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Subtitles
Russian
00:00:06
Let's start as usual with the prehistory of St. Petersburg. There are many00:00:10
architectural monuments and artifacts made of natural stone that raise00:00:15
a lot of questions for the modern unskilled persons. The portico of the new Hermitage decorated with 1000:00:20
figures of Atlantis by sculptor A.I. Trebenev made of gray Serdobol granite, standing00:00:25
on pedestals made of rapakivi granite and supporting architrave00:00:28
According to the legend, height of the Atlantes sculptures reach 5 m00:00:33
They were carved from natural solid stone.00:00:36
work that lasted for 2 years by about 150 stone cutters in the middle of the 19th century.00:00:41
these sculptures were made as reduced male sample by the sculptor “Galbig” and This was sent from Munich to the Hermitage collection00:00:46
The Hermitage collection contains a collection of vase from whole breeds that amaze you with their size and mastery of of their performance.00:00:51
A vase from Taganay aventurine which is more than one and a half tons00:01:00
A vase made in Yekaterinburg lapidary factory from 1835 to 184000:01:07
it took another two years to deliver this vase to St. Petersburg00:01:12
a bowl of rhodonite. The Yekaterinburg lapidary factory 1859 -186800:01:17
unfortunately the weight of most of vases is unknown as the Unknown History of the Manufacture and delivery of Many vases00:01:23
from sheared quartz faceted with gilt bronze00:01:29
1802 Yekaterinburg lapidary factory vase from Kargat porphyry00:01:35
1808 Kolyvan grinding factory all these are headed by a big00:01:41
Kolyvan vase that is made from green undulating jasper and weighs 19 tons.00:01:46
In 1815, in the Revnevsky quarry of the Altai mountain district,00:01:52
workers led by I. S. Kolychev cleared a rather large cliff of green-wavy jasper from sedimentary rocks00:02:00
Four years later, in the same quarry, a monolithic 11-meter site was discovered00:02:05
A monolith of 8.5 m in length was separated from this finding,00:02:10
which had to be divided into two unequal parts due to a crack00:02:15
the suitable part of the founded stone, had a length of 5.6 m.00:02:19
Soon after, the manager of the Kolyvan factory M.S. Laulin presented to the Cabinet of Alexander I00:02:25
On November 21, 1820, an answer came from St.Petersburg with drawings and a prescription for the manufacture of an ellipsoidal bowl.00:02:32
The author of the project was the architect A. I. Melnikov00:02:37
Work began in February 1828. With the help of 230 workers, the stone00:02:42
was pulled out to a stone shed for 8 days and raised to a meter high00:02:46
About 100 craftsmen were engaged in primary processing of the monolith00:02:51
Note I wonder how they did not interfere with each other! after which in 183000:02:56
the stone was laid on the wood and 567 people manually moved the block00:03:00
30 miles to Kolyvan . At the factory, workers were engaged in the00:03:05
sheathing of the "towel" of the bowl (upper part). Then in 1832-184300:03:11
the capacity of the bowl was created, the ornament was applied and the surface of the jasper was polished.00:03:16
By the same time, a stone was found for the pedestal,00:03:19
in which a hole was drilled for a steel rod ( pyron )connecting the pedestal with the leg of the bowl.00:03:25
February 19, 1843 a train from horses00:03:29
harnessed to special sledges from 154 to 180, depending on the terrain00:03:34
took the cup from Kolyvan to Barnaul .00:03:37
From Barnaul, the convoy moved to the Urals , to Utkinskaya pier of the Chusovaya river , where the bowl was loaded in detail on rafts00:03:43
and sent by water - along Chusovaya, then along the Kama River00:03:47
then along the Volga riverboats, and then along the Marinsky water system to the Neva00:03:52
Six months later, the bowl was delivered to St. Petersburg, but the barge with it stood for a long time on the Fontanka at Anichkov Bridge. Nevertheless, the stone product00:04:00
was unloaded at the Neva embankment near the Hermitage. In 1845, it was decided to place a vase in the passage of the00:04:06
the New Hermitage building - a special foundation was built for it for 4 years.00:04:11
In the fall of 1849, 770 workers put the bowl in place. Here00:04:16
