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Download "Девушка с гитарой (комедия, реж. Александр Файнциммер, 1958 г.)"

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Девушка с гитарой
Файнциммер Александр
Гусев Владимир
Гурченко Людмила
Анофриев Олег
Пуговкин Михаил
Раневская Фаина
кино комедия
комедия мосфильм
смешные фильмы
комедия
юморной фильм
russkie komedii
советская комедия
русская комедия
фильм комедия
мосфильм
комедии топ
лучшие комедии
мелодрама
советские фильмы
советское кино
наши фильмы
русские фильмы
музыкальный фильм
советский музыкальный фильм
мюзикл
музыкальный фильм ссср
советские актеры
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00:00:13
it’s late, sleep without you, the fashion store
00:00:17
has gone viral, we follow the gas and
00:00:25
everywhere, too, stand here on your floor,
00:00:29
and then every house won’t fly, it
00:00:35
opens,
00:01:39
well,
00:03:43
you can call Dosvidos, your companion creates a pipe,
00:03:47
and for you they kill you, they surrounded you on
00:03:52
my
00:03:54
parquet floor,
00:03:56
how many days are there in life?
00:04:00
come to you beenox when
00:04:08
you write just
00:04:19
an aggregate
00:04:20
here Irochka learn from Tanya Fedosova to
00:04:23
trade star retail chains you understand the
00:04:34
cost or that Anechka hello
00:04:37
teacher
00:04:38
let me wear 5 bars and measure we
00:04:41
got a lot of new products tell Tanya
00:04:44
you have something Polish Polish
00:04:57
inspection spring
00:05:21
and the Russian song
00:05:24
this is
00:05:28
I love you I
00:05:40
love you and in this I do
00:05:45
n’t want to hear a single one
00:05:51
I’m people
00:06:03
and my head is spinning
00:06:05
hearing the eternal from myself
00:06:13
I love
00:06:16
I love let’s
00:06:27
go to Kosovo you’ll send it you
00:06:39
have to
00:06:41
protect
00:06:43
and go
00:06:45
to bed mom Genaro
00:06:49
Lisichansk
00:06:59
senator cheese and the same pure water
00:07:04
here, Genaro Rezze
00:07:28
Tanya's mother, ask the director why he should
00:07:32
install a dying board there with the inscription
00:07:34
that here lies my hot
00:07:36
Georgian heart and the hearts of three
00:07:38
foreign students, their scholarships, yes, you
00:07:44
can take a look, this is the
00:07:47
situation of the music, I don’t know the words
00:07:51
either, but the content is this, he came from
00:07:55
Dnepropetrovsk has not seen her for 8 years,
00:07:57
the quality of you has changed since she is silent,
00:08:00
she is silent, apparently she has
00:08:03
someone else, especially since she immediately
00:08:06
left for Kharkov, how
00:08:09
difficult it is for him to hope for something, but still, to a
00:08:12
certain extent,
00:08:13
about with such content there are no you
00:08:17
songs the name of such a song no I can’t
00:08:19
offer you come back I’ll forgive everything in the steam room
00:08:23
suspicion
00:08:25
wrap up I’ll
00:08:27
send
00:08:29
Kharkov
00:08:30
thank you girl do me a favor and
00:08:34
if you but you bought two jugs of poison
00:08:38
they fought with ears and without ears in
00:08:42
this play I owe you to upset
00:08:46
unfortunately no there is no such song unfortunately it’s a
00:08:51
pity
00:08:53
you’re a TV romance
00:08:56
that was previously a cheerful
00:09:04
girl dear but maybe there
00:09:07
will still be two jugs I bought
00:09:13
but unfortunately there are none and
00:09:17
you have a director somewhere,
00:09:25
what’s the matter you understand I’m coming to you
00:09:27
store, well, I ask the girl, do you have
00:09:29
this, and I bought the jug with a
00:09:32
drying debt behind his ear, she
00:09:35
tells me, unfortunately, no, we have ears, yes,
00:09:37
without ears, I refused, you know, I
00:09:39
refused, what do you want, beings
00:09:42
redirector, how did you refuse, culturally
00:09:45
polite, gentle, also vector, give me a complaint
00:09:48
book I want and thank you very sensitively on
00:09:50
your part please have the
00:09:51
administrator book ruler thank you
00:09:54
dedicated
00:09:59
ein the highest score
00:10:01
arch sofa
00:10:06
ask well for the ears I’m coming to you about
00:10:08
festivals so treat this after
00:10:09
all the youth of the whole world to us for the
00:10:11
festival let’s
00:10:13
make our store suggestions festival for all
00:10:16
guests from Egypt or from the vile we will
00:10:18
greet with music in the form of greetings, the
00:10:19
second conformation of our
00:10:22
store decided to create an amateur
00:10:24
ensemble, smart girl, well, people, we are all
00:10:26
musical grams and with each of them,
00:10:28
then a permanent asset of
00:10:30
customers plays something, I think it will be nice for them, the
00:10:32
smart guy himself Tatyana Fedosov has been appointed as the soloist,
00:10:35
well, the proposal is accepted
00:10:38
basics, thank you like a swindler,
00:10:42
laugh clown,
00:10:56
close the store one minute,
00:11:01
hello, do you have the sheet music of the composer
00:11:05
Sergei Kotikov, Sergei Kulikov, as for the
00:11:08
lyrical song,
00:11:10
only a boy,
00:11:16
please, I
00:11:18
mean, I’ll eat,
00:11:23
tell me, there’s a lot left, how much was there,
