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Download "Making a Dark Lofi Beat with Dated"

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  • ruRussian
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00:00:08
[Music]
00:00:12
what is up you fantastic people
00:00:16
all you spooky ghosts and skeletons and
00:00:19
slimes and pumpkins and whoever else
00:00:22
follows this channel uh the time has
00:00:25
come you said your Halloween prayers for
00:00:28
years now honestly you folks have been
00:00:31
asking me to make a video about how I
00:00:35
make dark Lo-Fi music
00:00:38
so I'm gonna do that finally after a
00:00:42
couple of years of deciding I'm gonna do
00:00:44
it hinting that I might do it and then
00:00:47
inevitably not doing it so uh yeah it's
00:00:51
finally time I uh I'm dated for those
00:00:55
who don't know AKA Chris aka the
00:00:59
weatherman AKA bone daddy whatever you
00:01:03
want to call me I'm the owner of
00:01:05
ill-advised records and I make music as
00:01:07
dated which is mostly dark Lo-Fi hip hop
00:01:11
music kind of a weird Niche thing so
00:01:15
hopefully some of you appreciate this
00:01:18
look behind the curtain
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I'm here tonight in the ill-advised
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graveyard this is where everyone on the
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label is buried and periodically wakes
00:01:28
up to make music I'm out of my coffin
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tonight making some ill beats I uh I've
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got my glass of absinthe ready so that I
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can concentrate I've got uh I've got an
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sp202 on standby so that we can make
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these low-fi beats I'm not gonna
00:01:47
actually make anything on it it's just
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kind of a round so that I can get that
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Lo-Fi energy and viewed into my music
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I've got a copy of scary stories to tell
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in the dark on hand so that hopefully
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that will also radiate some energy into
00:02:04
the Lo-Fi beats and without further Ado
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we're just gonna get right into it so
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this is probably not going to be a
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monetized video I am not gonna just find
00:02:17
royalty free samples and things that
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will not get me in trouble I want to
00:02:21
show you guys how I actually make music
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uh so I've already gone and I have found
00:02:26
a sample online that I like
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very fittingly it is a sample by Boren
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and Dirk Club of Gore I'm repping them
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on the T-shirt they're very good check
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them out I've sampled them in many beats
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and I will sample them in it many more
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beats so definitely give them a listen
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support them but this is what we're
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working with this is sped up two times
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that's something I do a lot when I'm
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fishing for samples on YouTube I'll
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maybe put it in half speed in like the
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little playback option thing or double
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speed depending on what kind of sound it
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is so this is what this one sounds like
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[Music]
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thank you
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so yeah it's very cool it's already got
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like a weird warble to it because it's
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sped up so like the vibrato on the
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keyboard is uh kind of cool and wobbly
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there but I think this will be a good
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base uh for a song
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when I'm picking my samples there's not
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too much of a Rhyme or Reason to it some
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of the things that I look for are that
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it's kind of got all the layers that I
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need like if it's a really cool sample
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but it doesn't have any bass it's going
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to be really tough to work with you're
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probably going to have to write a
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baseline or do some like weird magic
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with your plugins to get it to sound
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Bassy
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I don't like messing around with that if
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I can avoid it I like finding samples
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that I know will kind of work right off
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the bat so I can think more about
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chopping it up applying effects doing
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cool drums stuff that's more what I'm
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about I don't like writing synth lines
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for every single beat that I do so this
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is what we're working with I've already
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also found a little drum break uh as you
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can see on the side here I've got a ton
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of samples this is my Lo-Fi folder so
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there's I mean this is my my drum brakes
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sample pack it's like uh the 100 or 300
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best drum brakes of all time kind of
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thing it's very easy sample pack to find
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if you just search drum brakes so this
