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Russian
00:00:00
[music]00:00:10
dear friends, we are starting the 100th fourth00:00:17
lecture of our cycle, composer Ivan00:00:19
Sokolov about music, we are analyzing the seasons of00:00:24
Tchaikovsky, in each lecture we are00:00:30
analyzing two plays from this00:00:33
brilliant cycle, last time we00:00:39
analyzed May and June 5 6 month this00:00:46
time, respectively, July and August and my00:00:51
idea that I carry out during all00:00:55
these six lectures dedicated to the seasons00:00:59
of such that not only the year was depicted by00:01:04
Tchaikovsky in this cycle,00:01:05
but also human life and also the00:01:14
24 hours of the day that are in a day, these two cycles and00:01:19
one more cycle, all of existence from the beginning00:01:24
world existence until the end of the world, the00:01:27
apocalypse, of course, this is very much00:01:30
to tell everything, a free interpretation,00:01:33
approximately, there are00:01:34
some outlines in this, and00:01:36
all of classicism, which introduced this idea00:01:39
in general into art, we talked00:01:43
about the fact that Vivaldi wrote the seasons00:01:46
and the guide did not write a wonderful brilliant00:01:50
oratorio late seasons and here00:01:54
in the background Hensel wrote a00:01:57
piano cycle already seasons all00:02:01
these works are also as if the basis for the00:02:07
seasons of the year still somewhere in the00:02:10
subconscious in a00:02:11
side way in such a side way they00:02:16
mean both the day and human life and00:02:22
also the time of existence of our entire00:02:27
earthly existence, and so in the 6th play00:02:35
something unusual happened, the 6th play is like 6 700:02:40
lithium from 35 to 42 years old, this is the same00:02:46
seven year in which I00:02:49
wrote these plays by Tchaikovsky, let me remind you that00:02:52
he wrote them at 35 36 years old00:02:55
and it was here that the very middle of00:03:01
life caused this kind of romantic tripod00:03:10
and this kind of hypothetical hero of00:03:13
our cycle, this Russian intellectual00:03:18
suddenly realized that he was already, well, an absolutely00:03:26
mature person, the time of dreams had already passed, the time of hobbies had passed, the00:03:30
time of00:03:33
philosophizing had passed and the date of work and00:03:37
there was death of the barcarolle00:03:40
the river Charon he saw from this high mountain the00:03:44
end of his life the end of being00:03:48
to order years the sunset of the day and the decline of00:03:52
world civilization and now00:03:59
this period begins00:04:00
July August and September today we will00:04:03
consider I will repeat July-August these two00:04:07
months which, according to tradition, in Russian00:04:12
peasant life are dedicated to incredibly00:04:15
intensive agricultural work,00:04:18
July the mower's songs00:04:21
and August the harvest, first mow the grass00:04:27
to make hay, which can be00:04:30
eaten by domestic animals in the winter,00:04:34
then the harvest, this grain is collected in00:04:40
bins to eat bread, all through the winter00:04:43
and hunting, which we will consider in all your lectures,00:04:47
and this is already game, this is already in00:04:50
the finale of this, then say the summer00:04:54
autumn period, well, it seems like preparations00:04:58
for the winter,00:04:59
but in fact, for the future life, a00:05:02
person must work here in this00:05:05
world to do good, this is the00:05:08
Christian meaning of this classical00:05:12
idea of the seasons to do good so00:05:17
that there in another00:05:21
and this good ponzi has become like on the grave of00:05:25
Fedor Petrovich Gaza in the German00:05:28
cemetery hurry to do good00:05:33
here and this good is here in such a00:05:37
simple00:05:38
idea the mower's song epigraph from Alexey00:05:44
Koltso00:05:54
grass,00:05:59
it helped them move in the00:06:04
same rhythm, it helped them take their minds off this00:06:08
physical work so that it would be easier and not so00:06:12
noticeable, this physical00:06:15
movement of the muscles, because ease is also very00:06:18
