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Download "Эффекты в Adobe Premiere PRO. Занятие №1. Дмитрий Ларионов"

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Table of contents
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Table of contents

0:00
Введение
5:34
Режимы наложения слоев
15:15
Создание титров c помощью Transform
50:34
Создание титров c помощью Tint
1:14:05
Создание титров c помощью Blur
1:30:49
Работа с эффектом LumaKey
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Video tags

profileschool
profile school
профайл скул
профайлскул
школа профайл
профайл
profile
обучение онлайн
онлайн обучение
видеоуроки
видео уроки
дмитрий ларионов
курс premiere pro
Subtitles
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Subtitles

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00:00:01
[music]
00:00:06
at
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hello and welcome everyone
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first lesson in the Adobe hybrid course
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prime minister about working with effects in line
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courses that are available in Calais profile
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this can be considered
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the third level, but I remember there is a basic one
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there is an advanced one and working with effects
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this is what they used to call me
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work practice at premiere pro now
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it became a hybrid course of work with
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effects in premiere pro or third
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level
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why am I emphasizing yours on this?
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attention to every fireman, in case you don't
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have you completed the first two levels or have you done it at all?
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didn't learn profile at school maybe this one
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the level will be a little difficult and
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in this case, if you feel that something is going on
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a little heavy maybe you're missing it
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basic levels, well actually then you
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there is room to dig firstly and secondly
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one thing I want to point out
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attention to why this
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the level is needed because in fact it
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replaced by combat in some programs
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or work in the author effect and arises
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a reasonable question: why do this at all?
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do everything in premiere
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wouldn't it be better to do this in after effects?
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after all, the author is specialized
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programs are precisely designed for
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working with effects why invent
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bicycle why create something in
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premiere when there is time for it
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specialized programs the answer is very
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simple, there are several options with them
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1 answers
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again from my experience for many
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things like simple captions that everyday life
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do today today next
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lessons they are so simple that they can be uncovered
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for their sake the author has an effect, well that’s not it
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worth the author effect it makes sense to do
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complex compositing 3D titles
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three-dimensional tracking some strong
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for the tricky timings this is it
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for this it makes sense to open the author a
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some simple things that are done in
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two stomps and three slams in the premiere
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why for this
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open and bother with the author
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effect is the first reason that is
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often enough
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when people say I want to do this
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the author can very often do this in the premiere
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faster the second reason is more effective
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variety of versions of the premiere which
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there is in practice, for example for me
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you have to work to keep the car
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there are already four versions of the premiere
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I was installed 2017 and 2018 19 20
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versions of why being a freelancer I
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I work with different companies and in one
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the company still has version 17 they
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may be updated for various reasons
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so I am for compatibility with them
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should keep version 17 in another
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companies are worth it for the same reasons
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18 on others in the third company 19 and not
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I know that my main program so far
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there is still 19 version of the prime minister already
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comes a project made by someone who
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updated to version 20 and so I
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you also have to hold the twentieth
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version including therefore here on this one
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just in the car it’s a whole zoo for me
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prime ministers of course yes I know it’s possible
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switch between versions
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changing the version number inside the file
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premiere I know all this but it happens sometimes
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It’s more convenient and efficient to just work
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that the version in which you then simply
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imagine and give so that's what it's like
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has to do with the author effects in general
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effects the most direct as you know the authority
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must be the same version of the stove
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so that it works correctly with the prime minister
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and the prime minister himself, that is, roughly speaking, if
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you have version 17 of premier installed
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you need the 2012 version of the author and so on
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there are versions that must be parallel
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accordingly the number of installations
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the author of the effect is also multiplied by 4
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because version 4 is an example of version 4
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the author needs to be kept and there are just as many of you
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medien frames and really whole
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a real zoo in the applications folder
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you appear so here's moreover a bunch
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premieres by authors are not always consistent
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unfortunately I would like it
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has the day ever come that I
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I could say yes premiere and after
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effect to the simple reinforced concrete
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a couple won't spill water and no problems
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does not arise in practice it is not so
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on practice
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it turns out that this one is magical
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double cling between programs
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fails and is therefore safer especially if
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you are a freelancer
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For a freelancer, time and money are safer
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it happens to make some effect in
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premiere and quickly you can calculate in the example and
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it may be necessary to leave no less than
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contact the bunch
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with the author's effect through blade data
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worry about when it will fail you
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it will most likely disappear
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crucial moment
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so here are two main reasons that
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have always been such a cornerstone for me
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stone why I have many simple effects
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I do it in the premiere without sending them to the after
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effect that's all I have summarized
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let's start
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we'll start with a little pov
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aging is a second level material
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if you were at an advanced level
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premiere at school profile then you this
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the information has already been heard but nevertheless
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let's repeat it because it will
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fundamental for the entire 3rd level on
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where we are so we will begin
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with layer blending modes a little like this
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let's figure it out, they're blend mode
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and below compositing they can also transfer
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mode name most different designate
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same layer blending modes in
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a common carriage and a small cart all of us
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they won't interest us
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basic 3 and basic 4 depending on how you count
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readers normal layer blending mode
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or not, well, you can probably consider it like this
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that's what mode 3 is
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this one is small warm overlay and plus normal
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4 turns out but normal is like the norm
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can be calculated by hand
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how many languages ​​do you know there English
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and Russian found Russian is your native
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and you don’t consider him, so don’t
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you consider one foreign language and
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that's why I won't add normal here
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normal standard normal mode
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overlays when layers do not interact
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with each other but this little one is bad
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overlay we need to quickly repeat
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refresh your memory
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talk about it in advance before the night
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if you are interested in more in-depth
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I recommend learning blend modes
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very very highly recommend
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complete the course or not even the course alive
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I think Andrey Zhuravlev’s class is
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just a god guru descended from heaven to
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land As for photoshop, what he doesn’t know
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hurray ice that and know the wrong thing and the most
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They themselves probably don’t know to come to their senses about
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photoshop doesn't know the enemies so
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if you are interested in the depths of the deep
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such is the excavation of the regime in
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position running to Zhuravlev
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if you are ready to be patient, then in principle
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basic three blend modes I have now
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I'll quickly explain it again quickly
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because they were more detailed and they were picked
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on the second level and this is actually
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information from there so let's start with that
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let's do it as an experiment
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Let's imagine that we have a gradient then
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there is a picture just the whole screen
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flooded with a stretch from black to white
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right here horizontally
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and this whole gradient doesn’t interest us
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because an atom consists of the nth
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number of steps above the blackest to
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We are interested in the largest volumes of white
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abstract 3 pixels the blackest
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white and gray among grays for convenience
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we will not label them as you were
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adopted by Photoshop or in earlier versions
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the author of the effect in 8 bit bear years that is
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from 1 to 255 we will denote them in
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floating point school
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point where black is 0
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This unit is white and all other colors
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stacked in the form
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fractions between zero and one
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accordingly fifty percent
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gray color we will have 50 percent and
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050 and I will henceforth call it .
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5 omitting 0 so this is the basic introductory
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here we have 3 pixels black 0 white
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one and gray 05 and let's say we want
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interact in some way with
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with other layers we will have two layers here
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this is our reference and we are the mode
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edda impositions let's start with it we want them
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somehow between each other
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add up what it will look like
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I would like to immediately draw your attention to the conclusion
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blending mode it highlights
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the image is two layers
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interactions with each other will be
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achieve brighter results
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the picture will become lighter pure black
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the color will become completely transparent but
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please note that it is clean
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black that is, if the color is not pure
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black dark dark dark dark dark
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dark dark dark gray
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that is, it’s almost black, but something like that
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If there is impurity in him, then he is not
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will be transparent it will be translucent
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this is an important moment, I'm on it a little longer
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I'll stop later so that's why
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happens why this one is called I'll give it away
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why doesn't he call it something else?