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is what I pull a lot of drum brakes from
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[Music]
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foreign
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like Funk and Jazz and soul like drum
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brakes uh but you can see on the side
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here I've got a ton of sample packs uh a
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lot of the classics a lot of weird stuff
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I've just dug up around the internet and
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I don't really go looking for new drum
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sounds every time I make a beat for the
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most part I've got so many already built
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up that I just pull stuff out of there I
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don't even use the drums from my own
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sample packs they're just kind of made
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after the fact when I've put tons of
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effects on things and I've changed the
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drums enough so we're just going to
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start with this drum break here
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foreign
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[Music]
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I'm going to do lots of layering
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chopping I might even bring other drum
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brakes into the mix but I like pulling
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out one that I think is gonna you know
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kind of Drive the track and if the
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track's not working sometimes all I got
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to do is change out the main drum brake
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and it can breathe new life into the
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track but the first thing that I do
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whenever I start a new project uh is I
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open up this Fab filter Pro L2 limiter
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it's my favorite limiter it's definitely
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worth the price if you buy it and if you
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can't afford it because it is expensive
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you can probably find it somehow maybe
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or something like it I don't know but I
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set it to Punchy mode I've just added a
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little bit of gain I've cranked up the
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over sampling so that my computer will
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die and not be able to record and make
00:06:31
music at the same time because who would
00:06:33
need to do that but it's gonna just
00:06:35
sound better if the over sampling is
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cranked all the way up so that you get
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less distortion uh but that's just there
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I usually leave the stock fruity limiter
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on as well
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it's just kind of out of habit I don't
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know why I do it you could get rid of it
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but it just adds another boost and I
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just kind of leave it there and
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everything works out just fine I'll add
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more stuff to my master chain later but
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for now I'm just leaving it at that so
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the first thing that I've got to do is
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cut this and beat match it get it down
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to a BPM that works for hip hop and make
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sure that it's looping properly so the
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first thing I'm going to do is grab my
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slicer and kind of find where the loop
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starts and where it ends and cut it
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there [Music]
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foreign
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loops
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and just for good measure I'll Loop it
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again and slice it again when it Loops
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again just so I can make sure it's
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correct because sometimes it sounds like
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a loop and it's not
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so that should be where it Loops again
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it's actually matching up uh pretty well
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so far
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just off by a little bit uh so I tend to
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work around like the 82 to 86 in rare
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cases 80 to 90 uh beat per minute range
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and I don't really Veer too far outside
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of that except in rare cases so I'm
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going to bring this down I will try
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we'll try 84. why not
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see how that's gonna sound
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uh and then I'm just going to make sure
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I'm not snapping this so I can stretch
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it in a very
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fine-tune-esque way
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and make sure I have it set to stretch
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and I'll stretch it so it's a full bar
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and uh it's going to be different in
00:08:50
different uh digital audio workspaces if