bronze ornaments were added to the vase - a wreath of oak leaves00:04:20
This is such an interesting story. The history of the appearance of this vase for thirty years offers us the official history.00:04:25
According to this story, absolutely all work on the stone was carried out manually by hundreds of stone cutters00:04:30
Scale models of workshops can be found from stone-cutting factories of that time00:04:35
and on them you can see some mechanisms for processing and acting on stones00:04:41
Another artifact that is astonishing. Babolov's bowl or bath which is also called the Tsar's tub00:04:48
that is made of whole granite and weighs 48 tons height of almost 2 meters00:04:53
and a diameter of 3 m and a depth of more than half a meter. The information about00:04:58
the manufacturing process of this bathtub00:05:03
was presumably produced manually by a genius sculptor: Samson Ksenofontovich Sukhanov. How he manually did it?00:05:08
there is contradictions in all of his creations in official information00:05:11
According one source the bath was polished for 10 years from 1818 to 1828.00:05:16
But the writer and historian Pavel Pigin wrote in domestic notes for 1818 that :00:05:22
"This year Sukhanov finished the bath". There are many mysteries with this bath00:05:28
The bath was supposedly ordered by engineer Betancourt00:05:34
and contractor Samson Sukhanov - the master- asked them to deliver a piece of granite00:05:38
with labrador weighing more than 160 tons there00:05:41
no information how this piece of granite was delivered and placed in the Babolovsky palace00:05:46
There is information that the Nazis during the occupation of the Tsar’s village00:05:50
During World War II Nazis wanted to take this bath to themselves, however they couldn’t lift it and move it and offended00:05:56
it happened in the middle of the 20th century and at the beginning of the 19th century00:06:02
moving the bath was possible already and in the middle of the 20th century they couldn't do it00:06:07
there was already a mechanized technique.00:06:10
The second Legend says that it made manually without the use of any mechanical tools and devices00:06:16
the wall thickness of the bath is 45 cm, as modern studies show00:06:21
scientific calculations confirm that this is the minimum possible thickness00:06:26
which is capable withstand the volume of water of the full bath00:06:30
by doing the work manually. and
another riddle:00:06:34
How the water was drained from the bathtub while there were no holes in it?00:06:38
How they got out of the bathtub while it is too deep and has no steps?00:06:42
There is a feeling that it was not finished or it had made for another destination for Atlanta00:06:48
huge vases and a giant bathtub here00:06:51
We can also mention the Alexander column made of a single piece of granite weighing 613 tons00:06:56
Or the column of St. Isaac’s Cathedral from solid granite weighing 114 tons each00:07:01
all these artifacts spawned many alternative versions of the origin of rumors00:07:06
say that without the intervention of extraterrestrial civilizations they was not been possible another version says that00:07:13
St. Petersburg was founded by Peter the Great. some of the highly developed civilizations of Atlantis00:07:18
that ceased to exist after the flood or simply flew to other Star systems00:07:22
and what happened to them is unknown, but the point is that00:07:27
Peter simply dug up the already built city with all impossible artifacts00:07:33
probably each of us would like us to be the descendants00:07:37
of this civilization of Atlantes or Hyperboreans. everyone probably would like them00:07:43
to return in the mind of unreasonable children to share their00:07:47
technology to return the former Greatness of the country and St. Petersburg00:07:51
would again become the capital of the world Well, you have a fly in the ointment in this barrel of honey that subverts00:07:55
the latest version in the Hermitage collection00:07:59
There are vases which researchers usually keep silent about. vases made of Lapis Lazuli and malachite.00:08:03
The fact is that these vases are not made of solid natural stone00:08:08
They are made of iron and only on the outside are covered with slabs of natural stone00:08:13
it is believed that the Ural craftsmen failed to create columns and walls from solid pieces of these stones00:08:18