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what kind of addition is going on there
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very simply let's imagine that
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we have two layers of top will be filled
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uniform gray color and the bottom one is
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our standards in which we are already familiar with
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where it all started and so this is happening
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real pixel addition each
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a pixel is added to a lying pixel
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I think this math is what
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first class or 2nd class
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when addition takes place but in any
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case 0 + 0 5 gives us 0 5 0 5 plus 0 5
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gives us one 05 + costs us units
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one and a half and there is a nuance here because
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the brightest color possible
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be saved is the unit then
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one and a half
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rounded to units, that is, everything that
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higher than one goes back down
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unit is actually a floating scale
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the point is not arranged exactly like the colors are not
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they are reset to zero, they are remembered, that is
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any program that can work in this
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scale
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remember these extra 05 from above
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units but will be displayed on the screen
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as bright as possible and meaning namely
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unit then roughly the screen simply cannot
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show pixel whiter than white the same
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just like the value is less than 0, they are not here
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but if they were they couldn't bring it out
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screen because you can't show it blacker
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black therefore since us it
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the range boundaries are not lower than 0 and they
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left 0 pixels not shown
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rounded to the nearest value
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so this is the result
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picture gradient black gray and white a
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the output turned out gray-white white then
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everything that was dark has become light
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ok that's about it
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given further was warm right
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the opposite mode is proposed et du
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although it seems like the opposite mode
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addition and there should be subtraction but not
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exactly the same for working with images
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the opposite of addition would be
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be multiplication why now will
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it's clear why
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at least according to the results
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applying this blend mode
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the picture will be darkened
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will be placed dark and pure white
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will become transparent compare
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this is with this mode where it’s pure black
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it became transparent here on the contrary
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why so why does it look like this
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why not subtraction very simply let's
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Let's look again at our reference layer
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gray 05 05 05
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folding with our original layer 0
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0 5 1
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now we just multiply but
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we multiply not numbers / and therefore 0 5
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multiplied as I remember in mathematics 0 by
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any number gives us 0 that's all for us
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got yourself 0 units and gives for any
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number will be any number from on we get
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0 5 . 5 times . 5 on we receive . 25
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that is, we had half multiplied
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half turns into a quarter
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it turns out 0 pure black dark
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dark dark dark gray and medium gray
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that is, as a result, comparing the result
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received during these transactions with
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as a standard we see that the picture has darkened
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that's all, this is what a small warm and
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that's why he said that he is
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the complete opposite of 5d
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because the picture is darkened on and
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what becomes transparent is not what it was before
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this in 1
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let's move on to the third blend mode
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actually when it is a hybrid
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the first two are overlay why a hybrid
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because it works quite simply
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or logically everything that is lighter than 50
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percent is processed in n.a. mode.
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anything darker than 50 percent than 05
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this is our watershed
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everything lighter is processed as FDT
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there is everything that is darker
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processed as if it were warm, that is
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multiplied in other words if
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the pixels were lighter than gray
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become even lighter and if the pixels
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were darker than medium gray that they
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become even darker here for comparison
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I just added more
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steps so that it’s clear to me now
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not just there is black black gray and
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white and I have black dark gray gray
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light gray and white resulting in
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it turns out, well, actually with gray white and
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black people have already seen how it works
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how do you get an even darker gray 0
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5 multiplied by 0 25 then it turns out 1 then
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that is, it turns out 012, that is, the set is 20
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if it's rude
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round and 075 by 0 5 1 25 units and them
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quarter or it worked here
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half a quarter that is one
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it turns out what 8 that in principle
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It’s logical that these are the three modes
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overlay once again and thought warm and
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we will need overlay constantly
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today's work and in all future
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classes until the end of the course
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I hope we refreshed this
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these memories let's come and
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implications for practical work and
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let's talk about creating animated
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credits
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we will have as many as three parts 3 points of work
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Let's start creating a peaceful north in Kirov
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with such a simple thing I will
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show that we will try you
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create it how to try there and with what
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complicated I once made a trailer like this
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for some kind of nightmare terrible
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terrible movie and I try to forget it but
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the trailer turned out cool and this
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credits from here are four blocks with
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captions you know as usual not on sharp
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sharp cutting and then credits something
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explaining this manifestation
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slicing slicing another tricky one so here it is
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these are the same credits I don't
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bothered with the correct resolution
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screen although always describe it on this
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I insist and here I exported it from
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black fields above and below are my jamb
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Well, it doesn’t matter, we’re interested in the credits themselves.
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urgently simple we have these
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flowers we have text and here are ducks
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black fields it was there for sharp
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I just threw it out and the titles themselves are the same type
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the text moves away for this reason
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open after effect but it's simple
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disrespect yourself will be done in two
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three slams in the very premiere
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Moreover, I will push this if
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throughout the course I would like
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so that this effect this setup that you
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do for the effect was elegant here
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this topic is this term elegant me
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I want a little lumbar elegant
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elegant means that in the future
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when you need to make changes
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you can easily and will be able to contribute this that you 38
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they threw a million layers
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should I bring something in there somehow?
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noticed then spat no elegant
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means that you at any time
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time you can easily fix all this
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so I will try in the future
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so that all ours are in the design
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elegant
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whether it will work or not is another question
00:17:22
ok so I'll peek at the screensaver
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which we have to get and import but
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sources for the first project
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I'm calling out for the title van I usually do
00:17:38
I recommend that everyone now does not do this either
00:17:41
exception so that all your montages lie
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separately in the folder goes or in the folder seconds
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since you're not even quite assembling that
00:17:47
I took the sequences folder or the whole thing
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I'll write
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seconds there will be sequences there
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there are time lines
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the sources will live separately in wine
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separated on the source to make a folder
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sources
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here is a bandage for me sources there is a title van
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the budget is not the title itself, you are the source code for
00:18:06
and I’ll make a new sequence because
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I don’t have a video here so I have to
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I will manually set the sequence settings
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if there was some kind of video file then
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Of course it would be more convenient to throw it on
00:18:18
taimen so that the prime minister himself raises
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I was in the mood, I think I had a squat
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yes, I have a squat, the only thing I do is
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I won’t make it this big though
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I will why I will leave 1920 1080 mine
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standard frame rate for me
00:18:33
remind me if you live in Russia and Europe
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or in countries on the other side of the earth
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the ball goes there Europe Australia here
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that's all
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your operating frequency will be 25
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frames per second if on this side
00:18:47
globe in america canada and mexico
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some almost all Latin countries
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America then your working frame rate
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2327 6 frames, well, that is, like this
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uneven ok although I need it, it seems already
00:19:01
ok I got used to it somehow and
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I recently had to do a project for
00:19:05
Europe at 25 frames per second I'm like
00:19:09
ram at the new gate gate I look at
00:19:11
these twenty-five moves I think some
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like this little number
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there is a general feeling of not being at peace here
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because it’s unusual I already know that
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the numbers should be long and when it
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short tunnel somewhere there's a catch
00:19:25
Sandry there's no catch, it's a matter of habit
00:19:29
as a codec setting for preview
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I highly recommend you
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switch from iframe mode is it
00:19:38
rush to quicktime mode and select in
00:19:40
as a code roll hole or slot
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halti
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or a parallel with a proxy for us especially
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you don't need a lot of quality here
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draw and didn’t think it was optimal
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option is if for some reason you don't
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suitable progress lte you can choose
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question inform or do I know why mrs
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inactive here money but oh my God
00:19:59
look at this or money in kindergarten
00:20:01
if you are on a windows machine and you
00:20:03
you also have the latest version of premier
00:20:05
the codec was carried by apple prores and I recommend it
00:20:08
its ok to use
00:20:10
all settings let's call this
00:20:12
title sequence and let's start with
00:20:19
that I will throw out the background on
00:20:22
timelines background is so small but I
00:20:26
painless I can stretch why
00:20:28
because according to the image because he
00:20:32
will work as a background and maybe
00:20:33
even I what I will lose in quality
00:20:36
as far as the mouth is certain it can
00:20:38
be even good you can still even a
00:20:40
one threw a pancake on top of him
00:20:45
what I would like is the length of each tetra
00:20:48
it was about the same, I don’t remember
00:20:50
what was she like in this video?
00:20:53
and there for about three seconds noky me
00:20:57
I think I’ll leave the general background until the general background
00:21:00
everywhere the same will just change
00:21:03
dies so I’ll make it like I do, length 5
00:21:09
about 5 seconds like this
00:21:12
legal title is further a separate folder and
00:21:17
I call elements
00:21:19
you can know whatever you want but why
00:21:21
the element potash is where my elements are stored
00:21:24
structures in particular will be here
00:21:26
stored dies making a new die
00:21:28
new call armada is not necessary
00:21:32
what was it like, well, I don’t know, I’ll do it
00:21:37
green, that is, not necessarily
00:21:38
follow the same colors although it may
00:21:40
and we’re not bad in general, I’m about like this
00:21:43
plus or minus I will adjust some color by eye
00:21:46
unity that I don’t want then that is me
00:21:50
it is important that this is the color that I
00:21:51
he chose was the same for me in all
00:21:53
other elements that will
00:21:55
use so now I agree with him but
00:21:58
in general I usually use the checkbox name as
00:22:02
I use the name of this color, that is
00:22:04
not just call armada grille so it was
00:22:08
it is clear that this light and further number
00:22:09
the colors are convenient and I always see that
00:22:14
legs if I see this die is it there can I
00:22:16
without even going into settings two colors
00:22:18
just copy her name and paste into
00:22:20
different format and I will have the same one
00:22:23
the same color and copied further
00:22:26
obviously I can drag this one
00:22:28
a die made on the timeline like this
00:22:31
Coincidentally, she is also 5-second long
00:22:32
but let's give them alone so that
00:22:37
demonstrate
00:22:38
Let's say that if I have the length of the project
00:22:42
there should be no projects that history should be
00:22:44
top 6 seconds for clarity then
00:22:49
I won't when I'm a trained monkey
00:22:51
every time here stretch the spoon to 6
00:22:53
seconds although you may have recognized yourself in
00:22:55
stretch this action each time
00:22:57
die so that's what I want to point out
00:22:59
attention, how do I insert this one?
