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Table of contents
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Table of contents

0:55
Настройка фотоаппарата
4:16
Лучший режим съемки
6:48
Лучший режим фокусировки
8:04
Лучший режим замера экспозиции
8:33
Лучшая диафрагма
9:56
Лучшая выдержка
10:28
Лучшая настройка ISO
11:54
Стабилизация изображения
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как настроить камеру
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как настроить фотоаппарат
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  • ruRussian
Download
00:00:01
wonder how to set up
00:00:03
their camera to get the best
00:00:05
results even though
00:00:07
there are no set rules for
00:00:09
camera settings that
00:00:10
work well for all types of photography, I have noticed
00:00:14
that there are some settings that I
00:00:16
personally use on different cameras
00:00:18
that in some ways can to call them
00:00:20
universal for all brands of cameras, these are
00:00:23
the basic settings that I set by
00:00:26
default and without changing them for most
00:00:28
scenes from the scenes; in addition,
00:00:31
there are also certain modes that
00:00:33
facilitate
00:00:34
or speed up the photography process, especially
00:00:37
for those who have just started
00:00:39
or are starting to take photographs, let's
00:00:41
look at these general settings more
00:00:43
in detail hello my name is Alexander and
00:00:46
Politov I am a professional photographer and the
00:00:48
founder of an online photo school about
00:00:50
photo school dotka ru
00:00:51
we make the most understandable training courses
00:00:53
on photography
00:00:57
first let's look at some
00:00:59
basic settings that you can
00:01:01
set and forget about them as a rule
00:01:03
these settings are universal for all
00:01:05
types of cameras but first It’s very important
00:01:09
to decide how seriously you
00:01:10
decide to take photography. I won’t
00:01:13
consider the case when they say I’m
00:01:15
shooting for myself and I’m not interested in photo processing.
00:01:18
If you’re shooting for yourself, then
00:01:20
your plans do not include
00:01:22
showing your photos to anyone, but I’ll
00:01:24
consider the case when you want
00:01:26
squeeze out of your cameras and everything that it is
00:01:28
capable of and are ready after shooting to
00:01:31
process your photographs and only after
00:01:33
that you will get more beautiful and
00:01:35
high-quality results
00:01:36
image quality choose the format
00:01:38
about as you know rock is a digital
00:01:41
negative which, when developed, will give a higher
00:01:43
quality image than the format jpeg is
00:01:46
of course negative and development is a
00:01:49
conditional concept, but it’s not the best
00:01:50
fit for the description. There’s
00:01:52
no need to dispute the fact that it’s
00:01:54
better, but who doubts it, I specifically
00:01:57
wrote down this lesson in which I can clearly
00:02:00
compare the real capabilities of both
00:02:02
formats, but be prepared that the raw format
00:02:05
is needed manifest,
00:02:06
that is, carry out a small correction in a
00:02:08
graphic editor,
00:02:10
be it lightroom photoshop or
00:02:13
some other editor, so you will
00:02:16
need initial skills in working in
00:02:18
such editors; we set the white balance by
00:02:20
the author even if the camera automation
00:02:22
makes mistakes in setting the white balance,
00:02:24
otherwise you can easily adjust
00:02:26
white balance in retrospect when developing an
00:02:28
Arabic file with jpeg format, this will not
00:02:32
work;
00:02:33
we set the image style as standard,
00:02:35
although things like there's an expression
00:02:37
do not matter for shooting in raw format,
00:02:39
they only affect how the image
00:02:42
is displayed on the LCD display of your camera,
00:02:44
it is better to stick to standard
00:02:46
profile and not including other parameters
00:02:48
such as sharpening,
00:02:50
contrast and saturation and other
00:02:54
functions
00:02:55
since these settings
00:02:56
only matter if you are shooting in JPEG format, the
00:02:59
srgb color space
00:03:02
actually can be left untouched in the
00:03:05
RU format,
00:03:06
we also choose the space after the
00:03:08
fact but you need to select the data from the color
00:03:10
space if you
00:03:12
are preparing a photo for publication on the Internet,
00:03:14
it is well suited for the screen when
00:03:17
displaying photos;
00:03:20
turn on noise reduction for long exposures; if you are still a beginner and don’t
00:03:22
know what you are doing,
00:03:24
I would leave noise reduction for
00:03:26
long exposures enabled; this
00:03:28
setting has an effect on your image in
00:03:29
ru format
00:03:30
when shooting with a long shutter speed, that is,
00:03:33
this setting will reduce the amount of
00:03:35
noise that appears due to the heating of
00:03:37
the matrix at a long shutter speed, although this
00:03:40
