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3ds Max | 3d модель за пару минут | Быстрое создание моделей орнамента без навыков моделирования

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3Ds

Max

Studio

V-Ray

Vray

Интерьер

Рендер

Архитектура

Interior

Render

Architecture

Модификаторы

Обучение

курс

уроки

видеоуроки

видео

с нуля

для

новичков

начинающих

дистанционное

на

русском

графика

графический

редактор

анимация

работа

1080p

Full

HD

Autodesk 3ds Max

настройки

bump

displace

diffuse

reflect

refract

Map

UVW

Tiling

Тайлинг

Координаты

карт

руководство

текстуры

отражения

рельеф

смещение

материалы

Design

2015

RENDERSTORM

00:00:02

[music]

00:00:08

Hello friends, in the last lesson we

00:00:10

looked at the most important, the most

00:00:12

basic material, Verevsky, which

00:00:14

is called V mtl, the main thing is because

00:00:17

everything is based on it. Well, 90 percent of

00:00:20

the cases we’ll probably use it.

00:00:22

Let’s create a new scene, I won’t

00:00:24

change this one, it will be easier for us to create a new one.

00:00:27

click the corresponding icon, select

00:00:29

New

00:00:30

Don't Save, don't save, go to the

00:00:35

top view on the control panel, group

00:00:39

geometry, tab standard primitives,

00:00:42

select a box, create a box here in the form of a

00:00:46

top, I won't draw it manually, but

00:00:49

set the parameters from the keyboard; for this,

00:00:51

select the

00:00:53

entry tab with on the keyboard we enter the required

00:00:56

values 400 mm I will put it everywhere

00:01:00

Make sure that the coordinates are in zeros

00:01:02

this means that the center of the object will be at the

00:01:04

zero coordinate point press the

00:01:06

CT create button we see the

00:01:09

box that appears now let's open the

00:01:12

material editor press the m key on the

00:01:14

keyboard remember what we talked about in

00:01:16

the past In the lesson, here in our slots the

00:01:19

V mtl materials are now used. The

00:01:21

settings of this material are the main ones

00:01:23

that we looked at, this is the color. We

00:01:26

talked about the fact that you can also set a map to this color, this

00:01:31

is also a reflection, which you can also

00:01:33

set a

00:01:35

map to, this blur reflection, you can also

00:01:38

set a map to almost all parameters

00:01:40

reflection according to the fr refractive index

00:01:45

transparency blurring of

00:01:48

transparency the output color that we

00:01:51

get color dispersion more precisely when

00:01:54

passing through the surface of the material

00:01:56

we can also set the map to many

00:01:58

parameters, see the principle:

00:02:01

Wherever there is such a square next to the

00:02:05

color or with some parameter,

00:02:08

we can connect the map there by clicking on this

00:02:10

square, if the card is connected there, then there is a

00:02:13

letter m from the English Map, it is

00:02:17

large,

00:02:19

if the card is connected but not

00:02:23

used, that is, it is turned off in the settings, then it is

00:02:25

small and

00:02:28

capital So let's see what kind of

00:02:32

maps are Let's close all the scrolls and

00:02:35

go to the

00:02:36

Maps scroll There are all those squares that

00:02:40

are here in the Basic param next to the parameters

00:02:44

where we can connect cards, these are

00:02:46

all the squares, in principle, they are here

00:02:48

and are registered, this is the same thing, that is,

00:02:51

by adding a card, for example, here in the

00:02:54

parameter map to the main color, we

00:02:58

will see that in the form the inscription will have this

00:03:01

card, ours is indicated now we see that the

00:03:04

cards are not applied because there is

00:03:06

an inscription here that is, there is no card if we

00:03:10

click here there will be two options if the

00:03:13

card is not applied then again a

00:03:15

familiar window will open for us where we can

00:03:16

Select a

00:03:17

card if the card is applied it here it

00:03:20

will be written Which map then when you

00:03:24

click we will be taken to the coordinate settings of

00:03:27

this map, what else do we see in this

00:03:29

list?

00:03:30

Well, the first is what it is.

00:03:33

That is, to what parameter is this map

00:03:35

applied? The first is the fuzz color, for example,

00:03:38

the second is the

00:03:40

roughness of Self illumination is a

00:03:43

self-illumination reflection gloss is a blurring of

00:03:48

highlights In general, everything that was there in the Basic

00:03:51

param and so on, here the same thing is

00:03:54

signed with the same words, the most

00:03:57

interesting thing for us is not used,

00:04:00

remember this is a relief map, it is not

00:04:05

written down there And this is also in in principle,

00:04:08

relief But the bump is a pseudo-referendum,

00:04:30

we see the corresponding value

00:04:33

is the intensity of our map, that is,

00:04:37

the strength of the effect, so to speak, if for example we have a

00:04:40

map applied to the bump relief map,

00:04:43

then here we can indicate its

00:04:44

intensity, how much it will

00:04:46

create a relief effect in the third

00:04:49

column We have checkboxes That is,

00:04:52

if we don’t use some card Tim

00:04:54

vrek we

00:04:56

press the

00:04:58

VM will remain here Well, as I said in

00:05:02

Basic parameters in our squares

00:05:06

here there will be a small letter m and it’s

00:05:08

small because the card will be

00:05:10

temporarily disabled, let’s now use the

00:05:12

most decent

00:05:30

for this color so that apply To

00:05:32

an object it does not need any

00:05:35

map coordinates, it simply falls evenly there on

00:05:37

all the polygons for each point of the object,

00:05:40

roughly speaking, if we

00:05:43

overlay some kind of

00:05:45

map on the object. That is, even the same one, let it

00:05:47

be a bitmap, that is, a raster

00:05:50

image. Well, an ordinary drawing or

00:05:53

photograph then this map must have its

00:05:56

own coordinates so that it correctly

00:05:58

overlays our object. That’s why

00:06:03

there is a concept of map coordinates. Now

00:06:05

let’s draw a diffuse map, that

00:06:07

is, instead of the main diffuse color, we

00:06:10

’ll make a map when we apply the colors. There wo

00:06:12

n’t be a

00:06:15

map for this as such. Let's use Photoshop,

00:06:17

open

00:06:19

Photoshop, select a file,

00:06:22

create a Russian-language Photoshop

00:06:25

for some reason I don't know. For what reason I

00:06:27

always used the English version,

00:06:29

this is unexpected for me. I'll try to

00:06:31

translate for you some points that

00:06:34

I roughly remember, what is called in

00:06:35

English, I will translate it into English for you,

00:06:37

click the file

00:06:40

New here we switch the parameters in

00:06:43

pixel this is the size of our canvas enter the

00:06:46

parameters from the keyboard 400 400 pixels

00:06:49

by

00:06:52

400 click

00:06:54

Oh, here we have created our host with a size of 400

00:06:58

by 400 on the right our

00:07:01

layers for you this layer should be called

00:07:04

Back click on NM with the right

00:07:07

mouse button and convert it from background, that

00:07:10

is, from the background to a smart object, here

00:07:14

I have this item, convert the CP object,

00:07:16

you can Con Smart

00:07:19

object,

00:07:21

now click on this, click on the

00:07:26

right

00:07:28

mouse button, overlay is Blend options, something like that is

00:07:33

called

00:07:35

here, internal glow, this is in my opinion

00:07:38

in Glow 1 2 3 4 5 sixth parameter from the top,

00:07:44

select it, you automatically

00:07:45

have a check mark It’s on, set the

00:07:48

color to black, in this box,

00:07:51

select the black color, not transparency

00:07:54

Set the

00:07:55

blending mode to 100%, in my opinion,

00:07:59

choose instead of the screen, set Normal

00:08:03

to normal, then what do we do? I'm interested in

00:08:05

the size in pixels, let's set it a little larger

00:08:08

and remove the range here, that is, so that

00:08:12

it is clearer.