00:23:03
spoon nato and the menu so that it is exactly the same
00:23:06
the same length as the underlying clip
00:23:08
use insert modes to
00:23:11
this is important for me to put
00:23:13
select the clip and put marks on
00:23:15
he can either be reminded not to single him out
00:23:17
creep just press x to mark it off
00:23:19
them to the out and drag the die itself
00:23:22
to overlay mode
00:23:24
he puts it on the track above that one
00:23:28
which is now lying there and being stretched
00:23:30
her mark for comparison if I
00:23:33
the labels were abstract and this one
00:23:37
length then overlay do not confuse with uber
00:23:39
right we eat removes them died
00:23:42
we are interested in the overlay, it would be easy to correct
00:23:44
arranged it by tags canceled yet
00:23:49
Once the marker, I drag all the overlays with it
00:23:51
I place it on the track above
00:23:53
further why didn’t I use some
00:23:57
there's a color effect from or something or
00:24:00
tint why I use verle die
00:24:02
because in the timeline I will
00:24:05
it is clearly visible that I am alone here
00:24:07
the die here is different and even the color virus
00:24:09
and the problem is that the number is not specified, well
00:24:11
can you indicate in words what is there
00:24:13
green blue red awkward to indicate
00:24:15
my task now is to stretch the color
00:24:18
Fonchik and I'm completely rude
00:24:20
unladylike on top I'll check that it's not
00:24:21
there is a daw skill to frame site what
00:24:24
it happens that if this checkbox is enabled then
00:24:26
smaller picture and so on
00:24:28
I'll stretch out later and I'll be on top
00:24:30
stretch it even more therefore
00:24:32
I’m convinced that Galkovsky is all the flame
00:24:34
says turned off and then calmly as usual
00:24:37
skill and stretch so that
00:24:39
filled the entire screen
00:24:40
as I already said, it’s not scary if
00:24:43
the quality will be slightly
00:24:44
we will remind you that she will suffer now
00:24:47
one is so muddy but that's not a problem
00:24:50
because I'll throw some more there
00:24:52
cove effect but some zico and
00:24:54
tell me that’s what happened next, fonchik himself
00:24:58
I turn on the blending mode
00:25:01
in this case I will use
00:25:03
ml warm I repainted the car but judging by
00:25:08
to what I had in the original
00:25:10
still the white parts remained white
00:25:12
the background was getting dark, it’s clearly not what I’m looking for
00:25:15
I need it now so I'll try to go
00:25:18
another way and switch to the mode from
00:25:21
multiplayer times arrange opinions
00:25:22
dimming can be switched
00:25:24
in mode this is the only thing that she is very
00:25:28
such crappy nipples maybe again
00:25:30
it is not necessary so much therefore it is possible in
00:25:32
I can use a huge finger just a little bit
00:25:35
opacity press down
00:25:38
so that she would be present in some way
00:25:39
at glitch level and possibly top color
00:25:44
an hour seems so tricky
00:25:46
maybe I'll make it a little smaller
00:25:49
intense but I won’t forget in this case
00:25:54
slightly correct the wording in color
00:25:57
Belskaya feasts and from here to here and inserting
00:26:01
it's in the description of the clip by the way
00:26:05
Please note this is also information from
00:26:07
either basic level or advanced
00:26:09
renames the clip on the timeline it
00:26:11
I am automatically renamed to
00:26:13
source code for this to work
00:26:15
make sure that in your project settings
00:26:19
checkbox enabled
00:26:20
display project atomic mine label color
00:26:23
full incense of us are interested in exactly
00:26:24
project this name, that is, I rename it
00:26:27
the clip on the timeline is automatic
00:26:29
renamed in wine and vice versa it
00:26:31
an important point to connect by name and by
00:26:33
colors were present ok that means
00:26:37
this is the first part of the Marlezon ballet
00:26:38
further look, my edges are not darkened
00:26:41
the problem is darkening the edges like me
00:26:45
I prefer to do this because they don't
00:26:46
just darkened and also slightly disassembled
00:26:48
mask will be prescribed here, mask by blue
00:26:53
room and in terms of brightness I will try to kill with one
00:26:59
stone of two birds with one stone or whatever it is
00:27:02
kills and haven't forgotten about the hare in years
00:27:05
saying no matter applied color on
00:27:08
player and need to watch now too now
00:27:12
I dragged it then I remembered it was clay
00:27:14
and the same trick therefore the response player
00:27:19
threw back the overlay he stood up with the highest
00:27:23
variable immediately adjustment layer
00:27:25
I will have a vignette of how this turned on
00:27:32
strange English word vignette in
00:27:35
no, Burton is not English because
00:27:37
which I throw on this layer first
00:27:41
effect about edging why pro comp it is very
00:27:43
convenient to use in the sense that it
00:27:45
easy to set up but usable
00:27:47
some rivals can be used
00:27:49
even the limit color pro comp is simple
00:27:52
it's easier because they are there to take us
00:27:53
which is easy to pick up and twist lighter
00:27:56
darker and also besides about computers I
00:28:00
I'll apply it here
00:28:01
gaussian blur and also a little beauty
00:28:05
I'll pm him to analyze this again
00:28:08
too much for everything is gone so 68
00:28:10
in my case I will leave the units as examples
00:28:12
maybe a five there maybe maybe
00:28:15
to be not even an A is the only thing
00:28:16
notice the scenes now again
00:28:18
I'll twist the dishes when you blurt and
00:28:21
the edge of the image also turns black because
00:28:24
would be charred
00:28:25
why because prime minister puke edge
00:28:28
image with blackness which is
00:28:31
outside the picture now it's
00:28:33
I’ll demonstrate, that is, here’s the background
00:28:35
if you move it by position, well, right there
00:28:36
blackness or move this platform along
00:28:40
the position is also black, here it is
00:28:43
starts to appear like this
00:28:44
charred edges so to avoid this
00:28:47
happened necessarily in the mode in
00:28:51
blur effect check the box rips pitching
00:28:54
the weight in this case will be uniform
00:28:56
smoothly applies me dishes on
00:29:00
You don't need a pager that strong
00:29:02
so I carefully put it there
00:29:04
a ten can be put yes then
00:29:09
there is a picture that should continue to be visible
00:29:12
we limit all this to the history of the mask and
00:29:14
and there was no need to disguise it
00:29:18
I love the computer and I’ll throw an opacity mask on it
00:29:22
image of unity that I need a mask
00:29:25
forget inverted and here I have if
00:29:29
take a closer look at the image inside
00:29:31
light masks and warriors fuzzy edges
00:29:34
measured and dark ok next I will do this
00:29:37
I’ll take away the mask, I’ll remind you when working with
00:29:40
masks the shift key when you bring it up
00:29:43
mouse to this checkpoint
00:29:46
or next to her for some reason I love
00:29:47
grab the bottom point like this without
00:29:50
shift mode rotation
00:29:53
with the headquarters mode shift, you need to
00:29:57
grope with the mouse and then I just
00:29:58
pulling this mask apart so that it is
00:30:03
approximately across the entire frame area and beyond
00:30:06
I just make her ungodly soft
00:30:08
disgustingly soft just softer
00:30:10
nowhere so straight vomit soft and
00:30:13
maybe brightness -38 is also a lot
00:30:17
I'll try to take us minus 20 on
00:30:19
so that guilt. she was so soft
00:30:21
conspicuous but nonetheless
00:30:23
maybe even a mask was present
00:30:25
we can do more
00:30:27
also with the shift something like that
00:30:31
It's scary if it goes over the edges
00:30:33
I haven't beaten such a guy there
00:30:35
with darkened checkmarks it seems
00:30:37
looks ok then it's a background what else
00:30:42
there was an image further, these are needed
00:30:43
there are no flowers with flowers somewhere
00:30:48
duck were you stand. here they are oh no
00:30:52
not an ornament yes this yes this
00:30:56
ornament with flowers with these eagles there
00:30:59
also the story itself, first I'm using threads
00:31:02
movie it on that opinion is true in the tweet
00:31:05
contrasting is placed higher and higher
00:31:07
I have two of the topmost layers
00:31:12
ornament I am one of them located in
00:31:17
located in one corner
00:31:26
flowers and the view itself, this is the core
00:31:28
visible only these bushes can be seen
00:31:34
be even bigger
