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Лев Гурыч Синичкин
В ролях
Н.Трофимов
Г.Федотова
Н.Мордюкова
Л.Куравлев
О.Табаков
А.Миронов
1974
Гостелерадиофонд России
ГТРФ
Советское телевидение
Гостелерадиофонд
Архивное видео
советские телепередачи
тв архив
советское тв
архив советского тв
старые телепередачи
советское телевидение смотреть онлайн
передачи советского телевидения
телевидение раньше
ностальгия
раритет
раритетные видео
художественный фильм
экранизация
литература
комедия
музыкальныйфильм
музыка
кино
фильм
театр
актриса
дебют
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00:00:06
[music]
00:00:27
we play the overture at the tempo of allegro
00:00:34
overture this is
00:00:36
to the ancient Russian squeezed out by Lev Gurych
00:00:40
Sinichkin
00:00:43
[music]
00:00:58
and
00:01:01
[music]
00:01:03
I stand at the controls for this
00:01:06
many winters and how many times have we played everything in the
00:01:10
world because we don’t yet say the
00:01:11
doctor’s contact well now, dear viewer,
00:01:15
keep the old style, we will play the
00:01:19
famous but forgotten waters, and how
00:01:24
beautiful, like beautiful waters, and
00:01:28
here are the
00:01:31
years ago, where they had fun in a light style,
00:01:34
what an amazing joke,
00:01:37
where was it, and wait, catch up,
00:01:42
and now we will quickly introduce the main
00:01:46
characters of
00:01:47
all the artists and axis so well, all the man is
00:01:52
naturally a girl, allow me
00:01:55
to introduce you to every single one here are the
00:01:58
titmouse old comedian
00:02:01
this is Liza his daughter
00:02:05
[music]
00:02:06
sur cute
00:02:08
raisa without the intention of a child but for
00:02:12
each of the actress
00:02:14
dragging 60 hussars around the theater the owner is
00:02:19
ours as they say now
00:02:22
Barzikov writer
00:02:24
grub marshmallows of my price
00:02:28
a
00:02:32
[music]
00:02:38
and [
00:02:42
music]
00:02:48
[applause]
00:02:50
[music]
00:03:00
a a [
00:03:06
music]
00:03:11
mom mom
00:03:15
a
00:03:18
[music]
00:03:20
she
00:03:30
play in with Prince Vitryansky
00:03:33
from 1 number to the lantern and to the lantern from
00:03:45
Tambov to Vienna from Bordeaux to Kostroma, they
00:03:52
love military women and it’s not for nothing that we captivate
00:04:00
how the spurs shine in the sun and the uniform hits the
00:04:07
teeth of a woman’s heart, how it lights up the
00:04:15
moment they, well, Ufa, I
00:04:27
’m already a
00:04:30
beauty, anyone in this house is not there, you’re
00:04:37
waiting for me, you
00:04:42
love the soldering
00:04:45
iron, avaya
00:04:48
actresses,
00:04:50
we are amateurs in art
00:04:54
us shoulder do amor
00:04:58
we are fans
00:05:04
good and my only sin is love for
00:05:09
you Ubarga inhumanely pay with
00:05:14
murder for love that you bite your lips
00:05:17
performance an unkind sign of him towards you you
00:05:31
gave a souvenir gift my scarf for the
00:05:39
cutter for today there will be enough stone Klitschko
00:05:45
water and set the table and you yourself didn’t
00:05:48
cut down the badge in the theater, it means you
00:05:54
would be nice daddy woods with them period
00:05:59
false hair how many times have I
00:06:00
told you to make it up close you are even
00:06:08
nicer than you were looking for
00:06:10
and wait, I recognized you, you are Prince
00:06:13
Vitryansky, I have often seen you in the Ural
00:06:15
lower sur le new we her admirer and
00:06:17
now my precious
00:06:19
I belong only to you go away prince what
00:06:22
if he sees us here today I’m
00:06:25
leaving for my village in the hope of
00:06:27
kidnapping you to kidnap me first you need
00:06:30
me to agree to this
00:06:32
and if you agreed then how would I
00:06:35
kidnap you and my debut is Of course, it’s
00:06:38
your daddy’s idea, yes, I’ll be an actress like
00:06:42
my daddy,
00:06:43
like my late little one and my
00:06:45
grandparents were
00:06:46
[music]
00:06:49
shower
00:06:53
[music]
00:06:57
strength, but it attracts
00:06:59
me in general, and
00:07:04
who rules miles of escape and is ready for
00:07:17
my whole life
00:07:21
without regrets from my body
00:07:35
and
00:07:37
[music]
00:07:38
andnot
00:07:41
[applause]
00:07:44
but I have another idol, another star
00:07:50
in the clear sky, you opened up a whole world of uniqueness to me,
00:08:01
let the theater be your
00:08:04
