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[Урок AutoCAD] ПСК и МСК для 2D.

[Урок AutoCAD] ПСК и МСК для 2D.

Channel: Алексей Меркулов

[AutoCAD для начинающих] Печать больших проектов

[AutoCAD для начинающих] Печать больших проектов

Channel: Алексей Меркулов

[Семинар] Ликбез по работе в AutoCAD. Часть №2

[Семинар] Ликбез по работе в AutoCAD. Часть №2

Channel: Алексей Меркулов

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[Семинар] Ликбез по работе в AutoCAD. Часть №1

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[AutoCAD для начинающих] Деталь ч.1 Слои и подготовка.

Channel: Алексей Меркулов

[AutoCAD для начинающих] Как распечатать чертеж. Модель

[AutoCAD для начинающих] Как распечатать чертеж. Модель

Channel: Алексей Меркулов

[AutoCAD для начинающих] Принципы черчения

[AutoCAD для начинающих] Принципы черчения

Channel: Алексей Меркулов

[AutoCAD для начинающих] Деталь в 3D

[AutoCAD для начинающих] Деталь в 3D

Channel: Алексей Меркулов

[Урок AutoCAD] Блоки в Автокад. Правильное использование.

[Урок AutoCAD] Блоки в Автокад. Правильное использование.

Channel: Алексей Меркулов

[AutoCAD для начинающих] 1.4 Преимущества при работе с полями

[AutoCAD для начинающих] 1.4 Преимущества при работе с полями

Channel: Алексей Меркулов

уроки автокад

уроки autocad

autocad

автокад

autocad для новичков

автокад для новичков

автокад для начинающих

autocad для начинающих

обучение autocad

обучение автокад

основы черчения

меркулов автокад

меркулов autocad

курсы автокад

курсы autocad

план этажа

чертеж плана дома

план помещения

план квартиры

план комнаты

00:00:03

so in this lesson we will learn to

00:00:05

create three-dimensional geometry using the

00:00:07

example of this building,

00:00:09

come back now we see the plan but

00:00:11

we will create not just a sketch,

00:00:13

not just a 3D model that you can

00:00:15

look at visually and rotate, but from

00:00:17

which you can get the required

00:00:19

amount of information here we see on

00:00:22

the plan now I’ll turn off the grid on the plan we

00:00:24

see reinforced concrete pylons, that is, who does

00:00:27

n’t mean he bought it and these are, roughly speaking,

00:00:29

long reinforced concrete columns in the distance we

00:00:32

see a three-layer wall that consists

00:00:35

of brick facing insulation and a

00:00:38

block, I removed everything unnecessary and in order to

00:00:40

leave only what we need

00:00:41

further inside we see brick partitions

00:00:44

and here the blocks are also 300 thick, so we

00:00:48

will create a model of a typical floor in order to

00:00:50

subsequently obtain all the volumes of these

00:00:53

structures,

00:00:54

I think it will be much more fun than

00:00:56

just drawing a 3D model and this will take

00:00:59

a little more time, but we will get

00:01:02

practical good information that

00:01:05

can be apply in real life, yes, they are

00:01:07

just a model, a model can be made in

00:01:09

Max, well, let's start, and here is the

00:01:11

main tool that we will

00:01:13

work with, it flew, it is located

00:01:15

here on the main tab, by the way,

00:01:18

who doesn’t know in Autocad there are

00:01:20

several workspaces by default, it costs

00:01:23

initially drawing abstract you

00:01:25

put 3d modeling not 3d

00:01:27

main but 3d modeling and so after

00:01:31

that on the main tab we select

00:01:32

the fly tool and we need to configure it

00:01:35

roughly speaking we can immediately draw

00:01:36

the wall and perhaps we’ll start with the pylons the width can be

00:01:40

set by entering a value

00:01:42

or you can set it visually by specifying two

00:01:45

points, the

00:01:46

distance between which will be the width,

00:01:48

then we’ll set the height,

00:01:51

let’s say 2,800, and we can start building the