00:08:15

Look something like this so that you

00:08:16

get a

00:08:17

black frame like this, click

00:08:19

Okay, that's enough for us, we wo

00:08:22

n't do anything else, we'll just

00:08:24

save this picture, click file Save

00:08:28

AS

00:08:31

format select

00:08:32

jp click

00:08:35

save I have something like this He

00:08:38

asks to replace Yes, the maximum

00:08:40

quality is with this bunch, unscrew and

00:08:43

click again about Everything we have is saved

00:08:46

now, you can close oshop Already close

00:08:48

nothing else, don’t save anything Now

00:08:50

let’s use our first

00:08:52

slot, we’ll replace the

00:08:58

material that’s

00:09:00

all settings is that we

00:09:01

set up the transparency, color and everything

00:09:03

else, our BC will be reset, we just do

00:09:06

n’t need it anymore, so let’s

00:09:08

click on the square in mtl as we

00:09:11

changed in the last lesson here, just

00:09:13

click the material, we also select in the

00:09:16

rollout

00:09:18

V our mtl material it again as if

00:09:22

it is applied instead of that old

00:09:24

material, so all the settings are now

00:09:26

by default right here right away

00:09:29

Let's click on the square to

00:09:31

apply our diffuse map Here,

00:09:33

instead of the diffuse color, click

00:09:36

select bitmap this is just a rasto

00:09:38

image, that is, a regular picture, it

00:09:40

can be anything here already there are

00:09:42

presets, that is, well, pre-installed

00:09:45

pictures in 3D

00:09:46

Max, look where we uploaded our

00:09:50

drawing. Here we

00:09:52

download and select

00:09:55

it now. Pay attention

00:09:58

immediately

00:09:59

to the transfer to the coordinate settings of

00:10:02

this map, that is, we are now

00:10:04

at the level

00:10:05

below our inscription with the material, here the

00:10:08

bitmap inscription has changed we are now

00:10:10

we are at the

00:10:11

settings level of exactly this bit

00:10:14

map, that is, the image of our image,

00:10:17

in order to go up a level higher, we need to

00:10:21

click go to

00:10:22

parent and it raises us to a level higher

00:10:26

so that they are thrown into these Uva, I’ll try to

00:10:30

tell you better in more detail. And you

00:10:32

concentrate and listen now with

00:10:35

us to the slotm material

00:10:39

mtl it is displayed here

00:10:43

mtl this means that this material

00:10:46

is the very first

00:10:48

level to this material in some

00:10:51

parameters, for example color as the

00:10:53

color of reflections, we can assign

00:10:55

different

00:10:57

cards to each

00:11:00

level of this mate That is, if a card is

00:11:04

assigned to a parameter, it is displayed here

00:11:06

here, as I said, with the letter

00:11:09

m, if it is already assigned, then when you click

00:11:12

on this letter m, we go exactly to the

00:11:15

level of editing this map

00:11:17

assigned here, we can change

00:11:19

the coordinates of the maps, set various other

00:11:22

parameters,

00:11:25

Tito’s path in

00:11:28

the form, I

00:11:29

will return it back to the initial one, we click

00:11:31

again we we find ourselves just at the very

00:11:34

beginning level, this

00:11:38

material is also with all other

00:11:40

cards, if the card is not assigned, then we

00:11:42

naturally do not go to its level when we click,

00:11:45

but we are offered to simply

00:11:50

create a card, we can also

00:11:52

use

00:11:53

the scroll to

00:11:55

connect to

00:11:58

this, there is a specific name of the

00:12:01

card in brackets a drawing is written, a

00:12:05

picture of some kind that is used by

00:12:08

this card. Well, if of course it is

00:12:10

used, the picture may not

00:12:12

be used by the card; we also clicked on the one we needed

00:12:14

and went to its level to the

00:12:18

level of this card, the selected card, what

00:12:20

it is, we

00:12:22

see here the bitmap I I think you will understand this

00:12:26

if you haven’t already, but everything here is

00:12:29

difficult to get confused. Everything here is very simple

00:12:31

with these levels, go to the most

00:12:34

important first level, click to do

00:12:36

this go to parent this is the level of our

00:12:39

material now at this stage we

00:12:41

can already see what the

00:12:43

material is with a diffuse map applied to it,

00:12:45

for this, double-

00:12:47

click

00:12:49

on our slot, uh, what picture do we see?

00:12:53

The map is applied. But why is it

00:12:57

now displayed so strangely, here is our

00:12:59

picture that we used, it

00:13:02

should be in the form of such a

00:13:05

square, this is exactly the settings for the

00:13:07

coordinates of the maps Let's apply our

00:13:10

material to our box, select the box,

00:13:13

select the material Slot one and press the

00:13:16

assign S button, that is, assign the

00:13:21

material to the selected one. You can also

00:13:23

simply move the slot to the cube as we

00:13:26

did now, we see that our cube

00:13:29

displays the color diffuse gray but does not

00:13:31

display the map so that it displayed

00:13:34

the map, we need to click the

00:13:37

Show shaded material in viewport button here, that is,

00:13:41

show the material with textures in the

00:13:44

viewport. Now we can already see what

00:13:46

our cube looks like with the material applied to it.

00:13:49

So, friends, why do we have our

00:13:52

big picture drawn in Photoshop

00:13:54

displayed? How many are displayed? small ones, this is

00:13:57

called talin, which I talked about in the

00:13:59

last lesson. This is tessellation of a small

00:14:02

picture with one particular area, that is,

00:14:06

repeating it many times. In order for us to fix this and

00:14:08

adjust

00:14:09

our map to the desired size, we just

00:14:12

need to use the

00:14:14

coordinate settings of this map. First, I will

00:14:16

show you a very wonderful thing, let’s make sure

00:14:18

that our box is selected, go to the

00:14:21

control panel, the second modification tab

00:14:24

modify in our parameters we see two

00:14:28

checkboxes

00:14:31

and Real World Map

00:14:33

Si So what do they mean, the first checkbox

00:14:36

translates to how to generate

00:14:39

map coordinates when creating absolutely any

00:14:41

primitive, be it a sphere box cylinder,

00:14:44

pyramid or cone, it doesn’t

00:14:47

matter 3D Max generates

00:14:50

map coordinates for them, this makes it easier for us to

00:14:53

overlay just our maps. If

00:14:58

you disable this checkbox, then we won’t

00:15:00

see the maps. We’ll have to do everything manually and

00:15:03

set up these coordinates

00:15:05

ourselves for each primitive, it generates these in its own way

00:15:11

coordinates for example for a

00:15:14

Cube it makes a projection of maps on all its

00:15:18

sides the second checkbox is translated as the

00:15:21

size of real world maps in 3DS Mac

00:15:25

there are two modes for map sizes this is the

00:15:28

size of the real world and the sizes in

00:15:32

units if we uncheck this box we

00:15:35

will see a different result the coordinate

00:15:38

maps will already be be applied taking into account

00:15:40

the size of the units, if the checkbox is checked, then taking

00:15:43

into account the real

00:15:45

world, what is the difference between them, essentially the dimensions of the

00:15:48

real world, that is,

00:15:52

we indicate the width and height of our maps in

00:15:54

millimeters in real sizes, such

00:15:57

as those set in in the

00:15:59

settings of our system, that is, in

00:16:01

our in this case, these are millimeters Now

00:16:04

let's set up our map, for this we

00:16:06

will go to the level of editing this

00:16:08

map, that is, next to the diffuse color

00:16:11

where we display the map, click on

00:16:13

this square and go to the

00:16:16

coordinates tab. Here in this line we can

00:16:19

rename our map if the scene is

00:16:21

very there are a lot of materials and a lot of

00:16:23

maps so that we don’t get confused, it’s better, of course, to

00:16:25

come up with unique names. I’ll just

00:16:28

call it diffuse now that I’ve

00:16:31

renamed it. I can see it. I’ll go

00:16:33

to the top level and look. In the

00:16:38

Maps lists, our map is called diffuse.