father and mother, but love is more valuable than fame, in short, I’m
00:08:11
waiting for you exactly 5th lesson Gulyansky I’ll
00:08:17
get hello, are you good with
00:08:22
anyone I have the honor, I’m an artist,
00:08:26
sir, artist, just like you and your daughter
00:08:33
from Kharkov, I play lovers and hussars,
00:08:40
here’s
00:08:44
escada Lensky, with your permission, that’s
00:08:49
how much you mean from pipes and hammers, is
00:08:53
Gladnovsky healthy, not quite, but he’s
00:08:59
all complaining with his head about something he had -
00:09:03
that was it, I actually came
00:09:06
to engage your daughter and
00:09:09
tomorrow to take her with me did not come
00:09:14
Gladnovsky is not a board and you can’t
00:09:17
play all the first roles that okuda 9
00:09:20
nights
00:09:25
[applause]
00:09:29
she is an actress Grazhina
00:09:33
sparkle on stage with her diamond
00:09:37
figure in she took after her father
00:09:43
20 nta I don’t dare object to her everything was
00:09:52
given up by nature I cried with happiness
00:09:59
get a handkerchief you team you see
00:10:05
Vincent’s brilliant green you know for your own sake not
00:10:07
stosur Belova read the role from let me
00:10:12
say the squeak is coming today we have a lesson who
00:10:28
is big calmly,
00:10:43
please, welcome, dear
00:10:48
eye, let me recommend where
00:10:54
he went,
00:11:02
the monster to whom I sacrificed so much
00:11:06
and at the exit to sacrifice again, Prince
00:11:09
Svetlinsky cruelly betrayed me the
00:11:16
only creature who so
00:11:21
ardently adored
00:11:23
the East, the insidious one, I saw and in my eyes it stands and
00:11:33
rages, it darkens from the tragedies, the rejected
00:11:38
daughter 2 from the monologue for leaving and monsters
00:11:47
monster
00:11:56
I never bite ah ha I’m wearing a
00:12:03
hussar uniform high low Christmas tree
00:12:10
30,000 income if he just clicked
00:12:18
I would drop everything and in rags I would follow
00:12:23
him to the ends of the world gi don and others 5
00:12:32
however I hear like this you some
00:12:35
elderly count ride marshmallows that he is
00:12:42
old to me I let him ride for the sake of
00:12:46
art
00:12:50
what kind of room do you have however the equipment
00:12:55
your temple is next to and there is someone jumping
00:13:09
who is studying paddling let's drink well the
00:13:17
count princess
00:13:18
how are you doing how God bless you
00:13:24
oh what did you want to ask me for,
00:13:30
don’t say, you promised to
00:13:32
patronize my daughter at the theater, I’ve already
00:13:35
arranged everything, I’m already doing charity, so
00:13:38
right away, do you know well the role of the bark,
00:13:43
we use our teeth, but there is one difficult place in the second act;
00:13:59
[music] [laughter]
00:14:01
[music]
00:14:43
she will grab her talent like a mother I am a
00:14:49
fan of
00:14:50
Akulina Nikitichna and ballet Nikitichna
00:14:56
looks towards you so if you quickly turn and
00:15:02
you should immediately grab and color the
00:15:04
train
00:15:07
from now on and you will find
00:15:11
who will wear the train my daughter, the daughter of the
00:15:17
late Akulina Nikitichny, will
00:15:19
not wear a train behind you, what else can
00:15:22
you do, and you are more of a device when
00:15:24
distributing tickets for me,
00:15:28
Kostroma noble, option for
00:15:29
distributing tickets for I am an artist, with permission to
00:15:35
say artists, I will die on salt and my daughter, I
00:15:39
want in your role perform, you know, I
00:15:41
can play it
00:15:54
for the officials and officers in boxes for the
00:16:07
best
00:16:08
and for a prize with Shumilova The premiere is not the
00:16:12
premiere not
00:16:20
yesterday when it started I except tears
00:16:29
flowed from the audience
00:16:33
[music] it’s a pity
00:16:45
that there were no
00:16:47
stones at hand
00:16:50
[music]
00:16:57
I will forever be Young people need to pray to God for you and
00:17:05
girls always resist like this. very much what
00:17:42
was
00:17:45
[music]
00:17:53
without theater I can’t even imagine living a day
00:17:57
mizzani over there I can’t exist
00:18:01
you came to
00:18:04
enroll will give
00:18:12
I haven’t seen such an insult
00:18:17
[music]
00:18:21
over here from here I won’t forgive this from the edge those don’t
00:18:45
leave like that they leave in water gels you
00:18:54