00:31:35
tilt increase well something like this but
00:31:39
the problem remains these and these
00:31:42
petals or whatever it should be on
00:31:46
transparent background what to do and here the same ones enter the arena
00:31:50
blending modes or the you make effect
00:31:53
now let's see how this one works
00:31:55
let's start with blending modes
00:31:57
I'll try to go the simplest way and
00:32:00
kill white remember the beginning of the lesson there
00:32:04
two modes, one of them removes black
00:32:06
pure black leaves everything else
00:32:08
the other removes pure white and leaves everything
00:32:10
the rest in our case does not suit us
00:32:11
the mode is supposedly warm because that’s what it is
00:32:14
removes makes white transparent bomb but
00:32:19
with multipla or with blending mode there is
00:32:22
such a trick as this is exactly it
00:32:23
presented here the edge is visible
00:32:26
why is it visible for 1 percent and reason and then
00:32:30
than I said on the slides so far
00:32:33
be completely white color pure white
00:32:35
color angle of this color
00:32:37
incredibly it was light light light
00:32:39
gray but not pure white so I
00:32:42
I see how it should be and there is one nuance here
00:32:45
some I want to stay I don’t know
00:32:48
why does it work like that in the premiere but
00:32:49
I also came across this strange thing
00:32:53
strange behavior namely yes here in
00:32:57
first like the sled white background
00:32:59
not enough does we see primal warm
00:33:01
it would work in reverse too
00:33:03
if there was someone with a black background then
00:33:06
if I said I'd give it away, he would be there too
00:33:08
not purely transparent but a little bit
00:33:10
such a light translucent one
00:33:15
the sediment is such a boom and but it would seem necessary
00:33:18
take any effect and increase the brightness but
00:33:22
for some reason not every effect works
00:33:24
exactly
00:33:26
brother contrast about the computer and the closest
00:33:29
for some reason the cadets don’t work
00:33:31
they are the ones who allow the color white to become
00:33:34
whiter than white and then we see it too
00:33:37
this shouldn't happen at all
00:33:39
that is, the program should cut off here
00:33:41
this one is whiter than white without giving him
00:33:43
I want to go beyond the permissible range
00:33:46
show what it looks like and
00:33:47
unfortunately show how it doesn't work
00:33:50
my favorite pro comp
00:33:52
why do I love their breeches about the computer because
00:33:54
that it’s easy to set up, but that’s a pity
00:33:57
that it is not applicable here, namely I’m throwing it away
00:34:00
procam now I’m trying to remove it with my nose
00:34:03
lift it up make it brighter and it seemed
00:34:07
it would seem that he almost won the edges
00:34:12
disappeared but the middle began to come out
00:34:14
became lighter than the background why because
00:34:16
but it became whiter than white and the program is
00:34:18
take me into account in their calculations
00:34:22
it doesn't suit you how to be
00:34:24
refuse about the computer and also by the way
00:34:26
works or makers that's who in general
00:34:28
I didn't expect this but for some reason she did it
00:34:30
knows how to take white beyond the boundaries of white
00:34:33
however, there are effects that work
00:34:35
in particular for ties to you in general no matter how
00:34:38
strangely they turned out to be very good either at
00:34:41
Lime tricolor basic contrast in
00:34:44
bookmarks basic works for me too
00:34:47
it seems that the lime tricolor is again
00:34:49
uncover such a simple task as
00:34:50
just raising the white level is
00:34:52
shooting sparrows from a cannon therefore
00:34:54
this can be done using like if
00:34:56
want if you are more accustomed after the basic
00:34:58
level
00:34:59
work with them tricolor please
00:35:01
or after after extended to level
00:35:02
discovered to do it with the help of ladies' men
00:35:04
so thanks to such a pro comp and I already
00:35:07
I deleted it and get it, I caught it, I caught it
00:35:11
I don’t use it myself that often, so
00:35:12
I don't have any favorites but
00:35:14
ok, I'll drag them here and mio appears
00:35:19
I did not specifically indicate that white and
00:35:21
put caught us addresses
00:35:22
why yes because we want white
00:35:25
make what is now light gray
00:35:27
make it pure white therefore
00:35:28
we are interested in white input level
00:35:32
I'll just lower it carefully
00:35:35
saying that everything now is light gray
00:35:37
that is, that’s all that now has brightness
00:35:41
238 should be considered white by default
00:35:45
Take your attention, the whitest color is
00:35:46
255 is the so-called 8-bit scale here
00:35:49
caught still working 8-bit scale
00:35:51
so that's why they let me in
00:35:53
meaning I say no now not only
00:35:55
Anything that has brightness is considered white
00:35:57
255 and what does it mean to have a brightness of 200 all 4
00:35:59
200 all three 252
00:36:01
that is, 50 and so on until then I will
00:36:04
lower down carefully until I don't
00:36:08
I'll lose sight of the edges of this
00:36:11
image you know now I thought that
00:36:13
still a green background with so much red
00:36:15
doesn't go well with the background so
00:36:17
dart I'll repaint it
00:36:18
everyone is like them so orange
00:36:21
she should look better don't forget
00:36:23
drink copy the name of the color yes here it is
00:36:26
so he’s somehow immediately better
00:36:27
interacts colors are renamed
00:36:30
and I forget that I have a color
00:36:32
updated and further immediately
00:36:35
duplicate this ornament so that it
00:36:37
I was turned the other way
00:36:38
it's really easy to do this
00:36:40
dragged somersault what is my convenience
00:36:43
Already everything is almost like an effect hanging there
00:36:46
blending mode on hang everything is already what
00:36:48
done in unity what remains for me now
00:36:50
just turn it in the opposite direction
00:36:52
so I'll rotational turn it there and
00:36:55
I’ll move the process in the corner and I don’t want to
00:36:58
so that they are absolutely symmetrical
00:36:59
so maybe this one will be a little bit
00:37:03
even smaller it’s so light
00:37:07
asymmetry and may not even be with
00:37:10
too mur too conspicuous
00:37:11
Maybe I’ll tidy up the opacity for her
00:37:13
both of them are eighty percent muzzle
00:37:17
50 percent will be good also percent
00:37:20
in general, you're in trouble and what's here and what's here
00:37:24
or sixty corpses
00:37:26
salt and pepper to taste ok here I have it
00:37:29
the first design so that in the future it will not
00:37:33
bother with so much
00:37:36
by the number of layers, these are probably two
00:37:39
layers can be removed in
00:37:41
in nest but on the other hand I prefer
00:37:45
do not enter do not place places inside the place
00:37:48
inside place inside place when he arrives
00:37:50
time I prefer to do places in general
00:37:52
from the entire tetra, that is, all these and there
00:37:55
the flow is already five layers, there will still be text here
00:37:57
pack it all into a single nest
00:37:59
Next, I’ll put some text and here it is
00:38:03
nuance, you can use a new tetra
00:38:06
especially since I even show
00:38:09
on version 2019 to 2020 versions finally
00:38:12
underscore appeared and even 2019
00:38:16
version + ability to quickly change later
00:38:19
the font for all the titles is captivating
00:38:20
of course but I'm like to find a retrograde
00:38:23
that's why I still use legacy
00:38:25
Tatars once again this is purely my quirk
00:38:27
my personal cockroaches are in my head so no
00:38:29
go ahead if you like it better
00:38:30
new titles and make graphics
00:38:33
use them I will show you those moments
00:38:37
which will be critical when I am
00:38:39
insist that it is better to use moisture
00:38:41
they think Lera now is not the time now
00:38:43
it's just a matter of my habits so I
00:38:45
I will do it with the help of Oleg, Lera thinks
00:38:47
but you can do it with the help of a new san
00:38:49
readers will make a new love because
00:38:52
that the old titles live in the new booths
00:38:57
considers the blessings
00:38:58
I’ll name it right from the first lines of this
00:39:05
text and fila maker visit I usually
00:39:08
indisputable the first two or three words that is
00:39:09
not the whole thing
00:39:11
maker ok and further here I will indicate the full
00:39:19
phrase me I just have heartburn eczema
00:39:22