because they are not completely homogeneous but are fragile00:08:21
Stone healers found the optimal direction for cutting the stone so that it was thin and allowed to cover any00:08:27
surface with a metal mosaic with a selection of a pattern then polished00:08:33
to achieve a good density the effect would be like monolithic.00:08:38
the product of this technique was called "Russian mosaic" on the base of the00:08:43
column of St. Isaac’s Cathedral also performed this technique and columns covered by this technique00:08:49
everything is clear with lapis lazuli in nature but it doesn’t occur,00:08:53
but there may be a question. If there could be such a big malachite that they could create a whole? (not even a big vase)00:08:59
in the Mining Museum there is such a nugget Malachite00:09:04
a malachite block entered the museum in 1787 block weight was: 1,504 kg00:09:10
dense uniform with a beautiful color and pattern from the malachite mine near the Polevsky plant in the Urals. What does this mean?00:09:19
that the old masters of Atlantis didn’t have a laser grinder for making vases and the bathtub00:09:26
By using a divine 3D printer it could explained to anyone00:09:29
the old masters simply could not make a vase manually from a single piece of malachite due to its fragility and crispness00:09:38
these versions need to look for other answers to these puzzles you need to try to explain all this rationally00:09:45
Secret of impossible Artefacts of St. Petersburg00:09:51
Dear viewers All versions voiced in this video are private opinions (protected by the CONSTITUTION of the Russian Federation, Article 29, Clauses 1 and 4), do not claim to be the only correct statement of the events of the past and are published only for familiarization with the public. The author does not impose anything on anyone and does not call for anything. Autor: Sergey Ignatenko00:09:56
Instead of a preface, I want to bring an excerpt from the tale of Pavel Bazhov, it is about 1905,00:10:02
".. The French master looked around everything, tested it with his hand and can't see anything,00:10:07
but Yevlakh grins by seeing him; “No cement.” Do not use.00:10:11
He consulted - the French master consulted, he sees, it’s impossible to understand things only by eyes,00:10:17
and Yevlakha went toward the little machine, took out his chest,00:10:22
poured out at least a hundred malachite boards from it and said: Look, sir, what am I doing out of this mud( mortar)?.00:10:27
What we have at the moment? We have a position in the thirties of the XX century in the Soviet Union00:10:31
retained such copyright certificates for inventions However, I have great doubts about invention of00:10:37
artificial stone on the thirties of the 20th century And when such doubts arise I go to the archive and check the information00:10:43
you can find a very interesting memory books, The book of 183800:10:47
is called: "A walk with children around St. Petersburg and its environs".00:10:52
I quote from memories about a factory. Observation:00:10:55
He finds by examining how, using hands and machines, granites,00:10:59
porphyry, Agat, jasper, rock crystal and marble. topaz carnelian chalcedony00:11:06
beryl, malachite and the similar ones. take this beautiful view that00:11:11
we admire "that water" which makes them distinctive in00:11:15
quality and turns into a tablet, tables, vases,00:11:19
urns, columns, knife handles, stones for rings and so on00:11:24
some may say that these are allegories but Let me call a hard stone00:11:29
a stone that a craftsman grinds for years in water some minerals00:11:36
possible to grind only with a diamond cutter, for example Quartz. I have another version,00:11:41
the author saw that these minerals are grinded in some liquid solution that he called water00:11:47
But perhaps such a mention will not be much further00:11:53
Here is a book in 1819 that describes a recipe for making beautiful artificial jasper00:12:00
that is in the beginning of the 19th century it wasn’t any secret00:12:04
The 1877 book of gemstones and their properties,00:12:09
"whereabouts and use of prices on agates, are extremely volatile and stretch from a few to 100 rubles.00:12:15
the rare and valuable beryls are considered pink and emerald green which so far they are known to be found only in Uruguay00:12:21