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you're using Ableton or Pro Tools or
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whatever you're using uh but it's all
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the same concept I'm not using anything
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too crazy I'm mostly going to be using
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plugins you can use in any uh DAW and
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you know stretching and stuff it's a
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pretty standard
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so as you can see matches up pretty
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nicely
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so let's hear what it sounds like now
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that we've stretched it a little
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[Music]
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that's cool it's a matching up I'm going
00:09:36
to reset the pitch because I kind of
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liked how it was sounding just to make
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sure that I'm not losing anything
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[Music]
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so that's pretty cool uh something else
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I'm going to try is just dropping the
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pitch way down to see what that does
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so let it load
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[Music]
00:10:07
that's pretty cool
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let's see what we got now
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not bad not bad
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having trouble deciding which one I like
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more
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foreign
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[Music]
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that's a cool sound right there
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[Music]
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yeah something I like to do is find like
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a nasty note to to start my first loop
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on
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you can't always find it but it's worth
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looking around and seeing what you've
00:11:00
got
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foreign
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[Music]
00:11:16
[Music]
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it's kind of a cool sound there actually
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[Music]
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kind of like that too
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[Music]
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[Music]
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[Music]
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I think I might uh
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start with this area
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eat over here
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so the next thing I want to do is make
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sure my drum break is matched up as well
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so I'm just going to stretch it out
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[Music]
00:12:21
something that'll happen a lot when you
00:12:23
get these recorded drum brakes is the
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kick won't rate
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be where you want it
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so I'm just gonna trim that a bit
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stretch it back out it's not quite
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always where you want it
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but that comes with the territory
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foreign
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[Music]
00:12:49
so that's clearly the uh the loop
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restarting so that's actually where we
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want the end to be
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so we'll bring that in
00:13:03
that should be good maybe
00:13:06
fine tune it a little more get the snare
00:13:09
right where we want it
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that's looking pretty good
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foreign
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[Music]
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beat
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so now let's listen to it with some
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sample in the background
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[Music]
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that's pretty cool
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nice
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actually I want to snap this to the grid
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and so uh before I start chopping and
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going crazy sometimes I like to just
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you know let the sample play just with
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some drums over it see if any like
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interesting moments stand out
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[Music]
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foreign
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[Music]
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so there are some cool moments in there
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[Music]
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kind of a cool section
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see if we uh
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Loop that a few times don't want to
00:15:03
stretch it
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done with that
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so if I were to
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slice this part
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that's kind of a cool sand
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[Music]
00:15:44
I do want to use this part it sounds
00:15:46
pretty cool
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maybe we
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do this
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and that
00:16:08
[Music]
00:16:09
that sounds pretty cool
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[Music]
00:16:13
I kind of like this note
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it's very Bassy
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boomy