just need to appear on stage, you
00:18:57
won all the first roles in it, today I could
00:19:00
unite the first lover with so now the
00:19:07
young man tasted the Arsky uniform was a
00:19:10
prince, looked like a Roman, I’m crazy about you, give up the
00:19:19
theater and dispose of me and
00:19:23
my condition, they didn’t even give everything
00:19:25
there is no reason for him to come in the twilight of the
00:19:30
city, we caught you there, I will wait for you
00:19:32
and we will go to Ragulyaev
00:19:46
tonight, my daughter, you will be on
00:19:50
stage wearing a frock coat and adding, it’s
00:19:54
not for nothing that I am an actor, it’s not for nothing that I
00:19:58
grew up in the theater, I’ll spin a plot
00:20:02
that may not even be the most Shakespeare
00:20:11
I won’t throw someone else’s handkerchief as I
00:20:15
head our success is the key to the talent
00:20:19
that gave us sex and this is paper
00:20:25
[music]
00:20:42
oh shut up and listen to something all the heads of
00:20:46
Dougalov
00:20:48
dance of drowned women let’s dance from 5 numbers
00:20:58
4 so hide the sandwich oh how difficult it is for
00:21:33
the actors please if I'm like sur mila
00:21:39
wu I'll dress myself I'll have to go to
00:21:45
walk for you magical
00:21:50
and for me about the old one gave
00:21:58
and for me to siv m9 a
00:22:10
cold threatens us don't cause it anyway I wo
00:22:19
n't drown
00:22:22
why when the theater and so the mountains and don't
00:22:28
think that your toilet will be attracted to the
00:22:33
angle people see, it’s not the
00:22:37
way you’re dressed,
00:22:40
but believe me at all, but
00:22:44
[music]
00:22:49
and
00:22:52
[music]
00:23:09
take away the heartfelt, they’re not late, they’re
00:23:12
delayed until we go spirit, let’s
00:23:14
rehearse the musician in the place and there’s no way it’s
00:23:17
summer, it’s a beer call, please, gentlemen,
00:23:23
play potiche God kill my soul
00:23:26
nothing can be heard the theater
00:23:35
remember calm in Alexander Sergeevich the
00:23:42
magical land
00:23:45
there is old years of satire the brave ruler
00:23:51
shone fonvizin freedom's friend actors
00:24:02
actresses
00:24:05
like Pushkin's
00:24:11
there in the shadow of the wings my young days
00:24:22
rushed by
00:24:24
and now
00:24:31
we'll take away the fluff on the fort or he
00:24:33
walks with sand where is the act everywhere especially in the spirit on the
00:24:37
pore like that quarterly
00:24:39
teenagers or something yes heh on a rope I’m flying up
00:24:42
kill my god they’re coming from the chair of the spirits
00:25:05
well in what chats will you see more like this
00:25:10
allowing you to say the rise of spirit
00:25:15
my daughter His Excellency
00:25:22
the governor is here not a province on a
00:25:25
very nice one, let me introduce
00:25:31
you to a surprise, so to speak, our governor himself
00:25:36
has not tried everything and by God he is
00:25:41
crazy about Lisa his
00:25:45
Excellency is
00:25:49
in love with the talent of the video in everything and
00:25:54
he evokes patronage in everything and the patronage of
00:25:58
acacia is bayed well, meeting you is very
00:26:06
glad than I can say that the spark of God is useful in her,
00:26:10
and for many years in a row she
00:26:20
has been given by someone, His Excellency, he will
00:26:24
go to anyone in everything and the patronage of the Kan
00:26:29
will win him in everything, he is familiar with our
00:26:39
governor, but how did we grow up together,
00:26:41
but then we didn’t go to the governor I’m in the
00:26:43
artist is Liza Tersis Ivan consumptive, the
00:26:48
native son of the goddess Melpomene herself
00:26:52
from her second marriage and such Petrovich, my
00:26:55
daughter Liza was called for no role at the spa, not to
00:26:59
say, will not spoil it, perhaps I’m not asking for a
00:27:02
2000 benefit performance at the fair of the abyss
00:27:06
today, where God bless my soul, I already
00:27:09
have no joy in women, no you have
00:27:12
many gifts, this is my Lisa, she
00:27:16
will go to you for 600 rubles, she arrived
00:27:22
[applause]
00:27:36
Petrovich, be careful with less, terribly out
00:27:40
of sorts, I cheated on my
00:27:41
lover, here's your brother for a glass of
00:27:45
gastric when we are allowed to say
00:27:49
about rehearsing in pens and letters to her
00:27:51
during the rehearsal put .