may increase the time that is usually
00:03:41
required to shoot a
00:03:44
noise reduction frame with a high shutter speed and turn it off itself
00:03:47
since it does not affect the ru here is your
00:03:49
camera applying this software
00:03:51
noise removal to jpeg files and nora format this does not
00:03:54
apply lens correction
00:03:56
such as vignetting
00:03:57
control chromatic aberration control
00:03:59
distortion control and the like, we
00:04:01
turn it off since nora also does not
00:04:04
affect all this can be
00:04:06
corrected when developing the pro file
00:04:08
after Once you have configured the
00:04:09
above parameters it is time to
00:04:11
move on to the dynamic settings
00:04:14
that will need to be changed frequently
00:04:18
although some photographers argue that
00:04:21
it is better to always shoot in manual mode
00:04:22
to have full control over your
00:04:25
camera I do not completely agree with this yes
00:04:28
manual mode gives complete control and is
00:04:30
very useful but for a beginner, working with
00:04:34
it without skill can be
00:04:35
difficult, and considering
00:04:37
how amazing modern cameras are
00:04:39
when it comes to getting the
00:04:41
price and exposure of the subject right, it
00:04:44
is better to use one of the
00:04:46
priority modes, aperture priority or
00:04:50
shutter priority,
00:04:51
this is a great mode to
00:04:53
use. you need to understand that
00:04:55
the main thing for you is to independently
00:04:57
adjust the shutter speed
00:04:59
or aperture. For example, personally, in 90
00:05:02
percent of cases I
00:05:03
use the aperture priority mode,
00:05:06
it is designated a or a depending
00:05:09
on the brand of the camera. In this mode, you
00:05:11
have full control over the aperture and
00:05:13
iso, and this is important. since for 90 percent of
00:05:16
the cases
00:05:17
this mode works great since I
00:05:19
have full control not only over
00:05:20
the aperture but also over how bright
00:05:23
or dark the photo will be
00:05:26
if we camera make a brighter
00:05:28
image than I would like, I simply
00:05:31
use the exposure compensation button
00:05:33
to make the correction without reconfiguring
00:05:35
cameras on all cameras,
00:05:38
this button will be located in different
00:05:40
places but has the same designation.
00:05:43
If you are wondering whether it is worth shooting in
00:05:45
any preset scene mode,
00:05:46
for example, macro
00:05:48
sports portrait and the like, I do not
00:05:52
recommend doing this for a number of reasons, the
00:05:54
main reason is that Such modes
00:05:56
vary greatly not only between different
00:05:59
camera manufacturers but also between different models of the same
00:06:02
manufacturer, so if you learn to
00:06:05
always rely on a certain
00:06:07
scene mode on one camera and
00:06:09
decide in the future and switch to a new
00:06:11
camera,
00:06:12
you will not be able to get the same result
00:06:14
on another model and in general, the results
00:06:16
will not be very predictable; it is
00:06:18
also important to emphasize that most
00:06:21
high-performance professional
00:06:22
camera models do not even have scene
00:06:25
modes. If you want to more systematically study
00:06:28
all shooting modes, learn
00:06:30
to select the necessary parameters for
00:06:33
shooting with your eyes closed, then I invite you to our most
00:06:35
understandable course on photography for
00:06:37
beginners.
00:06:38
photographer where we will lead you by the hand to
00:06:41
excellent shots, you have time to enroll in the
00:06:44
course with a discount using the link under this video,
00:06:50
you must be convinced that you are shooting in the
00:06:52
correct autofocus mode,
00:06:54
well, depending, of course, on what you
00:06:56
are photographing, for example, if you
00:06:58
are photographing a stationary object, then
00:07:00
it is better to use a single autofocus
00:07:02
is also known as one shot per channel
00:07:05
dele and fs on nikon whereas if you
00:07:08
are photographing a subject that is constantly
00:07:11
moving you are better off switching to
00:07:13
continuous focusing mode ai servo focus
00:07:16
as you will probably want your
00:07:19
camera to actively track your subject
00:07:21
some cameras are also equipped with
00:07:24
author mode which looks at the
00:07:27
entire scene and tries to focus
00:07:30
either on the nearest object
00:07:31
or on an object that the camera considers
00:07:34
important the camera considers important I would
00:07:37
recommend avoiding the use of
00:07:39
such modes for most beginning
00:07:41
photographers because it is better to
00:07:43
manually control where
00:07:45
your camera should focus,
00:07:47
you must learn to manually change the point
00:07:50
focusing by moving it to the place on which
00:07:52
your camera should focus.
00:07:55
This can be achieved by switching to
00:07:57
single-point autofocus mode in which
00:07:59
focusing occurs at one point