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maybe we will layer that
00:16:39
thank you
00:16:48
thank you
00:16:49
[Music]
00:16:51
that's kind of cool
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hmm
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[Music]
00:17:00
what does it sound like if we layer all
00:17:02
of this
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foreign
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it's kind of cool
00:17:17
I think I like that
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so now
00:17:21
I gotta give it a headphone check
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make sure it's not muddy because I'm
00:17:26
listening on speakers right now and that
00:17:28
does not always work
00:17:44
yeah those those notes down there were
00:17:46
too muddy you guys could probably hear
00:17:48
it but I couldn't because I'm listening
00:17:50
on speakers mostly
00:18:05
my cat hears the beats
00:18:08
what do you think
00:18:10
what do you think of the beats
00:18:12
yeah
00:18:13
well
00:18:15
come say hello
00:18:19
no you're not gonna come up
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come on
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foreign
00:18:28
oh there he is
00:18:30
there's the kitty say
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hello
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it's gonna gonna help us make some Beats
00:18:40
gotta have that feral energy
00:18:44
all right
00:18:45
what were we doing here
00:18:49
oh he's gone
00:18:58
yeah I think I'm gonna make this mostly
00:19:00
with the headphones on now that uh we've
00:19:02
got to get this base sorted out
00:19:17
so uh what we need next for sure is
00:19:21
fatter drums so what I always do when
00:19:25
I'm working with a break beat sometimes
00:19:28
I'll bring in some other chops from some
00:19:30
other breaks but before I get to doing
00:19:33
anything like that
00:19:34
I'm going to find a good fat Kick
00:19:40
and do some side chaining
00:19:43
[Music]
00:19:55
it's not a bad one but I think I have
00:19:58
filthier
00:20:01
[Music]
00:20:11
I like that
00:20:13
that is good
00:20:19
so one of my golden rules something I
00:20:23
always do
00:20:24
is put the kick in mono
00:20:28
there's a million ways to do it there's
00:20:29
a million different stereo Imaging
00:20:31
plugins out there there are plugins that
00:20:33
just put it into mono there's probably a
00:20:36
plug-in called Mono that just puts stuff
00:20:38
in mono I don't know but uh I use
00:20:42
uh what's it called
00:20:46
what do I use
00:20:48
I use the uh isotope ozone uh stereo
00:20:54
Imager
00:20:55
it's fancy it does a bunch of stuff it's
00:20:58
uh pretty cool I mainly use it just for
00:21:00
this like multi-band stereo Imaging
00:21:03
functionality it's got some cool presets
00:21:05
in it that I use sometimes on my master
00:21:07
uh but it's also got this handy dandy
00:21:10
mono button I click that out of this
00:21:14
whole channel is in mono
00:21:18
foreign so now we're going to layer some
00:21:21
kicks I like to listen for where the
00:21:24
kicks hit in the break that I've already
00:21:26
chosen but I also like to listen for
00:21:28
where notes hit in the sample that I'm
00:21:31
working with and I try to use both of
00:21:33
those to inform where I'm going to put
00:21:36
the kicks
00:21:38
so you can hear that boom boom here
00:21:41
I'm going to turn up my kick so I can
00:21:43
hear the one I'm placing better
00:21:47
this is maybe a cool spot for one
00:21:50
this is definitely where one goes
00:21:57
Maybe
00:22:02
let's change it up a little
00:22:07
yeah that's kind of cool
00:22:23
I like that
00:22:25
we'll stick with that
00:22:31
see how it sounds looped
00:22:39
I think that's working
00:22:41
so what I'm going to do next is side
00:22:44
chain it so I'm going to put my sample
00:22:45
in its own channel
00:22:48
I'm going to Route this channel into the
00:22:52
channel That my sample is living in
00:22:59
where is my limiter here
00:23:11
then we're going to go to the
00:23:12
compression tab side chain or side
00:23:15
chaining to Channel One
00:23:17
uh and then I'm gonna crank the
00:23:20
threshold over here turn up the ratio
00:23:22
bring the release down a little bit uh
00:23:25
these two basically just determine how
00:23:28
side chainey your side chain is going to
00:23:31
be that's all you really need to know
00:23:32
about what they're doing if you want a
00:23:34
heavier side chain you just turn either
00:23:36
of these uh to the right or left
00:23:40
uh and then the release Here is
00:23:43
basically just going to be how wide of a
00:23:46
side chain you have when your kick hits
00:23:48
how long is that delay going to be where
00:23:50
the sound comes back in to duck out of
00:23:52
the way uh so I like to try it with like
00:23:55
a shorter one first and then maybe make
00:23:57
it a little longer if I need to
00:24:01
[Music]
00:24:14
foreign
00:24:18
[Music]
00:24:19
I think I'm going to put a little bit of
00:24:21
dirt on that kick
00:24:24
Let's uh crush it a little bit
00:24:34
[Music]
00:24:42
it's subtle but it's it's making it a
00:24:45
little bit less boomy
00:24:49
let's try Diablo light it's basically
00:24:53
just like a hard Clipper Punchy drum
00:24:56
thing it's free I usually just throw it
00:24:58
onto stuff and don't touch anything it
00:25:01
just adds a kind of grit that sometimes
00:25:03
helps quite a lot
00:25:05
by the way this is uh tritic Crush it's
00:25:09
a free bit Crusher it's awesome I highly
00:25:13
recommend it
00:25:27
yeah we didn't need all of that Diablo
00:25:30
just a little bit
00:25:33
kind of makes it punch a little
00:25:35
different sound a little grittier uh now
00:25:38
we need some snares to layer
00:25:41
so uh
00:25:43
let's look for one
00:25:45
so also some pretty good snares this is
00:25:47
croups filthy drum kit I can't remember
00:25:50
if it's free or paid I found it a long
00:25:53
time ago uh but it's pretty good so uh
00:25:56
yeah definitely go check it out if you
00:25:59
want these drums or if you want to
00:26:01
support me uh you can buy my drum kits
00:26:04
or even find my free drum kit at
00:26:07
ill-advisedrecords.com you'll find very
00:26:10
gritty very crazy very dark drums there
00:26:16
so we want not shakers but snares
00:26:22
[Music]
00:26:24
I'm a sucker for that kind of snare
00:26:27
it's like barely even a snare it's like
00:26:30
a crash perk snare
00:26:34
sounds fine like that but when you pitch
00:26:37
it down
00:26:39
it gets dirty
00:26:49
I like pitching those down and layering
00:26:51
them with other snares so that you can
00:26:53
get that like that high end that's kind
00:26:56
of like warped a little bit but then
00:26:57
also the kind of typical Punchy snare
00:27:00
sound
00:27:02
it's another cool sanding one
00:27:06
[Music]
00:27:09
already got a lot more slap now that
00:27:12
we've layered those [Music]
00:27:25
I don't like that it's got that uh
00:27:28
a little
00:27:29
like uh was that like a Shaker
00:27:31
tambourine sound in it
00:27:34
[Music]
00:27:36
it's nice and like Punchy
00:27:39
[Music]
00:27:45
it's pretty uh fat Slappy sound uh now
00:27:49
I'm gonna put them in a channel together
00:27:52
and I'm going to grab my stereo imager
00:27:55
and I like bringing it a little closer
00:27:57
to the middle getting wider as you go
00:28:00
out to the high end
00:28:02
it kind of glues all the sounds together