00:16:40

And the name of the picture that is used is indicated in brackets

00:16:43

in this

00:16:45

map we will talk about this later. So the next thing

00:16:47

we see is use Real World Scale, that

00:16:49

is, use the scale of the real world.

00:16:52

This is similar to our checkbox, which

00:16:54

we put here on the control panel.

00:16:57

Thanks to this checkbox,

00:16:59

we can enter our value, that is, the

00:17:02

height and

00:17:03

width of our map the size is exactly in millimeters

00:17:07

So let's see what they offer us

00:17:11

The first parameter is the

00:17:13

width The second parameter is the

00:17:17

height The width has an indent called

00:17:21

oset that is, this is how much it will be

00:17:24

shifted to one side or the other.

00:17:26

Here is also the back,

00:17:30

that is, by moving it a little, we see

00:17:31

how our map is also

00:17:36

moving to reset to zero

00:17:38

value, we right-click

00:17:40

on the arrow then it will be in the center

00:17:43

So the

00:17:44

next one, besides the offset, as we have analyzed,

00:17:47

this is already an offset. The next point is Say

00:17:52

the size here, we indicate the size of ours in

00:17:55

width and

00:17:57

height, size 25 by 25

00:18:01

mm what does this mean if we now take a

00:18:04

calculator, we can calculate

00:18:07

How much do you remember our cube when we

00:18:09

created it? We specially created it with

00:18:11

dimensions of 400 by 400

00:18:13

mm. That is, if I now take and

00:18:16

divide 400 mm by 25 by our map size, I

00:18:21

will get number 16 This is exactly how many times

00:18:25

vertically and horizontally our map

00:18:27

is repeated,

00:18:30

it is repeated because the Tai checkbox is ticked,

00:18:33

that is, use it as a tiling,

00:18:35

roughly speaking, pave it if I remove this

00:18:38

checkbox, it

00:18:40

is clear that in width it is

00:18:43

no longer repeated 16 times, but just once

00:18:47

since it’s there and everything is in height, it’s

00:18:50

still repeated for the height separately,

00:18:52

uncheck T and then it

00:18:56

appears at the bottom just once, our

00:18:58

map is

00:18:59

so small because it’s exactly

00:19:00

25 by 25 mm in size, the whole cube is

00:19:04

400 by 400

00:19:06

mm, that is, by turning on the

00:19:10

Tai checkbox again, it becomes talin again. That

00:19:13

is, it is repeated, respectively, the

00:19:15

larger the size of the picture we set, the

00:19:17

fewer times it will be repeated. Let's

00:19:20

set, for example, now 100 me in

00:19:23

height and

00:19:26

width, we see it fits only four

00:19:30

times because how since the entire length is 400 mm

00:19:35

and one picture is 100 mm the picture does not

00:19:38

have to be square if

00:19:40

we set the height to, for example, 200 mm then

00:19:44

it will be repeated in height only

00:19:45

twice in width everything remains as it

00:19:48

was now let's set the size

00:19:52

of our picture equal to the size of the side of

00:19:54

our boxing, that is, 400 by

00:19:56

400, we will see

00:20:00

it will completely repeat the size of

00:20:03

our side, we can also use

00:20:05

oset. That is, some kind of shift, for example,

00:20:07

if I move the picture by 200

00:20:12

mm, then it will be

00:20:14

divided like this in half. The same thing in

00:20:17

height If I set it to 200 mm, then we

00:20:20

also shift in height by 200

00:20:22

mm, while it is Tango and we get

00:20:26

such a

00:20:27

crosshair,

00:20:29

then we see that the picture will simply

00:20:31

occupy some part here in the corner

00:20:34

in its entirety, it will not fit here if the size of

00:20:38

our picture is full matches

00:20:40

the size of our side of the box as it is now in

00:20:44

this case. Then we don’t

00:20:45

have to use this

00:20:46

tiling at all because we won’t see it anyway.

00:20:48

Please note that now we are

00:20:51

working with real sizes, that is,

00:20:53

we use this

00:20:55

checkbox to use

00:20:58

modifications correctly you must have The

00:20:59

Real World Map size checkbox is checked;

00:21:02

if we uncheck this box, we will

00:21:04

end up with some kind of incomprehensible

00:21:06

contraption. That is, if we don’t

00:21:09

use real sizes here, then in the map

00:21:12

in the map settings. We shouldn’t use it either.

