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высоцкий
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песни высоцкого
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высоцкий концерт
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Visotskiy
Vysotsky Vladimir
Visockiy
барды россии
барды песни
высоцкий я не люблю
высоцкий кони привередливые
высоцкий иноходец
высоцкий почему аборигены съели кука
высоцкий концерт в ленинграде
высоцкий концерт в клубе восток
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  • ruRussian
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00:00:08
like Vladimir Vysotsky, good evening
00:00:15
comrades, excuse me for the forced
00:00:18
delay, just from the ship to the ball,
00:00:19
as they say from work to work, well, I
00:00:24
didn’t have time to acclimatize
00:00:27
to the club here at all and asked who came for what,
00:00:32
but as I understand it, in general they
00:00:36
came for songs, but probably not only
00:00:38
for songs, probably a deposit, but I have
00:00:41
some questions, I’ll be happy to
00:00:43
answer them at the end, it’s good if these
00:00:47
questions are not of a personal life, but of a
00:00:49
creative nature, and then
00:00:53
we’ll figure it out further, but still for that to
00:00:55
anticipate some questions for me, I’ll
00:00:59
just tell you in a few words, I have
00:01:03
n’t been here for a long time in this club,
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although in general I started here, I
00:01:07
sang my songs here for the first time, but since then
00:01:12
a lot has happened, a lot has happened, I’m
00:01:15
so basic I’ll
00:01:17
celebrate milestones today, but we
00:01:21
often come to the theater in Leningrad, you know
00:01:24
that we’ve been playing lately, now the
00:01:27
play has been released, although we
00:01:30
already brought Hamlet, last year
00:01:32
a play based on Yevtushenko’s poem was released, and the dawns
00:01:35
here are quiet
00:01:36
on the Taganka, and his cycle was also included there
00:01:41
American poems that I’m talking quietly to
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Norman that
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please forgive me the truth is under the building
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edge you know better than me right at 1 dawn
00:01:56
here the quiet ones are also coming but under the skin of the
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Statue of Liberty
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this is the Pope by them Yevtushenko and
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some of his ancient poems
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and the elements of ten years ago were also included there as it
00:02:06
turned out, these poems turned out to be better than the
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last one, and he himself was even upset,
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but then somehow all this
00:02:15
was assimilated together and it turned out to be such an
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interesting spectacle, and this is the first time that
00:02:20
we have prices, there is no stage at all, the stage is
00:02:24
closed by such a blank wall, there
00:02:27
are 15 people sitting on the proscenium -20 of our actors, it’s
00:02:31
like not so long ago,
00:02:33
in front of the White House, students held
00:02:35
a demonstration of sitting, such a demonstration of
00:02:37
protest, they put papier-mâché skulls
00:02:40
in a clearing, they stuck them in and played in these
00:02:42
decorations, some scenes were acting out
00:02:45
such a demonstration of protest, we took
00:02:47
this decoration from us these
00:02:49
papier-mâché skulls
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on the front of the stage, the first row is not for sale, a
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policeman is sitting in the first row with
00:02:54
batons,
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they restore order, they say, it
00:02:58
begins, here are the poems and songs, there is
00:03:01
a lot of music in this performance,
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and if anyone doesn’t let loose,
00:03:05
especially from the actors, they hit him on the
00:03:08
head and throws them right into x and we have
00:03:12
trained people, no one gets killed
00:03:14
and there it means they throw the actors out there, the audience
00:03:16
doesn’t throw them out, but it’s the same when
00:03:18
someone especially starts to react,
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they rise from the first row,
00:03:22
wave their batons and unambiguously
00:03:25
hint that what could happen to the audience, the same thing
00:03:27
this is such a performance, you
00:03:31
know, talking about performances is stupid, in
00:03:32
my opinion it’s better to watch them, but
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our last work, which
00:03:37
will probably premiere soon, is called it’s a
00:03:39
comrade of faith, it’s about Pushkin,
