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Download "EightOS Zoom Seminar: Networks, Immunity, and Movement"

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00:00:04
so
00:00:05
i just wanted to talk about um this idea
00:00:08
of diversity
00:00:10
in relation to mind viral immunity and
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then also to
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psychosomatic immunity it's something i
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was thinking about at the moment so i
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thought i would make
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the connection because in the bodywork i
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also tried to focus on this aspect
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so i like to use networks as a way to
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represent things and they provide very
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useful and interesting metaphors
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i just want to show three types of
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networks actually so there is
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one that is in this case for example
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very disconnected one it's a social
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network
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it's an example of a social network on
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twitter
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so when you want to spread
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some information through this network
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the best way to do it is to start here
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and then it will go to these clusters
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this cluster
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maybe here also but it will be very hard
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for the information to travel here or
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here so if you're part of the social network
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you know that it's not going to
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synchronize
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very well because it's disconnected
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then you have another example
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of a network that looks like this so
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it's almost
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too interconnected
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and here if you start sending a message
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for example from here it will very
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quickly go to
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all the different parts of the network
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and they say that this kind of
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interconnected networks are very easy to
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synchronize so the more connected
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the things are the easier for them to to
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sink but it might also mean that they're very
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susceptible to
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external influence because any
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information any idea that comes through
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they spread it instantly very quickly
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and information doesn't live
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too long inside and so in the study of
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social networks
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there is also this idea that the most
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stable structures
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is something that looks like this which
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is connected and interconnected
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and not connected at the same time so it
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has this distinct
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islands of activity like here
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and these are separate clusters
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information can travel
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through them but they're not too
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interconnected so the network is not
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going to sink
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too fast and it's not going to be
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too susceptible so it's kind of adaptive
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and resilient and at the same time it's
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connected
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and i hope it makes sense so far
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uh yeah cool um and what i like to think
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is how to apply the same metaphor
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from the context of mind viral immunity
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because when we talk about groups of
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people
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i think it's pretty evident that this is
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how it would work
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but how how we could apply it uh into
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the realm of
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ourselves so for example our psychology
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our body how to make it open enough that
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it can be receptive to the
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outside world and at the same time not
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open too much so it doesn't take
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everything in and i found a lot of
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interesting
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research on this subject also where the
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basic
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idea is that the more variability there
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is in your pattern of movement of life of
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written