00:01:54

pylons, the alignment, in my opinion, is

00:01:56

automatically in the center, that is, we

00:01:58

just do it this way,

00:02:02

no, the alignment here means something different, so let’s

00:02:08

check the width, we have

00:02:11

n’t saved it, so the height is 2,800 and

00:02:18

the alignment we will select the center and here it is

00:02:22

convenient to select the center and build the

00:02:25

pylons in this way. It is convenient to leave only the

00:02:28

necessary bindings for this I go

00:02:30

here, the binding parameters clear everything

00:02:33

and select the middles, that is, with the help of

00:02:35

this binding I will now build all the

00:02:38

necessary pylons, if there are many repeating ones

00:02:50

then in in principle, it’s easier

00:02:55

where did it go

00:02:59

copy one and paste in those places

00:03:04

actually the point is you can do the same pylons

00:03:06

and since you saw it did

00:03:09

n’t take much longer to draw by the way you can

00:03:11

even if they are not the same insert and

00:03:14

change there is a handle by which we can

00:03:17

stretch the saw he did so autocad doesn’t want to

00:03:21

grab it, well, let’s

00:03:25

move like this, we

00:03:27

’ll try to grab it from this side, here

00:03:29

we have only one handle by which we

00:03:31

stretch, that is, as you can see, there are several ways that

00:03:40

can’t be copied here because the

00:03:43

same ones went like this if they put the

00:03:46

right point on them control z untied and

00:03:49

put it down again,

00:03:55

as you can see, it’s not necessary to

00:03:57

combine exactly exactly, as soon as you saw that it

00:03:58

appeared, you need to bind, press the left

00:04:00

mouse button and everything was automatically

00:04:03

combined in order not to constantly

00:04:13

click here, I click on the spacebar and the

00:04:15

previous command is called up for me, that

00:04:18

is put two points, confirmed by

00:04:20

pressing the spacebar, pressed the

00:04:22

spacebar again and actually I’m building

00:04:24

another pylon, so we still have

00:04:28

simple ones without bends and without turns, and

00:04:35

here with turns here we will

00:04:37

have to change the nature of the alignment,

00:04:39

select the alignment and select, say, on

00:04:41

the right, and yes, the binding Accordingly, we

00:04:47

also need to change it, let’s add the con binding

00:04:52

.

00:04:53

hey, it’s on the wrong side, so it’s here

00:05:00

from here and here, that is, after

00:05:08

installing 2 points, we can see if

00:05:10

all the pylons are aligned correctly, and by the way, I

00:05:15

forgot to warn you that it is necessary

00:05:17

to create a corresponding layer for each structure,

00:05:18

so it will be easier,

00:05:20

I have layers created, so I I select

00:05:24

these objects and transfer them to the

00:05:28

appropriate layer, I have

00:05:30

pylons here, you can change the color to make it

00:05:34

more clear,

00:05:39

and so on, using the same principle, we create

00:05:42

blocks and create partitions,

00:05:45

let's start with the partitions, I'll start and

00:05:48

skip the whole process because, well, the meaning

00:05:50

here is the same yes, that is, we select

00:05:52

and change, set the desired width 120,

00:05:58

height, let's leave 2,800 and here

00:06:03

the alignment should be left either on the right

00:06:04

or on the left, because we

00:06:06

will be attached to these points, so we'll see, well,

00:06:08

yes, I chose it correctly and thus

00:06:11

build partitions,

00:06:27

by the way, one piece of advice can be given if it’s inconvenient

00:06:29

to switch to the visual style of

00:06:32

translucency, yes, that is, it will be

00:06:34

more convenient to stick to it;