00:08:02
that you personally choose,
00:08:07
while your camera may have
00:08:09
several different exposure metering modes,
00:08:11
for example, such as spot
00:08:14
metering
00:08:15
center-weighted metering on matrix
00:08:18
aka evaluative metering in most
00:08:21
cases the best default is to use
00:08:23
center-weighted metering it
00:08:25
takes into account the illuminated central
00:08:27
one where focusing usually occurs
00:08:29
followed by Perry
00:08:31
composition of the frame the aperture in the lens
00:08:36
not only affects how your subject is
00:08:38
separated from the foreground and background to the
00:08:41
depth of field but also affects
00:08:43
how much light actually passes through the
00:08:45
lens so you have to be
00:08:47
careful about the aperture you
00:08:49
choose for a given situation
00:08:52
and aperture can also affect
00:08:54
things like the sharpness of the shot and the
00:08:57
depth of field
00:08:58
Therefore, it all depends on choosing the
00:08:59
optimal aperture for the subject
00:09:02
and shooting conditions. If you take pictures in
00:09:04
low light conditions and want to
00:09:06
avoid camera shake when shooting
00:09:07
handheld, it is best to take pictures with the
00:09:09
maximum aperture that
00:09:13
your lens can not provide that your
00:09:15
camera could receive as much as possible. more
00:09:17
light, for example, if you are shooting with an
00:09:19
f-18 lens, you can open
00:09:22
the aperture to the maximum, that is, up to
00:09:23
f 18
00:09:25
for such conditions, however, if you
00:09:28
are shooting a landscape and want to take a clear
00:09:30
photograph of the entire scene, then you will need to
00:09:33
close the aperture to f 5 6 well
00:09:36
for example f9 aperture is often related to how much
00:09:39
your subject will be
00:09:41
separated from the background by depth of field but this is
00:09:44
only one of its many functions in this
00:09:46
example you can see how different
00:09:49
the image is when photographed with a
00:09:50
wide open aperture like f-28
00:09:53
and an aperture like f9 and
00:09:59
the aperture the choice of the best shutter speed will
00:10:01
greatly depend on what you are trying to
00:10:04
shoot for example if your goal is to take a
00:10:05
picture of a waterfall where the water will become
00:10:08
viscous and viscous you will need to
00:10:10
use a slow shutter speed scary up to
00:10:12
several seconds but you
00:10:15
will need a tripod for shooting but if you want to
00:10:18
freeze the movement of the subject In your scene
00:10:20
you will be able to use a very
00:10:22
fast shutter speed which can
00:10:24
be 100 or even thousandths of
00:10:27
a second
00:10:30
when it comes to
00:10:32
ISO sensitivity
00:10:33
then the main advice for all scenes in
00:10:36
good light conditions is to always
00:10:38
use a low
00:10:41
issue value this will allow you to get a minimum
00:10:43
amount of noise and grain
00:10:45
in your pictures compare iso 200 iso
00:10:50
3200
00:10:51
however shooting the lowest and sony is always
00:10:54
practical especially in low
00:10:56
light conditions in these situations you will need to
00:10:59
increase the iso value
00:11:01
this is necessary to reduce the shutter time
00:11:03
which in turn is necessary to
00:11:06
avoid blurring of the image due to
00:11:08
unintentional camera shake
00:11:10
remember that photography is always a balance
00:11:13
between aperture and shutter speed
00:11:15
and also known as the
00:11:18
exposure triangle I would recommend taking
00:11:20
some time to understand how these
00:11:22
parameters relate to each other on
00:11:25
most cameras you can give the
00:11:27
ISO value setting to auto by
00:11:29
setting it to auto mode this mode can
00:11:32
be a very handy tool for the
00:11:34
novice photographer
00:11:35
once you turn on auto iso your
00:11:38
camera will automatically adjust the
00:11:40
sleep assignment depending on the brightness of
00:11:43
your subject but also the surrounding environment
00:11:45
it tries to maintain a shutter speed that
00:11:47
will get rid of spy cameras take a look at
00:11:50
examples of the auto iso menu on several
00:11:52
different cameras and finally, don’t forget
00:11:57
to take advantage of
00:11:59
image stabilization,
00:12:00
it’s designated like this, which is
00:12:03
offered either by your camera
00:12:05
image stabilization camera or
00:12:08
lens, don’t forget to turn it on and when
00:12:11
shooting handheld, and be sure to turn it off
00:12:13
when shooting with a tripod, in addition, it’s
00:12:15
always a good idea to
00:12:17
press the shutter-release button halfway and
00:12:19
first stabilize the camera or
00:12:21
lens before taking a picture, this will
00:12:24
reduce the likelihood of blurry
00:12:27
pictures, so subscribe to my
00:12:30
channel if you haven’t done so yet,
00:12:32
insert a like, share this
00:12:36
lesson with your friends on social networks, but don’t forget to
00:12:38
comment