00:11:26
so much left 30 looking in, no one
00:11:28
buys bad,
00:11:32
I'm sorry, this is probably your song, mine, I
00:11:37
'll tell you what kind of song
00:11:44
you want to play, play,
00:12:04
Lyusya, Lyusya, I'm afraid, but what about you, I'll
00:12:10
be carried away by you, I'll be
00:12:14
carried away by you, Lyusya, I'll be carried away, I'm afraid for myself then, yeah, well,
00:12:20
Lyusya, Lyusya, you don't know
00:12:24
and you can't, Lyusya, you know you don’t understand me
00:12:32
and you can’t understand me
00:12:35
in the rhythm of a waltz in the rhythm of a waltz
00:12:40
I’m burning with love
00:12:44
luci luci it’s a
00:12:46
pity plant with
00:12:49
extinguish the fire in the blood
00:12:54
well, I liked it
00:12:58
why I don’t even know who to explain you
00:13:01
understand this is a lyrical song and lyrics
00:13:04
are a world of feelings and here a person expresses
00:13:08
his feelings,
00:13:10
but he’s kind of in love, you know, we understand that’s the whole point,
00:13:12
he’s not in love and the Moscow Ring
00:13:15
Road is in love, dear comrades, the concert
00:13:18
is over, the store is already closing and your
00:13:20
working day is over,
00:13:22
goodbye date,
00:13:25
we’re trying, I’m falling in love,
00:13:53
goodbye girls, forgive
00:13:57
us to go there
00:13:59
and I can go there once I'm holding
00:14:03
a fire,
00:14:09
yes, I certainly love books, sports,
00:14:12
nature, but most of all, of course, I love
00:14:15
music, and so that already exists, that
00:14:18
which has not yet been born,
00:14:20
I'm a student at a music school, I'm not a
00:14:23
composer,
00:14:24
but frankly speaking, I really want to become a
00:14:26
composer,
00:14:27
I understand you, for example, I really
00:14:29
want to be artist, if you want, then
00:14:32
you will know, and it’s not so simple, and what’s
00:14:34
stopping you, my father objects, I
00:14:37
’ll still study, I want to play on
00:14:39
stage, that all the people cried and laughed so
00:14:42
that they wouldn’t understand, that’s how here
00:14:46
she wanted to get up, lean back, but
00:14:49
something huge, inexorable pushed her in the
00:14:52
head and dragged her behind my back God
00:14:55
forgive me everything
00:14:56
Lord Austin everything
00:15:00
Lord we
00:15:02
are striving
00:15:04
Basil Fedosov
00:15:07
with move on a net
00:15:13
company Nyura company why do you think
00:15:17
I’m studying French
00:15:19
firstly the festival is coming soon then you and
00:15:22
secondly we
00:15:23
need to develop international contacts now you are a company
00:15:25
company
00:15:30
office captain Darth Leary
00:15:34
Pashka al
00:15:37
listen I just had a strange
00:15:41
dream whether it was the Philharmonic I was trained by a
00:15:44
horse and I’m riding on it in fluttering
00:15:47
here eyelashes
00:15:49
on how the success of the version little by little Tart
00:15:54
of this mobile perpetual motion in dividing them
00:15:57
money
00:15:59
one miller on the hip retractable the
00:16:06
blue moon made the lawn laugh look damn
00:16:15
don't scold our choir
00:16:26
it's just miracles we stand here two
00:16:29
numbers by the measure of heaven and voices
00:16:39
I looked down at the races on high
00:16:42
cast iron wheels
00:16:49
and the hand doesn't come out yet Russia is not a
00:16:53
lawn
00:16:55
[ __ ] on the fence I wouldn't be afraid of complications with
00:16:58
the ministry foreign affairs for you
00:17:00
now refreshed hips in the form of tribute 1 on your
00:17:03
mind leave her study but we study listen
00:17:07
danya our
00:17:09
moment
00:17:19
bordeaux in vain trying to
00:17:22
her at home don’t
00:17:27
go understand
00:17:30
fans will sing boa constrictor bio in my head I want
00:17:34
to be an artist ah artist
00:17:37
from the off stage of the theater success was clear to me
00:17:41
such a strange artist Maria Semkina
00:17:45
for fans of the coupe Levshin jumped up and the
00:17:50
singer Clotilde Baran so the
00:17:55
attorney at law bang my
00:17:57
Roman law professor was shooting because of her with a
00:18:00
quick easy step going down the
00:18:02
steps that sends the water pumps to the
00:18:04
rails she stopped after the flesh is not
00:18:07
mine and a passing train with us all
00:18:09
the guys came out to the people pavel officer leta to the
00:18:12
doctor finished this here don’t be nervous
00:18:14
and calm me down don’t calm me down you’re the
00:18:18
one you want to be I’ll be an artist
00:18:22
tomorrow I’ll go to the festival commission and to the
00:18:25
technical school the idea will be a person I according to the
00:18:28
constitution have the right to choose
00:18:29
anyone according to the yew time I didn’t study the constitution
00:18:31
in the seventeenth year with a rifle
00:18:33
and worked all my life, I also
00:18:37
work,
00:18:38
but I went to the store and looked at what kind of
00:18:41
work you have,
00:18:47
you
00:18:58
read criminal things to your feelings and loudly here is a
00:19:01
real authoritative commission, the most
00:19:03
important thing is calm, well,
00:19:11
next time I
00:19:20
mean so
00:19:22
I decided to participate in Steve, have you