00:06:49

I completed the walls all according to absolutely the

00:06:51

same principle that I showed you,

00:06:53

just let’s look at a few

00:06:55

nuances, firstly, we don’t leave

00:06:57

any gaps and spaces where the

00:06:59

windows are, we’ll do the windows later first the

00:07:01

openings themselves, then the windows themselves, that

00:07:03

is, now we have solid walls, then a

00:07:06

common question is why how to cancel a

00:07:08

point, you can cancel a point in the same way

00:07:11

as canceling any action, that is,

00:07:14

let’s say you put a point in the

00:07:15

wrong place where you wanted, press control back

00:07:17

. canceled again one more . that is, in

00:07:20

this way we can at least mark

00:07:22

all the points and re-label them, and this

00:07:29

also means one nuance, the nose and rather

00:07:31

constructive, they are theoretical, yes it is not

00:07:34

connected with AutoCAD, we made the insulation

00:07:38

and facing masonry 200 millimeters

00:07:40

higher than the pylons and the internal wall,

00:07:43

well this It’s logical to go here to support the

00:07:46

floor slab, so here in this

00:07:48

way it may also come in handy for you and you

00:07:51

need to take this into account. Well, now regarding the

00:07:54

openings here, everything is actually simple,

00:07:56

let’s probably make the

00:07:58

floor slab; I won’t be tricky; I won’t do it

00:08:00

using a regular polyline; for this, I’ll use a

00:08:03

custom one To make it

00:08:05

more convenient for me, I’ll take a coordinate system and put it like

00:08:09

this, turn off the snap using the

00:08:11

f3 key and put it here on top of the pylon

00:08:14

because this is where I will

00:08:15

have the ceiling and this is where I

00:08:16

will now put the points of our

00:08:20

line field, so I’m setting the search here so

00:08:22

that I can All bindings worked adequately,

00:08:24

including bindings again, I select the

00:08:27

line field using the alias p.l.