diarrhea and scabies occur at the same time
00:39:25
when I see these built in
00:39:27
title template so I immediately
00:39:28
I'm closing
00:39:30
that's what else is in the background, comrades
00:39:31
heartburn awakens and other
00:39:35
things are why my eyes are bleeding
00:39:37
comes from these teasers so I immediately
00:39:39
I close it and start writing and maker
00:39:44
little finger
00:39:45
that the dance left them so in disbelief that
00:39:50
capital letters need to visit companies film
00:39:55
maker forgives a brothel to create
00:39:57
documentary and of course for
00:39:58
documentaries he visits brothels
00:40:00
tell me
00:40:03
documentary good excuse Joe
00:40:08
nice try I'm using it
00:40:11
flew sunshine here I used by
00:40:13
my font is a trojan if it serves me right
00:40:15
memory . I'll look but in my opinion it's him
00:40:21
I don’t see the Leningrad postman but submit
00:40:26
I'll find it by searching, it seems like this
00:40:31
Trojan about the waters and only
00:40:35
filmmaker why with a capital letter, so
00:40:37
ours are also small, I recommend from
00:40:42
titrate
00:40:44
center in tetra as here no as
00:40:47
directly in the text blocks themselves
00:40:48
and even align the text block itself
00:40:51
if you need to move it later
00:40:52
to the left and to the right in the detro beam itself
00:40:54
center leave it concerns or extinguishes
00:40:57
albert you hide I work and this concerns
00:40:59
And
00:41:00
with infographics status and then the nuance can
00:41:04
it seems that I can’t be here
00:41:06
there is also a nyushka, so I strongly do not
00:41:09
I recommend making tanya using means and
00:41:13
single title
00:41:14
or graphics or Boeing considers you
00:41:17
why I highly recommend using it
00:41:19
this is a separate effect because
00:41:21
if you later want to change the style
00:41:23
the shadows of the ears, for example, will not fall
00:41:25
down and to the left or make it more
00:41:27
soft less soft you can't do it
00:41:30
do
00:41:31
you can't do it alone instantly
00:41:33
movement will have to open each
00:41:34
change the credits there, it's always been there
00:41:38
my nightmare like recently
00:41:42
brought a short project there
00:41:43
three-minute video who is someone
00:41:46
mounted has asked to contribute
00:41:47
edits in particular they told me is it possible
00:41:50
make the yushka not so tough
00:41:52
I’m like, well, yeah, we’ll see now
00:41:55
all credits were made with the help of here
00:41:58
this jackdaw shadows manually somehow
00:42:01
honestly time the [ __ ] turned on this daw
00:42:03
every tetra and there were them I don’t know
00:42:05
I'd lie about 50 times and you know guys
00:42:08
machine guns in me there eat I have grenades
00:42:12
I won’t do this with this system, but
00:42:14
doesn't light up okay good because I
00:42:17
how I imagined that I was these 50
00:42:19
I open the titles and I have a title for everyone
00:42:21
manually this checkbox I'm just thinking
00:42:23
you'll open it up so what to do
00:42:26
just by the way, please note that in
00:42:28
legacy tyler white off white and
00:42:31
light light light gray is also
00:42:33
may lead to problems therefore at least
00:42:36
showed others that the blind man is here
00:42:37
white color no click on this box
00:42:39
and you see that it is not completely at zero
00:42:40
its brightness is 90 percent and not 100
00:42:44
so I'm lowering it to zero here
00:42:46
games purely to do with my pour even
00:42:49
brighter for some reason it is needed
00:42:52
if I want to repaint it later
00:42:54
it would be better to repaint it
00:42:56
pure white ok I'm closing this story
00:42:59
I immediately put this title in the folder with
00:43:02
I also use a marker and glue the titles
00:43:06
his overlays are on the track above
00:43:08
Next you sketch out the effects in
00:43:13
I already have a friend shadow because I
00:43:14
I use it very often I use it here and
00:43:18
here I can already do with this friend extensively
00:43:21
I want distance, for example, and I’ll do it
00:43:24
away but direction of affairs for example 108
00:43:27
degrees that the basement is strictly down soft
00:43:30
make more of us there and so on in
00:43:34
than convenience I showed this technique on
00:43:36
I’ll show you at a basic level now or at
00:43:38
I'll show you the percentage now, I'll show you, yes, let me
00:43:40
I'll copy and paste this let me have it
00:43:43
here's a series of titles like this for an hour
00:43:45
same type titer but the client says let’s switch
00:43:48
yushka something I don’t like what’s wrong
00:43:50
you're so far from worthwhile you can be made
00:43:52
its more attached to the text and in general
00:43:55
no problem for this I select everything
00:43:58
existing exactly like this I highlight 1
00:44:01
I’m setting up titles on it, let’s say
00:44:04
I'll make the distance almost shorter
00:44:06
stuck copy from nyushku commands c
00:44:09
highlighting everything else I have that
00:44:11
there is only one now do rome
00:44:14
use turning off all the checkboxes except that one
00:44:17
which I want to hit in my case is
00:44:19
drop shadow and then I do ps3 beat it pays the
00:44:23
tribes sold it, I don't need to do it
00:44:26
pays tribute because I was before
00:44:27
copied drop shadow manually therefore
00:44:29
now all they need to do is select everything
00:44:31
do need to select there are four
00:44:33
press commands in all new book
00:44:36
also copy here is the original one here is the new one
00:44:38
and imagine that such credits for me too
00:44:40
fifty completely different calico
00:44:43
ok this is the first credit
00:44:47
now it's about not the world your family
00:44:50
work will do the remaining three tetras
00:44:53
with other screensavers
00:44:54
as shown in the example, that is, here
00:44:59
this one here
00:45:00
finish with butterflies finish
00:45:05
I know what it is with this [ __ ]
00:45:07
and add these here
00:45:09
patterns and here of course you can see and
00:45:14
say let's give it all here just me
00:45:15
I highly recommend you start this
00:45:17
do it yourself to see with
00:45:18
what problems will you face?
00:45:20
it will not be specifically clear and we have already
00:45:22
We'll sort it out at our next online
00:45:25
activity so further animation well let's start with
00:45:31
the simplest departure of this text
00:45:33
and you can animate it right here
00:45:36
I usually recommend doing this with
00:45:38
separate transform effect why yes
00:45:41
for the same reasons it doesn't matter
00:45:43
what are my local ones?
00:45:46
change in the tetra itself if in the hands
00:45:50
client tell me it’s possible to make a collision there
00:45:51
faster slow down the other way I
00:45:54
I’ll just copy the transform effect and that’s it
00:45:56
so I will definitely do animation
00:46:00
text through the transform effect which
00:46:02
It’s also already in the presets, I’m sketching it out
00:46:06
him here and just about animating the scale he
00:46:11
leaves me so 100 percent
00:46:12
Well, somewhere in the ambulance there will be 90
00:46:17
let's try what works with mine and
00:46:25
Wait a minute, didn't I set the stopwatch?
00:46:31
that I didn’t put everything and hehehehe like that
00:46:36
now I'll put 90 enter that's it
00:46:41
the simplest departure is perhaps too
00:46:44
slow is not a problem for many not 90
00:46:47
Let's say I'll put it at 8 percent and we'll see
00:46:49
what will we get faster now?
00:46:52
again it may be necessary that he
00:46:54
just got to half ok there
00:46:57
let's see the whale size freezes and
00:46:59
remains hanging in place ok maybe
00:47:04
this is too long maybe somewhere in
00:47:07
around three seconds I want to make an animation
00:47:09
and given 3 seconds to the market correctly note
00:47:13
We'll do 90 percent and then just
00:47:15
I’ll cut off the extra layers like this, but the background
00:47:22
I will have one for another later for
00:47:24
another screensaver so I'm about to [ __ ] me
00:47:28
will be evenly changing, it’s just not
00:47:29
the flowers will change
00:47:31
color dies will change and not even
00:47:34
will remain the same so
00:47:35
thread I'm also in vain
00:47:36
I rubbed the vignette can continue ok
00:47:39
this is what concerned 1 tetra further animation
00:47:43
there are these flowers around the edges here
00:47:46
a certain nuance namely
00:47:49
depending on where it is
00:47:50
anchor point anchor point
00:47:52
animation could be more convenient
00:47:56
Will it be less convenient now?