00:28:00
do a dress rehearsal on the day
00:28:03
when the play is on, and even though I myself was,
00:28:05
let me, let me, I can
00:28:07
take it away from the Lord, it’s a sin for you to quarrel,
00:28:18
you both have talent, ca
00:28:23
n’t we start, is there no good in half the
00:28:27
pub, we searched in all the taverns, we didn’t find
00:28:32
a fine to deduct, they’re
00:28:34
cutting our tickets right away all are sold, most
00:28:39
importantly, as if on purpose, all the artists of the former
00:28:44
you need a drummer, I am at your service
00:28:47
since I drummed that any exit of the maiden the
00:28:53
sun third number 3 numbers aria when
00:29:03
changing that you will pass only in half
00:29:05
voice voice I in the evening before
00:29:07
[music]
00:29:13
I am the priestess of the sun a burden on the eyes
00:29:30
eternal fire
00:29:36
from the paws as long as
00:29:41
[music]
00:29:43
I am
00:29:44
one night
00:29:51
[music]
00:29:58
[music]
00:30:08
you were asked line to give this
00:30:11
letter
00:30:12
lifan my soul you are with a stupid animal
00:30:15
how are you sleeping submit letters during
00:30:17
rehearsals said to hand over immediately the
00:30:22
prince is mine again he loves me letters
00:30:26
are necessary at home we’ll start reading about nothing, let’s start prose
00:30:33
where it’s like childbirth
00:30:37
and what’s all mine to her I know incomparable
00:30:52
don’t you start
00:30:54
he’s waiting for me at dusk at the city outpost
00:31:01
[applause]
00:31:03
what place well don’t we start
00:31:10
how long do I have to wait just half a
00:31:14
voice passion I’m in the evening until
00:31:18
daddy she will rehearse, give me time,
00:31:22
I with timid hands
00:31:25
weaved a wreath, a wreath of white roses, a
00:31:33
symbol of purity and innocence, necessary
00:31:37
for this social ritual,
00:31:41
not necessary for this divine
00:31:49
strands,
00:31:53
I must place all the wreath with my fingers
00:31:56
on the head, the sun is waiting for me in the
00:32:04
twilight of the city outpost, I vowed to remain
00:32:09
immaculate I hasten the temple I have dinner waiting for me
00:32:15
what dinner tonight
00:32:21
Razgulyaeva let completed Saturn
00:32:25
little so that these texts hours before the
00:32:28
premiere of what razgulyaeva
00:32:30
we are here for Pierre de paprika that's exactly what we were
00:32:53
looking for change clothes and remove with
00:32:56
permission to say the curl you will
00:32:58
perform without them as the deceased performed
00:33:00
your mother Nikitichna
00:33:11
[music]
00:33:15
and suddenly the river and go to the doctor, let them
00:33:20
prescribe a prescription for her, it’s just a complete deception and a
00:33:23
feint, she’s not for nothing, she’s probably having an affair
00:33:26
with some Busarov [
00:33:29
music]
00:33:30
[applause] there’s
00:33:37
no pulse and the blood pressure is 200 ok, that’s what
00:33:47
they’re talking about every time I’m lying now, here’s the premiere,
00:33:51
worry about the numbers and
00:33:54
[music]
00:33:55
[applause]
00:33:56
and these
00:34:02
in the meantime, what kind of scandal with me
00:34:08
called and became his wife, what will the
00:34:11
gentlemen say tomorrow and what she
00:34:14
writes will the press write better than
00:34:17
when they watch the play
00:34:22
[music]
00:34:25
from Mishanov and
00:34:30
here [music] we have [music]
00:34:32
tell me the leader has been found, he is no good but there
00:34:37
is no other play
00:34:39
at hand, well, if without and no, I went
00:34:44
hello
00:34:45
[applause]
00:34:50
[music]
00:34:53
look here, a heavenly angel came
00:34:56
down to save you and this angel is my
00:34:59
daughter Mars to dear what is the number from which
00:35:04
numbers without a number without numbers
00:35:06
and I can’t play for hours I will
00:35:10
listen to this music
00:35:12
olya olya lizok please
00:35:16
[music] [music] [
00:35:26
applause] [music] [
00:35:41
applause] [music]
00:35:56
mine
00:36:01
[music]
00:36:23
1st grade
00:36:24
let the hero kill you
00:36:28
she sings more quietly you listen to how
00:36:34
my treasure sings to the ant
00:36:36
[music] [
00:36:45
music]
00:37:07
yes
00:37:17
let him
00:37:19
make his debut just need to get
00:37:23
agree to fight breaking
00:37:24
Barzikov stubborn create
00:37:29
Liza will break and Barzikova to Petrovich so
00:37:32
I ask you in counter write the posters
00:37:34
in view of Mrs. Semyonova’s illness, the role will be
00:37:38
played by the young debutante Elizaveta from
00:37:43
Sinichkin’s dhikr the swords are sung plays all the papas
00:37:56
dream of the press what is famous so to
00:38:01
