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00:00:09
isosa Chris you have your fair share of
00:00:12
experience in action movies what would
00:00:14
you say how does the M makes movie fair
00:00:17
in comparison to that yeah the
00:00:18
commonality between you know the big
00:00:20
action films at works and the ones that
00:00:22
I've Lov is the the the awareness from
00:00:24
the director around that the action
00:00:26
needs to inform the story it has to be
00:00:28
driven by the plot but also the
00:00:31
character's motivations and you know
00:00:32
nothing is is accidental in this film
00:00:35
and it was loud and energetic and at the
00:00:38
start of every you know take would be
00:00:40
someone saying start your engines and
00:00:42
then every motorbike truck car would
00:00:45
light up it's probably the loudest set
00:00:46
I've been on and I've been on some loud
00:00:48
sets the most rock and roll the most
00:00:49
rock and roll yeah for you it was your
00:00:52
first big action heavy roller how did
00:00:55
you prepare for that oh I loved it I did
00:00:57
a year of training with the cars the
00:00:59
most bikes then just physically being
00:01:01
strong enough to do the stunts again and
00:01:03
again and again and it really just
00:01:05
drives my analytical mind I love it I
00:01:08
love something that you have to be so
00:01:09
precise about I love something that you
00:01:12
can get better and better at with each
00:01:13
take I loved
00:01:24
it you also had the additional challenge
00:01:27
to follow up to chiss Ron put trail of
00:01:30
furiosa how was that for you I fell in
00:01:33
love with furiosa through Chara's
00:01:34
performance like that performance is so
00:01:36
strong and so incredible I think I tried
00:01:39
not to put that pressure on myself
00:01:41
throughout the filming because otherwise
00:01:43
you're just paralyzed with fear but I
00:01:45
feel like you have a responsibility to
00:01:47
tell the story of the person in the
00:01:48
script and because I was doing this with
00:01:50
George Miller I didn't think that he
00:01:52
would let me mess it up I think what so
00:01:53
beautiful about the two performances is
00:01:55
is how much they compliment each other
00:01:57
and enrich in one another and you know
00:01:59
you watch f road now and and if you've
00:02:01
watched furiosa you understand why and
00:02:04
then if you watch furiosa and you
00:02:05
watched Fury Road then you understand
00:02:07
why she's doing this and this section
00:02:09
and I found that just as a fan sitting
00:02:11
on set watching it play out just so
00:02:14
satisfying thanks your character
00:02:16
petorian Jack brings somewhat unique
00:02:19
quality to the Wasteland because he
00:02:21
still maintained his empathy how did you
00:02:23
prepare for us Ro well I didn't imagine
00:02:25
that the empathy was a constant I mean I
00:02:27
felt that was something he'd probably
00:02:29
had to really pushed to one side or the
00:02:31
other at given moments I did do a lot of
00:02:33
work on backstory I don't always George
00:02:35
had given me an outline on a zoom call
00:02:37
the rest you kind of just have to show
00:02:39
up and let it happen on the day because
00:02:41
it's more about the present moment and
00:02:42
it's more about the person in front of
00:02:44
you and letting them in and them letting
00:02:46
you in and an you is a perfect partner
00:02:48
for that how would you describe the
00:02:50
relationship between your character and
00:02:52
furiosa they realize they're a team
00:02:54
before they know who each other are he
00:02:55
falls in love with her dream ladies and
00:02:59
gentlemen
00:03:06
you have the opportunity to create a new
00:03:09
villain what was that like how much
00:03:11
Liberty did you have it was great the
00:03:13
the script offered up such an
00:03:14
interesting to the character and quite a
00:03:17
complex one and a wild insane man the
00:03:20
focus was really around trying to have
00:03:22
Humanity in there too and not just him
00:03:24
have him be sort of two-dimensional and
00:03:25
so we um we continually sort of searched
00:03:28
for that you know and tried to have
00:03:29
moment of vulnerability and
00:03:31
contradictory sort of ideas and
00:03:33
hopefully have an audience be conflicted
00:03:35
about their feelings toward him George
00:03:37
Miller is often held as a genius with a
00:03:39
very unique style for action film making
00:03:42
what would you say separates him from
00:03:44
other directors the meticulousness of
00:03:47
his eye the breadth of imagination
00:03:50
because he made babe that's quite
00:03:52
extraordinary kind of scope I can only
00:03:55
imagine that's because you're so in
00:03:56
touch with so many different parts of
00:03:58
yourself like describe him as painting
00:04:01
this movie because that's genuinely what
00:04:03
it feels like we have three full units
00:04:05
running at all times and I can be on
00:04:07
second unit and be doing a stunt again
00:04:08
and again and again and he'll see it and
00:04:10
he'll go oh it's perfect I just need
00:04:11
your helmet one inch higher on your head
00:04:13
it's that level of exactitude and so
00:04:16
everything that you're seeing on screen
00:04:18
you know has been purposefully put there
00:04:20
and painted by George Miller the
00:04:22
entertaining creative factor of his
00:04:25
action you know is is so unique and then
00:04:28
he's like yeah it's it's operadic
00:04:51
[Music]

Description:

KINO.de ist die Plattform Nr. 1 für Kino, Filme & Serien In unseren Videos bekommst du Antworten auf die wichtigsten und drängendsten Fragen aus der Film- und Serienwelt, ausführliche News und Hintergründe zu deinen Lieblingsfilmen- und Serien, Theorien und Ausblicke zu Marvel, DC, Star Wars und Co. sowie Inspiration für deinen nächsten Kinobesuch oder deine nächste Serie auf Netflix, Amazon Prime, Disney+ und Co. oder im Fernsehen - von echten Expert*innen. Denn Kino.de wird von Menschen gemacht, die Filme und Serien genauso lieben wie du. Egal, ob auf der großen Leinwand, zu Hause oder unterwegs Wissen, was wo läuft im Kino oder Stream auf KINO.de. IMPRESSUM STRÖER Media Brands GmbH Torstraße 49 10119 Berlin USt-IdNr: DE271457131 Handelsregister: Amtsgericht Berlin-Charlottenburg HRB 195991 B Geschäftsführung: Tim Nocken, Marc Schmitz Telefon: +49 (30) 59 00 113 – 0 Fax: +49 (30) 59 00 113 – 99 E-Mail: [email protected] oder [email protected]

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