00:08:30

and I start building since everything is

00:08:33

rectangular, that is, everywhere there are 90 degree

00:08:36

angles between the walls, I can turn on the

00:08:38

map mode, it won’t be superfluous here, I remind you that the

00:08:43

art mode is turned on with the f8 button,

00:08:49

again you could turn on

00:08:51

the transillumination, but oh well,

00:08:56

of course, you could build differently, but

00:08:58

this the method is the most obvious, we here

00:09:09

clearly see where we have a contour

00:09:11

overlap here I can use the

00:09:19

close option so now our polyline needs to be

00:09:23

selected until we see that it coincides with 3d

00:09:24

objects and I can turn on

00:09:27

cyclic selection control w in this case and

00:09:30

now I point at the place where I have a

00:09:32

polyline, I click strange, we

00:09:39

can’t see our polylines, let’s try a 2d frame,

00:09:45

so I’ve selected the polyline, now I select the

00:09:49

extrude tool and extrude it by 200 millimeters, there’s

00:09:52

our overlap, we can

00:09:59

lower it down,

00:10:00

select copy, let’s do it according to the

00:10:06

rules, that is, from the tape, select the

00:10:08

copy tool where it is there is

00:10:11

an edit here, copying

00:10:16

is anchored in principle to any point in

00:10:18

space, the main thing for me is that the

00:10:20

art mode is turned on so that I can set

00:10:21

the direction strictly down and enter the value

00:10:24

2,800 there is an escape to finish

00:10:29

copying and look at all the overlaps,

00:10:32

but well, not quite, and still

00:10:36

need 200 millimeters I choose to lower the transfer

00:10:42

and lower it by 200 millimeters, and

00:10:44

here the part responsible for

00:10:47

the sedge will already go, so now we wo

00:10:50

n’t fence anything for now, so let’s take care of

00:10:53

the openings, everything here is also quite

00:10:55

simple, now I’ll hide the ceilings and you

00:10:59

hide it in the following way, select with the

00:11:01

right mouse button here

00:11:03

isolate hide I have

00:11:05

custom pseudonyms, if anyone is

00:11:07

interested, look for the video, I have

00:11:09

it on my channel or on the website, that is,

00:11:11

I can quickly hide and quickly

00:11:14

complete the insulation, a very convenient thing,

00:11:20

so let’s probably turn on transillumination and

00:11:24

create boxes, that is, drawers and a paradise box

00:11:28

and create boxes for openings By snapping

00:11:34

in this way, you can snap to the

00:11:37

object tracking here, this

00:11:39

button and set it means the height is not

00:11:45

15000 it was necessary one and a half thousand box so

00:11:51

here neatly by points here I snapped to the

00:11:54

point I have object

00:11:55

tracking enabled so I can carefully

00:11:57

move along the line

00:11:58

because the box should protrude behind

00:12:00

the wall this is important so and up I enter

00:12:03

the value 1500 ok so I select now

00:12:08

this box I copy it by

00:12:11

snapping it to a characteristic point and

00:12:14

placing it in those places where I have a window

00:12:16

about 3 while three are on top so I’ll turn off the

00:12:20

art mode to make it easier to snap so as

00:12:23

not to jump around like that Well, a3 is

00:12:28

no longer there, I see there is o2,

00:12:30

I put it here and adjust the dimensions of the box to

00:12:35

the required size, I can do this,

00:12:46

take it away when, that is, there is an intersection, it’s

00:12:49

quite difficult to select which point,

00:12:51

but we still

00:12:53

selected it, and using the same principle,

00:12:58

I arrange

00:12:59

about two windows, then I have eye 4 and in the

00:13:03

same way the doors and so it seems like

00:13:08

I installed windows everywhere, put back

00:13:11

similar openings under the doors, but look here I

00:13:13

noticed a small mistake in myself, I

00:13:16

adjusted the opening under the door in width but

00:13:18

forgot in height, and so that now I do

00:13:21

n’t have to tighten each opening manually, I I can do

00:13:22

the following, I’ll select

00:13:27

this opening box everywhere, and so if something unnecessary is

00:13:30

caught with the shift, I can kind of

00:13:32

deselect what you’re going to do like this,

00:13:39

where we haven’t installed doors for the door yet,

00:13:44

but oh well, they won’t

00:13:48

deliver anymore, the main thing is that we understand that

00:13:51

the meaning and logic are correct, but they

00:13:55

seem to be all the door, I can go to

00:13:56

properties and in the properties I can change

00:13:59

the height, these are parametric objects

00:14:01

that have parameters for length and width

00:14:03

and height, I can thank God set the

00:14:06

desired height, I’ll set two two hundred

00:14:08

everything As you can see, all the boxes have lengthened, so

00:14:12

now we’ll work with the openings, we need to

00:14:14

select all the openings, let’s not be

00:14:17

tricky and just select them manually

00:14:22

and raise them to the desired height by holding the

00:14:26

gizmo, let’s say 800 millimeters, so

00:14:29

now what are we doing with

00:14:32

multi-layer walls and there are only Boolean

00:14:34

subtraction operations we can’t do it

00:14:35

because if we subtract

00:14:36

from three layers at once, they will merge,

00:14:40

unfortunately, so

00:14:41

we act a little differently. First,

00:14:44

we actually use the Boolean

00:14:47

subtraction operation to select the outer layer, press

00:14:50

confirm, that is, we have selected the layer from

00:14:52

which we will now subtract the

00:14:53

windows and now select what actually

00:14:57

subtract the

00:14:58

windows and openings that we have selected from the outside,

00:15:03

press the spacebar again and

00:15:06

subtract from the first layer

00:15:08

so that we can subtract the openings from subsequent layers,

00:15:11

we will use the

00:15:13