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the more adapted you are if there is too
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much of that it's going to turn into
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chaos it's going to be too unpredictable
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so there has to be a combination of a
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certain
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written like a continuous written
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uh so we can say that the written can be
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represented by
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us being in a certain stage
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let's say maybe this is like a slow
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and relaxed and this is fast
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and tense and this is some
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something in between and if we navigate
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between these three different states um
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then our system will be resilient and
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adaptive enough and at the same time
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we have the connection between all these
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different ways
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of doing things so when we do the
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bodywork with a2s
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i also try to kind of like focus on this
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aspect a little bit and to see
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how we can create a body state
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where we're modular in this structure so
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there are body parts that can move
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independently from one another if i move
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my
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head or i move my arm it can
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work on its own and at the same time
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there is also
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some possibility to connect all of these
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body parts together so we can always
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have a choice
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that they can be connected or they can
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also be
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on their own but still in relation to
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each other so this is kind of like the
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theoretical framework i like to think
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in at the moment and the stuff that i
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wanted to focus on today are actually
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very much related to this approach
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so we can begin a little bit um
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let's start from just standing up
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in space
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and aligning your body in a way
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that you observe what is your tendency
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to stand so for example
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let's say you stand and you see that
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you're for example leaning too much like
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that
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or maybe in the front so try to find
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some kind of neutral position
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of how your body would be
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standing if it was hanging up from the
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floor
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so what would it be like standing if
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it's hanging out from the floor
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okay so hanging upwards
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connecting with your feet to the ground
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and scanning yourself through to
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observe if there are any tensions
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anywhere that arise in your system
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so do you feel any tensions anywhere if
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you do then just letting go releasing them into
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the ground
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and then at some point sending an
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impulse into the ground
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and letting your body come up as a
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reaction so it kind of looks like
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shaking but what you're actually doing
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is that you're
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sending the impulse as a reaction and
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then you come up
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so you're sending the impulse into the
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floor coming
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up as a reaction a few times
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so the shaking starts from you sending
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impulses
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into the ground
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okay and then
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swinging your arms like this
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so you're still pushing into the floor
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as a reaction your arms come up
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so this is just to relax the body and to
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find this connection between the floor
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the legs and the upper part so that your
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whole body becomes like a
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wire for all these physical
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impulses to travel through