00:47:57
it's clear why
00:47:58
what are we talking about I will try to apply
00:48:00
the same effect transform by 1
00:48:03
ornament I remind you that transform is always
00:48:05
and animates from the transformation center
00:48:08
existing layer, this layer has it
00:48:11
shifted somewhere in the corner there therefore
00:48:14
Now I'll try to move the parameter
00:48:15
skill but murder in principle
00:48:17
it grows normally but if I
00:48:19
I would like it to be taken from the corner to
00:48:22
I need a donation to the center
00:48:23
transform will shift it a little and
00:48:28
kufa bring it back, that is, these two
00:48:30
the points must be in one in one corner
00:48:33
I can’t be sure of his skill now
00:48:35
that it grows from the corner and let's say it
00:48:39
from 100 percent let it grow to
00:48:43
[music]
00:48:50
increases to one hundred ten percent
00:48:54
a little bit maybe even k105 we check like this
00:49:02
I forgot to put the horse again I forgot
00:49:05
put
00:49:06
key free so I put it here returning to
00:49:10
start just chris updating this
00:49:12
let's check, yes, he's crawling if you
00:49:15
it doesn't crawl smoothly enough
00:49:18
the thing may need to be changed
00:49:20
percentage or change it
00:49:22
sampling from a boiler on a bike got away with it
00:49:25
in my opinion, one of the latest innovations
00:49:28
premier versions
00:49:29
if you are in 2018, in my opinion there is this mode
00:49:31
no if my memory serves me right
00:49:34
Well, try to calculate then
00:49:36
perhaps the plates will crawl more smoothly
00:49:38
Next I'll try the same transform
00:49:41
copy and paste 2 priest ornament
00:49:49
and here there is no possible nuance
00:49:52
time is normal, too, it grows in
00:49:55
from the center to the edges it’s just shifted but
00:49:58
the direction they will give is the same, that is
00:50:00
note
00:50:01
what I achieved I didn’t have to do it again
00:50:05
animates 2 flowers he was already there
00:50:07
animated, I just copied it and that's it
00:50:09
this is what I called elegance and
00:50:11
I call you manage to find a corner here
00:50:15
here corner here corner cut and you
00:50:16
come to the finish line faster like this
00:50:20
here's a simple tag effect
00:50:23
let's come to the second
00:50:26
tetra
00:50:36
the second title is no more difficult
00:50:38
it may seem more difficult to you like this
00:50:42
pompous bloody such fobbing
00:50:47
the essence is a nightmare I'm actually all wrong
00:50:50
It’s scary and in fact it’s simple here
00:50:54
used animated such young
00:50:57
the effect that is used for these
00:51:00
here are the black clouds and for this bloody
00:51:03
the fill that permeates these letters
00:51:06
structurally everything is the same and everything is the same
00:51:08
based on blending modes let's
00:51:12
Let's see how it works so I
00:51:16
I'll probably use the same one
00:51:17
sequences are simply called duplicates
00:51:19
the title is all here in this sequence
00:51:24
Aquarius I'll close the first second
00:51:28
Don't create empty layers unnecessarily
00:51:31
so let's just try to remove the unnecessary
00:51:35
by video by audio but in the process of work I
00:51:38
I'll add layers as I go
00:51:40
necessity
00:51:41
so Tyton Van is ready for the title, here it is
00:51:48
also immediately after import they will call him oh
00:51:51
mouth and see what we have and for the goose then
00:51:56
here they didn’t rename it somehow
00:51:59
little bowl
00:52:00
this should be called something more
00:52:02
makes sense but I'm called RTR ter
00:52:04
ter ter ter Well, just pax tapped his finger on
00:52:07
keys when I pulled it from the Internet
00:52:10
just a regular internet connection
00:52:11
like this, this is what this connection is like
00:52:13
I just Google grunge textures
00:52:17
and the texture would look like this
00:52:19
grunge you can use mine
00:52:21
Google the new one, which one do you prefer?
00:52:23
I like it, let's see how everything is here
00:52:26
it's designed quite simply
00:52:28
over black so on such than on red
00:52:31
background there is this here is the texture of this
00:52:34
ornament and it opens with
00:52:36
this one here
00:52:38
young effect this is dripping link
00:52:41
works in concrete like this
00:52:43
The problem is that it stops the paint
00:52:46
I need it to start spreading
00:52:48
just need to go in the opposite direction
00:52:50
no problem duplicating this one first
00:52:56
red plate with salt and red like this
00:53:00
I don’t know yet, just by eye and that’s it
00:53:02
maybe it needs to be darker
00:53:03
lighter I don’t know yet how I forgot
00:53:06
copy the color right here and and
00:53:11
variable you so that later I can imagine
00:53:14
mark that it is red for later
00:53:17
to distinguish them from us there thundered and
00:53:20
earlier and that we will leave only important
00:53:22
red under the cape in this credits I will go with
00:53:27
the other side in the previous tier3 I have
00:53:30
there was a background texture underneath
00:53:32
and the die was leaving on top, I want to show it
00:53:35
that from rearranging the places of the terms the sum
00:53:36
doesn't change I'll be on top now
00:53:39
lies the texture and below the die is approximately
00:53:42
I will achieve the same result
00:53:43
ornament ornament switched to small mode
00:53:48
warm
00:53:49
why is it small warm because I need it
00:53:51
remove the white background so small warm
00:53:55
further but so rude and not feminine
00:53:58
and turned his lips so unfeminine
00:54:02
what will just have to happen to her after this
00:54:03
I’ll get married like this and I’ll move it
00:54:06
It’s already clear that the month is doing too much
00:54:08
happy picture
00:54:09
it should be more gloomy but
00:54:12
I haven't added this one yet
00:54:13
slimness so let's see I'll throw it on
00:54:16
I'm not here for this litter anymore
00:54:20
bother with the required length from me
00:54:22
it turns out now the length is 423
00:54:24
well, almost five seconds per frame less
00:54:26
this one has tomorrow again
00:54:30
don't scold us to consider the term term a [ __ ] thing
00:54:31
the picture is so textured
00:54:33
it’s just some kind of texture, my husband
00:54:36
Russian word
00:54:37
and we are in the import substitution program
00:54:39
use it together again texture like this
00:54:41
word for the cost of the disc in Russian natively
00:54:43
Russian word
00:54:44
further here with Kirill I quietly
00:54:48
stretching it may not even be
00:54:51
proportionally
00:54:52
you need to stretch it, for example, by turning off the checkbox
00:54:55
winforms kay and scale hyde smaller well
00:54:59
because that's what the texture is for
00:55:02
it was possible to pull in all directions
00:55:04
as I please
00:55:06
and then our favorite little warm one again
00:55:08
why is it warm and because I need
00:55:10
black kill now I see that yes
00:55:12
despite the fact that there is even a texture
00:55:14
somehow very happy
00:55:16
it turned out to mean I open my mouth and
00:55:19
I'm tweaking it into something more
00:55:21
sad, remembering to copy the color
00:55:22
to always be aware of what it is
00:55:25
I have the color
00:55:26
if suddenly you need a treasure to give it, I won’t
00:55:31
copied or what should I copy
00:55:33
I finally pushed the fish into the rocks
00:55:36
sadder than the norm, perhaps there is no one here
00:55:40
It’s not even possible it’s here too
00:55:41
there is a vignette on how to make a thread we
00:55:43
we already know so I'll skip this moment
00:55:46
the only thing is that the ornament I think is
00:55:47
you can do even more like this
00:55:49
so gloomy so like this
00:55:53
loans and some scary bugs
00:55:57
they are grazing around the frame and probably the texture
00:56:01
you can also know something like this, just like that
00:56:06
more so that it can fill the area
00:56:09
maybe even I will duplicate and move it
00:56:15
somehow this side here to
00:56:18
she was more plump
00:56:21
Here
00:56:22
here she is now, something like this, maybe
00:56:26
the donut is even darker, but these are details
00:56:27
then how to make a flood from this
00:56:30
paints
00:56:31
more precisely, here she fills two points
00:56:36
letters and it fills the picture itself
00:56:38
let's start with how it fills itself
00:56:39
picture
00:56:40
I'm throwing this dripping king here
00:56:42
the only thing is that the problem is that she has
00:56:45
it's going in the opposite direction so I
00:56:47
just turned around at minus one hundred speed
00:56:49
percent and need to be accelerated and
00:56:54
speed it up but it works and I don’t even know
00:56:59
how much will I use the tool?
