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psy trance

psychedelic trance

псай транс

как писать psy trance

как создать бас для psy trance

как создать psy trance

урок по psy trance

создание psy trance

в fl studio 12

в FL Studio

как написать psy trance

синтез баса для psy trance

freaxment

00:00:01

’ll tell you how to write a website for a trend, despite the

00:00:03

fact that the trend is not a relatively

00:00:05

new genre, it is now gaining

00:00:07

popularity and the distinctive feature of

00:00:09

this genre is an unusual dense

00:00:12

bass, some do the wrong thing 4 things

00:00:16

like that, but a triplet me

00:00:20

[music]

00:00:28

how to wind it up and make it so

00:00:30

wide and dense without losing

00:00:33

mana compatibility everything is very simple you

00:00:35

will need a small attack of dying

00:00:38

volume so as not to cause a pike at the very

00:00:40

beginning of the bass game and you will need to

00:00:42

use it to

00:00:43

simulate the volume of the oscillator at

00:00:46

which loaded sawtooth and the moon and

00:00:48

also from modeling with the help of the bodice

00:00:51

you will need a cutoff frequency low pass

00:00:54

filter and the steeper the filter is, that is,

00:00:56

not so flat, but such a

00:00:59

steep cut, the steeper the filter is, the

00:01:01

better and love u should be fast,

00:01:03

something like this you can make my settings

00:01:05

without any processing, it sounds like this, it

00:01:07

just cuts off high

00:01:11

frequencies using a filter, but we can

00:01:14

add compression to make it quite

00:01:18

dense, and finally we remove unnecessary high

00:01:21

frequencies using another filter,

00:01:23

it doesn’t have to be made as flat

00:01:25

as the first filter, then we use even

00:01:28

more compression because you

00:01:29

have to be incredibly tight, a

00:01:35

fairly extreme

00:01:36

compressor helps me with this, and the children from the xr company from the

00:01:39

same company that will make serum

00:01:41

seem to have a compressor even in the grayest ones,

00:01:47

our video course serum sound design master,

00:01:52

you will learn to put an end to their suffering implement the most complex

00:01:54

sounds straight from your head

00:01:55

using the latest words in the

00:01:57

design itself, let’s give you a dry theory, we’ll show

00:02:00

you the shortest path to mastering the

00:02:01

mastery of synthesis

00:02:02

with the unique serum synthesizer

00:02:04

[music]

00:02:14

next you will need to create a stereo

00:02:17

component for this, it will suit both

00:02:20

such complex plug-ins like frutti,

00:02:23

shaper style and some

00:02:25

fancy type of isotope zone sat and

00:02:28

major but it’s better to use them jer why yes

00:02:32

because there is no need to expand the

00:02:35

stereo at the bottom and at the top please guess how smart

00:02:39

and because of the stupid major allows you to

00:02:40

adjust the width of the guards for

00:02:43

certain frequency bands in fact

00:02:45

and the major is simple creates a delay between the

00:02:47

left and right channels, as a result, the

00:02:49

result is a pseudo stereo, since

00:02:51

the settings here are more flexible and the terrain

00:02:54

frutti stereo shaper will use

00:02:56

Ostap zone majeur, but still this

00:02:58

plugin could accidentally expand the low

00:03:01

frequencies, which could lead to the

00:03:04

ring base site being cool will cease

00:03:06

to be a bonus together lam but this means that it is

00:03:08

not to look for something component

00:03:10

will not be heard on the riot police acoustics as you

00:03:12

see I did the look at or high pass

00:03:15

cut and drivers settings I pressed the

00:03:18

button where to start the site or stereo that

00:03:21

is I I cut off the low frequencies only in

00:03:23

stereo, as a result, the

00:03:25

night does not disappear down there, we have it

00:03:27

down, and wide high

00:03:31

mid frequencies also remain, you can make triplets,

00:03:36

then we will need a kick and a send to both

00:03:40

of them, that is, to you, who was just

00:03:43

played, why and for that to make a

00:03:46

message from Kiko in order to eliminate the

00:03:48

conflict between the kick and the bass,

00:03:58

this is how it happens, the moment the kick hits

00:04:01

you are almost inaudible, but there is nothing

00:04:03

wrong with that because the bass and the type sound amazing

00:04:06

and blow they conflict, and even

00:04:08

such an interesting kick is added

00:04:10

if you remove the kicks master, if you leave

00:04:13

his send to the bass, you will get this

00:04:16

sound and it shakes,

00:04:24

you can, for example, at some point in

00:04:26

time, make a kick, we don’t hear it here yet,

00:04:33

let’s add a little variety by

00:04:37

removing the bass parts at the ends of the squares,

00:04:40

along with the bass, you can remove the kick 10

00:04:43

die because he is distracted from the master

00:04:46

thanks to clip automation and in empty

00:04:49

places you can make fills and for this

00:04:58

you will need a couple of sounders

00:05:01

you can add short

00:05:03

local samples to the project by first applying

00:05:05

reverb to them

00:05:08

[music]

