizer, emulation
00:05:17
of analogues equipment and the second is
00:05:19
emulation of the remote control and, in fact, I’m
00:05:21
doing a shadow promotion from ten thousand hertz to
00:05:23
four and 16 thousand hertz 6 and 16 thousand
00:05:28
hertz I’m boosting it up,
00:05:33
I’m getting married soon and beta
00:05:37
promised me your girlfriend
00:05:41
numbers I’m
00:05:43
again
00:05:44
[music]
00:05:47
look at the dacha with a sad look,
00:05:50
I wanted to add more to this
00:05:52
middle part due to the fact that our remote control
00:05:54
very competently licks this whole
00:05:56
moment, he just made it quieter and
00:05:59
added a little harmonics, here is the upper
00:06:01
component of our sound signal
00:06:03
until then we have the usual equalization
00:06:11
I'm getting married guys
00:06:15
we we just took everything that we don’t need, we
00:06:18
removed everything that bothers us from 30 points
00:06:22
land below 34 there is no such
00:06:24
information content and if it were a
00:06:26
slow tracks viano tower with bass
00:06:29
we could still play with
00:06:31
harmonics here everything is very fast and
00:06:34
makes no sense and all that is just 60 just
00:06:36
to make the kick drum quieter put a more
00:06:39
readable bass a little too much good the bass
00:06:41
initially sounds loud for me so in
00:06:43
the mix everything is good those harmonics ok okay
00:06:45
the information we won’t touch on the information
00:06:47
then later so again
00:06:50
[music]
00:06:57
look at everything how much we have become
00:07:00
at once everything is brighter and warmer multi-band
00:07:03
compressor
00:07:06
6 grams
00:07:07
and the girlfriend is better
00:07:09
Cruz is more beautiful kind
00:07:16
look still sad look
00:07:20
that is, I was ahead of the middle this
00:07:23
moment 580 hertz 1600 birds exactly
00:07:26
where we have basically all the
00:07:28
harmonics like this is all the brightness of the voice
00:07:31
and instruments
00:07:32
pressed it and raised the volume so that
00:07:35
it was not there in the distance, but
00:07:37
here in front, directly if
00:07:39
you touch the artistic part of this
00:07:41
track, then for some reason I saw it like this so
00:07:43
that the middle was warm in front of the face
00:07:45
[music]
00:07:51
the candle is not yours girlfriend
00:07:53
[music]
00:07:55
and friends now I’ll turn on this one l3
00:07:59
l.l. multi make it quieter because
00:08:02
now the charge
00:08:04
[music]
00:08:08
don’t look like that and a sad look
00:08:14
before we have average vitamins 6 -7
00:08:18
decibels I’m pushing through all this the farms
00:08:20
came a long time ago minus 12 and 7
00:08:23
but friends this is not a compressor this is a limiter
00:08:28
multi-band limiter so you understand
00:08:31
how it works here we have
00:08:33
separate bands amplification for each
00:08:35
band I use a preset I always
00:08:37
insert this very last preset and
00:08:40
then tweak it further as it’s convenient for me
00:08:42
to change all this suits me here there is
00:08:44
amplification you can salt listen to
00:08:46
priority and recovery release these are the
00:08:50
main functions that you I would like to
00:08:52
know further, he shows us almost
00:08:54
stacks of how all this management happens,
00:08:56
that is, roughly speaking, if we have some kind of
00:08:58
purity of a thousand hertz, it will be knocked out by
00:09:02
-9 decibels, respectively, it will simply
00:09:04
cut off the limit and therefore we
00:09:05
get an even sound, and then we with
00:09:07
you we see the initial sneeze that we
00:09:09
get, we
00:09:13
see that it presses our lower
00:09:16
middle middle bottom up up
00:09:18
remains more transparent more breathable, this is
00:09:27
actually the tonal balance
00:09:29
in terms of frequencies, we figured it out, we
00:09:31
looked briefly, that is, of course,
00:09:33
we have a very big role mixing plays
00:09:37
and everything depends entirely on the light and
00:09:39
mastering, well, you can steer in principle
00:09:42
if the crooked mixing can be done better,
00:09:44
in fact, for this motherboard and
00:09:45
there is also a master you can kill
00:09:48
and it won’t work here so you opened
00:09:50
your project, looked at my settings,
00:09:52
copied it work, no, this is
00:09:54
one example of how you can do it,
00:09:56
if you are interested, you can dig around on
00:09:58
my channel, there is another video on this
00:10:00
topic, but again, I will repeat myself and
00:10:03
summarize on this track, we will
00:10:06
analyze from beginning to end the
00:10:08
bass information for you mixing the
00:10:10
worker, why did we do it this way and not
00:10:12
otherwise? There are a few Easter eggs for you. We have
00:10:15
distress here at the worker, or everything is
00:10:17
as it should be; compression, we made the
00:10:19
kick brighter, that is, our worker
00:10:23
initially sounded like this, so I’ll also remove from the master
00:10:26
now
00:10:31
we are minimal here, so we they
00:10:34
just made it brighter and by the way guys,
00:10:36
if you watched to the end it will be
00:10:38
a bonus for you because I
00:10:40
forgot to mention it a little at the beginning I
00:10:43
have a gain knob here or rather gain boards
00:10:46
and I hung it up and forgot to remove it but I
00:10:49
always hang it up at the end I put it in mono,
00:10:52
no one I understand is not using mono now,
00:10:54
well, maybe checking how much
00:10:56
the instruments fall out and I’ll
00:10:58
just demonstrate how it will
00:11:00
sound in mono for you,
00:11:04
but soon I’ll get married and beta
00:11:08
your girlfriend is
00:11:12
sour
00:11:17
[music]
00:11:18
sandy,
00:11:21
we don’t have any instruments falling out
00:11:24
The only thing that is not masked is that we have a
00:11:26
slight loss of the upper frequencies, this is
00:11:28
due to the fact that we have
00:11:31
stereo expansion here on the vitalizer and due to the
00:11:34
hearing delay, this directly
00:11:37
creates the effect of these
00:11:39
very increased high frequencies,
00:11:45
but there is room there
00:11:47
the top and that’s why it all
00:11:49
sounds like this
00:11:53
[music]
00:11:56
three dagi less then nothing will
00:11:58
fall out of harmony everything is fine everything is
00:12:00
good friends my name is Chester Goncharov
00:12:02
health to you and your loved ones bye bye
00:12:05
soon I’ll get married guys
00:12:08
your drying promised me
00:12:12
[music]

Description:

Друзья, сегодня у нас на повестке мастеринг трека за 10 минут и это не метафора. Посмотрим как я использовал сатурацию и какими vst плагинами пользовался. Всем приятного просмотра. 📌 Ссылки на исполнителя Дмитрия Паульса: https://www.youtube.com/watch?v=nz8elUJpXY0 https://www.facebook.com/unsupportedbrowser ******************************************************************** МОИ КОНТАКТЫ ➤➤➤ ✅ Группа в VK: https://vk.com/goncharov.producer ✅ Страница в VK: https://vk.com/chester.goncharov ✅ Я в Instagram: https://www.facebook.com/unsupportedbrowser ✅ Я в facebook: https://www.facebook.com/unsupportedbrowser ✅ Я в twitter: https://twitter.com/chester_gonchar ********************************************************************

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