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poems,
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letters, memories of him, his diaries and
00:03:47
what was done, Lyubimov wrote together in
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collaboration with the whole sky wrote a
00:03:52
performance called Comrade
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Vera, it will also be an interesting show, I’m
00:03:58
not participating in it, but the plans for the theater
00:04:02
there are such plans that now it’s even scary
00:04:05
to name the master and Margarita
00:04:06
and demons and Ostrovsky, and so they wanted to write a play about
00:04:10
Kamaz, in general, big plans here
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this is so now, since today it’s still
00:04:15
something connected with cinema, I
00:04:18
’ll tell you a few words about what I’ve
00:04:20
recently starred
00:04:22
in in two films over the past year, one of them is
00:04:25
completely finished and there was a premiere recently at the
00:04:27
cinema house, this picture is called 4 stages
00:04:31
Konstantin Simonov was filmed filmed by its
00:04:34
director stolper
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I play the main role there
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4 people without a name here is the
00:04:40
script when we made it it
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was very interesting because
00:04:45
it’s very easy to shoot a conventional movie in the theater
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when here
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Tovstonogov scam theater slide detour the
00:04:52
fan started working then the sound of the
00:04:54
plane and immediately entered into memories of
00:04:57
how to do it in a movie when you came to the bath, there the
00:04:59
dead are sitting, we thought about many very
00:05:01
different options and finally, in my opinion,
00:05:03
we found a very interesting option
00:05:06
so that it was such a whole crew and that
00:05:08
all the conversations with these dead people
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were just his monologue
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this person in which
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his own thoughts are simply held together, only those
00:05:18
said by other people and that’s why
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we sit on such a bench, four of us, like the
00:05:23
crew of an airplane, but it’s also difficult to
00:05:25
talk about this movie, the premiere
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was successful, curious picture days it’s
00:05:31
small only 1:10 the basket is
00:05:33
serious there are questions
00:05:35
interesting questions are posed about the human conscience about the
00:05:38
responsibility of a person, that every
00:05:40
person at some point begins to
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reconsider his life, so I have
00:05:46
n’t acted in films for a long time and for me it
00:05:47
was a very interesting job also because
00:05:50
Alexandrovich Stolper is a person
00:05:52
whose artists have always worked well in
00:05:55
his films, he shot wonderful
00:05:58
pictures of his life, and that’s why it was
00:06:01
incredibly interesting to work with him, he’s
00:06:03
such a real actor’s director,
00:06:05
very strong, well, here’s the second film in
00:06:08
which I starred this year, this is
00:06:10
on Lenfilm, a film based on Chekhov’s duel,
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it’s called a bad good
00:06:16
man, this the picture was already being filmed and even
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we weren’t allowed to call it a duel
00:06:23
because it’s still an old duel, the old version of the
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duel is still circulating somewhere on the periphery
00:06:28
so as not to be confused, it means it should have been called
00:06:30
differently, well, the script has a completely
00:06:34
different director,
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Heifitz, and in the fall he is a person who is
00:06:39
wonderful knows Chekhov, you know, he shot a lot
00:06:41
based on Chekhov with them, and he
00:06:44
even considers that this picture is one of his most
00:06:46
successful works,
00:06:47
I play the role of Von Koren in this film, these are
00:06:50
two people, Laevsky Von
00:06:54
Koren, who participate in this very
00:06:57
notorious duel,
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that’s all Now I don’t sing in these films,
00:07:03
although before this all the time, how did it
00:07:07
turn out that like a film like I had to
00:07:09
sing in us, and now the
00:07:11
last picture was repeatedly scolded
00:07:14
in the press, dangerous tours, so I flourished there in
00:07:16
this sense, sang my songs, but
00:07:20
now they decided that’s enough, in general, we need to get
00:07:22
a couple of serious things done and
00:07:25
now I’m not fighting from the screen anymore, so in