00:05:13

[music]

00:05:18

nothing bad will happen if you

00:05:21

also add percussion like this, of

00:05:24

course, I expanded it quite well in terms of

00:05:27

stereo so that the kid comfort does not sound to the

00:05:38

ears, we can add an

00:05:39

open hi-hat to add even more

00:05:49

variety, along with the introduction of

00:05:51

percussion into the game, we can add another

00:05:55

hi-hat or splash for this purpose, I have

00:05:58

this one in stock splash forehead

00:06:04

[music]

00:06:14

for complete immersion, all we have to do is

00:06:18

add some kind of tweeter or sent like

00:06:20

this, which was just like the

00:06:28

world stars trance music website, by

00:06:31

the way, it is processed, but let’s use the edger to

00:06:33

sew the stereo,

00:06:34

I did it and I also cut it off with an equalizer

00:06:38

and I cut off the lows and even higher frequencies

00:06:41

so that there would be no conflict with the

00:06:43

high hits, however, that

00:06:46

synth did not lose its brightness,

00:06:47

and since it’s a sound, it’s very

00:06:49

simple here, roughly similar to the

00:06:51

automation of the center from the bass code, as you

00:06:55

remember, I used Hall modeled the

00:06:57

volume level of the oscillator and the

00:07:00

cutoff frequency of the filter in the case of the house, I also

00:07:05

modulate the cutoff frequency of the filter and the

00:07:08

volume levels of the oscillators and you see on the

00:07:12

strats I have sawtooth

00:07:14

waves loaded, only in Peru, in this case I have

00:07:16

such an interesting wave, I also

00:07:18

automated the position with this wave

00:07:20

forms from modeling using a more

00:07:26

controller which with gray and improve

00:07:28

can be automated so I did it

00:07:30

just this will bring even more

00:07:32

variety to the track I also toggle switches

00:07:34

using the second i love peach that is, it

00:07:36

quickly rises at the beginning of the dos of its

00:07:38

original level it will be more

00:07:43

obvious if the fold

00:07:49

[music] slowed down,

00:07:57

as a result, Ilafu very quickly raises

00:08:01

5 to the original medium tone, do this

00:08:03

with the help of this third stripe, as

00:08:05

you can see, his fau-2 models a mastin, that

00:08:09

is, master 3 gold with here about in case the

00:08:11

two-way modulation in the middle

00:08:13

ends la falta there is in the very

00:08:15

center we last double-sided that is,

00:08:18

if it is so above the very top of the year the

00:08:20

braid will last from the very bottom to the

00:08:22

very top

00:08:23

but the original is 100 tons and at least here in the

00:08:25

center so you need to do it like this Ilaf

00:08:27

kid you

00:08:29

16 votes us liters us 33 b I have

00:08:33

only one voice playing, then

00:08:35

Master Theon modulates again inside, really

00:08:37

very quickly and the value is not very large,

00:08:40

why is this necessary? This is necessary to

00:08:42

change the tempo, I will turn on the modulation, this is what

00:08:47

happens, but if I turn it on, I get

00:08:52

such a fast vibration, I did it exactly the

00:08:54

same way in the emulation matrix, look

00:08:57

at the fifth line full 3 here the value 2

00:09:01

fluctuates in a small range the stove

00:09:03

stove fluctuates because I use the

00:09:05

master tune and the heat also lasts on both

00:09:07

sides, that is, it turns out very quickly

00:09:10

vibration is like this in the effects only

00:09:11

reverb and compression on the effects in the

00:09:15

mixer the series is expanding thanks to youtube ozone

00:09:18

shroud and majors, low

00:09:20

frequencies and highs are cut off and another kick with the help of

00:09:23

frutti or the metro forces

00:09:25

this sound to 11 volumes, turning on

00:09:28

the imagination, we write a part for the sake of clarity, then we

00:09:32

went to the melody

00:09:34

and now we listen to what we end

00:09:36

up with

00:09:39

[music]

00:10:07

[ music]

00:10:21

[music]

00:10:31

this is how a psy trend is created thank you for

00:10:33

your attention it was freaks and

00:10:35

we'll see you in the next video

Description:

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