00:57:00
raid stretch
00:57:02
and just by eye it like this
00:57:03
compensated, let's see how it turns out
00:57:05
what does it look like and maybe even
00:57:09
even shorter here in my case
00:57:12
it turned out minus 1000 stopper 30
00:57:15
percent ok then there is a problem
00:57:20
see the dripping shows through
00:57:22
but there is nothing under it and there should be
00:57:27
actually the picture itself is a pain often
00:57:29
somehow ends here with a jerk but
00:57:31
jerk you okay that's not a problem either I
00:57:35
just the most tripping a little bit with Kane
00:57:38
I’ll increase it so that it goes away smoothly
00:57:41
but what confuses me is that there are white people here
00:57:45
remember which blending mode kills
00:57:48
white our favorite small warm boma here
00:57:52
it all manifests itself later, everyone rejoices and
00:57:56
singing mass folk festivals further
00:57:59
text text should also be filled in letters
00:58:03
should be filled with red color or
00:58:06
whatever sir boron raspberry whatever
00:58:07
I like the only thing here better
00:58:10
letters have a stroke stress we don't have to
00:58:12
make two text blocks one text and
00:58:15
block with stroke 2 just text block
00:58:18
which will work as a mask well I don't
00:58:20
I will write this entire phrase, I will write about
00:58:22
Tesla garden so as not to waste time
00:58:24
because the essence does changes therefore
00:58:27
in secrets I will use Lexi again
00:58:30
tyler it will be 20 garnia and here it is
00:58:39
how are you so Little Sunshine is going to be again
00:58:45
Sunshine didn't fly
00:58:46
the same Trojan this time let him
00:58:52
I will immediately center the bolt here
00:58:56
I center it like this and it might work
00:58:59
I center it vertically again
00:59:02
and horizontally I have here
00:59:05
the so-called capital or
00:59:08
all caps that is, the mode when capital letters are first
00:59:11
the letters are a little bit taller
00:59:12
the rest for English mode fonts
00:59:16
withers abs works fine for
00:59:18
Russified fonts that is you
00:59:20
are you going to write an inscription in Russian
00:59:21
sometimes it may not work them
00:59:23
nothing happens when you turn it on
00:59:25
jackdaw oops here she is small caps sorry this
00:59:30
unfortunately a known bug and unfortunately the solution
00:59:33
no, except how to make small letters
00:59:36
larger simply by changing the size
00:59:38
font let me demonstrate the guard
00:59:41
here I have it now and this is what I went to
00:59:44
until the morning I'm on Vanya's font itself
00:59:46
small letters big letters which
00:59:48
and whether small or big if it was
00:59:51
if it weren’t for the Trojan, for example, this boorish person
00:59:55
turning on small caps just gives this one
00:59:57
result I can vary the size of these
01:00:00
small caps of we were lucky in the Trojan
01:00:04
that he has these symbols
01:00:06
is already part of itself
01:00:13
font so not even a bolt
01:00:15
don't need to do unity don't like how
01:00:18
he sees it in bold, well, what am I
01:00:22
I'll see if he's wearing a thin tunic
01:00:25
too thin so what is there and
01:00:26
Trojan about
01:00:30
[music]
01:00:31
ok, I'll put it in bold and likely to
01:00:33
this was used by some other clip
01:00:34
What does the Trojan have other options for?
01:00:36
ok this is the basic font I'm already here
01:00:41
forced to step away from the pursuit of
01:00:43
elegance why unfortunately to me
01:00:46
you will have to make two copies of the font in
01:00:49
Prime is not possible to apply
01:00:50
stroke to the already drawn font then
01:00:53
there is a stroke that can only turn on
01:00:55
if I'm inside the tetra rolls and this
01:00:59
it's sad but it's okay
01:01:01
somehow come to terms with it and it’s not the first one there
01:01:04
titer yaki-da him on taimen like me
01:01:09
the text is already coming in and the text and fishing and
01:01:12
I'll start above it's below here it comes
01:01:17
inscription pay attention remember I
01:01:19
I say that when white is not pure white
01:01:21
light light light light gray we
01:01:24
encountered this problem were visible
01:01:25
the edges, too, the history itself is black here
01:01:28
it turns out that I was not clean now
01:01:30
black dark dark dark dark there gray
01:01:33
this is what the edges do, so this is how I see it
01:01:36
how to solve this problem is very simple
01:01:39
by the way, I don’t know, let’s
01:01:42
let's try maybe a little heat for them
01:01:43
my favorite trick will work, yarn over it
01:01:47
just on the clip itself and remove us to him
01:01:50
I reduce it normally, maybe even
01:01:53
I'll accelerate it with contrast
01:01:54
oh normal everything can't be seen can't see the words
01:01:59
Gordon disappeared so he does this
01:02:02
there are no carts there
01:02:03
eat then means brooches cart on the word
01:02:06
garden but now I'm interested in filling
01:02:10
Gordon's color so I duplicate
01:02:13
this font pay attention and
01:02:15
I will definitely duplicate it, that is, this
01:02:16
be two different text layers
01:02:19
won't work won't scan option with
01:02:22
with the same text layer because
01:02:23
one of them must have a stroke
01:02:24
there is no other therefore the lower front in
01:02:27
garden outline outline and the top ones will be
01:02:31
sound gordon winter core
01:02:35
gardening like this garden core I'm not
01:02:38
touching gordon outline garth garden cord
01:02:43
now temporarily turned off here's Gordon
01:02:44
outline I include the actual outline for him
01:02:49
I add the outro line island parameter
01:02:53
and the author of the lines I will have a little white one
01:02:58
colors
01:03:02
and please note this is my mistake
01:03:04
was that I forgot that the text itself
01:03:07
should also be pure white
01:03:09
that's why he had such a white bot as
01:03:12
rollback headquarters white text light drill
01:03:14
sir and now the work is uniform what
01:03:16
here and the same click here
01:03:19
this text should also have a fill color
01:03:23
be white everything here it is I check the top
01:03:29
text bottom text further than top text
01:03:32
in fact will be a mask for
01:03:34
effect you make now I'll show you how it works
01:03:36
does makey makey work 3 km from of course
01:03:42
zhe mil'u ma ki
01:03:44
3 km from the effect is quite capricious
01:03:47
namely, in some cases it is simply
01:03:51
may stop working
01:03:52
alas, well, that's how it is, so if we're with this
01:03:56
we'll collide, I'll explain how to fight, but in
01:03:59
In a nutshell, it’s very easy to fight him
01:04:00
as with any glitches in the premiere if
01:04:02
something's not working quiet it's something down
01:04:05
you will earn money so she cut her hair with obscenities 3
01:04:07
km from just doesn't like it when in the same
01:04:09
sequences to some other clip too
01:04:13
applied 3 km from for some reason here it is
01:04:15
jealous and in the presence of other track mats
01:04:18
start to conflict with each other
01:04:21
or I don’t know what, but if you push them
01:04:23
according to different sequences using without becoming
01:04:25
everything works great
01:04:26
so I’ll keep throwing it on
01:04:30
use the same trippin king I
01:04:31
I'll make a copy and this one I'm dripping
01:04:35
I will use it as a mask for here
01:04:38
of this garden bark there is a nuance here let's
01:04:41
I'll turn off 1 m now so as not to
01:04:43
I'm in the way, I'll leave the background
01:04:45
and this is what a mask is, let's
01:04:49
I'll show you how it works
01:04:50
I need to apply the womb track effect
01:04:55
this is the important point why
01:04:59
which of these two layers do I owe it to?
