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00:00:00
[music]
00:00:22
[music]
00:00:27
everything will put the evening behind the flow of the
00:00:32
character sleep come on, it’s
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absolutely hellish that I can’t do it any other way
00:00:44
now I’ll tell you I’ve never seen such traffic jams
00:00:55
and this is the worst thing that could
00:00:57
happen at that moment I’m literally
00:00:59
locked in the middle of the street to the place where I have
00:01:01
to film several kilometers, but
00:01:03
what I have to film is worse, it’s happening and will
00:01:06
end soon,
00:01:12
but how good and easy it all started
00:01:17
[music]
00:01:24
three days ago I flew to Da Nang, this is a
00:01:27
city in the very center of Vietnam, I’ve
00:01:30
been waiting for this business trip for a long time because this is
00:01:32
not where to be an international fireworks festival was supposed to take place - a spectacle
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with a capital S, and for me as a
00:01:39
photographer, in a sense, even a
00:01:41
challenge
00:01:47
[music]
00:01:51
the next day I had free and I
00:01:53
went to photograph the ruins, I generally
00:01:56
love ruins, they are almost always beautiful
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and tell a lot about history and
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photography with history it’s
00:02:02
good, it’s definitely better than without it, but here it is the friendship of
00:02:13
peoples my guide was called to us, but
00:02:15
once he studied in Kiev
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and since then he imagined us as
00:02:18
columns of puppies thundering with bass trumpet you have
00:02:23
been there for a long time because think for yourself decide for yourself
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had not
00:02:31
[music ]
00:02:33
to have or not to have their ruins from Da Nang Duma for
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about two hours drive through
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Vietnamese traffic which, accompanied by the singing of
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cola, we arrived completely unnoticed
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[music]
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once upon a time, quite a large
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part of the territory of modern Vietnam
00:03:01
was occupied by the state computer, it
00:03:04
existed from the 2nd to the 15th centuries and lived
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in it, the people of team of worshiped close
00:03:10
gods and in general were much closer to the
00:03:12
Hindus than, say, to the same
00:03:14
Vietnamese, and team of had, let’s call it, a
00:03:18
spiritual center something between
00:03:19
a sanctuary and a city which was called
00:03:22
bish, in general, now I’m about 60
00:03:25
kilometers away from Da Nang in the middle of the jungle
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in order to photograph what
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was left of the once majestic
00:03:31
holy city and
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[music]
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first I decided to explore everything here,
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find points for shooting, look at
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angles and generally understand how
00:03:52
real the remains of the city correspond
00:03:54
to what I see in the reader
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[music]
00:04:22
by the way about the Americans, this is what I can
00:04:25
actually do, the crater of an exploding
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shell in
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sixty-six, the Americans decided
00:04:31
that mishon was the main field headquarters
00:04:35
hill north vita from karma and
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for the next 2 years the ridiculous turned into
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what is called a free fire zone,
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as a result of mass shelling a
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huge number of churches were damaged here
00:04:46
Well, I looked around and realized that I need to
00:04:49
take a photo and I’ll actually
00:04:51
proceed with this. There’s no need to change the
00:04:53
lens. The length of the focal length to
00:04:54
wide-angle
00:04:56
[music] is
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usually a problem when you’re shooting a tower that’s
00:05:11
high, if you’re standing under it, it’s
00:05:16
distorted, so it’s best to climb
00:05:17
onto some hill, good for
00:05:20
there are
00:05:26
also
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quite large differences in the light, it’s
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bright, I think I’ll shoot
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several different patrol exposures, I’ll
00:05:37
combine them with a
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graphic editor
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and not a free day, I
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agreed on everything, the fireworks will take place in