00:07:28
general I think that this is Nina Nina century, if I
00:07:31
come across something suitable where
00:07:32
I can write songs and perform them myself,
00:07:35
I’ll gladly agree to it,
00:07:37
but you just need to wait for the
00:07:38
right hour and something just
00:07:41
interesting, some kind of work, well, that’s
00:07:44
all now, that means I’ll get down to business and
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sing you a few songs, these
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will probably be songs from films, and now I’ve already
00:07:55
changed the niva differently and write for theaters too
00:07:59
also for Moscow and for other theaters,
00:08:01
I wrote, for example, songs for performances of the
00:08:04
contemporary theater, my island, and now it’s
00:08:07
still not a change, a record came out,
00:08:09
it was in Leningrad, you know, a record of
00:08:10
war songs from films, I
00:08:13
come from childhood, sons go into battle
00:08:15
and, in my opinion, the war is under roofs are the first
00:08:19
series of sons,
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there were several songs of which
00:08:22
4 were included in this record, and now I have
00:08:25
recorded a new record and
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it includes several more songs that you
00:08:30
probably don’t know, one of them is a song
00:08:32
called we rotate the earth,
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I want to show you let's come to an
00:08:38
agreement, if you don't want to
00:08:39
applaud, you don't need to, because I can tell by their
00:08:41
faces whether
00:08:42
you like it or not, and then they'll
00:08:43
change the repertoire so it won't
00:08:45
break up, it'll be like a performance, they're a
00:08:48
concert because it's not an orchestra, no,
00:08:50
no one supports it, so just you
00:08:52
sit in the taxi, relax, I'll work,
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okay,
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I'll sing a few comic
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sports songs, I'm thinking of writing a series of
00:09:02
sports songs, there will probably be 49 of them,
00:09:04
judging by the sports lotto, but for now there are
00:09:08
a few, so I
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'll show you a few of them, the first songs are called
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morning exercises,
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please listen to the comic one a song
00:09:19
called the honor of the chess crown
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[music] he knows
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how to do in vain because it
00:09:27
makes me begin to understand that the military doesn’t
00:09:30
interest you in the song but is interested in funny ones I’ll be offended
00:09:32
and won’t drink they just flew in
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right away to the village quiche everyone is standing in advance the
00:09:42
photo reporter flew in if 5
00:09:46
confuse me though but and at home, whoever knocks
00:09:49
me off my feet as a reporter, don’t knock me down, I don’t have any
00:09:53
skills, this scipper
00:09:56
will never be able to guess what I’ll be like, I walked, it fell to him to walk, they
00:09:59
say he’s a
00:10:03
master with White, he made the move e2 on and 4,
00:10:06
which is also familiar to me, so so move after
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me what to do I need to sit down for care like
00:10:13
at night dad e
00:10:14
seems to be the most important of all the queen walk from
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forward and right to left well, the
00:10:19
horses remember only the letters e r saved at least taught to a
00:10:22
factory friend how to walk
00:10:26
as it turns out later I half
00:10:29
played the son visit they will kill everyone so that there is
00:10:32
no mistake, he
00:10:34
remembers everything, the cook is getting fat, he
00:10:37
would change the pawns on the daisy, it also cleared up
00:10:40
on the board
00:10:41
and it was revealed on his body, they issued the foreman, it’s
00:10:44
better then okay, I’ll end up from type to
00:10:57
[applause]
00:11:02
here you go, the policeman took it, he violated the
00:11:05
order of the elections, but I don’t pay no, just Well,
00:11:08
why am I working, he’s
00:11:10
arresting someone, you know where I
00:11:16
stopped, that I would change the Persian on the
00:11:18
glass, it also became clearer on the board, and
00:11:21
he aims the fork, he
00:11:23
wants to eat, and I would eat the queen, and this
00:11:27
would be the bottle for the remote control, but drink during the match
00:11:30
I can’t be cold, judge for yourself
00:11:33
here they only have coffee there for years, cages to
00:11:36
the chest with interceptions of
00:11:38
kings I confuse with aces and the opening they
00:11:42
confuse the plaid has a sign so I’m taking a
00:11:45
risk the first time I should be lucky yes
00:11:48