00:21:15

Let’s uncheck these two

00:21:17

checkboxes and look at the settings Please

00:21:20

note that as soon as we turned off

00:21:22

the use of

00:21:23

the mode, that is, the real world, now we

00:21:27

can set some specific

00:21:31

values for an item such as size, that is, the

00:21:34

size has disappeared altogether, instead of it,

00:21:37

now there is an item of

00:21:40

secrets, this is precisely the amount of

00:21:43

our repetition, that is we can

00:21:46

specify horizontally and vertically

00:21:49

how many times

00:21:51

the picture will be repeated, the name of our parameters has also

00:21:54

changed, now we see here the inscriptions

00:21:56

not Length and Height But unv

00:21:59

What does this

00:22:00

mean in general? You

00:22:03

will quite often come across this terminology

00:22:05

completely, it sounds like uvw these are

00:22:09

map coordinates just like any

00:22:12

three-dimensional object in 3D Max there are

00:22:14

X Y and Z coordinates, our maps also

00:22:17

have

00:22:18

uvw coordinates, they’re just called that, these are three letters

00:22:21

that follow each other in front

00:22:25

and so let’s

00:22:27

check the boxes so that

00:22:32

our tessellation works so that the picture

00:22:35

repeats let's set the value of

00:22:38

one talin equal to one This means

00:22:41

that it will be repeated only once,

00:22:43

that is,

00:22:45

displayed once, if we set the value to 2, then the

00:22:49

repetition will be

00:22:51

twice Now our picture along the axis, that is,

00:22:55

along the width and along the

00:22:57

o,

00:22:59

is repeated

00:23:00

twice in width, so we see one once

00:23:03

in its entirety it is repeated and the two halves

00:23:05

total twice. The same thing

00:23:08

is done along the vertical axis of the card tiling

00:23:12

relative to the center

00:23:13

of the box, this is the square in the center

00:23:17

this is our main tiling card, that is,

00:23:20

filling occurs relative to it in

00:23:22

different

00:23:23

directions

00:23:26

by turning off the parameter, that is, we see it

00:23:30

remains purely ours One card, I’ll turn it on and

00:23:34

back So look how we can

00:23:38

align our map in this case, we

00:23:40

also use offset, that is,

00:23:43

horizontal and

00:23:45

vertical indents can be adjusted, look for the parameters

00:23:49

manually, that is, Until we get to the

00:23:52

right

00:23:53

moment, you can

00:23:55

use your mind to count I can

00:24:00

immediately say that in order to equalize we

00:24:02

need to set the value here to

00:24:05

0.25 And now I’ll explain to you why it

00:24:09

hits us vertically too, we set

00:24:14

025 So now try to think about it I

00:24:18

’ll try to explain to you how we

00:24:20

got this number, see

00:24:22

if I reset offsets everywhere if I

00:24:26

I set the tiling to one,

00:24:31

I see that we have it completely. Well,

00:24:32

it repeats once completely, that is, it

00:24:34

fills our side of the cube. If I want to

00:24:38

move our picture by half the

00:24:41

polygon of this half of the side to the

00:24:43

side, then I have to set the value to

00:24:48

05. That is, we get half

00:24:51

and half of the picture

00:24:54

fits in if we fill it

00:24:59

not once but twice, then accordingly we

00:25:01

will need to lower this

00:25:04

offset value by half, that

00:25:07

is, we set it to

00:25:09

two and here we lower it twice, that is,

00:25:14

025 and we see what gets in. That is,

00:25:17

it turns out twice more filling

00:25:19

with a shift of 0.5, that is, two times

00:25:21

less than 05, the value of

00:25:25

025 is the same story as for a

00:25:30

square with equal sides, that is, for

00:25:33

tan 2 the value will be 025, it is not always

00:25:35

necessary to calculate this, sometimes it’s easier, of course,

00:25:38

Just move it manually like this

00:25:40

correct it, but I think for the first

00:25:42

time, you understand the styling, you

00:25:45

don’t have a question, that is, how to correctly

00:25:48

apply a picture, how to move it to the

00:25:52

desired position, how to fill it,

00:25:55

correct it with the Mirror checkbox that draws it,

00:25:59

that is, the mirror image

00:26:02

can be made separately mirrored for

00:26:05

our horizontal placement and for

00:26:08

the vertical Now I’ll show you what

00:26:10

it means, well, using this texture of ours as an example. Of

00:26:13

course, we won’t see anything,

00:26:16

so I’ll quickly create a

00:26:17

new texture, a new drawing, you do

00:26:20

n’t have to repeat this because well,

00:26:23

we’ll use this Mirror function,

00:26:24

maybe very, very rarely It is

00:26:28

most often not needed So look at this, I’m

00:26:31

showing this so that you understand how

00:26:33

quickly you can change the picture already

00:26:36

contained in our map to

00:26:38

another, for this, here is the path indicated in our

00:26:41

bitmap in the bitmap

00:26:44

parameters rollout, click on it the path to our

00:26:47

picture we see our picture here in the

00:26:50

folder, right-click

00:26:53

open using Adobe Photoshop So we

00:26:57

can edit it,

00:26:59

that is, let’s assume we need to

00:27:01

adjust something, add change

00:27:04

Now I’ll just draw Two

00:27:08

rectangles so that you can see the

00:27:10

picture is asymmetrical so you

00:27:12

can see the mirror

00:27:14

effect, click save as and I won’t

00:27:18

replace our image with the main

00:27:20

diffuse one that we created. Let’s make

00:27:23

Java a little

00:27:27

friend, so we see a new image

00:27:30

in the same folder, we open it and

00:27:34

the image has already been replaced with a new one,

00:27:37

now here in the bitmap param we have

00:27:39

at least the same path

00:27:41

because There is a picture in the same folder, but

00:27:43

the name of the picture you see is already different.

00:27:45

Also by clicking there you can point to

00:27:47

another picture at any time and

00:27:50

change it. So if I now turn on

00:27:54

mirroring along the goon axis,

00:27:59

then we will see such an interesting

00:28:02

effect, see they are mirrored from

00:28:04

each other reflected Here, relative to

00:28:06

the middle of our

00:28:08

plane, if I put a

00:28:11

larger tiling, you will see an even more beautiful

00:28:14

effect: they are reflected like this

00:28:17

in pairs, that is, in fact, this

00:28:20

Central axis is all reflected relative to it

00:28:22

And then after that, this

00:28:25

reflected fragment is repeated many times, that

00:28:29

is that's how it goes Here's this pair

00:28:31

after it The same pair The same pair

00:28:34

is repeated Now let's quickly

00:28:36

go over the other parameters We

00:28:38

won't look at everything in detail in

00:28:40

practice with what we need We

00:28:42

'll come across something more basic - This is the bitmap

00:28:45

here is the path to our image that is

00:28:48

used in this map, a button is needed

00:28:51

if we changed the picture, redrew a

00:28:54

new one, but 3D is not Update the information here

00:28:58

with us, if the old one is contained, click

00:29:00

reload, it simply

00:29:02

reloads it coping placement - we

00:29:05

can replace our picture with the size we

00:29:08

give it, that is, we open View Image,

00:29:12

we see our image What what

00:29:13

this

00:29:15

picture looks like, highlight the desired area with a frame.

00:29:18

If I now click apply, that is,

00:29:20

apply, then accordingly the

00:29:22

picture is already changing. That is, as you can

00:29:24

now

00:29:27

observe, it will show the

00:29:29

range that is selected here parameters

00:29:32

Mono Channel output RGB Channel output And

00:29:35

alp Source are responsible for

00:29:38

We will consider color channels in particular Alpha, the

00:29:41

alpha channel is used in Photoshop to

00:29:44

apply various effects such as depth

00:29:47

of field or to set the

00:29:49

background. And on the last tab, which

00:29:52

is called output, we can customize

00:29:54

how our map will ultimately look, that

00:29:56

is, we can

00:29:59

customize it some kind of color correction and

00:30:03

make the color level higher, for example, or the

00:30:07

relief level Now you know how to

00:30:10

adjust the tiling size of our

00:30:13

bit map and now let's look at the

00:30:17

next few types of maps, we'll

00:30:20

probably start with

00:30:21

relief ones for this Let's create three

00:30:24

materials and three boxes so that we have a

00:30:28

box view we just clone, select,

00:30:31

use the move tool of the

00:30:33

W key, hold down Shift along the X axis,

00:30:37

move the box, select the copy type,

00:30:40

normal copy and the quantity is two, here we

00:30:44

see we have three

00:30:46

boxes, let's create three materials, let's do this

00:30:50

instead of our green ones, these are the materials

00:30:51

we won't need for this we

00:30:54

select the Slot Here is the first one,

00:30:59

click on vay mtl and select

00:31:02

vay mtl from the list again, thereby we

00:31:06

reset all the settings of this material to

00:31:08

default, then we just need to

00:31:10

take this Slot and copy

00:31:13

all the slots to the other two. We need to

00:31:15

rename them so that they have a different

00:31:17

name because Here are our materials, if

00:31:19

you can see them now. They have the same

00:31:22

name. If we start using these materials

00:31:24

in a box, we won’t be able to

00:31:27

use two different materials in different

00:31:30

boxes with the same name. Therefore,

00:31:33

each material should have its own name,

00:31:36

let’s just name it now,

00:31:38

suppose mat 1 ma2 and MA3 our

00:31:42

materials then we won’t have any problems with

00:31:44

them.

00:31:47

We will use a diffuse

00:31:49

map as the main color. This is actually a

00:31:52

picture of a wood texture that I found on

00:31:55

the Internet and cut to the required size.