00:19:25
prepared anything, of course I learned the fable, well,
00:19:30
read it, so the dragonfly and the ant, the
00:19:35
jumping dragonfly, red years old, sang
00:19:38
so I didn’t have time to look back, as winter rolls my
00:19:41
eyes, the clear field is dead, so the
00:19:45
bright days of these pains where under each not a
00:19:47
leaf was ready and the table and the house
00:19:51
are not there at the end I have a great idea
00:19:53
when this one says that you sang everything it
00:19:56
makes you fall closer I give a small
00:19:58
dance like this is
00:20:06
quite well known
00:20:08
let me ask what actually
00:20:11
gave you the idea and
00:20:14
devote yourself to art the date is beautiful
00:20:16
how the viewer most likely won’t get a ticket for those
00:20:18
who want a lot as an artist I’m
00:20:20
fine you see my friend I think it’s
00:20:23
better for you to act as an active
00:20:26
spectator
00:20:34
I ask the following comrades from here moral
00:20:37
for support
00:20:42
hello Tatyana Fedorkova
00:20:45
music store number three with a
00:21:01
quick easy step going down the
00:21:04
steps that went from of the porch water pump
00:21:07
she stood right next to
00:21:10
her passing train and with her eye
00:21:14
tried to determine the middle between the
00:21:15
front and rear wheels exactly
00:21:17
when the middle would be exactly
00:21:19
opposite her there
00:21:23
spoke to herself there there there there
00:21:29
there
00:21:32
and understood that you were doing something terrible,
00:21:37
an idea of ​​​​what I was doing why I wanted to get up and
00:21:43
rush, but something huge, inexorable,
00:21:46
pushed me in the head and pulled me behind my back, it’s
00:21:48
just a recession, forgive me, it’s all
00:21:51
enough,
00:21:54
yes, of course, to judge from a short passage,
00:21:59
I wanted to see a woman, a moment of suffering,
00:22:03
determination, but I saw a girl who didn’t
00:22:05
know the texts of the scary game additives very well
00:22:09
obviously the drama is not yours, oh my
00:22:25
god, how many people suffer from
00:22:28
unity above the head of the girl, let's break through
00:22:30
as spectators,
00:22:36
I apologize for the festival, you know, I came up with a
00:22:39
spectacular thing,
00:22:41
people will see, they will gasp, the figures on servers
00:22:45
like fireworks,
00:22:46
please do not interrupt, I was in
00:22:48
room 23, 24,
00:22:50
sit down now, I will burn it and
00:22:53
you will see
00:22:55
5
00:23:40
comrade in the quiet of the constructs
00:23:44
I apologize anymore, the wrong one lit it now
00:23:48
let’s repeat
00:24:00
come out
00:24:09
every day with you next to me I sit
00:24:12
at you all day long I look at you
00:24:17
beckoning me like a light at night and you are
00:24:22
unaware
00:24:24
and
00:24:32
all hearts 20 beloved and for happiness the light
00:24:47
every day with you next to me I melt to
00:24:51
come to It’s
00:24:57
dangerous for me to look into your eyes, I can drown in them
00:25:19
if two young hearts meet and
00:25:24
open behind it, why
00:25:27
not separate them and
00:25:32
never quarrel, not
00:25:35
if the heart
00:25:40
achieves the answer with hope, okay,
00:25:43
all hearts at 20 years old are in love,
00:25:48
not born into the world for happiness
00:26:07
hello, I was walking by, you know, so I
00:26:12
decided to come in,
00:26:17
why so sad,
00:26:19
what happened to them, they
00:26:22
stopped at a hundred and read an excerpt
00:26:26
from Anna Karenina, remember when she
00:26:29
decided to fall under the train, she decided to
00:26:32
fall through
00:26:35
the entrance to what to do, but there’s just no
00:26:39
need to retreat, no need, well, Tony, here
00:26:42
I am the first song was also, well,
00:26:44
not entirely successful, but I’ll take it
00:26:48
that you’re interested in music,
00:26:51
I’m interested in all this music,
00:27:03
hello
00:27:06
Fedosov, Vasily Maksimovich, Tatyana’s father, it was
00:27:09
very nice to come, so to speak,
00:27:12
to admire his daughter, I admired
00:27:15
nothing to do with her here, I’ll pick her up as
00:27:26
dear Vasily Maksimovich the third
00:27:28
quarter we hold a challenge red banner
00:27:31
I’m not your store I’m interested in my daughter
00:27:34
but
00:27:37
for me your daughter and the store are one whole
00:27:40
it’s not Fedosov’s star of the trading network
00:27:43
wonderful saleswoman cleaning let him sit at
00:27:46
home in technical school getting ready
00:27:49
you want all the people on earth to live
00:27:52
in peace and friendship Of course, soon
00:27:55
the festival will have our own ensemble, she is a
00:27:57
soloist, the festival will end, let her
00:27:59
prepare for technical training, she doesn’t want to sing at home, and
00:28:03
then her gentlemen bring her flowers from the
00:28:06
gentleman, I have already noticed this and will take action,
00:28:08
the artist who made noise in the world of arts has
00:28:12
connections, I will gather people who understand and
00:28:16
declare her an artist not to be everything
00:28:38
we repeat the task let's come to the house
00:28:41
we will listen to one girl she
00:28:44