Currently, artificial (stone)alloys are being prepared. Almost the same as those of natural Agate"00:12:28
Please note that this sentence is marked with a pen00:12:32
The fact is that until a certain point, the historian who read books in the archive was allowed to make such notes everywhere?00:12:38
Naturally, if you look at the natural stone of Agate00:12:43
the question immediately arises how in the middle of the 19th century an alloy was made00:12:48
almost the same as a real natural stone with such a complex pattern00:12:52
another mention in this book tells you about a vase which I quote it from the Imperial Hermitage00:12:56
Several large tables are kept in St. Petersburg And other large items00:13:02
from aventurine imported by the emperor Nicholas II was presented to Alexander Von Humboldt00:13:08
for his scientific studies in the Urals, a very beautiful large aventurine vase00:13:13
was especially famous for the artificial adventurin made in Murano00:13:17
and soon after the invention of artificial aventurine, the secret was lost and only recently again found" ( end of the quote)00:13:25
It is interesting that the mentioning of artificial aventurine comes immediately after the mentioning of vases in the Hermitage00:13:31
But we read the 1902 state tax provision article 36 stone processing and stone works like marble00:13:36
, granite, sandstone, bricks and similar items00:13:42
annual profitability for each worker is 150 rubles00:13:46
pay attention It seems that the production of artificial stones was not as a secret00:14:00
these works were equivalent to concrete works00:14:04
And now I will tell you a story that is known all over the world and only in Russia and historians00:14:10
and researchers pretend that there was no information before00:14:14
One of the earliest was "Coade stone" and some kinds of ceramics00:14:19
"Coad Stone" Created by Mrs. Eleanor Coade and produced from 1769 to 183300:14:25
later in 1844 Fredrick Ransom patented siliceous stone composition00:14:31
which included powdered sand and silicon that poured in alkaline solution and heated in00:14:35
high temperature steam spot and could be cast or turned Tombstones, vases or plates00:14:40
Decorative architectural work emery wheels and whetstones00:14:44
Then came the stone of victoria which00:14:48
Consists of 3 parts finely ground Montessori granite and one of Mechanical mixed portland cement00:14:57
And from this form that are loosened and placed in a solution of soda silicate00:15:03
for about two weeks for their compaction and curing in mold Fragments00:15:07
Many manufacturers produced very non-porous products00:15:11
products that can withstand aggressive sea air and air pollution in industrial and residential premises00:15:17
Most of the later types of artificial stone consisted of thin cement concrete placed in wooden or iron forms00:15:23
It could be made cheaper and more uniform than natural stone and it is widely used00:15:27
in engineering projects. The advantage was that00:15:30
Transportation of bulk materials and casting near the place of use00:15:34
was Cheaper than transportation of large pieces of stone did not lagged behind00:15:38
Although all over the world and Russia the word Victoria stone is not used,00:15:44
but different word used that has already been ring out "Portland cement". here is a book of the first00:15:51
Congress of Russian architects in St. Petersburg In 1892. artificial granite is mentioned here00:15:57
there is also a report by professor A.R. Shulyachenko about Portland cements and their importance in construction equipment at the present time00:16:03
follow the link in the description. read
report. here are comparison numbers00:16:07
you can find documents of St. Petersburg Partnership for the production of artificial granite00:16:12
another mention for this partnership for production is a machine for the production of Glukhoozersk Portland cement00:16:17
I understand that there will be questions where the recipe for making such artificial granite?00:16:23
We read this answer in Soviet GOSTs. Here, for example, a Portland cement document is colored here and the proportions00:16:27
are given in them, you will see that they didn’t change their names and00:16:32
production was called "Portland cement"00:16:36