speak the century and in the theater at the premiere
00:38:09
on the gallery stalls
00:38:12
together with the author 16 people
00:38:23
my owner writes quickly
00:38:26
a day to write 30 pages he has
00:38:32
plots 2a the late Griboedov
00:38:40
did not know such a fuss and he himself only had grief
00:38:46
from the mind the whole apartment to take over the
00:38:56
steam with cider his 2 don’t take them well what can you
00:39:02
say for free even though he’s a
00:39:06
writer he’s known they say that in
00:39:11
these plays there is talk there is unfortunately
00:39:16
no mind wrote it’s even under typhoid
00:39:27
who is too
00:39:28
big for him, folded about behind the washstand, the
00:39:33
manuscripts are shoved
00:39:38
his time has not yet come, he writes thousands of years in
00:39:43
the future in a thousand years, he says the
00:39:46
audience will grow up and Barzikova appreciates the
00:39:50
shaved ones, they will finish him off again,
00:39:59
the play is pouring out of him again, something
00:40:05
else happened I’ll have to wait, why the hell am I in the
00:40:10
studio
00:40:12
couldn’t find something easier
00:40:16
and the point is you walked around like the others dozed you were saved there, I think
00:40:22
I would write reports and letters from my
00:40:29
old age I had a decent one than but here
00:40:33
my fate
00:40:35
you depend on the prima donna from the fans
00:40:47
the gift was in in the spirit of the gables
00:40:53
you poisoned the reviewer invited or whether
00:41:00
artists and acquaintances had a good time at the banks
00:41:07
302
00:41:11
miltonia brought cognac glands although
00:41:23
what an ugly daddy
00:41:27
guinea all the freaks
00:41:32
[music]
00:41:36
she and here it is
00:41:39
necessary
00:41:55
allow me to introduce myself I was Sinichkin’s
00:41:58
noble father art and this and led
00:42:05
glasses gum
00:42:08
she I’m in love with your play
00:42:11
and the sand is shy in front of the great writer
00:42:19
Your play is in love and I confess, too,
00:42:24
it’s under threat, it’s about from the niches on it
00:42:29
hurts with everything in delight,
00:42:35
but if there’s pain in the heart and the ax over it is not a
00:42:40
master among the lower blow,
00:42:45
my little angel knows the repertoire
00:42:49
swords, fortunately, I ask you to give me a debut,
00:42:55
leave these thoughts
00:42:58
video, Megan has talent like an emerald, the audience is
00:43:02
on the rise and the
00:43:06
garden area, my Lisa is smaller in height with
00:43:11
raises, but she goes taller with talent, lucky, come on,
00:43:17
grab this monologue,
00:43:20
show how good you are when, if I may
00:43:23
say so, something bad is happening to you, so
00:43:29
this is manna from heaven, as it is written, as it is
00:43:34
written, just come on, let’s go to that one, and I
00:43:41
’ll give a remark with
00:43:43
alonzo, dear Olonets,
00:44:03
don’t you understand and comprehend
00:44:06
all the greatness and self-denial of the poor
00:44:09
girls who, in order to save the friend
00:44:13
of her heart,
00:44:14
chosen by her in the face of herself sky
00:44:17
they both show us it’s impossible to
00:44:22
play you
00:44:23
know Alon I seduced the terrible
00:44:28
Pesaro and rushed into his arms
00:44:30
I agreed to share with him the pillow on
00:44:34
which his ugly features rested I
00:44:39
knew that it was almost a pillow and lay the key to
00:44:42
my prison long words on my soul not
00:44:46
when
00:44:48
pressing harder on the hem there are glitches girlfriend raclette and
00:44:51
since the key lies under the pillow resting
00:44:54
on the sole instead of concluding I paid with
00:44:59
my happiness
00:45:01
suddenly Malon
00:45:03
run run I conjure you this neighed the
00:45:14
horse fell he is not good for this neither I have a
00:45:19
soul is yours but when she needs it it’s
00:45:26
bad before it’s bad we
00:45:29
need a tour for a bad long time ago and we’ll show you the
00:45:33
Spanish dance from Act 2,
00:45:37
I’ll just dance because
00:45:38
Santa didn’t throw the signs today it will become
00:45:40
clear I also ask you here here you
00:45:42
will have the
00:45:46
Spanish dance from Act 2 maestro
00:45:50
please
00:45:52
[music]
00:46:23
well lizonka of course does it better than
00:46:25
me, but still
00:46:28
[applause]
00:46:35
darling, no matter how you dance, your daughter
00:46:39
can’t make her debut, she won’t
00:46:41
play the role of sur, darling, the games of zephyrs won’t
00:46:44
allow ceferov
00:46:52
gramme of zephyr is
00:46:57
not indifferent to the amount, and he
00:47:02
commands everyone artificial here
00:47:07
[music]
00:47:45
at night key rings and .