will present something there in the presence of her parents
00:28:45
you listen to him and make a
00:28:48
resolution there are no talents let him
00:28:51
work in the same place artists there is no
00:28:54
be that lubrica someone on workers to
00:28:56
sits with me all mind or whether the swearing
00:28:59
way to here and now shaved the mascara
00:29:01
Honored Artist
00:29:03
from the broadcasts 5 is no longer an instructor in the case of
00:29:06
dog breeding you are a People's Artist of
00:29:08
the Republic
00:29:14
well of this foam you will be a professor of
00:29:18
theatrical art of childhood
00:29:21
when I have a question what should we
00:29:24
talk about
00:29:25
say most of all about
00:29:27
the art of theater the
00:29:30
Stanislavsky system and the tight-fitting branch, you
00:29:34
know, I love movies more, I recently
00:29:36
watched it for a movie, there is one moment,
00:29:38
you are a house management technician, the demand for you is
00:29:41
small, you are small,
00:29:42
although no, be silent, but the scribblers ride says
00:29:45
little facial expressions of young quarterly or I don’t
00:29:48
see any data, I don’t see anything, nothing, but
00:29:51
my main brothers, I ask you this
00:29:53
evening, forget to call about gasoline,
00:29:55
look, don’t let it slip clearly clearly, well, the
00:30:00
Stanislavsky system,
00:30:02
God forbid, not the last,
00:30:08
I’m very worried, I’m very afraid, this is a
00:30:11
tank commission, because that’s why
00:30:13
commissions exist, so that they are afraid of
00:30:16
Apollonovich, you’re an experienced star actor you
00:30:19
all know whether you think they will like
00:30:22
our scene or not, you can’t help but
00:30:23
like this genius, well,
00:30:25
of course the aperture of us is reliable, this is a
00:30:28
deeply dramatic thing with music and it
00:30:31
was written by one lady, by the way, the
00:30:33
head of the literary part of our
00:30:35
philharmonic society, but nevertheless there are no cultures
00:30:38
man,
00:30:41
don’t
00:30:58
receive guests, People’s Artist, Mother,
00:31:01
Honored Worker, Comrade Tsyplakov, this is
00:31:04
also Professor Penkin, hello, it’s very
00:31:08
nice to have such a thing, you are welcome,
00:31:11
please,
00:31:21
so 8 Maksimych Anna Nikolavna, as I
00:31:24
promised, comrades, specialists will listen to
00:31:27
Tanyusha,
00:31:28
do an analysis of her talent, how to decide whether
00:31:31
I should not be or not I’ll be a kid and
00:31:33
we’ll go our separate ways on good terms, there’s a
00:31:35
professor, maybe your
00:31:38
girl is welcome, let
00:31:52
’s put on a step and
00:31:56
a height,
00:31:58
why are you so worried, well, Katya, you
00:32:02
know these people will listen to me,
00:32:14
personal art, I really love it,
00:32:17
tell me the black
00:32:21
was at my dog ​​school,
00:32:24
where is ours? future artist
00:32:28
it's time to bring it out it's
00:32:30
time to start jura call the fabric of
00:32:46
all varnishes makeup
00:32:51
honored artist
00:32:58
professor penkin
00:33:01
very princes put
00:33:05
mover skvortsovsky and
00:33:09
so and insert as you wish
00:33:14
artist yes this is my greatest
00:33:17
desire I of course understand that in order to
00:33:20
become an artist you need to learn a lot to
00:33:22
know from topics a coke system
00:33:26
Stanislavsky times weasel 2 severity 3
00:33:30
almost something wrong I immediately full
00:33:32
to in our business the main thing is training,
00:33:36
study and you have many students,
00:33:40
many but one
00:33:45
exceptional talent who understands how a
00:33:48
person just doesn’t say yes, you probably
00:33:50
read the other day theft over them, he alone
00:33:52
captured everyone, but it also happens that you demand
00:33:57
a voice for a voice, an artist needs it, but personally,
00:34:01
I don’t like to talk a lot, because I had a
00:34:03
person come once or twice and should I
00:34:07
take it and go there rarely? I love movies more,
00:34:11
so I recently shot one there is a movie there is
00:34:13
a moment
00:34:18
I want to say can we start
00:34:29
professor professor this is a people's artist
00:34:33
top
00:34:38
excerpt from muse drama Ekaterina replacement
00:34:42
gypsy sobbed
00:34:45
production musical fragments
00:34:47
Apollo star Brabant
00:34:50
night
00:34:51
camp day
00:35:07
earnestly sleeps
00:35:10
drops the light moon
00:35:12
quiet down all 1 thousand I'm not sleeping where is
00:35:17
my beautiful daughter zemfira
00:35:20
aks .ua
00:35:22
let's find
00:35:31
what say it doesn't weigh and father
00:35:36
you're up to something yes I
00:35:39
won't hide the truth I'll say neither
00:35:43
the goods are expensive nor the road of wanderings the fires of the
00:35:46
fires cheerful tambourines ringing but I and the same
00:35:52
tray of the sea say
00:35:54
goodbye I came here I'm
00:35:58
leaving here I don't believe it's better to kill me
00:36:04
father but I’m already writing
00:36:08
my daughter you see these tears
00:36:13
then father your tablet
00:36:15
where are you going to your beloved on the collective farm wallpaper oh
00:36:20
who
00:36:22
cares about the tears we will build our happiness together