00:28:05
you can use like you know compression to
00:28:07
glue them and things like that but
00:28:10
eh
00:28:12
I'm gonna throw a little bit of bit
00:28:14
crushing on them
00:28:15
[Music]
00:28:23
let's try a preset I really like
00:28:27
this on the grill one
00:28:30
adds a lot of dirt
00:28:32
[Music]
00:28:41
I think we need too much of it
00:28:43
uh then I like putting a little Reverb I
00:28:46
like to bring the size down so it's not
00:28:48
super wide uh and then I just turn the
00:28:51
mix down because we don't need a lot of
00:28:53
it
00:28:56
you probably won't even hear a lot of
00:28:58
that when it's playing but it helps kind
00:29:00
of uh put it in the mix somewhere
00:29:03
so let's hear how that sounds
00:29:09
it's pretty slappy
00:29:12
let's turn it up
00:29:15
let's clip
00:29:18
higher
00:29:22
maybe a little lower
00:29:26
[Music]
00:29:28
I like it
00:29:35
[Music]
00:29:45
[Music]
00:29:50
I dig it
00:29:59
I'm gonna do a little eq'ing on this
00:30:01
sample to try to bring out uh some of
00:30:03
the key sounds a little more
00:30:09
[Music]
00:30:15
[Music]
00:30:27
this is
00:30:36
I like that
00:30:38
now uh back to our Master something that
00:30:41
I like to do on every track is throw on
00:30:44
a compressor uh some people don't I do
00:30:50
we've got here the Fab filter Pro C2
00:30:54
it's a really good compressor there's a
00:30:57
preset that I really like that I use on
00:31:00
pretty much every single track which is
00:31:03
this parallel punch
00:31:09
all I really mess with on this is the
00:31:12
threshold as you bring it up here you're
00:31:15
basically going to get more of your base
00:31:18
leaking through that's not ducking out
00:31:19
of the way of everything
00:31:29
it's hard to find that right balance you
00:31:31
don't want to
00:31:33
let so much bass through that you hear
00:31:35
that muddy echoey kind of mid-tony Base
00:31:40
but you also don't want it so low that
00:31:43
you just don't hear any bass at all
00:31:51
I think I like it there I also play with
00:31:54
these two knobs the gain and the dry
00:31:58
gain
00:31:59
basically it's just the level of the
00:32:03
compressed version and the level of the
00:32:06
pre-compressed version and kind of like
00:32:08
their mix by playing with the two of
00:32:10
them
00:32:18
I often like to bring the dry gain up a
00:32:20
lot because there's a lot of good things
00:32:22
happening in the pre compressor uh
00:32:26
version of what I was doing
00:32:28
and I don't want to lose all of that but
00:32:29
I do want to like boost certain things
00:32:32
so I I've got the wet gain turned up
00:32:35
right around where the dry gain is so
00:32:37
that we've kind of got the best of both
00:32:39
worlds happening at the same time and it
00:32:41
brings the level up overall so it's kind
00:32:43
of squishing it into that limiter that
00:32:45
I've got set to that Punchy setting so
00:32:48
it's doing a little bit of work as well
00:32:50
and then sometimes I'll play with the
00:32:52
gain on here to try to push it as much
00:32:54
as I can without losing my Dynamics and
00:32:57
without losing any like key bass
00:32:59
frequencies and things like that
00:33:14
thank you
00:33:24
so that sounded kind of dirty I might
00:33:27
have even pushed it a little hard on
00:33:28
here
00:33:29
but that's how I roll
00:33:32
something else that I like trying every
00:33:34
now and then is this Saturn II which is
00:33:38
another Fab filter plug-in it's a
00:33:41
saturation plug-in and it's got one
00:33:44
preset under the color settings called
00:33:46
uh where is it hip-hop puncher it's
00:33:49
really heavy-handed sometimes I throw it
00:33:52
on tracks and it makes something that
00:33:53
was lifeless just crazy and I just keep
00:33:56
it all the way but a lot of the time
00:33:58
I'll play with this mix uh setting here
00:34:02
and turn it way down because you don't
00:34:04
need all that
00:34:07
see dirty
00:34:27
probably gonna leave it around there
00:34:29
this is just turning down that highest
00:34:32
band I don't want quite so much
00:34:34
saturation on the high end because it
00:34:36
was already getting a little too crispy
00:34:37
I want that base to come through and
00:34:40
I've got it set just to like a nine
00:34:42
percent mix it's adding just a little
00:34:44
bit of a little bit of sauce
00:34:48
so now we're going to just get back into
00:34:50
the drums
00:34:54
[Music]
00:34:55
I want to mix in some more uh drum
00:34:59
brakes I think and actually something I
00:35:01
like doing a lot is putting another like
00:35:03
high-end Loop over the brakes uh I've
00:35:07
got a folder here somewhere I can't
00:35:10
remember which drum kit it is but it has
00:35:12
oh yeah so it is also the croups filthy
00:35:15
drum kits uh has these hi-hat Loops I
00:35:18
really like these
00:35:20
foreign
00:35:33
Let's uh stretch it out
00:35:35
etch it to our time
00:35:42
[Music]
00:35:44
see if it even matches our drums
00:35:50
sounds pretty cool
00:35:54
I want to snap back to my grid
00:35:57
[Music]
00:36:04
I like that
00:36:05
I think it could use a little bit of
00:36:07
seasoning
00:36:09
let's put some Reverb
00:36:11
[Music]
00:36:15
I feel like it was kind of biased
00:36:17
towards the the right channel so I'm
00:36:19
panning it a bit to the left because I
00:36:21
feel like it's kind of getting lost and
00:36:23
it I'm feeling lopsided on this mix so I
00:36:25
kind of want to add it to where I feel
00:36:27
like there's a little more room I do
00:36:29
that more with these elements that are
00:36:31
up in the the high end because uh you
00:36:34
know you don't want to pan your base you
00:36:35
want your base in the middle so that
00:36:36
people feel it you want your kick in the
00:36:38
middle so that people feel it but those
00:36:41
higher frequencies that's where you want
00:36:43
to kind of play with panning but still
00:36:44
keep some kind of balance
00:36:46
[Music]
00:36:48
foreign
00:36:49
[Music]
00:36:52
maybe even a little delay
00:36:57
[Music]
00:37:11
let's turn or I think I'm gonna EQ it
00:37:14
something I like to do sometimes on my
00:37:16
hi-hats ironically is take a bit of the
00:37:18
high end out and boost like the mid high
00:37:21
end [Music]
00:37:28
and we don't need all this low end we
00:37:30
don't need this garbage this filth
00:37:40
[Music]
00:38:04
I think the kick might even be a little
00:38:06
loud
00:38:18
[Music]
00:38:34
something that can be really fun to mess
00:38:37
around with now that you've already got
00:38:39
your main sample ducking out of the way
00:38:43
of the kick is you can take things like
00:38:45
the hi-hat uh where is it
00:38:48
it's in the channel nine here uh we can
00:38:52
stop it from going to the master and
00:38:54
instead toss it into the bus that our
00:38:57
main sample is where our side chain
00:38:59
limiter is and now it'll duck out of the
00:39:01
way of our kick too and I like messing
00:39:03
around with different layers making them
00:39:05
duck out of the way of the kick and
00:39:07
seeing if it adds something or takes
00:39:09
something away
00:39:11
foreign
00:39:28
feels kind of loud still
00:39:38
foreign
00:39:40
[Music]
00:39:42
think I might turn the gain up in here a
00:39:45
little bit
00:40:14
[Music]
00:40:18
thank you
00:40:20
that's cool uh something I like to do
00:40:22
too that is good practice
00:40:25
is putting a limiter on or an EQ rather
00:40:29
and cutting out the low end and cutting
00:40:32