00:47:50
[music]
00:47:52
while there are
00:47:55
no offenses
00:47:57
and if almost
00:48:03
my bed
00:48:06
women in the operetta but I have another
00:48:14
[music]
00:48:18
[applause] [music]
00:48:21
[applause]
00:48:25
it is impossible without the author of love proved with a
00:48:50
pole immediately I will present pins for
00:49:03
powder and lotion
00:49:06
you an increase for the next season for your
00:49:12
generosity in not the Almighty asks for any
00:49:17
sin
00:49:19
[music] of
00:49:26
women in the operetta I have another
00:49:35
[music] [applause] [
00:49:36
music]
00:49:37
[applause]
00:49:39
[music]
00:49:41
[applause] [music]
00:49:45
perhaps you have a diagnosis in the theater
00:49:55
5 today I overslept did not have time to stop by the
00:49:58
rehearsal festive is not great is it really
00:50:03
out of the box she has something for 3 nights sat for
00:50:07
nothing, with him it is necessary to debi tank onasi
00:50:13
dirt yourself beloved empty completely
00:50:20
soup Sasha and the talented being is not leps
00:50:27
for the love of art and to clear my
00:50:30
conscience I will not allow you to insult the actress she
00:50:32
deserved it well and with with great talent, great,
00:50:39
they lay horses, I'm going to the
00:50:41
theater, there is no debutante to play,
00:50:43
no, no, you are making it as
00:50:54
simple as possible, and I would say where should I
00:51:03
go now, who should I cry my tears,
00:51:13
tell him the whole truth, or leave him in
00:51:16
the dark, no, let him know
00:51:21
I love you all so much that without love this
00:51:27
cannot be life for me
00:51:31
[applause]
00:51:34
you made faces at me when you got your way I am a
00:51:37
former miller you swore
00:51:40
and God is your witness to your oath,
00:51:42
excuse me I haven’t seen anything I haven’t heard anything
00:51:44
your master has never heard I didn’t want to
00:51:48
caress the child who owes
00:51:51
their life to him, your child and your second
00:52:02
child, who beats under my heart
00:52:14
[applause]
00:52:15
the thing is that your child, I wanted to
00:52:20
say that my child is not from you, that is, in
00:52:21
one word, I
00:52:26
played a scene for you Fedor Semenov beat the ship,
00:52:29
trampled the
00:52:31
composition of the diffuser to
00:52:40
but like the screen, it
00:52:44
means I will play today a stubborn
00:52:53
animal, we broke somewhere
00:53:00
it’s even worse, rather Casifer’s shoes
00:53:08
would slide the deadline
00:53:10
so that it would be more accurate than the coffin scenes about the
00:53:14
parents
00:53:16
at the drive not the arch
00:53:20
until the varnish goes exactly- exactly according to my
00:53:25
plot 2 seeing your daughter spreads didn’t
00:53:30
help
00:53:31
[music]
00:53:42
[applause]
00:53:45
[music]
00:53:47
[applause]
00:53:48
[music]
00:53:56
the Barzikovs have gone completely crazy, I know everything, no debuts out of
00:53:59
love for art and in good conscience and I am
00:54:01
obliged to prevent it the barzikovs are completely crazy,
00:54:05
touch them, go, the fighters go straight,
00:54:08
but the dome of the dress, what about yogurt, Sinichkin’s
00:54:44
noble father from Kostroma, I beg you for
00:54:47
one minute, what’s the
00:54:51
matter next door, I really
00:54:57
sympathize with you, our angel got sick on flights and
00:54:59
wouldn’t you like to take a look at the
00:55:02
patient, take a look over there? now here
00:55:11
[music]
00:55:25
what are you doing here I’m here in connection I’m
00:55:32
good afternoon it’s because of you I’m sacrificing my
00:55:35
love for art insidiously ironic
00:55:39
thanks to each other from each other’s hands we grew up together
00:55:44
only not later we went to become a count I became an actor
00:55:47
your daughter makes her debut today thank you
00:55:50
network count there was an unfortunate
00:55:53
misunderstanding, sir, I understood all his
00:55:57
son-in-law that everyone understood
00:55:59
and don’t come near my daughter Lensky
00:56:03
actor from Kharkov,
00:56:05
or rather to say you, I am
00:56:07
Katynskaya, why are you so excited about the game, don’t
00:56:10
I jump ropes of my aunt, she is now
00:56:14
dying of a poor old woman, completely by
00:56:16
accident I met the prince on the road,
00:56:18
ah, isn’t this letter a report before the report,
00:56:26
read before we