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any weather, they’ll let me in there, there’s
00:06:22
nothing to worry about, so I took my
00:06:25
favorite vehicle and
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went for another photo
00:06:35
[music]
00:06:46
ananko 4 for
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treatment port city you have visas,
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in fact this means that almost all
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the goods that leave and the light ones,
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on the contrary, come to his
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wallpaper just through this very time, the
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road to my goal first went along the
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sea and that’s it it was very
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nice the beach on my right hand is also a
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landmark 60 kilometers of
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the finest sand and the clearest sea,
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by the way it is one of the ten best
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beaches in the world such photos
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float by how can you not stop
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from the sea the road went into the mountains for you
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very handy since the
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air temperature here is degrees 40 in the shade a
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helmet on this kind of mercilessly but in the mountains there is
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still a breeze so actually where and
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why am I going 30 kilometers from Donaga to the
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north there is a mountain pass which, as
00:07:49
they say, opens up some
00:07:51
unimaginably beautiful views I especially want to
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get there and do a few
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photos
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[applause] [music]
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before this was the only road
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between Donald
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from the old capital of Vietnam and the city of Chuya,
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so the traffic on this serpentine was
00:08:14
terrible, then they took the distance and
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cut a tunnel in the mountains, which
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completely unloaded the road, now driving
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here is a pleasure, plus stunning
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views from all the sides are such that you
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constantly want to stop and
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take pictures
00:08:27
[music] it’s
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great how and here it is hayward pass
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what does sea side by side mean because the sea is
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next to the apple row generally speaking of course
00:09:06
here is monstrous eclecticism mountain
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pass indescribable beauty right here on
00:09:10
you dots built by the Americans during the
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war literally a few meters
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next door is an
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ancient fortress from the early 19th century from the time of the
00:09:18
king of the bin bank without trying to climb up
00:09:21
to take the shot I needed
00:09:23
[music]
00:09:25
it was strategically important.
00:09:28
The only thing I’ll remind you is that the road
00:09:30
is shot in both directions,
00:09:32
and from this tower that I tried to
00:09:33
climb into, you can control the entire area,
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if you consider that the Hai Van pass is the
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border between southern and northern Vietnam, you
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can imagine how
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important this place of work was, you
00:09:51
should immediately notice the abundance of
00:09:52
wires about which no one
00:09:55
said anything between the symbol can seriously
00:09:57
complicate everything, what is there to complicate and is generally not
00:09:59
acceptable will not interfere with the frames and will
00:10:01
ruin everything, maybe in the tower since but
00:10:09
purchased from not the wires hang
00:10:12
wonderfully so here we have a hatch
00:10:17
[music]
00:10:27
Brianna
00:10:28
[ music]
00:10:38
spoons it becomes quite obvious that you
00:10:40
can only take a normal shot at points
00:10:45
that you are much higher than this tower
00:10:46
because the wires spoil everything above
00:10:50
only the mountains, but I
00:10:52
couldn’t imagine how to climb them without a road through the jungle