I expected to see something like Lenin's cement but00:16:40
left it which way the word clinker Can also be found in Tsarist documents of Russia.00:16:46
by the way, the restorers from Russian
Museum wrote on their website that
for the restoration of dark marble00:16:51
in one case Lithodipyra cement was used, and in the other, Portland cement.00:16:55
That is, this is the same invention that has been used for00:16:58
more than 200 years and cement was used not only for the construction of buildings00:17:02
as many I write in the comments that everyone knows perfectly well that they knew how to make artificial stone in00:17:08
in the 19th century, perhaps the question arises is that why it was hidden in Tsarist Russia?00:17:17
it wasn’t customary to say that the granite monument was not made of natural stone at all,00:17:19
the artificial stone after solidification practically did not differ from the real one00:17:24
there is no doubt for me by the firmness that verification methods at that time there was no reason to say that these stones are artificial00:17:29
in Russia in the 19th century was a rapidly developing power00:17:36
and therefore sought to do the biggest. the biggest bathtub, the biggest vase the biggest Stele00:17:42
and finally the final chord I understand that now people will come running who will start to say that all books00:17:51
of the 19th century were written in the archives reptilians and00:17:54
you can't believe such books00:17:57
Here show something more significant
back to our vases in the Hermitage in00:18:02
the Hermitage has such a vase from jasper which was also made from a single piece of natural stone00:18:09
pay a closer look you can
see protruding armature sticking out00:18:14
pay a closer look you can
see protruding armature sticking out00:18:20
large Kolyvan vase also has interesting details with traces of unsuccessful restoration00:18:24
Like the Russian mosaic which we talk about that's all00:18:28
If you liked this video, please Vote for it.00:18:32
And subscribe to my channel if you
haven’t done this yet and sign up for Sponsorship until next releaseDescription:
Начнем, как обычно, с предыстории. В Санкт-Петербурге существует множество памятников архитектуры и артефактов из натурального камня, которые вызывают много вопросов у современного обывателя. Портик Нового Эрмитажа украшают 10 фигур атлантов работы скульптора А. И. Теребенёва из серого сердобольского гранита, стоящие на постаментах из гранита-рапакиви и поддерживающих архитрав. Согласно преданию, одинаковые скульптуры атлантов, достигающие 5 метров, были выдолблены из натурального, цельного камня, и работа эта продолжалась в течении 2-х лет 150 камнетёсами в середине 19-го века. Делали они с уменьшенного образца, который был выполнен скульптором Гальбигом, и образец этот был прислан из Мюнхена. В коллекции Эрмитажа находится коллекция ваз из цельных пород, которые поражают своим размером и мастерством их выполнения. Ваза из таганайского авантюрина. Вес вазы более полутора тонн. Изготовлялась в Екатеринбургской гранильной фабрике с 1835 по 1840-ой год. Ещё 2 года понадобилось на доставку этой вазы до Санкт-Петербурга. Ссылки на источники: https://rusneb.ru/catalog/000199_000009_008255595/viewer/?page=2 https://dlib.rsl.ru/viewer/01005081037#?page=91 https://dlib.rsl.ru/viewer/01004104592#?page=50 https://rusneb.ru/catalog/000199_000009_004743869/viewer/ https://mininglife.ru/museum-three-exh/ https://dlib.rsl.ru/viewer/01008731106#?page=7 https://www.prlib.ru/item/407016 https://dlib.rsl.ru/viewer/01003607920#?page=22 https://rusneb.ru/catalog/000199_000009_003917736/ https://dlib.rsl.ru/viewer/02000000783#?page=39 Секрет невозможных артефактов Санкт-Петербурга Канал альтернативной истории Сергея Игнатенко Смотрите также: Великая Тартария: https://www.youtube.com/playlist?list=PLiQ2wtHWEDhogOQieO_4TPFjTerBI923v Альтернативный взгляд на войну 1812 года: https://www.youtube.com/playlist?list=PLiQ2wtHWEDhob7yMTTyraxa90yQ403wvj Запретная история Сибири: https://www.youtube.com/playlist?list=PLiQ2wtHWEDhrr-Yc5zBxqwqg-TiAf0gv8 Эффект Манделы: https://www.youtube.com/playlist?list=PLiQ2wtHWEDhqnSV9yMkrY9i12DGzY6daw Разрушение мифов альтернативной истории: https://www.youtube.com/playlist?list=PLiQ2wtHWEDhp4zo11ZVdMzC-kUPLYnjQ6
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