00:36:26
we will work together
00:36:39
there but the
00:36:48
night is so moonlit
00:36:53
max
00:37:01
but
00:37:05
also the
00:37:07
morning and
00:37:09
but
00:37:13
the sleeve
00:37:16
and
00:37:19
while
00:37:21
young
00:37:27
1
00:37:34
why are you here trivial I know I'm
00:37:38
watching you, this is not the place to explain souls
00:37:41
since you called me you papers
00:37:44
support me in everything commission commission
00:37:47
ahaha club club you will see you will understand post
00:37:55
my friends I am a
00:37:58
legal adviser to the Philharmonic but my youth is
00:38:01
connected with art
00:38:03
my student years creative processed by
00:38:06
vintage rose leave completely
00:38:10
which we offer for your
00:38:12
consideration
00:38:13
citizens judges and quod potui faciant
00:38:18
meliora potentes
00:38:21
romance leave completely
00:38:30
leave with everything leave
00:38:35
I don’t want Wednesday a date of
00:38:42
love
00:38:43
but
00:38:46
the scale of their speeches is
00:38:48
still my soul
00:38:52
he is with us
00:38:53
Paul
00:38:54
Umino
00:38:57
Abgaryan them of the day
00:39:00
Havi scenes
00:39:04
are the prices familiar
00:39:10
now magic and your friend is
00:39:14
more expensive and sweeter
00:39:18
I [ __ ]
00:39:20
Drov and Lanske and dreams
00:39:36
are special
00:39:38
she has a know-it-all
00:39:40
look
00:39:46
but when the soul fell into
00:39:49
anxiety at the tribute to me to the years of dreams
00:39:53
of my share
00:39:56
I
00:39:58
love you then and mine it
00:40:01
seems
00:40:03
funny to me the
00:40:05
days of John of his hopes and desires and myself,
00:40:13
but in the late hour of the night
00:40:17
when it is stronger than the torment, when everything speaks the frame of the
00:40:22
silent silence for you, the silent
00:40:27
melancholy I
00:40:30
read bending my
00:40:33
arms and
00:40:38
calling, well, come back, come back to me, I
00:40:45
want
00:40:48
and I am
00:40:49
calling
00:40:57
from the stone,
00:41:06
but this is my Philistine wife, hello,
00:41:10
dear,
00:41:13
that’s all let's clearly listen to the point of view of the
00:41:16
arts workers your name day and
00:41:19
professor I don't see data little facial expressions
00:41:22
what little from you the soul performed directly
00:41:24
think more about what he says I don't
00:41:27
know I'm a man of the common mile mourning
00:41:29
talent
00:41:31
maybe we'll listen to the opinion of an ordinary
00:41:34
viewer
00:41:36
for and full
00:41:38
I didn't like my wife understands
00:41:42
art, I didn’t like the decorations,
00:41:45
formalism, thank you, no, I haven’t
00:41:49
said anything yet, and
00:41:52
you were filming all the time, putting on dances for
00:41:55
this, impressionism, and I liked you,
00:41:59
you sang very emotionally, and I also
00:42:02
sing at home for months, coloratura,
00:42:06
and in the flames of my
00:42:11
crazy passion,
00:42:14
I’m all burning
00:42:16
I’ll burn like a moth
00:42:19
goodbye,
00:42:21
we consider the ball of duty to go straight to the
00:42:26
artists, it’s very important what you think,
00:42:28
who is interested in knowing what you think,
00:42:30
go around it at night, conveniently, folk
00:42:32
artists, artists, which are not artists, them and
00:42:37
fray
00:42:39
a little facial expressions, a little doctors perennials
00:42:52
Vasily Maksimovich or I’m
00:42:54
hallucinating or I it seems that
00:42:55
this honored artist
00:42:58
shaved me yesterday at the barbershop, may it be
00:43:01
whatever you
00:43:03
ask, you brevi me yesterday, he
00:43:07
shaved me well and is not an artist at all, and this is with a
00:43:10
Quaker before technology, it’s dad who
00:43:12
commands them themselves, she doesn’t understand anything at all,
00:43:16
it’s tactless, excuse us Tanya,
00:43:19
the commission will be at home,
00:43:26
forgive all rights, we are not an artist, we
00:43:30
shot through the
00:43:32
tank, we
00:43:34
didn’t watch it, we really
00:43:36
liked it, thank you, thank you for the
00:43:38
pleasure,
00:43:43
so be healthy, and as for the mediocre
00:43:47
watchdogs, we’ll still see,
00:43:51
well, I won’t achieve my goal, I wo
00:43:54
n’t play or sing at the festival anymore I
00:43:57
won’t either, I won’t, where is it
00:44:01
and I saw that Fedosov and so on
00:44:03
the move they changed mine for me to
00:44:07
play, you just say some kind of nonsense,
00:44:10
no, those with good ones are nonsense
00:44:14
body and soul to
00:44:17
tell you this appointment
00:44:22
you will perform,
00:44:24
everything
00:44:32
release flows
00:44:35
from ours musician goals not compounds
00:44:38
now what about busts please
00:44:41
please
00:44:44
Rachmaninov please Tchaikovsky Pyotr Ilyich
00:44:47
Glinka Mikhail Ivanovich Beethoven
00:44:49
Ludwig
00:44:50
van people plan and the plot from so gloomy
00:44:55
that a serious compositum Shane all sorts of cheerful
00:44:59
modern composer of songs
00:45:01
know this bear bear where is your smile
00:45:03
unfortunately not plaster is not enough country plaster is a
00:45:06
lot of base is not enough before
00:45:26
and
00:45:27
I was walking past so I decided to come in