00:10:55
with snakes and insects and it’s not at all a fact
00:10:57
that I I went there, I remembered
00:11:02
several roadside souvenir shops
00:11:04
below and thought that the locals
00:11:06
must probably know the secrets of the path up
00:11:10
[music]
00:11:13
hi hi I need help, I
00:11:16
explained to the girls that I need to get
00:11:18
into the city where the best view
00:11:21
of their surroundings will open higher and faster and
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this a matter of life and death,
00:11:25
yes, well, there is one girl here, I think
00:11:28
she can help you,
00:11:29
come with me, the girl is saving me,
00:11:32
really, yeah,
00:11:39
money in the match, it was already starting to get dark, and in the
00:11:48
mountains this happens especially quickly,
00:11:50
so there was no time to waste, and my
00:11:53
new acquaintance’s thoughts set off
00:11:55
[ music] the
00:12:00
jungle turned out to be not that
00:12:02
impassable, but rather one could call it
00:12:04
unfriendly, however, we were still walking along a
00:12:07
very conventional path, but still, and
00:12:09
then the jungle ended and the path
00:12:11
along with it and the stones began, dense and
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quite slippery
00:12:17
[music]
00:12:27
what a beauty
00:12:29
Actually, thanks to I climbed
00:12:32
even higher than the pass itself on the other side of
00:12:37
Saigon cochineal networks, that is, the south of
00:12:41
Vietnam there is Hanoi, that is, its north,
00:12:44
we are exactly in the middle
00:12:50
[music]
00:12:52
naturally a wide-angle lens
00:12:55
[music]
00:12:57
but in general this is an ideal place for shooting a
00:13:01
panorama
00:13:04
in a good way the panorama, of course, must be done
00:13:06
with a tripod with a level to follow the
00:13:07
horizon line, however in exceptional
00:13:09
cases you can try to do without
00:13:11
it, and in my case, given that I was too
00:13:13
lazy to take a heavy tripod to the city, it
00:13:15
was just exceptional
00:13:19
there are so many different programs that without any
00:13:22
problems allow you to assemble even the shot
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handheld panorama
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here is one of them everything is very simple the first
00:13:28
thing you need to do is upload all
00:13:30
the pictures that you want to combine my
00:13:33
panorama is about 160 degrees it
00:13:36
took 16 frames
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so the second stage is to start the process
00:13:43
wait a little while checking the control
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points now a little more
00:13:51
now we need to align and make sure that
00:13:55
the boundaries between the glued frames are not visible,
00:13:58
and then color correction as with
00:14:01
ordinary photographs, voila, in principle,
00:14:04
the panorama is ready
00:14:13
[music]
00:14:17
for every photo taken, you
00:14:19
can always say thank you for this in the secret of
00:14:22
luck that led me to the
00:14:24
saleswoman down there she herself,
00:14:26
having met me, drained me and, of course,
00:14:28
without which nothing would have worked out for me
00:14:30
while I was minding my own business,
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she sat quietly on the sidelines chewing a blade of
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grass and did not understand what a good deed
00:14:36
she had just done. I often come
00:14:40
here alone just to sit and look at the
00:14:42
mountains and think. it’s so beautiful here
00:14:45
[music]
00:14:46
sometimes I envy people like this living in
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such beauty you see around you
00:14:50
no matter what with these mountains in the
00:14:53
background it looks so thoughtfully sad I take
00:14:56
pictures and I clearly understood that
00:14:58
she is happy
00:15:02
[music]
00:15:05
and so day X came the international
00:15:11
fireworks festival for which I
00:15:12
flew to Vietnam was supposed to take place
00:15:14
today, before it I had
00:15:16
one thing to do, meet with a person from the
00:15:19
fireworks team to find out some
00:15:21
details, the
00:15:25
first thing that caught my eye when I
00:15:27
arrived at the proposed scene was
00:15:29
the strictest security measures as if
00:15:31
declared a state of emergency in a
00:15:33
particular area, I am interested in
00:15:36
some features that may not be
00:15:39
useful in this shooting, firstly, I would
00:15:41
like to know what example at
00:15:43
altitude experts will
00:15:48
explode in altitude from 60 to 400 meters,
00:15:53
when you shoot, you take into account
00:15:57
the wind because I keep introducing myself, I
00:15:59
will be on the other side and the wind will blow
00:16:00
there, then all the smoke will go there and I will have
00:16:03
difficulty seeing the wind, this is very good if there is wind
00:16:06
during the fireworks, this means that
00:16:08
all the smoke will blow away, and if there is no wind, then it
00:16:11
will remain hanging in place like a cloud
00:16:13
explosion of a shell, he
00:16:15
also told me that it is best to shoot
00:16:18
from the other side of the river and it was very
00:16:21
pleasant to listen to because I was a little
00:16:22
worried because the angle when shooting
00:16:24
fireworks and fireworks is probably the most
00:16:26
important thing to take care of
00:16:27
in advance.