00:31:58

You can download this picture in the

00:32:02

VKontakte group here in our group there is a

00:32:05

special photo album called

00:32:07

materials for lessons here I will

00:32:10

post the textures we need

00:32:12

or some other things that will be

00:32:15

needed in our lesson here in the description you

00:32:17

can see that this is the texture for

00:32:19

lesson six wood texture just

00:32:21

click open the original right-

00:32:24

click to save the image,

00:32:27

select our Slot ma

00:32:30

1 next to the fuzz inscription, connect the

00:32:36

bitmap map, select the path where we saved

00:32:40

the image, since our diffuse map is

00:32:43

square, just like the side of the Cube, it

00:32:46

will be much easier for us to adjust

00:32:49

the coordinates by removing the real scale,

00:32:52

switch to tiling and

00:32:54

simply put one, that is, the filling will be

00:32:56

repeated once Let's immediately

00:32:59

apply, select this Slot, apply to the

00:33:00

first

00:33:03

Cube now we don't see the texture

00:33:06

because we don't have

00:33:08

Show shaded Mat VIP turned on here, we talked about this Turn

00:33:11

on this button to

00:33:14

see the texture, remember also that we

00:33:16

talked about the appearance of this preview, how

00:33:19

it can be changed because the tree

00:33:22

doesn’t look very nice in the form of a ball,

00:33:25

it’s not very clear how the boards behave

00:33:27

here we simply switch to a

00:33:29

cubic display And so everything is

00:33:34

presented more logically Let’s

00:33:36

do the same with with the other two materials,

00:33:39

firstly, let's move to a higher level That

00:33:42

is, the very first level of the material

00:33:44

Copy the diffuse map, for this you just

00:33:47

need to right-click it right here,

00:33:48

select a

00:33:50

copy, paste it into the next material,

00:33:53

also opposite the diffuse one, paste it

00:33:56

like a regular copy P cy also Switch

00:34:00

the display in the form of a Cube and do the

00:34:03

same with the third material, paste it

00:34:05

as a normal copy and display it in the form of a

00:34:08

Cube and Let's assign each material to

00:34:11

its own Cube, the first one is already assigned to us,

00:34:14

select the second cube, the second Material slot,

00:34:18

press

00:34:19

selection, do the same thing and three Well,

00:34:24

let's even simpler just the third one TM slot

00:34:27

for the third cube, for each of them we

00:34:31

again need to enable this button

00:34:33

Show shed material in VIP That is,

00:34:36

we select each slot for this, even

00:34:40

our objects themselves do not need to be selected, we

00:34:42

just select the required slot and select from

00:34:44

it

00:34:46

SH the next thing we have you Now let's

00:34:48

do this, we'll look at two types of

00:34:52

relief maps, one of them is a relief, the other is a

00:34:55

procedural map, let's

00:35:00

look at them, bam,

00:35:04

ours is an imitation of the relief by creating

00:35:09

shadows, simply that is, without

00:35:11

any geometry, and the display is a procedural

00:35:15

map, it's in ports, it is not

00:35:18

displayed in any way; it creates a relief of the geometry

00:35:22

according to the given map of

00:35:26

ours only during rendering, that is, already

00:35:29

at the final stage. So we will do it

00:35:32

as follows: we will not

00:35:35

apply any relief maps to our first material; we will not apply any relief maps

00:35:37

to the second material; we will apply a

00:35:40

relief

00:35:42

map to to the third material we will apply

00:35:47

Place all the maps we will now draw

00:35:50

in Photoshop by changing our

00:35:52

diffuse map, small manipulations with

00:35:55

it So, first of all, let's copy

00:35:58

our diffuse map just with the left

00:36:00

mouse button drag it to bam And now

00:36:04

we have a third slot allocated for the third

00:36:05

slot we drag it onto the display, we

00:36:08

agreed that for the third material

00:36:10

we will have a relief map precisely by

00:36:14

shifting p Now we go to the settings of

00:36:17

this map, respectively, click on the

00:36:20

button next to it,

00:36:23

click on

00:36:26

where the path to our

00:36:29

picture is, see our picture in

00:36:32

the browser that opens, right-click on it

00:36:35

and choose to open using

00:36:38

Photoshop If you watched my last lesson,

00:36:41

you probably heard how briefly I

00:36:43

talked about our

00:36:46

maps, what they are, in

00:36:49

principle, all the maps that we see on the

00:36:52

Maps rollout. Now I

00:36:56

will show you such as py

00:37:00

bam reflection lek there transparency they they

00:37:03

all operate on the same principle; they are

00:37:07

usually connected to black and white images. That is,

00:37:10

it is either a bitmap with a black and white

00:37:14

picture or gradient fills are also

00:37:16

black and white, some

00:37:19

specific principle of operation, they

00:37:21

all have the same effect where there is white color

00:37:24

this card has the maximum

00:37:28

effect there is no intermediate all colors are

00:37:32

gray different tones the lighter the

00:37:35

effect will be greater in the example Now I

00:37:39

will show you here on request for Black and

00:37:42

White pictures we find here some cards here is a

00:37:44

good example look at the picture

00:37:46

This one is initially flat It is

00:37:49

black and white

00:37:50

from

00:37:52

it we get such an interesting

00:37:56

relief car displacements the visualizer

00:38:00

calculates the white colors the brightest this is the

00:38:03

highest displacement the blacks are

00:38:05

completely without displacements Well, the whole gradation

00:38:08

all

00:38:09

the shades also turns out to be a more

00:38:12

or

00:38:14

less relief here we see other examples too, that is

00:38:19

the principle I think to you it’s

00:38:21

clear thanks to the displacement map, you

00:38:24

can even get the same results.

00:38:28

As you understand now, our task is to make a

00:38:33

displace map, for this we need to

00:38:35

make from our image just the

00:38:37

same

00:38:38

black and white where everything that is black

00:38:42

will be less convex than everything that is

00:38:46

lighter or white In general,

00:38:48

we’ll probably draw two maps at once and a bump, our

00:38:51

relief and a displacement map, they operate on the same

00:38:55

principle, so in

00:38:58

principle they are created so as not to

00:39:00

waste time right away and we’ll make them, go to

00:39:03

the image mode, that is, Mo and select the

00:39:08

Serov gradations in English, in

00:39:10

my opinion it’s like- that’s what it’s called, click

00:39:15

apply for the card, bam, in principle, this is

00:39:18

already enough. Only the only thing I

00:39:20

would like to do is these places between the

00:39:23

boards that are IT

00:39:26

more, they are a shadow without casting the

00:39:34

contrast, and just turn

00:39:37

the contrast up a little,

00:39:39

let’s do this and

00:39:42

darken the brightness a little more or less enough I think

00:39:45

even Let's set the assignment

00:39:46

probably minus 50 and 50 too much

00:39:50

contrast is also not

00:39:53

needed click file save

00:39:58

select the

00:40:01

jp format with the same name leave it just

00:40:04

add probably bam so we don't get

00:40:06

confused this map bam will be the

00:40:10

maximum quality save click

00:40:12

Okay now we need to create the

00:40:16

displacement map, as I said, each point is

00:40:20

black, it will not be a convex fragment, there is no

00:40:26

effect, it is convex, look how

00:40:29

much noise we have on this texture, you can clearly see

00:40:31

a lot of points. This is not very good; it

00:40:34

will be a rough

00:40:36

surface, it will look very rough. So we need to smooth them out

00:40:38

a little for this I I’ll just set the contrast

00:40:40

to a minimum, I’ll set it to minus 50

00:40:44

and also turn down the brightness so that there

00:40:49

are fewer white areas like this. Let’s

00:40:52

make the picture a little darker and make it darker.