important here, too, reservations pianist,00:06:21
because00:06:23
freedom is incredibly important in playing the piano the whole body of00:06:27
freedom of movement, ease and also exactly00:06:30
in any physical work, and therefore a00:06:34
song arose here, this is a well-known and and the00:06:39
same melody reminiscent of a Russian00:06:43
song by Tchaikovsky in E-flat major light on I00:06:49
joyful tonality of an abundance of tonic00:06:52
triad what a sultry tonic00:06:56
[music]00:07:13
[applause ]00:07:16
look, even when he takes the dominant, I’ll00:07:18
still save the tonic,00:07:20
this is some kind of humming energy of00:07:24
the sun that is coming at us, the heat is coming at us, and from above00:07:28
it is felt right in this music,00:07:31
here in this 7th piece there is a surprisingly00:07:36
interesting structure of the period 7 bar00:07:40
7 piece the seventh month 7 bars why 700:07:44
because in the first sentence there is 3 and in the00:07:47
second there is 4 and this 3rd bar00:07:50
is amazingly connected, again,00:07:54
with Russian folk songs and because00:07:57
if we analyze the00:07:59
structure of Russian folk songs we will00:08:05
come across a love for the number 3, this is00:08:08
amazing, absolutely not only the00:08:10
everyday scales that we talked about00:08:12
in the pictures from the exhibition to the left in the lectures00:08:14
and the pictures from the exhibition this is there there too00:08:18
3 there are three tones two tones and semitones in a00:08:24
fourth here are three bars and this00:08:28
trinity of course connected is built00:08:30
certainly here too, you can hear but00:08:33
Tchaikovsky varies further 2 to 4 bars00:08:38
3 plus 4 7 then repeats 7 again00:08:41
their 7 bar the middle which is even more00:08:46
similar to this work is00:08:54
so businesslike and00:08:58
these mowers seem to be moving away from us,00:09:04
either we are ascending somewhere or they are00:09:07
going into this sultry summer00:09:12
fog in this haze of light somewhere in the00:09:15
distance a very picturesque piece for00:09:18
some reason I remember some pictures00:09:25
connected and a00:09:28
picture of a mower by00:09:32
our great artist of 4400:09:36
years old00:09:39
once here the same thing00:09:42
happened, so to speak, in the Great Patriotic00:09:43
War00:09:44
mowers to strength and now let's00:09:52
listen to this music with you, the piece00:09:56
is unique, it differs a little in it00:10:00
get this from other plays, it differs from00:10:03
some Russian nationality, some00:10:07
simplicity of some kind, a little bit from00:10:13
the absence of this, and logic and00:10:16
romance and European truth that00:10:18
by absence, but by being close to the people,00:10:22
how Tchaikovsky loved Russia, as he00:10:25
said, I passionately love everything Russian,00:10:30
and even when he came to America for the first00:10:32
time in his life, he wrote in his diary, in a00:10:36
letter, that I missed Russia so much00:10:39
that when I suddenly saw a woman from00:10:43
Russia was introduced to me, this woman was introduced to me,00:10:45
I greeted her and when I saw the Russian00:10:48
face I burst into tears, she was surprised,00:10:53
but then he burst into tears, of course, from happiness to00:10:58
see just a Russian face, in this00:11:00
play this Russianness of00:11:02
Tchaikovsky is very noticeable July00:11:05
the mower's song00:11:06
itch your shoulder swing your hand you smell it00:11:10
in the face the wind slept of the day Alexey Koltsov00:11:15
[music]00:11:38
yes00:11:57
but00:12:03
a00:12:15
[music]00:12:32
yes00:13:19
but this was the play00:13:22
July and August 8 the play is as we already00:13:30
know the golden ratio we expect from this00:13:32
go to this and without taking into account the special August00:13:35
the harvest is really itself and not00:13:39
excluding the first second pieces the00:13:42
longest and maybe the most virtuoso I am00:13:45
often called capriccio00:13:47
but the tonality is the seminar tonality the00:13:50
tragic Machian00:13:52
tonality of the Mass in B minor this is what the00:13:57