00:16:30
The festival began in 2000. I could hardly
00:16:33
wait for the evening and shortly before the start I
00:16:35
arrived at the place
00:16:39
[music]
00:16:44
and
00:16:47
[music]
00:16:49
I will begin my destiny for the sake of which I will come
00:16:52
ikebana
00:16:53
vampire not only for us it’s
00:16:56
time for heaven to graph fireworks
00:17:03
[applause]
00:17:05
[music] demonstration
00:17:14
performances involve the
00:17:16
most powerful fire throwers in the world teams of
00:17:19
China France Canada, Italy and the home
00:17:21
team, the Vietnamese, but so far I was in shock, and
00:17:23
not from the awareness of the greatness of
00:17:25
the event or from the anticipation of a
00:17:27
grandiose show from the countless
00:17:29
hordes of people who came to see it all, a
00:17:31
wildly large number of
00:17:34
people come here, not only from all over
00:17:37
Da Nang, not only from all of this all over the
00:17:40
world they say about
00:17:43
half a million people of the
00:17:45
regime are gathered here, no sister, everything is not only in the
00:17:47
stands, a layer on the bridges, they occupied in
00:17:49
six months all the balconies, they bought up all the
00:17:51
more or less suitable places, by
00:17:54
the way, an absolutely excellent picture
00:17:57
should be obtained if you photograph this entire crowd
00:17:59
[music]
00:18:04
some photographers make money
00:18:07
millions on the fact that a huge
00:18:09
number of people and bodies are collected, approximately
00:18:11
these are the photographs that I now
00:18:15
manage to play a little in this
00:18:19
story from the category of those photographs when
00:18:22
you don’t have to worry whether you cut off someone’s
00:18:23
head earlier or not, it’s
00:18:26
called find your friend
00:18:29
[music]
00:18:39
fireworks will start from minute to minute and I
00:18:44
need to quickly take a position and
00:18:49
set the frame the tripod is mandatory without a
00:18:54
good heavy stable tripod,
00:18:57
even nothing to make normal
00:19:00
quality in photographs of fireworks or
00:19:02
fireworks, shooting in the dark is always better without
00:19:06
touching the camera, for this there are
00:19:08
only two ways
00:19:09
either a timer or remote
00:19:11
control if you have time, then of course it
00:19:13
makes sense to install a remote control
00:19:23
[music]
00:19:37
in fact the forest is right here in
00:19:40
Angarsk
00:19:41
[music]
00:19:44
that’s what it is [
00:19:46
music]
00:19:50
it’s a fireworks and enzymes there’s a big difference
00:19:53
fireworks row of school but
00:19:56
we’re used to it when there’s a gun
00:19:59
I give sale
00:20:00
what you can hear a shell flying in
00:20:16
the city, the result is that when there
00:20:23
is a firework, I only have one salvo, you
00:20:25
can always predict the salvo, there is a sound, you hear a sound, you press the trigger, a second passes, the
00:20:31
explosion photographed it, this may
00:20:34
involve some kind of professionalism,
00:20:35
when there is a cannonade like this, then there is no
00:20:38
talk of any professionalism I can’t have
00:20:40
done such blind luck here, it doesn’t turn out
00:20:43
exactly what I wanted,
00:20:47
so it’s clear that I need to look for some
00:20:49
point, the main problem wasn’t even
00:20:53
that there wasn’t a suitable angle here, although it
00:20:55
could have been better, but most of all
00:20:57
people were in the way, I decided to look for a place
00:20:59
higher up and the first thing that came to mind was the
00:21:01
stands, I need where the world is.