out the high end just garbage frequency
00:40:34
ranges where there's nothing useful
00:40:36
there's a good preset in the built-in
00:40:40
parametric EQ in FL
00:40:44
it's just one of these it kind of
00:40:47
depends on what song you're working on
00:40:49
how much low end you want to keep
00:40:51
I often do this like 30k Hertz one
00:40:55
and I might even just like move this
00:40:56
down a little bit
00:40:59
[Music]
00:41:16
I think I like it there
00:41:20
[Music]
00:41:22
and it doesn't sound any quieter now
00:41:26
that we've done that but because we've
00:41:28
removed those frequencies uh we actually
00:41:31
have more space in our mix uh and our
00:41:34
our Master Meter there is not quite as
00:41:36
pushed all the way to Max we actually
00:41:37
have a little bit more room to push it
00:41:39
more now
00:41:42
[Music]
00:41:49
[Music]
00:41:54
think I'm liking that uh something I
00:41:56
like to do too sometimes is put a stereo
00:41:59
Imaging plug-in on my master and try to
00:42:02
kind of glue some frequencies into their
00:42:06
own respective area of these stereo
00:42:08
Spectrum
00:42:10
there's a preset I particularly like
00:42:13
on
00:42:15
the ozone 8 imager called tight low end
00:42:19
and sometimes that just helps bring that
00:42:21
bass more into Focus
00:42:26
[Music]
00:42:35
I find it's got like a sweet spot when
00:42:38
you've got the mix pretty low on it but
00:42:40
it still adds a little bit of something
00:42:42
a little bit of glue
00:42:46
[Music]
00:42:50
I like where that is all sitting in the
00:42:53
the frequency range without headphones I
00:42:55
probably couldn't even tell but on here
00:42:57
it just feels right in the middle of my
00:42:59
brain that's how I know the bass and the
00:43:02
kick are hitting in the right spot
00:43:04
foreign
00:43:07
[Music]
00:43:11
so now I want to get a little bit more
00:43:13
interesting with these drums uh so some
00:43:16
of the things that I like to do are just
00:43:18
chopping sections out looping sections
00:43:20
of them having little pauses here and
00:43:23
there and splicing in other sections of
00:43:25
other drum breaks or throwing some like
00:43:27
perks and things like that so I'm
00:43:29
probably just gonna mess around a lot
00:43:31
and you can probably tell pretty easily
00:43:33
what I'm doing it's just going to be a
00:43:36
little bit of experimentation
00:43:38
foreign
00:43:40
[Music]
00:43:47
[Music]
00:43:57
[Music]
00:44:20
foreign
00:44:21
[Music]
00:44:43
[Music]
00:44:50
foreign
00:44:54
so let's get these
00:44:57
drums over here just so we can hear a
00:45:00
little better
00:45:07
I try to focus on like a small section
00:45:09
of the drums at a time so that way I
00:45:11
don't have to like apply a million edits
00:45:13
to a bunch of other Loops that I've
00:45:15
already like pasted down but I copy and
00:45:18
pasted this just so I can kind of hear
00:45:19
how the next bar hits to make sure that
00:45:21
I like how that kick sounds when it
00:45:23
comes in after this little like Loop
00:45:25
that I did
00:45:27
foreign
00:45:33
[Music]
00:45:39
so another little uh Secret Sauce type
00:45:43
thing that I like to do
00:45:45
uh is I have a drum kit here that I
00:45:47
highly highly recommend uh it is Simon's
00:45:51
uh drum kit uh Simon if you haven't
00:45:55
listened to him check out the album uh
00:45:58
heartache I think it is uh amazing album
00:46:01
10 out of 10. if you like my stuff
00:46:03
you'll like it it's weird and crazy and
00:46:05
kind of creepy but kind of beautiful and
00:46:08
got all this crazy [ __ ] going on check
00:46:10
that album out but his drum kit is
00:46:12
awesome and my favorite thing out of it
00:46:15
as ironic as it is I barely ever use the
00:46:18
drums that are in it even though they're
00:46:19
really good too but this noise folder
00:46:23
I'm in love
00:46:24
[Music]
00:46:33
yeah lots of cool stuff there uh so I'm
00:46:37
gonna pick one of these and I'm gonna
00:46:38
use it in the track to add a little bit
00:46:40
of texture
00:46:48
do you recognize that one guys
00:46:55
that's from a uh
00:46:57
song of mine
00:47:08
[Music]
00:47:21
sounds pretty cool
00:47:23
so I'm gonna use it kind of like you
00:47:25
would use a vinyl static kind of sound
00:47:27
it's got a lot of similarities to that
00:47:29
but with a little bit more charm a
00:47:31
little bit more character a little bit
00:47:32
more text skewer
00:47:35
um
00:47:36
yeah I'm gonna chop it up and loop it I
00:47:38
don't like letting it run too long
00:47:40
because uh if you just layer it like
00:47:42
I've got it here in the song it will add
00:47:45
character to your to your song it'll add
00:47:48
a layer it'll add some interest uh but
00:47:50
when you Loop it and especially when you
00:47:53
chop it smaller and smaller and smaller
00:47:55
and you Loop it in shorter intervals it
00:47:58
also adds like a rhythmic element to the
00:48:01
song that can give a lot of uh like
00:48:03
motion
00:48:04
so uh that's what I'm gonna do and I may
00:48:06
also toss it into that channel so that
00:48:08
it Ducks out of the way of my kick so
00:48:09
that it adds even more movement
00:48:14
[Music]
00:48:21
[Music]
00:48:38
something I really like doing is once
00:48:41
I've got it chopped up I'll just drag
00:48:43
and drop other sounds into the spot to
00:48:45
see if anything else sounds better
00:48:46
that's a really fun way to play around
00:48:48
because with this kind of thing it
00:48:50
doesn't really matter if it's like
00:48:52
matched to the downbeat and whatever and
00:48:54
it's all good with your BPM like it's
00:48:57
just a random bunch of noise so because
00:48:59
it's cut to the right time anything I
00:49:03
drop here will sound like it's in the
00:49:05
right kind of time
00:49:13
[Music]
00:49:17
that's kind of cool
00:49:22
[Music]
00:49:29
[Music]
00:49:40
thank you
00:49:42
I think I'm going to use that as
00:49:43
something that like comes in later
00:49:45
because that sounds really cool I think
00:49:47
with a bit of Reverb that'll especially
00:49:49
sound really cool
00:49:57
[Music]
00:50:10
thank you
00:50:12
I really dig that
00:50:14
I was panning it a lot to the other side
00:50:16
because it was just way in one ear and I
00:50:19
want it to be a little bit more even and
00:50:21
Spacey and not just uh lopsided because
00:50:24
then I gotta balance it with something
00:50:25
in the other channel and I'm lazy I
00:50:27
don't want to have to do that I'm not a
00:50:28
mix engineer
00:50:34
so we're gonna just move this uh over
00:50:37
here because that'll be a really great
00:50:39
thing after we've done our first loop
00:50:42
it's going to just add that other layer
00:50:44
that keeps it from getting stale uh
00:50:46
something you hear all the time is
00:50:47
people make Lo-Fi hip-hop and they just
00:50:49
have like this one Loop that just loops
00:50:51
and loops and loops and loops and loops
00:50:53
and uh
00:50:55
my best advice for tackling that is to
00:50:58
treat your whole song the way you treat
00:51:01
your little Loop that you've got like
00:51:03
you can spend so much time on your Loop
00:51:05
like oh I'm gonna pull the kick out here
00:51:08
so that it has like this little bit of
00:51:09
interest uh at the end of my Loop or I'm
00:51:12
gonna you know add a cool hit at the
00:51:15
start or I'm gonna chop something so it
00:51:17
repeats a little bit and there's lots of
00:51:19
little things you can do to add Flair to
00:51:20
your Loop but you can zoom out and apply