00:40:55

To do this, we’ll use the Expo

00:40:57

button where the plus and minus signs are drawn and

00:41:02

tweak it a little, you can also

00:41:03

experiment here and also

00:41:06

twist it like this Dark We

00:41:08

don’t need a bright card because the displacement

00:41:10

there will be

00:41:12

small, I think that’s enough. Let’s

00:41:14

save

00:41:16

now, too, select the JPEG format and

00:41:21

call it

00:41:23

displacement, well, I’ll just

00:41:26

write Photoshop for short, we can now close it,

00:41:29

we won’t need it. So, what we

00:41:32

got here are three cards, this is a diffuse one

00:41:34

us was originally from not we made a bam

00:41:40

IPS map now in the bitmap Image F window in 3D

00:41:45

Mac We select our Display card I want

00:41:48

to note that the map display can

00:41:52

only be one Vote That is, we

00:41:55

now have the texture

00:41:57

displayed accordingly Only this

00:41:59

map is diffuse

00:42:02

if we will now go to the

00:42:06

placement menu, that is, our displacement map is there

00:42:09

and we will also turn on the

00:42:11

display of this map, then we

00:42:13

will see our displacement map

00:42:16

exactly at the same time. We

00:42:19

cannot see several maps, therefore, it is more logical, it is

00:42:21

more expedient to always use the

00:42:24

diffuse map, the rest must

00:42:27

be read

00:42:29

and drawn. Now let's To our

00:42:31

material of the middle box we will use a

00:42:34

bump relief map, for this we will go to the

00:42:38

first level to the topmost level of our

00:42:41

material in the

00:42:43

maps rollout, take and copy

00:42:48

our Place, go to the middle material and also

00:42:53

insert the map into the Maps rollouts but not into

00:42:56

the display Where did we get A in bam

00:42:59

paste it like a regular copy P

00:43:02

Copy go to the editing level

00:43:04

of this map

00:43:06

Bam and in the bitmap param where the path to our

00:43:11

picture is indicated click and select bam

00:43:15

that is, you and I have now

00:43:16

quickly replaced our picture instead of

00:43:19

displace put

00:43:21

bam now we have a map assigned to the middle material

00:43:26

bam our third material is assigned a

00:43:29

displace map and the first one is only

00:43:32

diffuse without relief

00:43:35

maps so that all this is well

00:43:38

displayed beautifully That is, all the shadows are relief and

00:43:41

so on we need to make at least

00:43:43

several

00:43:45

light sources Let's go to the view top key

00:43:50

T on the creation panel I will create

00:43:54

a plane enough big,

00:43:59

immediately apply some

00:44:01

color to it, let it be in the second slot, we do

00:44:04

n’t need it either. I’ll click on mtl, select

00:44:09

this

00:44:12

material again, all settings will

00:44:15

be reset, I’ll just make it a little darker

00:44:18

and assign it to our

00:44:22

selected plane. Now I’ll

00:44:24

create a light source on the

00:44:30

V type tab, select

00:44:33

spherical here

00:44:36

the type is switched, I’ll create three spherical

00:44:42

lights on the modification panel, for each

00:44:45

color we’ll set a lower intensity, I’ll set

00:44:51

the intensity of the light somewhere around 4 to the side ones. I’ll set the light intensity to what will

00:44:54

shine from the front to 10

00:44:58

and raise the light sources A little higher

00:45:00

above the plane, to do this, hold down Ctrl

00:45:04

while holding the control and select them all

00:45:06

with the tool we just raise the movements

00:45:07

higher here. Please note. I

00:45:10

want to position the camera so

00:45:13

that the material that has

00:45:15

displacement is located closest to us,

00:45:16

that is, from this side

00:45:19

it can be seen by selecting the object, we

00:45:21

see the material that is taken, that is,

00:45:23

this is the mother of which,

00:45:28

that is, Us we need this

00:45:31

side to be closer to us, that is,

00:45:34

this is the angle of the camera, so

00:45:38

probably now we need to change the light source a little

00:45:39

because

00:45:42

this one is on the side, even from the

00:45:44

back side it shines a little here,

00:45:47

I’ll put it smaller,

00:45:49

this one has more

00:45:52

this will be the front

00:45:55

light source e VD so that it shines a little from that

00:46:00

side and seems to create a shadow on us in

00:46:04

our direction. Well, something like this, I think

00:46:09

it will do, let’s

00:46:12

now make a test render, set

00:46:16

the camera to the desired position and press Shift Q, that’s

00:46:19

what we got the very first box we have

00:46:22

without relief maps the second Wednesday we can see a

00:46:28

very nice result, that

00:46:29

is, the shadows of the board cast a little

00:46:33

relief, such a small one is exactly

00:46:35

what should be in the third case, and

00:46:39

here it looks terrible, such an

00:46:41

incomprehensible roughness, all this is because of the

00:46:44

very small points of which I tell you

00:46:46

explained in Photoshop that they will

00:46:48

stick out very much with this Boro, you can use

00:46:52

kami options, firstly,

00:46:55

I do. Here we can generally see this is

00:46:59

all

00:47:00

madness, how can we fight this,

00:47:03

firstly, we can make smaller

00:47:06

displays, we have to go in our

00:47:09

slot in the third where There is a map of displays

00:47:13

and remove the intensity, it is now set

00:47:15

to 100, we can make it smaller,

00:47:17

for example 30, then our protuberances will be

00:47:20

three times smaller, approximately, that is,

00:47:22

instead of 100 intensively 30 secondly If

00:47:25

you know how to use Photoshop

00:47:27

well enough, you can redraw

00:47:29

this map a little and correct it there is to

00:47:31

remove all these points of noise that are not

00:47:33

needed, just smooth them out,

00:47:35

leaving these gaps between the boards that we need, the

00:47:40

black knots where they are cut, also

00:47:43

leave them black, and the rest, well, with such

00:47:47

a filling of a more or less uniform

00:47:49

one color, then there won’t be these

00:47:52

jumps, a lot of noise in general, I already

00:47:54

told you that we will use displacement

00:47:57

very rarely; in principle, it is for things like this:

00:48:01

the relief of boards, or bricks

00:48:04

is not necessary. Because

00:48:06

if the camera angle is set from a sufficiently

00:48:09

large distance, then a

00:48:13

bump of the relief will be enough; it is

00:48:16

calculated and looks much faster It’s also

00:48:18

realistic if we need to make some complex patterns on an object, let’s

00:48:20

assume some complex

00:48:23

patterns that are difficult to model, it’s

00:48:26

much faster to draw there in

00:48:29

Photoshop, then we can use

00:48:31

displacement, it’s just needed in principle

00:48:35

for close-ups like this when we’re

00:48:39

rendering an object at close range. Let’s

00:48:42

now look at another map

00:48:45

reflections To do this, we do

00:48:47

n’t need to draw anything, we’ll just take and

00:48:50

copy our map bam as we already

00:48:54

did from the Maps rollout, copy and

00:48:57

paste it into the map next to the inscription

00:49:01

reflect

00:49:03

reflection here follows the same principle,

00:49:05

this map works That is, all

00:49:10

areas

00:49:12

will be black without reflection, the lighter they are, the

00:49:18

larger the reflection will be. Let's also copy and paste this reflection map a

00:49:23

third of the

00:49:27

vow and make a test render, insert

00:49:31

refle, paste as a copy, here is the result

00:49:35

that we got on the two boxes closest to

00:49:38

us, the reflection map is applied,

00:49:42

it is completely the same as the

00:49:46

Bam map and on the First, on the object closest to us

00:49:49

that uses a

00:49:51

displacement map, we set the

00:49:54

displacement intensity to 30. Are you wondering what this

00:49:58

pale spot is? This is a

00:50:01

Light source Yes, by default they

00:50:04

are rendered in our scene, this can be

00:50:08

turned off by selecting our light source in the

00:50:11

light source settings we check the

00:50:15

Invisible box, that is,

00:50:17

invisible on the render, it will not be visible

00:50:20

next time, so what else do I

00:50:23

want to tell you, as you understand, I have already

00:50:26

focused your attention on this, that all

00:50:29

reflection maps and transparency display,

00:50:33

that is, relief displacement maps,

00:50:38

all these maps they are used

00:50:41

according to one principle. That is, it is a

00:50:42

black and white drawing of some kind; this drawing

00:50:46

can be inserted by us somewhere,

00:50:49

taken from the Internet, drawn in

00:50:51

Photoshop, and so

00:50:52

on. Besides this, it may also

00:50:57

not necessarily be a bap drawing. But this could

00:50:59

be some kind some kind of procedural map or

00:51:03

gradient fill, now I

00:51:06

’ll tell you about this too, a little later separately, in general, a

00:51:10

display map is usually not drawn. Well, it’s rare

00:51:13

when this happens, usually they take it bam, that

00:51:17

is, they drew one map bam like this in

00:51:19

black and white, you can

00:51:22

use it for everyone else too How

00:51:27

to reflect if it is needed for a

00:51:29

map For example, if you need it too, that is,

00:51:33

usually they don’t make a bunch of them, but use

00:51:35

one for different

00:51:37

purposes, if you

00:51:43

use a drawing like this as a displacement map, bam, then

00:51:47

it’s clear that it itself is lighter than the

00:51:50

more light areas it will be it’s much

00:51:52

stronger to create a relief. Therefore, if you

00:51:54

use such a map, then you should

00:51:57

set the display lower in the Maps rollout settings.

00:52:01

In this case, probably even

00:52:03

somewhere around five

00:52:06

intensity because the map is very

00:52:10

light now. Let’s try with

00:52:13

these settings,

00:52:15

bump map intensity

00:52:17

five, I’ll try to make a render Let’s just

00:52:20

see that our spherical light source is no longer rendered,

00:52:25

and as you

00:52:28

may have noticed, the relief is so

00:52:31

large that if you enlarge

00:52:34

the image now, I

00:52:37

’ll show you closer parts of these very convex parts on the

00:52:41

front

00:52:43

box. That is, how it turns out now in

00:52:46

our

00:52:47

situation, here this picture is

00:52:50

lighter Lighter with an

00:52:52

intensity of

00:52:55

one

00:52:56

turned out to be more prominent than this

00:52:59

Dark one with an intensity of 30

00:53:01

units now Let's launch

00:53:05

Photoshop again Let's draw one map there

00:53:09

using a gradient

00:53:11

fill, press file

00:53:15

New create, select 400 by 400 pixels, it

00:53:21

will be enough for us here we have a gradient

00:53:24

fill there is n, we choose such a radial one,

00:53:28

that is, a

00:53:33

round one, draw it somewhere arbitrarily

00:53:35

approximately in the middle and see what

00:53:37

happens. If you see this

00:53:39

result, it means we are not satisfied with it

00:53:42

because we need a

00:53:45

white circle in the center and black on the sides because it is

00:53:48

convex it should just be in the

00:53:50

center, for this we press inversion,

00:53:53

check the box here at the top and draw

00:53:55

again.

00:53:59

Now you will see, on the contrary, that everything on our

00:54:01

sides is black, that is, it will not be convex

00:54:03

in the middle, white, that is,

00:54:06

convex Let's save this

00:54:11

picture, call it something

00:54:14

02, it doesn’t

00:54:16

matter, we save it in

00:54:19

jp format, also in maximum quality, mmm

00:54:22

Oh, now let’s move back to

00:54:28

for our third slot this ma 3,

00:54:32

which is the material

00:54:33

called

00:54:35

Place, let’s change that is, let’s go to the

00:54:37

map editing level

00:54:40

Place, select here the path to our

00:54:43

picture that uses this

00:54:45

display, select ours here is a

00:54:51

drawn ball. We see that, in principle,

00:54:54

nothing is

00:54:55

visible if we turn on the display of our

00:54:58

texture map of this bitmap for the

00:55:00

display at the level of editing the

00:55:03

displays map, we will see what

00:55:06

this texture is

00:55:11

like. Let's press render and

00:55:14

see what

00:55:15

we get. in the render, here is our

00:55:19

result, the display is almost invisible

00:55:22

because the intensity of this displacement map

00:55:25

was very small. Now I will change

00:55:30

the intensity to about

00:55:34

50 and CHP again, now the relief that

00:55:38

we got with the help of our

00:55:39

displacement map dis will be noticeable much more strongly.