00:21:06
here the main problem is that it is
00:21:10
known and there were few passages somewhere
00:21:13
upstairs, they are now all filled with
00:21:15
peoples
00:21:16
[music]
00:21:22
nightmare of the year
00:21:23
and even if I make my way to the basement I
00:21:27
will not have a
00:21:29
place upstairs to put the
00:21:32
nut
00:21:36
[music]
00:21:44
it became clear that there was nothing to catch here,
00:21:46
and then I remembered that a few
00:21:48
kilometers from here there is a large bridge, I
00:21:50
drove across it yesterday afternoon, there
00:21:52
should be an excellent view of the
00:21:54
fireworks and the river, I ran out into the street
00:21:59
and
00:22:00
here I am, locked in the middle of the street,
00:22:06
the festival is in the middle is in full swing and I don’t understand
00:22:08
how I can get to that bridge, there’s too much time to take a
00:22:11
taxi, it’s out of the question
00:22:13
even with powder and it won’t help here, and in
00:22:16
principle, just then the thought flashed through me
00:22:17
that everything, alas and ah,
00:22:20
but a way out was found, this is the fastest
00:22:26
way get to the bridge
00:22:28
[music] the
00:22:29
next port of fireworks will start very
00:22:32
soon losses stole a little time
00:22:34
moving by boat but I still have to
00:22:37
climb in fact it’s
00:22:43
not a sin to complain but there’s a very
00:22:47
slow rattle
00:22:49
[music]
00:22:59
protection the
00:23:01
bridge is very close but I need to
00:23:04
do enough there’s a big hook to
00:23:05
climb onto it,
00:23:09
that’s where we need to go, you know, I need
00:23:11
something that can be reached, and that’s where we have to
00:23:13
admit the boat can’t land on the shore, there’s
00:23:16
simply no pier, in this case there’s a
00:23:18
boat called a
00:23:21
cube in tea funk means basket and tea with
00:23:23
malone though most of all it looks like a
00:23:26
basin of people, in fact, not only from
00:23:31
above, but already under the bridge, whole crowds have gathered
00:24:14
pov so far and high that it
00:24:17
turned out to be ideal in the row of the lens or things 200
00:24:20
turn out perfectly, here you have
00:24:22
what you need, in
00:24:27
principle, it’s idiotic to shoot an absolutely
00:24:30
long-focus lens and a telephoto camera, but it
00:24:32
turns out to be beautiful from what an important thing,
00:24:37
by the way, she shoots that it’s a
00:24:39
long-focus lens, otherwise it needs to be
00:24:42
attached to a tripod, they’re the camera itself, otherwise
00:24:44
it will dangle, suddenly it’s
00:24:46
heavy, so so so so so
00:24:47
so yes, that’s
00:24:51
what I need,
00:24:57
in general, it was possible in principle you can
00:24:59
say about the whole trip
00:25:00
[music]
00:25:02
I took photographs of the ancient holy
00:25:05
city of Michon, as I already said, I love
00:25:07
the ruins and photography, a place that
00:25:10
divides us into the southern and northern
00:25:12
high bank pass, sea clouds,
00:25:14
but my main goal is the
00:25:16
fireworks festival, the photographs turned out, as they
00:25:18
say, in spite of it’s difficult and you can
00:25:20
say the last seconds
00:25:22
were the main thing
00:25:28
[music]
00:25:42
it was a behind the scenes program I’m Mark
00:25:44
Podrabinek 100 meetings
00:25:46
[music]

Description:

Салют, Вьетнам! Фестиваль фейерверков во вьетнамском Дананге – это своего рода вызов для любого профессионального фотографа! И Марк Подрабинек не мог пропустить это событие. Какие препятствия ему пришлось преодолеть, чтобы сделать самые красивые фотографии? Чем фейерверк отличается от салюта? И почему нужно обязательно брать с собой штатив? Об этом и многом другом вы узнаете в новом выпуске программы "За кадром". Программа об интересных местах России и других стран, об интересных фактах истории и современной жизни, людях, природе, разных видах туризма. Марк Подрабинек одним нажатием пальца останавливает мгновение. Самый объективный взгляд на города мира Марка Подрабинека через объектив фотокамеры. Марк Подрабинек о себе: "— Родился в 1979 году в горах Якутии. Поселок Усть-Нера, где в тот момент отбывал ссылку мой отец, расположен на берегу реки Индигирка в Оймяконском районе, и славится рекордно низкими температурами. В частности, в момент моего появления на свет было минус 63 градуса по Цельсию, что не могло не сказаться на становлении меня как личности. Рассказывают, что младенцем я был покрыт шерстью, которая отпала лишь после отъезда из тех суровых мест. С тех пор изо всех сил тяготею к теплому климату, но постоянно попадаю в какие-то жуткие, холодные места."

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