00:51:24
that same kind of thinking to your
00:51:26
entire song you can think of your your
00:51:29
whole song the whole collection of Loops
00:51:32
as being little pieces of an individual
00:51:35
Loop and you can pull all your drums out
00:51:38
randomly you can add one more layer of
00:51:41
hi-hats you can throw a high pass or a
00:51:44
low pass filter over it you can uh you
00:51:46
know rearrange bits and Bobs here and
00:51:49
there and that will make your overall
00:51:52
song have movement and have different
00:51:55
moments that make you anticipate the
00:51:57
next moment or give you a break from
00:51:59
something that you've maybe been hearing
00:52:01
too much
00:52:03
so that's what we're going to use this
00:52:04
for this is going to be a little bit of
00:52:05
audio interest later on
00:52:10
but now we got two carried away with
00:52:12
that and I've got to find some cool
00:52:14
noise again to do what I was already
00:52:16
doing earlier
00:52:18
[Applause]
00:52:23
I really like that sound I'm gonna use
00:52:25
that I think at the start of the loop
00:52:30
that's Derek
00:52:36
it ends a little abruptly so I want to
00:52:38
fade it a little smoother
00:52:53
[Music]
00:52:55
it's cool it might benefit from some
00:52:57
Reverb
00:52:59
I know I've got other channels with
00:53:00
Reverb but I'm terrible about this I
00:53:02
just add everything to a new channel
00:53:04
even if I'm using the exact same effects
00:53:06
don't at me
00:53:11
[Music]
00:53:20
that's cool
00:53:23
I think that'll be something I save for
00:53:25
just the start of every bar not do it
00:53:27
like too often
00:53:30
I don't know the terminology for all
00:53:32
this I don't know what a bar really is
00:53:33
is this four bars this is one big bar I
00:53:36
don't know my big loop I'm working on
00:53:45
[Music]
00:53:46
thank you
00:53:49
I think I need something at that Midway
00:53:51
point but I don't want to just use the
00:53:52
same sound again I want like a different
00:53:54
sound
00:54:11
another cool folder that's in here is
00:54:14
this uh there's miscellaneous and
00:54:16
melodic [ __ ] they have some cool stuff
00:54:19
in them too that might work better for
00:54:21
this
00:54:22
foreign
00:54:28
[Music]
00:54:38
we give it the Reverb too
00:54:43
and uh
00:54:45
I think I want to normalize it
00:54:47
so that it's loud
00:54:50
[Music]
00:54:53
that might be cool with like a panning
00:54:55
effect on it so I'm actually gonna make
00:54:58
another Channel with more Reverb but
00:55:01
also
00:55:02
the pan-o-matic which is just like an
00:55:06
automated panning thing
00:55:09
comes stuck
00:55:14
if I can find it I can't find anything
00:55:16
on here ever
00:55:20
panomatic
00:55:22
set it to pan
00:55:24
it's going a little slow I think we
00:55:26
probably want fast panning
00:55:35
it's kind of cool I think I want it to
00:55:37
pan even crazier though
00:55:40
foreign
00:55:53
[Music]
00:56:06
[Music]
00:56:18
[Music]
00:56:31
[Music]
00:56:41
[Music]
00:56:42
thank you
00:56:45
I like that
00:56:47
anyways back to what we were doing
00:56:49
originally which was finding a cool
00:56:50
noise sound to Loop
00:56:58
we've got a lot of elements now so I'm
00:57:00
actually gonna go with like a pretty
00:57:01
generic almost vinyl crackle kind of
00:57:04
sound
00:57:06
and it's going to be really subtle and
00:57:08
just in the back barely Audible and I'm
00:57:10
gonna side chain it to that kick
00:57:28
[Music]
00:57:36
[Music]
00:57:53
[Music]
00:57:56
thank you
00:57:57
[Music]
00:58:15
[Music]
00:58:17
foreign
00:58:22
[Music]
00:58:29
so it's really subtle what it's doing
00:58:32
I almost want it to be something you
00:58:34
don't even hear but it just feels right
00:58:37
like when I'm playing with those knobs
00:58:40
very subtly
00:58:42
it's it's like I'm just waiting for the
00:58:44
right
00:58:45
feeling where it's like you know it's
00:58:48
too low uh there's nothing there and
00:58:51
then I turn it up and turn it up until
00:58:52
I'm like okay I feel a little something
00:58:54
more and then when I turn it up high
00:58:55
enough that I can like audibly hear it
00:58:57
and it's distracting me from the other
00:58:59
elements I'm like no no no back down to
00:59:02
I where I just can't hear it but it's
00:59:05
helping uh and that's kind of the Hidden
00:59:07
magic of a lot of my Beats that have
00:59:11
like a lot of Rhythm or movement so they
00:59:13
might sound simple uh they might sound
00:59:15
like oh he just threw some drums over a
00:59:18
sample that he found and it's it's all
00:59:20
the sample uh but there's a lot
00:59:22
happening on those lower layers that are
00:59:25
the difference between
00:59:27
somebody who does that and just finds a
00:59:30
sample and tosses drums on it and calls
00:59:32
it done and someone who can make music
00:59:36
that makes you feel very differently
00:59:38
when you listen to it than you would
00:59:40
have felt when you were listening to
00:59:42
whatever the original song is that was
00:59:44
sampled my music is about you know the
00:59:47
beat and feeling that Rhythm and that's
00:59:50
really what I'm adding to these amazing
00:59:52
samples that I find is that sense of
00:59:54
Rhythm which I think is why it appeals
00:59:57
to people in a different way than the
00:59:58
original song would
01:00:01
anyway
01:00:10
[Music]
01:00:21
[Music]
01:00:35
[Music]
01:00:47
[Music]
01:00:58
[Music]
01:01:00
thank you
01:01:02
[Music]
01:01:10
[Music]
01:01:14
foreign
01:01:22
[Music]
01:01:34
[Music]
01:01:45
I'm liking how that sounding I don't
01:01:47
think I even want to add a lot of other
01:01:49
breaks chopped into this because I'm
01:01:51
kind of liking what this is doing
01:01:53
I don't want to mess with a good thing
01:01:55
uh so now I want to hear what it's going
01:01:58
to sound like when this other element
01:01:59
comes in
01:02:27
[Music]
01:02:43
[Music]
01:02:46
thank you
01:02:48
I think I want even more panning on this
01:02:55
[Music]
01:03:01
[Music]
01:03:06
that's kind of cool
01:03:07
[Music]
01:03:12
so now I'm going to show you guys
01:03:13
something really fun that I like to do
01:03:17
this is what I do
01:03:19
when I'm like I'm not creative but I
01:03:23
want to do
01:03:24
something that seems creative
01:03:28
I'll just Loop my thing I got my sample
01:03:30
all chopped up and it's doing its thing
01:03:34
so what I'm gonna do is highlight my
01:03:37
sample
01:03:38
in this new Loop here
01:03:41
I'm going to make sure I'm snapped to
01:03:43
the grid so that I can like you know go
01:03:45
by full steps or whatever so I don't
01:03:48
lose my timing too much I'm going to use
01:03:50
this like scroll tool
01:03:52
uh and what this lets me do is kind of
01:03:55
move the sample around uh if it'll do it
01:03:58
oh there we go lets me slide it around
01:04:01
inside of here
01:04:03
so what I'm going to do is just drag
01:04:05
this to a new position and my chops are
01:04:08
going to happen with the same time but
01:04:09
it's going to be different kind of
01:04:11
sections of the sample that are now
01:04:13
triggering with that same kind of Rhythm
01:04:15
and you can just slide this all over the
01:04:18
place and find cool things that you
01:04:21
didn't really listen for and sometimes
01:04:24
you can find really quirky weird stuff
01:04:26
and that's what I like to find so we're
01:04:29
just going to mess around for a little
01:04:30
bit and find like a cool new Loop
01:04:34
and I try to still make it like start