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so let's try to do it a few times
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and you can also focus on your breathing
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so at the same time as you're doing
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these movements you also have
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independent
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but connected process of breathing
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inhaling through your nose exhaling
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through your mouth
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and it's like these two processes they
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have two different
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writtens so you have the rhythm of
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breathing which is one
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written and the rhythm of
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swinging your arms which is another
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so you're already working on having
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these multiple
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processes active
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in your body
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okay continuing to breathe stopping the
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movement but you're continuing to
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breathe in the same way
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and now let's start to rotate our head
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so your breathing stays the same and
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you're just rotating your head in a
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circle
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around its axis changing direction
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breathing
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okay and then shifting to your shoulder
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so rotating the shoulder
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making like a nate with the shoulder as
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if you're drawing it
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like this with your shoulder blade
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and then changing the shoulder to the
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other one
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breathing so having separate processes
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that are still connected your breath
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which has a constant written whatever
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feel feels comfortable to you
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and your movement
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okay and then let's spread the arms to
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the sides
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and twist them in one direction and in
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the other
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and you can sometimes squat
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and try to feel a very important thing
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in the body i'm going to
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take a focus on that just how we saw
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these networks that can be really
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interconnected for me
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the analogy with the body is that when
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it's like in one block so
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you affect the block in one part and the
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block is directly responding in another
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if you have
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your body made of independent parts
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one part can still affect the other but
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it's not working anymore in blocks there
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is some time and space for things to
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travel so
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let's try also when we do the exercise
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for example you can
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experiment also on your own but what i
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like to do is to start the rotation in
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the ground
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and give a little bit of time and space
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for the movement to
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travel up into the shoulders
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so that there is always this kind of
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time delay
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the feet the legs they start the
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movement
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and then it happens in the arms again
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breathing so you have this kind of
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modular structure of the body
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the different distinct parts
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connected
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but not too connected so that there is
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some time and space delay between them
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breathing
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okay now let's do a wave like motion
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with the arms so you just let them hang
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and then you imagine that your arm is
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like a whip or like a chain
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and that you're sending it in the front
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but the movement starts from the ground
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and then goes in your hips and then
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reveals itself in your
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shoulder and then like a whip it's your
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elbow that follows
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and then it's your wrist
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so really try and focus on this took one