harvest is the harvest has ripened until here too we hear for00:14:01
the first time this moment of haste the moment of the00:14:04
fact that everything urgently needs to be removed urgently00:14:07
tell here these and all the good deeds00:14:12
to do everything, so to speak, to do00:14:18
what earthlings were allowed to do in our00:14:21
world for the future life, in the00:14:28
next lecture I want to read00:14:30
Baratynsky’s poem about autumn, I already have the book,00:14:33
it’s very long, maybe even00:14:37
it could take almost an entire lecture00:14:42
but I still decided to devote00:14:45
as much time as00:14:47
needed to this poem because this poem is earlier than autumn,00:14:50
it is very connected with the seasons, it is00:14:53
very connected with this00:14:55
harvest period, and this is how00:15:01
Baratynsky interprets this topic, the00:15:06
epigraph is also from Alexey Koltso, like00:15:08
July00:15:09
people with families began to reap and mow the00:15:13
tall rye to the roots into heaps of frequent sheaves00:15:17
stacked00:15:18
from the carts all night the music creaks, I00:15:24
’ll repeat once again that the first chords of00:15:29
this piece, the harvest, are00:15:31
creaky,00:15:36
these are these parallel thirds,00:15:44
and when I caught this certain creaking, I00:15:50
compared it with poetry It seemed00:15:53
incredible to me that Tchaikovsky found00:15:59
music that had already been written, I thought that Tchaikovsky00:16:01
himself was looking for epigraphs for music, or Bernard00:16:06
was looking for epigraphs in music,00:16:07
as I read somewhere and only then00:16:12
in this publication it00:16:13
was written that Tchaikovsky already had00:16:18
ready-made poetic epigraphs and titles00:16:21
was also given to him00:16:23
and apparently it made his work easier, apparently it00:16:26
created a script like our00:16:31
famous composer Prokofiev, especially00:16:34
such a vich, they also talked about what was00:16:36
very helpful for writing music for00:16:39
films: a detailed script and00:16:44
detailed timing here 50 minutes of00:16:47
cheerful music here 30 50 seconds00:16:50
cheerful husband crisis 30 seconds there is00:16:52
such and such music and apparently something00:16:56
similar to the script this Bernard on00:17:00
the edge the defendant provided salt to00:17:02
Tchaikovsky the harvest00:17:07
creaking wheels and something joyful something00:17:11
excited but also a little tragic and00:17:14
the middle of00:17:15
this play is a letter of gratitude to God00:17:21
for the harvest00:17:34
here the melody is very00:17:39
typical, in the spirit of some of the best to00:17:42
bypass and Tchaikovsky, some of00:17:45
his romances with this repetition, one may00:17:49
remember the side parts of the sixth00:17:57
symphony and some romances like00:18:01
I bless you forests enthusiastically00:18:07
grateful descending00:18:09
melody from above and this is generally quite00:18:15
energetic gradually emerging and the prize00:18:19
in this play, of course, I again may be00:18:23
too pedaling this mystical00:18:26
dragging the apocalyptic side, but00:18:29
there is something so00:18:31
fatal and terrible and so compressed for you August00:18:36
epigraphs with the ring people with families00:18:39
began to reap and mow the tall rye under Karina00:18:42
into heaps of frequent sheaves stacked from00:18:46
carts all night long music00:18:52
[music]00:19:14
you00:19:21
[music]00:21:36
[applause] [music]00:21:44
[applause]00:21:46
[music]00:22:21
this is the play harvest and with this we00:22:25
will finish the fourth lecture about our00:22:29
cycle about our composition by Tchaikovsky00:22:32
seasons from our cycle composer00:22:34
Ivan Sokolov about the music of Goodbye00:22:36
TheodoraDescription:
200 лекций о классической музыке "От Баха до наших дней"! Композитор Иван Соколов - легенда Московской консерватории. 104-я лекция посвящена "Временам года" П.И. Чайковского - Июль, Август. Подписывайтесь на наш канал и нажимайте колокольчик - каждую неделю новая публикация. Классическая музыка. Фортепиано. Чайковский. Времена года.
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