01:04:36
you know in a place that makes sense if
01:04:38
uh if I can
01:04:48
so that's interesting uh but the main
01:04:51
thing is does it sound cool coming from
01:04:53
what we already had
01:04:56
[Music]
01:05:00
not really
01:05:04
[Music]
01:05:10
[Music]
01:05:18
sounds kind of cool
01:05:21
let's go somewhere crazy
01:05:29
[Music]
01:05:41
[Music]
01:05:52
[Music]
01:05:54
I think I'm liking that I think it needs
01:05:57
a little work but uh I'm digging it this
01:06:00
part here gets kind of weird
01:06:03
so let's see what the culprit is
01:06:11
[Music]
01:06:21
a good old Nvidia overlay I was getting
01:06:24
in my way
01:06:26
foreign
01:06:34
[Music]
01:06:45
[Music]
01:06:59
[Music]
01:07:09
thank you
01:07:20
[Music]
01:07:35
foreign
01:07:37
[Music]
01:07:53
[Music]
01:08:01
let's Loop that part because it's all
01:08:04
sounding pretty good
01:08:07
uh wrong tool
01:08:16
[Music]
01:08:21
[Music]
01:08:25
need a little something at the end there
01:08:33
[Music]
01:08:55
foreign
01:08:56
[Music]
01:09:03
[Music]
01:09:18
[Music]
01:09:25
uh so we're gonna keep most of that for
01:09:27
this part but maybe just change like the
01:09:30
the little ending bit
01:09:45
some creativity juice some
01:09:48
age-appropriate drinks
01:09:56
[Music]
01:10:06
[Music]
01:10:09
the guy like that
01:10:19
[Music]
01:10:25
[Music]
01:10:31
[Music]
01:10:38
[Music]
01:10:39
foreign
01:10:42
foreign
01:10:44
[Music]
01:10:46
something that might be really cool here
01:10:48
is to change this breakout completely
01:10:50
with a different break that's like a
01:10:53
little lighter has like a different vibe
01:10:55
that'll make it feel like it kind of
01:10:58
almost goes into a different key before
01:11:00
we come back into the main one this is a
01:11:03
totally different energy
01:11:05
if I can find my samples
01:11:13
[Music]
01:11:20
thank you
01:11:22
foreign
01:11:24
[Music]
01:11:44
might do it
01:11:47
then we gotta match this up with our
01:11:49
timing
01:11:51
[Music]
01:11:52
foreign
01:11:53
[Music]
01:12:07
[Music]
01:12:23
foreign
01:12:25
let's see how that sounds if we don't
01:12:28
have this and we have this that's it
01:12:33
[Music]
01:12:34
it's kind of cool
01:12:43
[Music]
01:12:49
[Music]
01:13:00
[Music]
01:13:15
[Music]
01:13:28
[Music]
01:13:33
[Music]
01:13:39
[Music]
01:13:51
[Music]
01:13:58
thank you
01:14:03
[Music]
01:14:12
thank you
01:14:15
[Music]
01:14:21
maybe we'll bring it back with
01:14:25
both uh drum brakes when we come back to
01:14:29
this first Loop here
01:14:45
[Music]
01:14:49
let's see
01:14:52
I forgot to add it
01:14:54
that would help
01:15:00
and we'll we'll take out some sounds so
01:15:03
it has more of like a breakdown
01:15:12
[Music]
01:15:21
[Music]
01:15:35
[Music]
01:15:37
thank you
01:15:40
and then we'll just Loop this a couple
01:15:42
more times
01:15:53
kind of want to add another layer to it
01:15:55
but I don't want to overdo it it might
01:15:57
be good just to Loop it let's kind of
01:15:59
hear what the song is sounding like and
01:16:02
I'll add like kind of a fade out and
01:16:04
maybe like a little bit before it starts
01:16:06
just so we can hear like a an actual
01:16:09
song
01:16:13
foreign
01:16:14
so I'll just remove some random stuff
01:16:16
here so that it kind of winds down
01:16:23
I'll make it and maybe on like a kick
01:16:28
add some space so we can hear it end
01:16:31
and then we'll add a little beginning
01:16:36
but uh maybe it'll just be the
01:16:39
the tried and true uh extend the opening
01:16:43
sound and add
01:16:45
a filter to it
01:16:53
we'll just do like a EQ and take some
01:16:56
random frequencies out
01:17:05
we're just automating it
01:17:07
I've uh
01:17:09
my timing's a little off there
01:17:12
we are
01:17:17
[Music]
01:17:34
[Music]
01:17:40
[Music]
01:17:46
[Music]
01:17:53
[Music]
01:17:59
[Music]
01:18:11
[Music]
01:18:20
[Music]
01:18:32
[Music]
01:18:36
thank you
01:18:45
[Music]
01:18:53
foreign
01:18:56
[Music]
01:19:03
track it's a little more
01:19:05
upbeat uh than some of my more ominous
01:19:08
Works uh but I think we're gonna leave
01:19:11
it there uh I would probably sleep on
01:19:14
this come back to it later
01:19:17
maybe uh export it and then import it
01:19:19
again and then throw another layer of
01:19:21
compression onto it to kind of give it
01:19:24
some uh some different layers to it
01:19:27
kind of squash it a little bit more I
01:19:29
feel like the high end is a little bit
01:19:30
High there's a lot of like
01:19:32
hi-hat sounds and a lot of hiss and
01:19:34
stuff that's not quite balanced so a
01:19:36
little bit more compression like another
01:19:38
pass through like a mastering uh take
01:19:41
would probably help this and kind of
01:19:44
level that out a little bit but I think
01:19:46
this gives you an idea of kind of how I
01:19:47
sit down and make a beat uh I don't know
01:19:50
how long we've been doing this for
01:19:53
an hour maybe maybe not even maybe like
01:19:55
half an hour it doesn't take long to
01:19:57
make a beat uh honestly it's all about
01:20:00
the sample it's all about a good
01:20:02
workflow it's all about watching enough
01:20:05
scary movies it's all about having the
01:20:07
sp202 near you it's all about having
01:20:10
these scary stories to tell in the dark
01:20:12
next to you and it's all about a glass
01:20:14
of absinthe it's really just more about
01:20:17
being in the right headspace a good day
01:20:19
versus a bad day is all it takes to make
01:20:22
a good song versus a bad song so stay
01:20:25
inspired consume things that you find
01:20:27
interesting and you will make better
01:20:30
music for it don't try to force the
01:20:32
magic uh
01:20:34
but that's all for today hope you guys
01:20:36
have enjoyed this let me know if you
01:20:38
want to see more videos like this uh
01:20:41
feel free to smash the like button uh
01:20:45
subscribe to the channel if you want to
01:20:47
support me again I don't know if I'll
01:20:49
even be able to run ads on this video
01:20:51
because I'm using you know unlicensed
01:20:54
audio stuff uh samples that are not
01:20:56
cleared so we'll see if I get burnt for
01:20:59
that I didn't want to limit anything I
01:21:01
wanted to show you guys really
01:21:02
transparently how I would really make a
01:21:04
song for one of my albums or mixes or
01:21:07
whatever uh so yeah your support means a
01:21:11
lot buy something in the shop if you
01:21:12
want to help out grab a tape uh yeah we
01:21:15
make cassette tapes in case you haven't
01:21:17
heard we even sell cassette players that
01:21:19
you can play them on so you have no
01:21:21
excuse
01:21:22
and that's it I hope you have a very
01:21:26
spooky
01:21:27
rest of your October I hope you have a
01:21:31
wonderful evening and until next time
01:21:34
good night
01:21:37
[Applause]
01:21:44
[Applause]
01:21:46
my God
01:21:48
[Music]
01:22:45
me
01:22:50
are you all right yeah
01:22:56
[Music]
01:23:29
thank you
01:23:49
[Music]
01:24:09
foreign
01:24:11
[Music]
01:24:19
[Music]
01:24:38
foreign
01:24:41
[Music]

Description:

🎵 Dark Lofi Spotify Playlist: https://open.spotify.com/playlist/7qITABnoXF02OUYWySENfk 🎃 SPOTIFY HALLOWEEN MIX: https://open.spotify.com/playlist/0uLTzxmfnMez8Otd8b82ai 📼 Buy Cassettes: https://illadvisedrecords.com/shop 🥁 Dated's "Drums from Hell" Drum Kit: https://illadvisedrecords.com/shop/drums-from-hell 📱 Join the Discord! https://discord.com/invite/cfYgQPjBCs

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