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by one and then it
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opens up so let's try to
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make this movement
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breathing
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so
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okay making it smaller and faster
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internalizing the movement
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okay now let's rotate the chest so we
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start rotating it in the front we open
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it up
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like a con convex and then backwards
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closing it and opening again so we
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create this kind of
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rotation
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opening up when you're in the front
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closing in the back
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and then changing direction
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okay changing direction again
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changing direction again
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and again it's this kind of modular
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system your legs are almost not moving
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it's only your upper part which is being
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active now even though the movement
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travels
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through the legs so they can still
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conduct
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the impulse from the ground but they
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don't have to be moving
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so it's interesting to try to focus on
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that
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okay making it smaller and internalizing
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it
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but keeping the sensation inside the
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body
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you can also make this image we will now
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do the same exercise with the hips
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where you can try to work with a
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different image that you imagine you
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have like a
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ball inside your hips and then you start
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to gradually move it and because it's
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moving
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inside it's also touching on the
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outer layers of your body and it makes
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your body move so you start from
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rotating that ball inside
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letting it touch the inside surface of
00:17:24
your body
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and as you do that you kind of increase
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the amplitude and so the movement
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starts to happen more and more
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moving the hips
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then changing direction
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and making the movement smaller and
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faster
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so it's like the ball is moving faster
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and smaller and then changing direction
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from the small
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into bigger again and again making it
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bigger the movement
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so really working on that
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and then let's try to make one one turn
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and a half
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with the hips one turn and a half
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with the chest one turn and a half
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one turn and a half
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so you can detect for example you start
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on your right side
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you go one full circle and a half to the
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left side and then your chest
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ends up on the right side and then you
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move one full circle
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left the hips on the right and so on
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changing direction
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okay nice internalizing it
00:19:44
feeling these rotating motions and then
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let's try to work on this that you
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focus on the point of contact
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of your feet with the floor and you
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imagine
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that you made out of three discs you
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have one disc which is your
00:20:00
feet another disc is here on the level
00:20:03
of your
00:20:04
wrist sorry waist
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and then another level is the level of
00:20:10
your neck
00:20:11
and try to imagine that those three
00:20:14
layers are stacked on top of each other
00:20:16
so they can move independently so for
00:20:17
example
00:20:18
if you move and rotate in your
00:20:23
ankles they stay fixed there but the
00:20:27
body moves
00:20:28
and then for example try to rotate just
00:20:31
with your
00:20:32
upper body on the level of your waist
00:20:36
so your legs are almost fixed but your
00:20:39
upper body moves
00:20:42
and then it's just your neck so
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the rest of the body is fixed and this
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moves