00:45:32
thank you
00:45:35
what are you doing tonight still
00:45:37
nothing but let’s go to the sports palace
00:45:39
to the skating rink in the summer to skate on the artificial
00:45:43
skating rink
00:45:46
okay I’ll come and
00:45:48
now I can make you happy all yours are
00:45:51
over and sold you're kidding
00:45:53
every single copy you managed to
00:45:57
sell a song that you didn't
00:45:59
like so much I think that this is
00:46:00
solely your merit young
00:46:02
man yes yes I really ask you not to
00:46:04
take the seller away from work sorry
00:46:06
please means until evening until evening
00:46:30
Olka sofa in his office
00:46:34
we love the check and
00:46:42
please
00:46:55
we take the pantsu Vasya to
00:47:00
the zone
00:47:03
now it’s important to make a decision the decision has already been made I
00:47:05
took tickets to the cinema and we’ll
00:47:08
go now I’ll go and it’s okay
00:47:11
everyone is scared from the comedy our comedy about
00:47:14
love love
00:47:17
he loves she loves and there they have
00:47:20
mutual understanding then everything is 5 10 and she leaves,
00:47:23
leaves and exposes the workplace,
00:47:34
which means I’ve already seen the picture, after all, it’s not a
00:47:36
picture, it’s life, who did you go with, who is it
00:47:41
decided? I’m going somewhere to the skating rink, why on
00:47:46
a date, come to your senses, I’ll pull myself together, this
00:47:49
happens to men your age, but
00:47:52
remember the fable of the fox and beaver arkashenka
00:47:54
this is a moral decline zoechka I’ll put on
00:47:58
cotton pants and I’m not afraid of any
00:48:00
falls that’s
00:49:20
all great
00:49:23
I know advan the music he wrote like he skates
00:49:28
but still it’s wonderful but I’m
00:49:31
afraid to pull it out why let’s try the
00:49:36
apparatus guys be careful don’t leave
00:49:40
me ahead of time
00:49:50
bend my knees bend I'm bent how I
00:49:53
straightened them
00:49:59
oh yes it's your bones fluffy guys and
00:50:04
nets and don't throw
00:50:11
them like a comparison and
00:50:24
how to dress
00:50:27
what meeting tanechka that
00:50:30
I ride so that the body and soul are young
00:50:33
tempering how then please share
00:50:41
thanks
00:50:48
if you you're out of your vanity, go
00:50:51
home and Tito didn't feel sorry for you, she
00:50:57
bought all your dota with her own money, all 30
00:50:59
copies,
00:51:07
well, that's what I need from your charities, why did
00:51:11
we buy myna, you took pity on
00:51:15
me, you consider me mediocrity,
00:51:18
please, here's to you for 30 copies and
00:51:21
we'll take
00:51:28
that into account time to say this to him, please,
00:51:31
me in charge terrible,
00:51:37
think Roman Kuzikov Khasbulat
00:51:41
is daring
00:51:46
and at all I’ll tell you for our
00:51:48
Red Banner team, he doesn’t
00:51:50
fit
00:52:01
horror, horror, I saw everything that you saw, stand up,
00:52:04
stand up when they talk to you about
00:52:07
us, kitty, why am I skating here, I’m a
00:52:11
figure skater, oh my
00:52:13
God my cousin come back
00:52:18
here of course it's
00:52:24
me or I'm not her she's robots store on the
00:52:29
skin I'm going down because they'll understand me but
00:52:33
you understand cats that this is being done in the
00:52:36
interests of bidding case new game 25 years old you
00:52:39
call me Kuzya when I lie Arkady
00:52:41
my tears will flow to you I'm leaving
00:52:45
moments free hello mommies
00:52:54
be kind hidden and phone number to
00:52:58
you Sergey Korde whose
00:53:00
patronymic I don't know the address I also don't know that
00:53:05
69 course kovs
00:53:07
forgive me
00:53:17
and of
00:53:20
course I'll become
00:53:22
Bruce don't be sad, understand that there is a regime,
00:53:26
I understand
00:53:38
let the fog in your eyes from tears don't be sad
00:53:43
let it subside birch leaf don’t be sad
00:53:49
heavy rains will be too much and 8g
00:53:55
of sadness
00:53:59
if darling don’t be sad
00:54:04
if your heart don’t be
00:54:06
sad if you believe then wait for
00:54:11
happiness somewhere ahead
00:54:16
load and
00:54:18
I’m sad and don’t be
00:54:22
sad
00:54:26
life and sometimes not always
00:54:36
and
00:54:41
the voice of the song don’t forget do
00:54:49
n’t hang out for an
00:55:07
hour let's
00:55:08
move on, don't be a coward, don't believe and wait,
00:55:14
and your happiness is ahead,
00:55:18
don't be sad,
00:55:22
the sky is here,
00:55:48
comrades, as you know, the festival is just
00:55:52
around the corner, so I want to share with you
00:55:54
some thoughts, the
00:55:57
fate of
00:56:00
our ensemble is in your hands, I want to say in your
00:56:03
hands, you people are adults, children of
00:56:07
different nations will come you need to turn it off
00:56:11
you need to sparkle to leave you understand the mirror,
00:56:13
yes, by the way, such a thought did not occur to me
00:56:16
now and it’s not in the faces of the guys that it
00:56:20
came to me quickly,
00:56:21
really, isn’t it possible for me to join your
00:56:24
ensemble along the vocal line, by the way, I
00:56:27
sang in my youth and had good success and
00:56:30
then you know, I played a song in a military orchestra, I