extrusion tool, select it like this,

00:15:19

pull it inward and as you can see, the walls

00:15:29

retain their uniqueness, but they are not

00:15:31

are combined inside, you can simply subtract,

00:15:35

yes, because here we have one layer,

00:15:37

but again, you can’t

00:15:40

select several individual elements at once when

00:15:42

subtracting because they will be combined, that

00:15:44

is, we act for each wall separately. a

00:15:57

wall and

00:15:59

two openings, respectively, selected a wall,

00:16:02

confirmed selected the first, made 2

00:16:04

openings, confirmed, well, let's probably

00:16:07

fix it, we'll create

00:16:08

one window, I'll take a custom

00:16:10

coordinate system and place it and here on the

00:16:15

surface so that it's

00:16:16

convenient for me to build a window right here along the

00:16:18

opening, select a rectangle

00:16:24

I won’t search for an alias, I’m

00:16:25

attached to the points, the cyclic selection

00:16:30

is even buggy,

00:16:31

out is working, I select a polyline and

00:16:34

hide everything else in such a way that

00:16:37

nothing bothers me, but I won’t bother with the

00:16:41

dimensions here

00:16:42

until I make 60 millimeters, but no,

00:16:47

first I probably need 20

00:16:56

Now I’ll make it for frame 60, so I’ll make a key with

00:17:04

more bindings,

00:17:14

make a few jumper partitions,

00:17:29

okay, I’ll probably leave it like this,

00:17:32

and here, by the way, we may still

00:17:34

have glitches, and we’ll just look

00:17:36

at their solutions, so let’s try to draw out

00:17:41

now this contour, which between us we

00:17:44

see that we don’t have This works especially well

00:17:47

because there is a fairly narrow

00:17:51

distance here and we cannot do this completely,

00:17:54

and look how to solve this

00:17:55

problem, how to stretch out this stripe, but

00:17:59

I go to editing, select an

00:18:02

area here, create an area from both the

00:18:05

inner contour and create an area

00:18:08

from the outer contour, and now I subtract from

00:18:10

more and less to get a strip,

00:18:12

choosing again the familiar subtraction

00:18:14

from this, I subtract

00:18:16

this now I select extrude and now it

00:18:20

will be much easier for me to do this

00:18:23

using the extrude command, I select

00:18:27

extrude faith object and extrude damn I do

00:18:32

n’t remember how much my wall is,

00:18:34

let’s do it about 300 so

00:18:40

move it to the other side, so I grab the

00:18:42

axle and set 300 here so now the

00:18:46

frame itself, but here you’ll probably have to

00:18:48

do the same thing, although no, you see,

00:18:54

sometimes it catches, sometimes no, so backwards 50

00:18:58

millimeters,

00:19:01

these are 40 each

00:19:04

for clarity, you can chamfer it,

00:19:08

let me probably I won’t do this, I

00:19:10

don’t want to, that is, we’ll make glass of 5

00:19:18

millimeters,

00:19:24

we’ll move them to the center of the frame, so we’ll

00:19:31

probably need to embed all this

00:19:35

a little

00:19:36

and remove the primitives from which we made it,

00:19:51

now we’ll select all this and create

00:19:54

a window in order to create a blog I

00:19:59

press the spacebar so I missed and

00:20:05

apparently, well, yes, I would press the spacebar, press

00:20:08

the spacebar into the spaces, then immediately insert a

00:20:10

block and press the name of the eye, one base

00:20:16

point, I will indicate

00:20:17

and convert it directly into a blog

00:20:21

ok, later I will be able to extract

00:20:22

information about the windows, yes, that is, at

00:20:24

least quantity that I complete the insulation

00:20:28

and get this window, I

00:20:30

now have a single object and I can

00:20:32

insert it into the places where I

00:20:34

need it

00:20:41

so the last thing we will look at in

00:20:43

this lesson is how to determine the volumes of

00:20:45

elements in our case the volumes of the

00:20:47

structure,

00:20:48

that is, internal walls let's

00:20:50

define, say, the volume of blocks here, I

00:20:53

suggest using the following

00:20:55

tool on the layers panel on the

00:20:58

home tab, we have the bypass tool, an

00:21:00

excellent tool that allows you to

00:21:02

leave visible the layers that you

00:21:05

need, that is, I can select the

00:21:07

desired layer, be sure to uncheck

00:21:10

the box here, usually there is a check mark

00:21:12

we We remove it, click close

00:21:14

and we are left with only the layer that

00:21:16

we need in order to get

00:21:18

information about a specific wall,

00:21:20

we can enter the mosshart command,

00:21:25

select and confirm and we see here the

00:21:28

volume volume volume to us in cubic

00:21:32

millimeters for those who need to translate

00:21:34

using a calculator can select

00:21:37

copy and go to a quick

00:21:40

calculator like this, but we

00:21:44

saw that the volume of the wall is two and seven

00:21:46

cubic meters in order to

00:21:48

determine the volume of all the walls or

00:21:50

several, yes, we can immediately

00:21:54

use the Boolean operation of

00:21:55

combining, we will combine all the walls,

00:21:59

now we will confirm single object, let's

00:22:01

also enter the mass command hour, select

00:22:07

it enter and see thirty-seven cubic

00:22:10

meters, this way we can very quickly

00:22:13

determine the volume of structures, and

00:22:15

by the way, if it is necessary to

00:22:17

disconnect again, we can select select the

00:22:19

disconnect tool and well, yes, we

00:22:22

need to select after

00:22:24

confirm again and now we have again,

00:22:26

individual elements, well, this is how it’s

00:22:29

done, we’ll stop at this in this

00:22:32

lesson, I think it will be

00:22:34

useful to you, if you still have any

00:22:37

questions, then again, write them

00:22:38

in the comments, Alexey Merkulov was with you

00:22:41

until we meet again

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