Description:

Как настроить фотокамеру правильно. Простая инструкция для начинающих фотографов. Какой формат выбрать и почему, в каком режиме фотографировать, как подобрать выдержку, диафрагму, ISO, как изменить глубину резкости и прочие вопросы, которые мы разберем в этом уроке. "Я-ФОТОГРАФ" - пошаговый обучающий курс по фотографии до результата: https://photo-lessons.com/iamphotographer_akcia 00:55 - Настройка фотоаппарата 04:16 - Лучший режим съемки 06:48 - Лучший режим фокусировки 08:04 - Лучший режим замера экспозиции 08:33 - Лучшая диафрагма 09:56 - Лучшая выдержка 10:28 - Лучшая настройка ISO 11:54 - Стабилизация изображения ►Instagram - https://www.facebook.com/unsupportedbrowser ►Наш сайт: https://profotovideo.ru/ ►YouTube: https://www.youtube.com/profotovideolesson ►Вконтакте - https://vk.com/profotovideoru Меня зовут Александр Ипполитов, я фотограф и основатель онлайн фотошколы PROFOTOSHKOLA.RU. Подписывайтесь на мой канал и смотрите самые понятные уроки фотографии. Я самым простым языком расскажу про такие вещи как: экспозиция, выдержка, диафрагма, iso, фокусное расстояние, глубина резкости, композиция, правильная компоновка кадра. Дам крутые идеи для фото, а так же пошагово объясню как их реализовать. Так же покажу как обрабатывать фото в уроках по фотошоп и лайтрум.

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  • The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

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  • The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

mobile menu iconHow can I download "НАСТРОЙ ФОТОАППАРАТ ТАК, И ДЕЛАЙ КРУТЫЕ ФОТО. Инструкция для начинающих фотографов" video to my phone?mobile menu icon

  • You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

mobile menu iconHow can I download an audio track (music) to MP3 "НАСТРОЙ ФОТОАППАРАТ ТАК, И ДЕЛАЙ КРУТЫЕ ФОТО. Инструкция для начинающих фотографов"?mobile menu icon

  • The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

mobile menu iconHow can I save a frame from a video "НАСТРОЙ ФОТОАППАРАТ ТАК, И ДЕЛАЙ КРУТЫЕ ФОТО. Инструкция для начинающих фотографов"?mobile menu icon

  • This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

mobile menu iconWhat's the price of all this stuff?mobile menu icon

  • It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.