00:56:32
love and are loved by our aunt, I have 5 nieces, I’m
00:56:37
her most beloved, I’ll be waiting for you at the
00:56:41
outpost, they
00:56:43
want auntie, what the hell is this my letter
00:56:47
to Lisa
00:56:48
Palma and will be waiting at the outpost of paradise
00:56:53
there I'm going with you poor aunt
00:56:56
counting there were five niece now there will be
00:56:59
one nephew Vasya 100 and in practice the
00:57:01
signature is that the density is Prince Vinsky
00:57:10
I will explain everything to you
00:57:12
just don't need to about I don't do that and you'll
00:57:23
be a scoundrel for now
00:57:29
it didn't lead to my life
00:57:39
that I'll trample I will carry that I will
00:57:46
make an
00:57:50
actress tonight of the war, how will I be able to show that is,
00:57:56
talent and feelings allowed me to say
00:58:00
what it means to only understand in life and
00:58:06
[music]
00:58:19
[applause]
00:58:26
their aunt aunt
00:58:28
prince my children
00:58:35
magically decided on my destiny in 15 lines
00:58:44
You’re wrong, my friend, I didn’t write a letter
00:58:49
to you and here I am, flying in love like a
00:58:58
unit a pro is a no noise, because we’re
00:59:19
together again, stop the car, we’ll continue, I forgive
00:59:37
you, I can
00:59:48
play my spring, I
00:59:52
opened the door and I’m on fire with words, there’s a
01:00:04
city talking about the theater, wood chips
01:00:30
in a few minutes
01:00:33
senti lie, all these chairs are covered with
01:00:36
covers, we have a very thrifty
01:00:38
entrepreneur, he fits the upholstery very well, but it’s
01:00:42
me who’s softly harvesting
01:00:44
all these chairs will be filled with the public, the
01:00:47
same public that makes
01:00:49
our hearts flutter so much, the premiere, my God,
01:00:56
what’s happening now on the other side of the round
01:01:02
you Are you all trembling, the sound on I vouch
01:01:07
for such success as I was under the Tsar Pea
01:01:19
[music] it’s a
01:01:26
pity
01:01:27
1 that your mother
01:01:35
and yes this is a moment for
01:01:39
us to
01:01:40
look at the tears of a certain
01:01:46
house with my beloved on stage
01:01:51
[music]
01:01:57
fulfilling your dying vow to
01:02:03
calmly leave this world
01:02:09
will he see the bright light and I will see you
01:02:20
Akulina
01:02:22
[music]
01:02:30
you hear a
01:02:33
magical noise this is the unique noise of the
01:02:38
premiere auditorium which
01:02:42
plunges plunges and I hope
01:02:48
will always thrill the hearts of every
01:02:52
true actor you remember how all the
01:02:59
same Alexander Sergeev theater is already half a box the
01:03:07
stalls are shining and the chair still sees in the area
01:03:12
patiently splashing rye the picture the female
01:03:25
sex is frozen, they will leave the theater and I
01:03:29
can’t narrowly crowds him plus they regretted it and
01:03:33
I’m at home playing
01:03:35
on my roof 0 stormy explanations
01:03:37
to breathe in with him and you won’t let
01:03:39
me too already but 19 years of bureau and explanations
01:03:43
as soon as I stamp my foot lower the hatch I wave my
01:03:48
hand raise the floor fills as you stamp your foot I raise the
01:03:52
spirit as you wave your hand I lower the hatch on the contrary as soon as I use the
01:03:56
paper lower the hatch I
01:04:00
wave my hand raise the
01:04:03
spirit on the rope he realized who here
01:04:08
wanted to play instead of me my role so let's
01:04:10
make the third call in five minutes
01:04:12
I'm ready
01:04:14
[music] there's
01:04:18
just no
01:04:21
urine and if I'm tired of urine
01:04:25
she's playing Tony wants
01:04:33
2 to the Pamir pier
01:05:01
[music]
01:05:16
you can start you promised
01:05:20
no I was confused at first then they weren't
01:05:28
untangled
01:05:30
funny he told me
01:05:32
to tell which Petrovich ordered that
01:05:37
she played my word the law put the
01:05:41
chair first the poles will enjoy the
01:05:44
performance sits down the consequences I ask
01:05:54
you burbot the beginning of the performance count
01:06:00
let me in I see you put your
01:06:04
money up and get me here
01:06:07
good your enemies are invited the path to glory
01:06:11
and then the gentlemen open the new year we
01:06:20
must support the mutant module
01:06:23
[music]
01:06:32
[applause]
01:06:33
[music]
01:06:54
for a nice
01:06:56