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on top as if it was like stacked on top
00:20:52
of this
00:20:53
structure and smoothing
00:20:56
and then trying to alternate so
00:20:58
sometimes you make
00:21:00
more movement in your heels
00:21:03
sometimes it's in your waist and
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sometimes it's in your head
00:21:13
i'm just going to look a little bit to
00:21:15
see
00:21:16
how it's going
00:21:17
[Music]
00:21:19
nice
00:21:23
so really trying to focus a little bit
00:21:25
on not making your
00:21:27
hips go out of center
00:21:30
and staying like in one block but with
00:21:33
all these independent parts
00:21:39
so maybe natasha you can also try to
00:21:41
swing the body
00:21:42
less and more kind of like fixed center
00:21:46
so not moving out of the axis but rather
00:21:49
keeping the axis
00:21:51
and moving the body parts on top of this
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axis
00:21:57
so moving around like this very nice
00:22:00
and then let's start to walk around the
00:22:02
space a little bit but when you want to
00:22:04
turn
00:22:05
try to have the sensation that you don't
00:22:07
turn how you normally would maybe
00:22:09
by making an intention and turning but
00:22:12
you make a step then you push into the ground and you
00:22:14
rotate on this disc
00:22:16
and then again rotation rotation and
00:22:19
sometimes it's your head that rotates
00:22:21
first so the first
00:22:22
top disc and then the rest follow
00:22:25
sometimes it's
00:22:26
your waist that rotates the first so
00:22:29
trying to find how you can give yourself
00:22:32
this rotative
00:22:34
impulse as you're walking in space
00:22:37
yeah so there is like a very subtle
00:22:40
element here
00:22:41
that when you rotate you want to push
00:22:44
into the floor i'm going to exaggerate
00:22:46
now to show
00:22:47
that you push into the floor as a
00:22:49
reaction your body turns in the opposite
00:22:51
direction and this is where you
00:22:53
go so let's try to find that but not
00:22:56
exaggerating so much
00:22:57
rather just going like uh push
00:23:01
go there push go there i push with my
00:23:04
foot
00:23:05
here into the floor go there
00:23:08
and i imagine that the body is made out
00:23:10
of these three discs
00:23:20
if at any point of the session you have
00:23:22
any questions you can
00:23:23
ask them in the chat if something is not
00:23:25
clear
00:23:27
and then we will also have in the end a
00:23:29
q a session
00:23:32
with the voice on in case something is
00:23:34
not clear
00:23:35
but now let's just try to walk and also
00:23:38
let's
00:23:39
bring the focus back to our breath
00:23:42
so as we're walking let's find some
00:23:44
connection between the breathing
00:23:47
and the step so for example let's say
00:23:49
two steps inhale two steps
00:23:51
exhale so you inhale on two steps
00:24:00
exhale in two steps
00:24:06
trying to keep your body always vertical
00:24:09
and always changing direction
00:24:19
sometimes initiating the turn with your
00:24:22
head
00:24:23
so you're walking your head turns
00:24:24
somewhere and then it takes you
00:24:26
somewhere
00:24:27
or sometimes it's from your feet your
00:24:29
feet turn and then the rest of the body
00:24:31
follows
00:24:32
so try to find these different
00:24:35
body parts initiating the movement
00:24:39
at different moment of time
00:24:53
so now you have this connectedness of
00:24:55
your breath
00:24:56
and movement hopefully you're walking
00:24:59
you're breathing
00:25:00
two steps inhale two steps exhale you
00:25:03
can make three steps inhale
00:25:05
three steps exhale
00:25:10
and now you're like this interconnected
00:25:13
network
00:25:15
ready to sync and to mobilize
00:25:19
for an action but maybe also very
00:25:22
focused on the interconnectedness so
00:25:25
it would not be so open to external
00:25:28
influence here
00:25:33
let's stand again in the center
00:25:36
just to switch to the next one
00:25:39
and now let's try to make this exercise
00:25:41
that you're drawing
00:25:42
a flower on the floor so if i show you
00:25:46
on the screen it kind of goes like
00:25:47
this you're trying to make these kind of
00:25:50
movements but on the floor horizontally
00:25:52
with your hip
00:25:53
and with your uh foot so you grow like
00:25:56
this kind of making
00:26:00
semi-circles on the floor with your hip
00:26:03
and with your foot
00:26:17
and then changing the leg in the
00:26:22
direction
00:26:38
and then going in both directions so
00:26:40
you're moving like
00:26:42
an eight you actually start going in one
00:26:45
and then you just transfer the movement
00:26:46
into the other
00:26:51
so eventually it looks like you're
00:26:53
making a nate
00:26:54
horizontally with your hips
00:27:00
nice and with this is very easy also to
00:27:04
try to do like a crab walk so you can
00:27:05
walk sideways like this
00:27:08
on the right on the left in the front so
00:27:12
try to change position
00:27:14
maintaining this kind of aid like
00:27:18
fluidity
00:27:21
and also feel free to sometimes make a
00:27:24
step so it's kind of like a combination
00:27:26
of the exercise that we just did before
00:27:29
where we walked and turned but now we try to have this
00:27:32
slight
00:27:34
ate like sensation in the hips
00:27:38
and try to surprise yourself as to which
00:27:41
directions you turn
00:27:46
into
00:28:12
so turning in all these different
00:28:14
directions
00:28:21
feeling these three stacked discs on top
00:28:24
of each other your head
00:28:26
your upper body your legs and having
00:28:29
this wave like sensation
00:28:32
and your breath either independent from
00:28:35
the movement
00:28:37
so having its own constant written the
00:28:39
main thing is not to stop breathing
00:28:42
and not to make it too susceptible to
00:28:44
the written of your movement so you try
00:28:46
to keep your breath
00:28:48
in one written and your movement in the
00:28:50
other
00:28:57
okay make it smaller again
00:29:00
internalize so when we stop doing an
00:29:03
exercise it's not like
00:29:05
we are completely even if we did it and
00:29:07
we stopped
00:29:08
and it's gone it's more like you let it
00:29:11
enter into your system so if i was
00:29:13
walking like this
00:29:14
and then i stop i try to still keep on
00:29:17
walking inside of myself so this is the
00:29:19
idea to just
00:29:20
keep this physicality just not
00:29:23
expressing it but it stays inside
00:29:26
that's why like for example after any
00:29:29
physical station yoga whatever
00:29:31
the feeling after actually when you come
00:29:33
out because you have it inside the body
00:29:36
you're not doing it actively anymore and
00:29:37
it feels great to
00:29:39
try to interact with the world in a
00:29:40
different way so
00:29:42
now let's also do one more with the hand
00:29:46
so we try to make some kind of spiral
00:29:48
rotation you start from here you put
00:29:50
your arm your hand in front of you and then
00:29:53
you start
00:29:55
turning it in and then out
00:29:59
so you make some kind of movement like
00:30:01
this doesn't have to be too precise just
00:30:03
for you to feel
00:30:05
the spiral way
00:30:08
changing direction
00:30:24
and then changing your arm
00:30:28
trying to do it with the other one watch
00:30:30
what happens to the rest of your body so
00:30:33