00:56:35
composed it myself, listen to the
00:56:44
music store, I serve the joy of
00:56:48
life in this business,
00:56:51
I carry out the trading plan well every day, the one
00:56:55
that the ministry will rent
00:57:06
there, and the sheet music and records are good here,
00:57:10
you will find anything for your soul and go
00:57:15
sit down in front you worms that and shaped and
00:57:18
nightingale tyr with food
00:57:29
I think that we have such an
00:57:33
exemplary music store here
00:57:37
the cashier you see with a smile the check of everyone the
00:57:41
director is not the last person
00:57:47
am at the piano then
00:57:56
well, like my song let’s think about it,
00:57:59
think about it
00:58:08
cross check
00:58:10
3483 I’m waiting for you
00:58:17
to compose that means, personally,
00:58:21
personally,
00:58:23
you forgive yourself, you work poison on your own, which
00:58:26
organization on your own
00:58:32
could have composed such a song
00:58:35
so that, for example, and on the radio, it was sung and heard by
00:58:38
a certain Nastya,
00:58:40
heard and realized that you can’t live without
00:58:43
her, you’re just about to regret the quarrel, you’re dreaming
00:58:46
about meeting in the store for these you don’t decide
00:58:48
which store she’s at the factory hammer and
00:58:52
sickle work who Nastya what Nastya
00:58:56
Natalya
00:58:57
ah Tanya wore songs for themselves to compose
00:59:03
it anyway I want to compose a song
00:59:06
that would sound for Nastya and for
00:59:08
Tony for everyone it’s
00:59:10
clear
00:59:13
yes yes everything
00:59:15
ok
00:59:20
let's try herman
00:59:28
our store
00:59:37
march the trumpets have played for you
00:59:42
we'll show you our concert now we're
00:59:45
starting good hour
00:59:52
hello
00:59:57
hello
00:59:59
I'm to blame for you I'm sorry
01:00:04
I offended you no you helped me I
01:00:09
wrote a new song
01:00:10
how
01:00:12
they want to play
01:00:24
lived in the world a
01:00:26
citizen at home he was bored one gloomy
01:00:31
all day long,
01:00:33
pale like a shadow
01:00:38
and now look he is delighted with everything in the world
01:00:43
what is the secret there
01:00:47
is 1 answer
01:00:50
but love has come love has come how much
01:00:54
magical power I have how many words below the words the
01:00:58
girls are ready to retell dear sweet
01:01:01
as in the media their gaze burned our
01:01:04
hearts the caress whirled and sings like a bird
01:01:27
where that girl lived
01:01:30
asked very cute gold hair
01:01:35
spring
01:01:38
he didn’t smile at a friend but it
01:01:41
was illuminated how the whole secret is that
01:01:48
love came
01:01:50
only
01:01:51
cars how many tender words are you
01:01:55
ready to say to the dear girl passing by
01:01:58
so love swept away
01:02:01
the weapon itself
01:02:04
and the flight of the bird
01:02:16
your love
01:02:24
we will perform songs 10 you are a
01:02:27
wonderful friend of schoolchildren, I ask you to
01:02:29
talk to me for a minute,
01:02:33
where are you leading it, then calm down,
01:02:36
comrades, don’t panic, as the head of
01:02:38
the enterprise, I want to clarify something,
01:02:40
I ask you,
01:02:49
nose, I will talk to you like men to
01:02:52
men, don’t worry everything will be very
01:02:54
good find a cigarette so thank you I
01:02:56
don’t smoke you ask me if I like
01:03:00
your music very much as I ask with
01:03:02
the team good to the secret Fedor yours
01:03:04
without that’s all you ask me now I
01:03:08
ask you how you feel about Tanya
01:03:10
Fedosova
01:03:12
Well, good girl, good girl,
01:03:14
you love another answer I didn’t expect from you
01:03:17
great congratulations everything will be
01:03:20
fine you were wondering what your name is
01:03:22
Sergey Sergey
01:03:24
Serezhenka s works in his place
01:03:27
Tanich Kotter works in a music
01:03:30
store you have mutual understanding you are a wife and
01:03:35
husband working family and everyone is this pastor
01:03:38
as if you go to Tanya sucks at
01:03:41
her job and helps the team
01:03:44
hold tightly in their hands the challenge red
01:03:46
banner. We clearly
01:03:49
agreed,
01:03:51
I don’t quite understand you, it’s all decided, you’re
01:03:55
getting married, I don’t mind, but I don’t care about
01:03:59
your wife, we’re talking about this
01:04:01
and it’s very good and don’t need her they take
01:04:04
upon themselves everything,
01:04:05
but you give me an oath, something doesn’t
01:04:08
remain to work in the store, let’s not make any plans,
01:04:10
let’s not
01:04:12
agree to come and sing, to marry, we do
01:04:15
n’t agree to the end, I didn’t allow you to court me,
01:04:25
ask how you are, arch sofa, what
01:04:28
does it mean d in what sense, well, yes director
01:04:32
please, you Tanya and I have mutual
01:04:36
understanding Tanya and Sergei are
01:04:38
uniting and forming a working family, that’s how it
01:04:40
will be good, but what does the
01:04:43
director have to do with it, but the director has
01:04:47
nothing to do with it, goodbye,
01:04:54
nightmare,
01:04:57
you are the director, I’m the director, okay, you
01:05:01