00:55:45

Let's consolidate your knowledge

00:55:48

about the displacement maps of the relief maps about

00:55:51

how we can

00:55:53

make the desired picture in Photoshop, we will

00:55:56

now look at the example of one

00:55:58

pattern that I found on the Internet Here is such an

00:56:00

interesting work,

00:56:02

you can also download it from my

00:56:05

VKontakte group materials for the sixth lesson

00:56:08

So what do we need to do Let's

00:56:10

first of all talk about how we can remove a

00:56:13

map we don't need that we don't want to

00:56:15

use. Now we have a

00:56:17

reflection map called refle, right-click

00:56:21

on the button with the name of the map and

00:56:27

now it's just cleared if you do

00:56:30

n't want to completely delete the map but

00:56:32

temporarily disable it, as I already said. To

00:56:33

do this, you can uncheck this box, then it will

00:56:35

be rendered, this map will not be rendered. So

00:56:38

let's

00:56:39

go to the third level of our material,

00:56:43

click on the path to our

00:56:46

picture that we used,

00:56:48

go to the folder where we downloaded our pattern,

00:56:52

open it using Photoshop,

00:56:58

if the message appears,

00:57:00

choose this leave the topmost point

00:57:02

unchanged, that is, do not change the color of the

00:57:04

color scheme of

00:57:06

the file So what we see is our

00:57:09

picture, it looks a little different from what

00:57:12

we need because we need a black

00:57:15

background and a white pattern, just the pattern will be

00:57:17

extruded, imagine

00:57:19

the relief for this is enough

00:57:21

simply press Ctrl I on the keyboard, this is an inversion of

00:57:25

the color,

00:57:26

so we just

00:57:30

invert it, shade it a little so

00:57:32

that there is no white color as such,

00:57:35

otherwise the displacement will be too strong,

00:57:37

for this we press exposure, here is the icon

00:57:41

where the plus minus sign is drawn, the top

00:57:44

exposure slider itself

00:57:48

is moved

00:57:49

Let's

00:57:53

manually

00:57:55

see

00:57:57

this white we need to save the picture,

00:58:00

click save

00:58:02

as in

00:58:05

JPEG format Let's just call it disp oh,

00:58:08

probably even further, click on the layer with

00:58:13

our background with the right mouse button and

00:58:14

select merge visible merch

00:58:18

visible Thus, we apply

00:58:21

the effect of our exposure; this

00:58:24

becomes one common layer,

00:58:27

right-click button again on it

00:58:29

and choose to create a duplicate layer, that is, in

00:58:32

English it should be called duplicate

00:58:36

L, click

00:58:38

OK to the top copy of the background to our layer,

00:58:43

we apply the blending options

00:58:45

blending

00:58:48

options here we are interested in Gradient

00:58:51

gradient overlay here it is Select the

00:58:58

radial type and we see how it will be

00:59:01

We need to look the other way around, so that on

00:59:03

the sides there is a black color closer to the center,

00:59:06

white is lighter, for this we click

00:59:09

here inversion, put a tick in the inverse

00:59:16

blending mode, you can choose the shelf Which one is

00:59:18

more suitable for us, here is the multiplication

00:59:20

of the more

00:59:21

suitable, it is called in

00:59:25

English more, we will put

00:59:27

approximately probably

00:59:30

114

00:59:32

about this result we have and save

00:59:35

it also the file Save

00:59:38

As again in

00:59:41

jp and call it Let's disp 2

00:59:46

save Now let's insert our

00:59:51

picture select

00:59:55

e now apply to the material of the

00:59:57

rightmost box to it Let's apply

01:00:00

disk

01:00:04

2 intensity displacement set to

01:00:09

100 here Because in the pictures

01:00:12

there are no white flowers as such, there are gray ones,

01:00:14

so you can safely put 100, there

01:00:17

shouldn’t be too much

01:00:21

extruded material, select also

01:00:24

delete the reflect card with the

01:00:26

right button on it, press it,

01:00:28

select Clear clear in bam, paste

01:00:33

our copied map, that is, in the

01:00:35

second case we will also have this

01:00:40

map Here it’s from shading,

01:00:44

but here we insert it not into

01:00:47

the displacement, but into the bump and Let’s increase

01:00:50

the intensity But

01:00:56

these two

01:00:58

options and the very first material will be different Let’s

01:01:02

also go to S

01:01:08

Maps, here we only used a

01:01:10

diffuse

01:01:12

map, we will now insert displace into the material,

01:01:17

that is, displacement

01:01:21

We also insert the relief map with deep 2, but we go in and

01:01:25

change it here,

01:01:26

which is not an idea, the usual one is in a

01:01:29

uniform

01:01:30

color, so black and gray,

01:01:35

so that’s it. Let’s press render and

01:01:39

see

01:01:40

the result. So this is what we have, look at the

01:01:43

very first picture where the pattern goes in a

01:01:47

uniform gray color. all

01:01:50

squeezed out to one

01:01:51

level BC, this is very sry.

01:01:57

It’s not clear at all, the pattern is unreadable, this is

01:01:59

due to the fact that there are too many of

01:02:01

these lines, thin and curly,

01:02:06

that is, patterned, if we made the display

01:02:08

smaller Well, probably about 10

01:02:11

somewhere, the extrusion would

01:02:13

look barely barely extruded, but the pattern

01:02:16

would be readable at least in the next

01:02:18

version.

01:02:19

We use a bump map in relief,

01:02:23

also with a pattern like in the third

01:02:26

version, that is, the shaded one has a smooth

01:02:28

gradient

01:02:30

transition, here we see shadows, there is no relief, that’s why the

01:02:34

bump map

01:02:36

is called a pseudo-referendum

01:02:57

and the third one our version is a dispersion with just a

01:03:00

soft transition. Here you are here in the upper

01:03:02

part, you also smoothly see that

01:03:05

at the top the extrusion of the relief

01:03:08

occurs more than in the corners and smoothly

01:03:10

fades towards the

01:03:12

sides of our

01:03:17

Cube, that is, now I think you know

01:03:19

how useful these

01:03:22

maps are, our lesson is already almost come on

01:03:26

a little bit, I’ll just tell you briefly now.

01:03:28

If you noticed all the

01:03:31

maps that we have now

01:03:33

used, both reflection and diffuse and a

01:03:37

relief map, this is all a type of map

01:03:41

called bitmap, that is, a regular

01:03:43

raster image, any

01:03:45

picture in addition to the

01:03:48

bitmap map, we can connect any card at all

01:03:51

here There are a lot of them

01:03:54

all here, in short, if we say that the

01:03:58

gradient maps are also procedural,

01:04:01

different ones that create patterns for us, using

01:04:04

our picture as an example. This is the one we

01:04:07

made in Photoshop. With

01:04:10

such a gradient circle, which is

01:04:14

white in the center and

01:04:17

becomes darker towards the edges, these are the things You can

01:04:19

do it without Photoshop directly in 3D Max.

01:04:23

Gradient maps are used for this.

01:04:26

For now, I’ll show you using the

01:04:29

example of any map, let

01:04:31

the displacement be the

01:04:34

same, switch the bitmap map to a

01:04:37

gradient map. It’s called

01:04:39

Gradient. He asks the old map

01:04:43

to be left as a sub material. sub map.

01:04:46

More precisely to this one. card or Well, Reject it.

01:04:49

We choose Reject, that is, there

01:04:51

will be a new card instead of the old one. Here we

01:04:54

can also configure the tle or the size of the card,

01:04:58

we will set the tiling to one, that is, so

01:05:00

that the repetition will be once

01:05:03

only here we see the settings firstly.

01:05:06

Don’t forget how to enable and

01:05:08

see the map I told you this is

01:05:09

this

01:05:11

Show then we will see the map exactly

01:05:16

that which is now on the

01:05:18

level we are editing here, you can only

01:05:22

include one, you cannot include all maps at the same time

01:05:23

I already Speak, here there are also

01:05:26

types of gradient fills, for example,

01:05:30

Radial, there is also a setting smooth

01:05:34

transitions There are three colors,

01:05:37

you can even set any

01:05:39

colors, you can connect

01:05:42

certain cards instead of colors Even the

01:05:44

same bitmap, that is, the transition There will be

01:05:46

from one card to another and it’s already starting to

01:05:49

look like complex cards with

01:05:52

their own tackles, uh, also There are

01:05:56

a lot of very different cards here

01:05:57

We won’t consider them now; during the course of the

01:06:01

lessons themselves, in practice, let’s look at

01:06:03

one of the examples, for example. These are the

01:06:06

so-called lur cells here. We

01:06:10

also set different colors, that is, the colors of the

01:06:13

cells, the colors of the transitions of the borders of these

01:06:16

gray and

01:06:18

black cells, and you can also connect cards to them.

01:06:21

experiment

01:06:26

Maybe this will be useful to you, for example,

01:06:29

this map is used. Often when

01:06:31

creating a material there, marble, let’s say

01:06:35

further what other maps we are interested in.

01:06:38

There are some good ones, but there is a very common

01:06:40

map, it just creates noise, so to

01:06:42

speak,

01:06:43

that is, these are the points If we

01:06:46

set the tiling now higher, for example

01:06:49

10 by 10, then we see this noise is also

01:06:53

used, for example, to create walls,

01:06:56

imitates whitewashing, the roughness of the walls is

01:06:58

also placed like this. For example, a map in

01:07:01

relief in a bump and will cast

01:07:05

small shadows, in general, an interesting result as well.

01:07:07

Well,

01:07:10

we won’t consider these maps now, as I already said

01:07:11

in the example, everything will be in fact. In our

01:07:14

subsequent

01:07:15

lessons, the most necessary thing is a diffuse

01:07:19

map and How to get a

01:07:21

reflection map and a relief map from it, we talked about this.

01:07:26

Thank you all for watching, go to the

01:07:28

next lesson, our theoretical

01:07:30

part is this, the first six lessons

01:07:33

are over further We are already starting to

01:07:35

create walls, we will create

01:07:41

[music]

01:07:54

interior and

Description:

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