it's nice if it's not engaged at all
00:30:36
it just feels the impulse is traveling
00:30:38
through but for example there is no
00:30:40
unnecessary tension
00:30:41
no swinging on the other side it's just
00:30:46
it's just isolated and stopped
00:30:50
but connected
00:31:04
okay nice so keeping the movement inside
00:31:08
now let's do one last warm-up one where
00:31:12
you kind of swing your leg in the front you
00:31:15
can use a
00:31:16
wall if you have one to support yourself
00:31:18
or not and then you kind of like as if
00:31:20
you do this exercise with the arms but
00:31:22
now it's with the legs you send it
00:31:24
front back and then front
00:31:28
and back again and do it continuously
00:31:38
so you also feel this time and space in
00:31:40
the leg now that
00:31:42
that it doesn't just go like like a
00:31:44
block in the front but it
00:31:46
travels through the whole body like two
00:31:50
to two unfolds folds again unfolds folds again
00:31:58
breathing
00:32:02
okay let's change the leg
00:32:21
okay nice
00:32:26
okay let's now try to connect
00:32:30
all of these movements together so what
00:32:33
what we can try to do now is that you
00:32:36
start
00:32:37
just with whatever movement you like so
00:32:39
for example
00:32:41
your head by the way maybe it also makes
00:32:43
sense to switch to the gallery view
00:32:46
on your screen before you start it so
00:32:48
you can see the
00:32:49
other people moving
00:32:52
because we will use each other's images
00:32:54
to
00:32:55
get some inspiration to communicate
00:32:58
physically
00:32:59
so you start from whatever body part you
00:33:01
want to start from maybe it's your head
00:33:03
maybe it's your arm maybe it's your leg
00:33:07
maybe it's some exercise you wanted to
00:33:09
do but you didn't
00:33:11
and then you move it for a while
00:33:15
for example i start with my arm i'm just
00:33:17
moving my arm
00:33:19
maybe it's a head for someone else
00:33:22
maybe it's the lag for somebody else and
00:33:24
you stay in this island
00:33:26
so imagine we're working on this kind of
00:33:28
network
00:33:29
like connections so now it's one part of
00:33:32
the network it's the
00:33:33
arm and also if you think of yourself in
00:33:37
space you're also at one
00:33:38
point in space it's one body part now
00:33:41
your arm your leg your head
00:33:43
whatever it is then
00:33:46
transfer the movement to the other one
00:33:48
so maybe
00:33:49
it's your other arm maybe from the leg
00:33:51
it goes into your head
00:33:53
whatever find some new body part
00:33:57
to make the movement with do it for a
00:34:00
while
00:34:02
breathe have your wrist
00:34:05
breathing always the same no matter what
00:34:07
we do
00:34:08
later it's going to be more important
00:34:10
even then it's your head
00:34:12
for example now
00:34:22
and then just freely switching from one
00:34:24
part to another
00:34:28
so kind of repeating all the warm-up
00:34:30
exercises we did
00:34:32
but shifting between them like you
00:34:35
arrive to one station
00:34:37
you stay there for a moment then you go
00:34:40
to another one
00:34:43
stay there move on or switch quick
00:34:48
doesn't matter let's just combine all
00:34:49
the
00:34:51
all the different movements together
00:34:58
we have the spiral with the hand
00:35:01
the leg
00:35:04
the twist and sit so let's combine them
00:35:08
together
00:35:10
breathe
00:35:15
focus that even though your movements
00:35:18
are changing your breath
00:35:19
always stays the same written
00:35:26
now we try to introduce also some
00:35:28
variability
00:35:29
into the not only into the body parts
00:35:32
that we move but also in the quality of
00:35:34
the movement so let's sometimes move
00:35:35
slow
00:35:36
so you're moving moving normal and then
00:35:39
slow down for a moment
00:35:43
stay in the slow move so we're changing
00:35:45
again
00:35:50
and then accelerate and very fast
00:35:54
but make sure that your breathing stays
00:35:56
the same rhythm
00:35:57
and then again slow
00:36:00
finding the connections in the body
00:36:02
exploring them
00:36:04
feeling these waves also
00:36:10
and switching between the different
00:36:12
speeds
00:36:13
sometimes you move normal sometimes
00:36:16
it's like a moment of fast sometimes
00:36:20
slow and focus on your breathing
00:36:23
rhythm and also in keeping your body
00:36:26
together in one
00:36:28
entity so the body doesn't go out of
00:36:30
balance
00:36:31
you're always in control of the
00:36:33
situation
00:36:34
but you're opening up to the different
00:36:38
physicalities
00:37:06
breathing
00:37:13
okay and i'm gradually going to put some
00:37:15
music on
00:37:18
and you can continue moving
00:37:41
[Music]
00:37:47
[Music]
00:38:08
moving with the sound
00:38:11
and also observing how people move
00:38:14
and sometimes copying and pasting the
00:38:16
movement into your system
00:38:20
just a glimpse so you don't have to
00:38:21
watch someone for a long time you just
00:38:23
take a glimpse
00:38:25
copy and paste the movement into your
00:38:28
system
00:38:29
stay with it like an inspiration
00:38:34
and then go back to yourself or shift to
00:38:37
somebody else
00:38:46
[Music]
00:38:55
sometimes slow fast
00:39:00
also play with tension and release so
00:39:02
sometimes you move
00:39:04
with a lot of tension inside the body
00:39:07
and sometimes it's like super light
00:39:10
and released
00:39:15
[Music]
00:39:19
so we're really just trying to create
00:39:21
variety
00:39:22
on every level speed
00:39:26
tension the part of the body that you're
00:39:29
moving
00:39:31
the intention you're having even the
00:39:34
position in space
00:39:35
[Music]
00:39:36
so for example if you find yourself
00:39:38
moving around too much
00:39:40
slide try to stay
00:39:44
in one place if you're in one place too
00:39:46
much
00:39:48
try to move around
00:39:59
[Applause]
00:40:04
[Music]
00:40:13
[Music]
00:40:20
[Music]
00:40:22
for those of you who work with the floor
00:40:25
or with the wall
00:40:26
you can also include that
00:40:38
[Music]
00:40:50
[Music]
00:41:08
exploring the connections in the body
00:41:11
the waves
00:41:13
the different physicalities moods
00:41:21
[Music]
00:41:27
taking inspiration from some movement
00:41:29
you see on the screen
00:41:32
sometimes
00:41:34
integrating into your system
00:41:38
moving with it
00:41:48
[Music]
00:41:57
tension release
00:42:00
slow fast
00:42:05
[Music]
00:42:18
feeling the connections between the
00:42:20
different body parts
00:42:22
how the movement happens from the floor
00:42:25
the time and space in the body it takes
00:42:27
to
00:42:28
make the movement happen
00:42:32
[Music]
00:42:36
waves spirals
00:42:49
[Music]
00:42:56
so
00:43:00
[Music]
00:43:18
[Music]
00:43:29
[Music]
00:43:45
[Music]
00:44:00
[Music]
00:44:02
okay gradually bringing it back into the
00:44:06
center
00:44:08
internalizing the movement so
00:44:12
it kind of stays inside even though
00:44:15
you're stopped
00:44:17
it's kind of happening on a very minimal
00:44:21
scale
00:44:22
inside
00:44:34
breathing
00:44:53
you

Description:

In this webinar we are exploring the concept of networks and how we can think of the body as a network and also of a collective dynamics through the prism of network science. Recorded in May 2020. More on https://8os.io/

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