have a fire extinguisher, and are you from the
01:05:02
fire department? security, quite the opposite,
01:05:04
your store is getting ready for the festival,
01:05:07
the holiday will be yes, I have a
01:05:09
spectacular thing for you, a small one, a
01:05:12
small home fireworks like a fireworks,
01:05:15
people will see Ahmad, because the little one is
01:05:18
really collapsing only
01:05:21
now we do
01:05:24
n’t have a jack, and maybe next time there wo
01:05:27
n’t be another time to
01:05:31
press
01:05:42
kiona
01:05:44
I’m here, well, I’ll come in in a couple of days,
01:05:49
then Jack no
01:06:14
need to
01:06:19
ah, what a festive atmosphere that I
01:06:22
wrote here, poems
01:06:26
describe how good you are,
01:06:29
middle-aged I, well, what ever
01:06:33
youth, then I’m already making you look younger
01:06:38
between the championships to Katya Chuev
01:06:41
went He had been preparing for his first trial
01:06:43
in the forest for so long that when he
01:06:46
finally appeared in court, it turned out that
01:06:48
the defendant had already received 8 years,
01:07:05
welcome to visit, dear,
01:07:24
you
01:07:36
won’t come in
01:07:38
mine slowly
01:07:41
green mini-game
01:07:43
enter
01:07:48
children
01:07:49
good weather
01:07:55
jumping dragonfly
01:07:58
well, how did it break through how the Greeks are
01:08:01
correct
01:08:12
Fedosov
01:08:42
Carmen
01:08:47
and
01:08:50
please please Igor Parus
01:08:54
you speak Spanish up to
01:08:59
Parus say
01:09:02
bird friendship to everyone bye
01:11:45
yes I will bring the invisible 707 sticks and the
01:11:51
new hands are sticking out the musicians forward and again
01:11:55
here are the prices for
01:11:57
51 for them don’t ask there is no power they
01:12:02
will become wonderful together songs of the famous gifts of the myth of
01:12:05
greasy
01:12:17
songs were heard in 70 and
01:12:23
each this song is a vole
01:12:40
my student
01:12:43
yes
01:12:45
no
01:12:52
friends our dear foreign guests
01:12:55
agreed to take part in our
01:12:57
meeting today we are very
01:13:00
grateful to them for this
01:14:24
give up uphill rush 5
01:14:31
help
01:15:00
simply
01:15:09
and where the toe will sit us r ak
01:15:13
stroke
01:15:15
for life
01:15:25
about the floor
01:15:38
for need
01:15:42
and horns of strength at all on murano load on arun
01:15:46
flour
01:16:07
dura
01:17:37
special Bucharest dreamed in reality
01:17:42
how many times lilac miracles not drugs
01:17:46
mask
01:17:50
separate day a.k.
01:17:53
I'm wandering
01:17:55
and
01:17:56
maybe I'm your
01:18:00
basics, that
01:18:05
's what tivas is like a beauty,
01:18:10
kind and cordial
01:18:13
term, but if you don't look at me like nipples
01:18:17
salmon [ __ ] erzon your
01:18:23
heart can't help but like the
01:18:26
ringing one, of course I love
01:18:31
the micron your old people on the sidewalk and you
01:19:03
need an eternal
01:19:05
me in love with noon York Muscovites and
01:19:08
which 2 hot ones
01:21:59
here they
01:22:14
gave you to eat laminate restaurant weight and
01:22:20
skids
01:22:22
Jedi T-40 bull is a cute melt
01:22:28
miracle who has a durable song I'm pushing
01:22:33
Larissa
01:22:40
in the tank
01:22:42
you dates
01:22:46
knowing very
01:22:49
strange
01:23:03
andwhy
01:23:06
u2
01:23:08
and food food
01:23:09
they I
01:23:12
Luda is
01:23:14
definitely a drama
01:23:25
and
01:23:26
and
01:23:30
she
01:23:53
said no need to directly work cleansing
01:24:00
sounds I do
01:24:08
n’t know the songs are better
01:24:28
always
01:24:29
connecting ordinary people not their souls hearts
01:24:35
circle of friends
01:24:37
God girlfriends
01:24:40
turn around and look at the clay you
01:24:44
can’t forget
01:24:55
so let me
01:24:58
break it everywhere I’m not afraid that we won’t find the songs
01:25:03
because if the songs with my heart I understand, are
01:25:08
you really
01:25:12
friends all around
01:25:17
and
01:25:18
9
01:25:25
no longer shutting up, a
01:25:28
faithful friend,
01:25:38
I,
01:25:44
but
01:25:46
my faithful friend is
01:25:56
with you today,
01:26:13
and
01:26:35
the store is closing,
01:26:37
waiting for you songs, the citizen is trying
01:26:42
well so that they don’t come

Description:

Продавщица музыкального магазина знакомится со студентом консерватории, мечтающим стать композитором. В нем девушка находит родственную душу - дело в том, что сама она спит и видит себя артисткой. Однако намечающийся творческий союз вызывает неодобрение директора магазина, который боится потерять лучшую работницу. Режиссёр: Файнциммер Александр Сценаристы: Ласкин Борис, Поляков Владимир Композиторы: Саульский Юрий, Островский Аркадий Оператор: Темерин Алексей Художники-постановщики: Черняев Евгений, Царев Борис В ролях: Гусев Владимир, Гурченко Людмила, Анофриев Олег, Пуговкин Михаил, Новиков Борис, Филиппов Сергей, Раневская Фаина, Жаров Михаил, Блинников Сергей, Соболевская (Кронберг) Лариса, Петкер Борис, Апарин Николай , Бакурадзе Гиги, Бзванели Гурам, Хабарадзе Шота, Цинцадзе Т. Подпишитесь на наш канал и страницы в социальных сетях! ВКонтакте: https://vk.com/mosfilm_official Одноклассники: https://ok.ru/mosfilmofficial

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