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Download "Картина - Градиент"

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картина
градиент
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  • ruRussian
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00:00:02
[music]
00:00:04
in this lesson we will learn how to create smooth
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transitions, gradients and select the
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correct thickness of paints for this, we will also look at
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what brushes are best to make smooth
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transitions and start by analyzing the materials
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for work, we will need a canvas coated with
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acrylic primer, it must be
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good, usually it is pulled according to the thickness of the canvas, it is
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better to choose at least 380 grams, it is
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also important that the
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canvas is dense enough, covered with
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acrylic primer, the canvas size is 60 by 60,
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you can take any other size,
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we will also need acrylic paints,
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black, white and blue, it is better to take
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blue PC
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or Prussian blue; it
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will also be more convenient for work to
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use a palette for mixing
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paints a
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palette knife to take paints
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out of jars, if you work with tubes,
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then in principle we don’t need it;
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also, a glass of warm water;
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napkins; you can also use
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gloves; and we definitely need
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fluffy, large brushes;
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clear
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edges, that is, for example, a flat
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art brush such as a
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synthetic whip will not suit us here;
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it is best to take a fluffy construction
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brush; these are brushes from a hardware store that are the best
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and not ideal for
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creating smooth transitions of gradients; its
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work with acrylic paints is
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most often used in
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interior design painting and also don’t forget to
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cover the table with a
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tablecloth or waterproof film and
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so let’s start mixing the paints and
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so to begin with, put the paints on the palette
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all three colors that we will work with:
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white blue and black,
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after each new color we wipe the palette
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knife so as not to stain the paint in the jar
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and
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always work with pure colors
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[music]
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black, you can put less of the usual
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white,
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about twice as much as all the
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other colors; on the contrary,
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we use the least of all the other colors, and
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so we have all three colors, now we
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begin to mix the main tone for
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our gradient, we take blue more a little
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bit white so that the color is opaque
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and a little lighter and a little
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black in order to remove the brightness in the
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blue color,
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you can mix more of this color
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so that later you don’t have to be distracted by
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mixing the colors,
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now we mix the rest of the colors
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that we need, that is, we
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will have pure white light blue
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main the way is this blue color and
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dark blue color let's start with
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dark blue we take
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more black blue and just a little bit of white also
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to make the color less
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transparent
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in its pure form I don't recommend using
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colors especially black
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it doesn't look very
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interesting
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I add Still a lot of paint on the palette
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and
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now we’ll mix a light blue color,
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take a lot of white
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and you
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can take a drop of blue from what you’ve already
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outlined and just mix it with the white
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color.
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Now you can start painting the
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picture itself.
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Now you can add a little water to the
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paint so that they dry out more slowly.
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before starting work and
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mix thoroughly
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[music]
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[music] [
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music]
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[music]
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and
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now you can start applying
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colors, we start with the darkest color,
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apply it to the bottom and until it
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dries, apply the next color, I take the
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largest brush, apply the color to the
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tip of the brush, the
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color should always be exactly at the
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tip of the brush, it doesn’t fall on its beginning,
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and thus we begin to apply a
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dark stripe; we apply
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it not just in an even stripe, but in a
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mosaic pattern; somewhere we can make it higher,
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somewhere lower,
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to create a painterly layer right away; it’s
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interesting if we apply just exactly,
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it won’t look so interesting
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and most likely if they start to dry out, you’ll end up with
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stripes
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that will be very difficult to play on with the
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next layer.
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Now, wiping the brush, I take the next color
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and until it’s dry, I
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start writing them off first; they
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can just apply the color of
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this painting on the lines with a complex
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contour,
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you can apply it all
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over the entire length of the canvas where we have the
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dark part and
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then when there is not enough paint on the brush,
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I make a smooth transition, I simply
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run the brush over the same place many, many times,
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so the paints are mixed
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immediately on the canvas and it turns out to be a smooth
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transition
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[music]
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also note that at this border I
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always leave soft edges, I don’t make
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settings like this because it will be
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visible if the paint dries, if there are
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any problematic moments, for example,
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here you will be working with it for a long time, then
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paint in this part will already dry out and it
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will be quite difficult to do anything about it;
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in the future you will have to completely
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cover the work. Most likely,
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if you didn’t succeed in the first layer, you
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can make a soft gradient, you can simply
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cover it with a second layer; usually this is
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easier to do than to correct
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one difficult moment
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so the second
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stage is also completed and we can move on
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to the third color, the lightest one, I
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take it on the brush in the same way, no matter how you have not
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washed it, it
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must be dry
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and
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I apply it in
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the same way with a stripe, here we already have a
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sharper contrast of colors and therefore
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maybe It’s harder to write off
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these two colors, but the most important thing is that it didn’t
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just have time to dry on the right
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hand from these
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now I leave replacement paint on the
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canvas if you
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still have a lot of paint left on your brush, then it’s
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better to wipe the brush
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with a napkin and
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then just start mixing a light
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tone with a dark one, you can also periodically
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wipe the brush
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if the brush is very wet and you can take a
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second brush and mix it
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like this, I mix
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yours, you can periodically wipe the
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brush with a napkin, the most important thing is that the pile
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is fluffy, that is, if it sticks together, it
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doesn’t form any sharp boundaries, yes,
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they will be displayed and in the picture there
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will be some clear outline, a stiffer pile
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is formed when the brush is wet and
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sharper edges will be obtained,
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respectively,
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here we do the same thing, just many times
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without pressing the brush, we draw along
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this
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transition many times, the
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most important thing is to make different directions of
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strokes so that it is a mosaic pony in
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one direction, this is very important,
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even if there are some stripes left
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from the strokes in the case when you are doing something
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complex and interesting and the application will
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look just like a painting,
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but if you do it in one
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direction it will not be ideal smoothly, then there
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will already be questions about why
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it looks like this, there
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will be a feeling as if something is
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unfinished in the picture, and so here
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we have a smooth transition made and we
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move on to a light color, but here we already
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take another brush, it must be clean,
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otherwise you simply won’t be there white color
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at work and with pure white color we cover the
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upper part of the picture until we can not
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reach the blue color because
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otherwise we will add its upper part and we
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need a white
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upper part of the work,
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just cover the canvas with white color and
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then we will make a smooth gradient
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[music]
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we begin
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gradually mixing colors here can
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be more difficult because the colors are even more
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contrasting, the
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main thing is not to go too far into
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white and blue right away, we just mix the
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border,
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now it has become softer and we can
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mix not on the white border, in general the
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border goes and we mix with these on the
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border with the white color, the upper part and
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also periodically wipe the brush
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so that it is dry;
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if somewhere there is a sharp transition, you can
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add more white
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so that the layer is thicker and
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also mix the colors many times,
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now we wipe the brush
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from it, make it softer,
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connect the
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lower part of this transition
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here also already if it dries out, you can
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take a blue color and
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make an even softer transition
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at this point, you can stop and
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look from afar, place the work
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vertically, move away vertically at about
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two diagonals, as we
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studied earlier, and see how
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the work looks, are there any aspects that
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you don’t like? for example, but it’s better, of
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course, not to
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finish some elements, leave
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everything as is and then cover the work with
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varnish
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such a gradient can be done with a
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sponge using a roller of various sponges
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and so on, but with a brush you get the most
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picturesque interesting effect, so I
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recommend trying it with this methods of
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work
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so this concludes our work and
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see you in the next lessons

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