project general training said that you were
01:06:59
playing
01:07:00
we started sitting on the chair
01:07:06
all that’s left is
01:07:08
[music]
01:07:13
on the skirt 8 each let’s go get her we’ll find
01:07:26
her
01:07:38
burbot we’ll manage to get
01:07:39
ourselves a film gastric bib elastic band
01:07:46
[ applause]
01:07:49
[music]
01:08:03
[music]
01:08:14
Lyubovich
01:08:16
keep quiet, listen, I agree 600 rubles
01:08:20
2000
01:08:24
[music] [
01:08:33
music]
01:08:48
there
01:08:51
[music] I have
01:08:59
n’t forgotten anyone, little clean listen
01:09:22
2000 or 2000 apartments and firewood rumors one
01:09:31
benefit at the fair another for Easter
01:09:34
[music]
01:09:52
[applause]
01:09:56
I’ll go, I’m alone, I’ll go, I’ll sing, without my
01:10:11
letter, nothing would have happened, take
01:10:13
me too, otherwise the audience
01:10:15
will come out to bow between times, and as
01:10:19
they came
01:10:20
out, I hope they will come out as long as the
01:10:25
wonderful art of theater exists forever
01:10:30
[music]
01:10:49
[ applause]
01:10:52
water, after all, we played for you, the
01:10:55
farewell hour has come, we decided
01:10:58
to do without morality this time, but let us
01:11:02
remind you of the finale of the
01:11:04
main characters, those who sang and
01:11:08
the performance of all the actors and actresses,
01:11:11
so you were and it was in the water and
01:11:18
or long ago I was in the lung style
01:11:23
had fun and joked
01:11:25
where was this backpack and smelled
01:11:29
[applause]
01:11:30
[music]
01:11:54
aa
01:11:56
aa [
01:12:01
music]
01:12:03
a [
01:12:05
music]
01:12:07
a
01:12:09
[music]

Description:

Лев Гурыч Синичкин. В ролях Н.Трофимов, Г.Федотова, Н.Мордюкова, Л.Куравлев, О.Табаков, А.Миронов ▶Подписаться на канал "Советское телевидение": https://www.youtube.com/channel/UCiVZttFkdEwMi3QXpRqFTzQ?sub_confirmation=1 Год производства: 1974 Экранизация старого русского водевиля Д.Ленского. Старый актер мечтает о главной роли для своей юной талантливой дочери. Однако ей противостоит могущественная примадонна труппы с ужасным характером и большими связями. После ряда усилий героев и веселых недоразумений мечта старика сбывается, а взбалмошная примадонна посрамлена вместе со своим высоким покровителем. Как прекрасны водевили давних лет, где развлекали и шутили, где были танец и куплет! Популярный в ХIХ веке водевиль Дмитрия Ленского «Лев Гурыч Синичкин», воплощённый на телеэкране в ХХ веке режиссёром Александром Белинским, он сейчас, в ХХI веке, являет собой лучший образец этого жанра. Лёгкий, со стремительным ходом действия и невероятными ситуациями, сыгранный «звездным» составом артистов: Нонной Мордюковой, Николаем Трофимовым, Андреем Мироновым, Олегом Табаковым, Михаилом Козаковым, Леонидом Куравлёвым, Галиной Федотовой, он и по сей день доставляет огромное удовольствие зрителям. Старый актер Лев Гурыч Синичкин мечтает, чтобы его дочери Лизоньке досталась главная роль в пьесе - ведь она так талантлива! Но ему противостоят обстоятельства: могущественная примадонна труппы Сурмилова с ужасным характером и большими связями. Но не зря Лев Гурыч вырос в театре, ведь он - актёр с юных лет. Он закрутит такой сюжет, какого нет даже у самого Шекспира… "#ЛевГурычСиничкин" ТО Экран, 1974 г. Автор сценария - Александр #Белинский Режиссер - Александр #Белинский Оператор - Лев #Бунин Композитор - Игорь #Цветков Художник - Борис #Мессерер Актер - Николай #Трофимов (Лев Гурыч Синичкин) Актер - Галина #Федотова (Лиза Синичкина) Актер - Нонна #Мордюкова (Раиса Минична Сурмилова) Актер - Леонид #Куравлев (Князь Ветринский) Актер - Олег #Табаков (Борзиков, драматург) Актер - Михаил #Козаков (Граф Зефиров) Актер - Петр #Щербаков (Пустославцев) Актер - Андрей #Миронов (Налимов, дирижёр) Актер - Илья #Рутберг (Налимов) Актер - Георгий #Тусузов (Трифон) Актер - Георгий #Георгиу (Чахоткин) Актер - Роман #Ткачук (Камердинер Борзикова) Автор слов - Борис #Рацер (текст песен) Наши группы в соцсетях: 📌 Facebook: https://www.facebook.com/unsupportedbrowser 📌 VK: https://vk.com/teleradiofond 📌 ОK: https://ok.ru/group/54885780750586 Приложение для смартфона "Радио. XX век" 🔗 Google Play: https://play.google.com/store/apps/details?id=ru.gtrf 🔗 App Store: https://apps.apple.com/ru/app/%D1%80%D0%B0%D0%B4%D0%B8%D0%BE-xx-%D0%B2%D0%B5%D0%BA/id1336486169

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