I’ll torture him by the needles yes I
00:11:51
just need to trick the tomka I have
00:11:53
n’t been mooing for a week, the connection is like cotton wool, I need to
00:11:56
drink something, it’s time to
00:11:58
drink something, why hit with a rook, it’s scary with the right
00:12:02
jaw, it’s like a peaceful one, it’s uncomfortable like the
00:12:05
first game,
00:12:06
and he’s destroying my defense of the old
00:12:09
Indian moment, it’s vague, don’t
00:12:13
remind me of the Indo-Pakistani incident,
00:12:16
but in vain he’s joking with ours
00:12:19
my brother I have even the 2nd measure if he
00:12:23
finishes me off with checkmate so I’ll do it through the hip with
00:12:26
a grab
00:12:27
or a move with a knight on the head I added a little more let’s
00:12:30
jump everything is not so gloomy
00:12:33
near the
00:12:34
world of chess the pawn can get out but clearly he’s
00:12:37
training to be a queen
00:12:39
and now he’s become on cunning and let him
00:12:42
go for a run and back he
00:12:45
suggested to me to exchange fools, and
00:12:48
why shouldn’t I be afraid when I’m lying down pressing
00:12:52
152 of his figurine with a keychain and when he
00:12:56
announced the check to me I exposed my biceps and
00:12:59
inadvertently even took off my jacket and the
00:13:02
Aries stood up more quietly, he noticed that
00:13:06
I was getting up because he had no time for
00:13:09
chips and the vaunted notorious
00:13:12
and the ball immediately agreed to a draw
00:13:18
[applause]
00:13:29
thank you
00:13:35
1 time
00:13:40
connector for
00:13:51
your sake thank you for such a note
00:13:56
notes to read and if something very
00:13:59
intimate
00:14:00
means thanks from the climbers
00:14:02
Leningrad Spartak for the series of songs from the
00:14:04
vertical thank you thank you signatures
00:14:06
climbers no very nice in general
00:14:09
now thank you
00:14:11
here the number of the mailbox and the military
00:14:14
unit is written here further it is written
00:14:16
why at the end of the film the war under the roofs
00:14:18
the song is not performed by you
00:14:20
which was originally performed by you
00:14:23
business the fact is that when the film was being filmed, there
00:14:25
was a
00:14:27
lot of unfair criticism addressed to me, namely, there
00:14:32
were articles in newspapers in which
00:14:35
songs were attributed to me that did not
00:14:37
belong to me and connections with this in order to
00:14:39
somehow save the situation in this
00:14:42
film because they had already been recorded my songs
00:14:44
couldn’t be pulled out,
00:14:46
we made them to generalize, so that there was
00:14:49
just a neutral voice so that it wouldn’t be
00:14:51
tied to my voice because
00:14:53
it sounded modern in a war film,
00:14:57
it’s clear that it means even
00:15:05
slower the horses won’t sing
00:15:08
because why is it better to make it faster, you
00:15:12
see here in everything he asks to sing
00:15:14
some songs that I haven’t sung for a long time,
00:15:17
I’m changing the repertoire little by little, but here’s
00:15:21
something else I wanted to tell you: thank you, I
00:15:22
started here and this stage is a very dear place for me,
00:15:25
so I’m very glad that the fans of the song are not
00:15:28
diminishing, but rather on the contrary, here I am,
00:15:32
if I come to Leningrad and they
00:15:34
invite me, it would be a pleasure to
00:15:36
see you again, thank you very much
00:15:39
[applause]

Description:

Высоцкий А урод то сидит на уроде. Концерт Высоцкого в ДК РПП (работников пищевой промышленности), Большой зал, Клуб самодеятельной песни "Восток". Город Ленинград. Запись 28 февраля 1973 года. Этот концерт какой-то загадочный. Конечно, выступления Высоцкого отменялись и запрещались и до, и после 28 февраля 1973 г. Но с этим концертом вышло как-то странно – его окончательно не запретили, но зато не разрешили вести звукозапись и киносъёмку. Вот что вспоминает об этом концерте фотограф Г. Земцовский: "Работники зала всячески препятствовали мне вести съёмку. Я расположился в одном из первых рядов – ряд, наверное, пятый или шестой, сел у стеночки. Начал снимать. И уже в конце концерта в зале появился милиционер и начал меня оттуда выцарапывать. Мне пришлось всё свернуть и выйти. Высоцкий со сцены это заметил и высказался в том смысле, что, дескать, товарищ старшина, могли бы подождать до конца". Действительно, всё было именно так, это зафиксировано на фонограмме концерта. Во время исполнения песни "Только прилетели – сразу сели..." Высоцкий прервал себя на полуслове: "Вы, товарищ старшина, лучше потом, ладно? Я закончу. Сядьте пока. Вот, пожалуйста, милиционер взял и нарушил порядок. Такой... А я не обращаю, нет, просто... Ну зачем же, я работаю, а он кого-то арестовывает. Зачем? Значит, на чём я остановился?" – после чего продолжил исполнение песни. Друзья, поддержите наш канал: 4469210107117062 Карта Visa 4100110056212882 Яндекс Деньги Более подробная информация: Facebook - https://www.facebook.com/581034875654355/ В Контакте - https://vk.com/arhivnye_materialy Электронная почта - [email protected]

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