01:05:02
apply well, it’s clear that the bottom layer is for me
01:05:05
I'm not interested, it's actually my base
01:05:07
I have two layers, that’s right
01:05:10
I connect everything to make it clearer and
01:05:12
here I will turn on the transparency mode here
01:05:17
I have 1
01:05:18
text on a transparent background vodka not for
01:05:20
his mask is even opaque
01:05:23
you'll take it away, turn off the multiply blend mode
01:05:25
let's turn on in normal because the mask is even
01:05:28
to be black and white this effect teaches us
01:05:33
uterus track makes it transparent or opaque
01:05:35
or rather not Moscow itself, here is that clip
01:05:38
which it is applicable to so here is the mask itself
01:05:41
the womb track effect does not apply to
01:05:45
masking condition effect track uterus
01:05:48
applied to the layer that should be
01:05:50
to be a rowan mask, that is, to the clouds again
01:05:53
regarding our I throw it there like a uterus
01:05:56
further in the mask settings this effect
01:06:01
asks where to get a mask from what
01:06:03
layer where it is now by default
01:06:05
mode on the edge don't take it from 7
01:06:07
layer video why because mask
01:06:10
should be taken from the layer that
01:06:13
is located above the current layer that is
01:06:17
the mask is always positioned according to the rules
01:06:19
above therefore not in this list of layers
01:06:23
was 6 5 4 because nothing lower
01:06:27
sixth layer cannot be processed
01:06:29
the effect of the track of the uterus on what he expects
01:06:30
see the mask above and below therefore
01:06:33
only two words were available 7 8 but on
01:06:35
8 tracks lies with me
01:06:38
initial animation that's why I'm even right now
01:06:40
I'll turn it off for now, the meeting was distracting, that's why
01:06:42
the only option left is video 7
01:06:43
further mate alpha or mate noise in what
01:06:47
the difference is which channel it is from
01:06:50
will expect to receive a mask by
01:06:53
by default it expects that there is a layer from
01:06:56
who was killed the mask is so appreciated
01:06:57
alpha channel alpha channel and channel which
01:06:59
contains transparency information here
01:07:01
no this layer has no dripping
01:07:04
the alpha channel is just black and white then
01:07:06
we tell them another track checkmate look for a mask
01:07:10
not in the alpha channel but use wireframe
01:07:12
Hume component to build the mask
01:07:15
as soon as I do the bombs pay attention
01:07:17
the letters and the third subtype disappeared
01:07:20
I wonder if you put this together, it hasn’t disappeared anywhere
01:07:23
they are slowly emerging, I can do that
01:07:26
turn it back on now, don't turn it off here
01:07:29
transparency grits and the letters appear
01:07:31
but as you just saw they didn't
01:07:34
they are filled with black they are filled with
01:07:35
transparent they were transparent here they are
01:07:37
fully arrive however further will be
01:07:42
surprise there are no words yet this is so
01:07:45
must be either or not or not that word not
01:07:47
it's not that it's not it's not it's not it's not it's boom
01:07:50
disappearing, what the hell, where to put words
01:07:52
it was just a very simple thing
01:07:56
the mask here is this gripping is over
01:07:59
that is, this effect is the track of the uterus
01:08:02
expects that there must be a mask somewhere but
01:08:05
not somewhere on this layer on the top and
01:08:07
while this layer d ping ping . flies
01:08:10
existed everything worked as soon as the layer
01:08:12
ran out of bombs comes nickname for mask
01:08:15
it's also over, here he was
01:08:18
source for the mask so the track of the uterus
01:08:21
there is nowhere to get information about what
01:08:23
is transparent what is not and what and how
01:08:26
be very simple
01:08:28
since we remind you how it works
01:08:30
this dripping link I even match freeman
01:08:32
I'll show it comes from pure white to
01:08:36
pure black but I have the opposite
01:08:39
speed so he doesn't move from
01:08:41
pure white to pure black and vice versa
01:08:43
he plays for yes he takes from vip from pure
01:08:45
rough turns into pure white and that
01:08:47
they just need to be built
01:08:50
this is the remaining part of the journey
01:08:52
with a white opaque plate, yes because
01:08:56
if I demonstrate it now as yours
01:08:58
ticket to these I will temporarily turn off the track mat and
01:09:03
that's what he comes from black
01:09:06
is filled with white color which is on
01:09:08
the center then appears transparently and suddenly
01:09:11
bam white ends like that there you need it
01:09:13
so that the white one here doesn’t end
01:09:15
and then the underlying layer will be
01:09:17
be processed by this effect, just like us
01:09:19
conceived
01:09:20
how to do this is very simple I'm in the folder
01:09:23
element I'll make a new call Armada
01:09:25
his
01:09:26
white he will be pure white I am for him
01:09:31
I don’t copy the number anymore because white is white
01:09:33
with white I paste it on that menu
01:09:38
I cut off the excess and now this is what
01:09:43
wanted to make me get black from
01:09:45
black texture background like this
01:09:49
comes in white and then stays white
01:09:51
and now when we turn on 3 km from he will say
01:09:55
about you the white die continues science and
01:09:58
then I will show you this letter
01:10:00
these words Gordon unity that of course they should
01:10:03
not be white and red
01:10:04
for these purposes I just use the effects
01:10:06
let's use something rough and not
01:10:08
feminine tint effect and he has
01:10:11
Matt White's parameters will repaint it in
01:10:13
red again, what's the convenience?
01:10:16
if then suddenly we have such captions
01:10:18
million on the timeline and the client says that
01:10:20
maybe not red and yellow, I just
01:10:23
replace tint via copy-paste
01:10:26
attributes or use it through Rome
01:10:29
I will delete the old tint using the command and
01:10:31
I'll insert a new tint, all this in two floods
01:10:33
three swats so I recommend it has
01:10:36
white text as
01:10:38
template and simply repaint it with different
01:10:40
ways ok that's about it
01:10:45
applying the effect 3 km from here it is
01:10:48
comes let's turn on the lower layers
01:10:50
to make sure everything works
01:10:52
no fraud, these are showing through
01:10:55
the letters continue to be filled with red
01:11:00
A small Serb will not be allowed in any way
01:11:02
wants and there was more like that more
01:11:04
dramatically bloody such a search nightmare
01:11:08
so, well, it’s a little money of course, but it’s all blue
01:11:11
just good old fashioned and suddenly I'm going to
01:11:16
Gordon outline checking that the distance is
01:11:21
me
01:11:22
dagestan eat approximately 108 degrees
01:11:25
it leaves me and I have enough software on it
01:11:28
son I’ll wash it away and return it just forty
01:11:32
five is a lot, I'll return it under the letters here
01:11:36
again I prefer letters
01:11:39
may have been thinner initially
01:11:41
that's why I do this trick, I cut it off
01:11:44
Harding is a thief and at the beginning they are with me
01:11:47
on the base layer, that is, they lie there
01:11:53
bamboo garden chickens disappeared somewhere here it is
01:11:56
pictures turn off 3 uteri and then turn off
01:11:58
I have letters from the first part
01:12:02
thin then half an hour with this jerk we
01:12:04
let's figure it out and then this one appears
01:12:06
filling
01:12:07
here in this place I’m just hanging some
01:12:10
the transition effect is not that long of course
01:12:11
I smoothly thicken the letter into this
01:12:15
the moment the filling occurs, why am I doing this?
01:12:18
I can do it even a little wider
01:12:19
because I don't like it at first
01:12:21
this gardens winds when he
01:12:24
sobotka he's too fat volt
01:12:26
I might even want this now
01:12:28
work flow al-sid u get fat where is she
01:12:33
here we may have further here is the website
01:12:36
made it thicker and initially managed
01:12:41
it would be very much like this is a nightmare, but when
01:12:42
he walks like this
01:12:45
[music]
01:12:46
maybe he's filling it with this
01:12:49
in color even earlier like this like this
01:12:55
maybe even bigger ones somewhere later
01:12:59
I say one thing and do something else
01:13:02
are poured
01:13:03
and the stroke itself can even be done using
01:13:08
transparent may have capacity
01:13:10
there will be some power there
01:13:12
percent is even more transparent
01:13:16
you need something like this no with white as if
01:13:22
it would be better, well, in general, that’s the point of all this
01:13:25
demonstrations to show how it works
01:13:26
masks how to work mask in the beginning and in
01:13:29
at the end I don’t remember if she goes somewhere or
01:13:31
no it goes away but there at the end lies the same one
01:13:34
dripping just turned into another
01:13:36
side, that is, there is no longer a minus here
01:13:39
how much is it just a bunch of daw rivers
01:13:42
sleeps and the darkness has swallowed up and everything is nothing
01:13:48
complex
01:13:50
the soul rushed to heaven okay what is this
01:13:54
concerned this tetra
01:14:07
let's go to the third cedar too
01:14:11
here I wanted to demonstrate with this
01:14:13
third credits undeservedly offended
01:14:18
the effect of the dishes will now be clear
01:14:22
we are talking about such a simple appearance
01:14:24
tetra seems like a small thing, but it looks
01:14:29
pretty good and then he's like that
01:14:31
washable in stripes done in two strokes
01:14:35
three swats and again for the sake of this
01:14:38
just open the animation after effect
01:14:39
no need it works out just fine
01:14:41
watchable tetra
01:14:43
let's have some fun with this terek duplicates
01:14:46
and I think I’m already calling it title 3 here
01:14:53
I'm cleaning everything up, everything can only be
01:14:58
something for me as background and here
01:15:03
I'd like to put it here, but I'll put it here
01:15:09
some screenshot is just stupid
01:15:13
Dirga, well, can you take a screenshot of this?
01:15:15
import into the project if you want
01:15:19
there really is time code, so what the hell am I doing with it?
01:15:22
I'll use this as a base and throw it in
01:15:27
to basic
01:15:28
track oh turn on the Kursk corner this
01:15:35
francaise we even dry it stupidly still hellishly
01:15:41
or for the edges to go away like this, it’s normal
01:15:43
here on the right I will place the petrik
01:15:49
I’ll clean the one with the blur effect again
01:15:51
empty tracks because according to
01:15:54
need them without any problems now I could
01:15:57
add again and the simplest
01:16:03
text me will be well let me at least once
01:16:06
I'll at least do something with the help
01:16:07
did graphics otherwise all the time
01:16:08
moved to legacy I will be the first
01:16:11
line own you on m let's say
01:16:13
I'm your pupkin
01:16:14
and he will find you somewhere
01:16:17
play who is not Colonel Crown
01:16:19
to someone in yourself
01:16:23
pupkin who will be pupkin and then
01:16:28
fun usually looks very good in
01:16:36
in such titles they will call the font ukab then
01:16:43
is in capital letters or here
01:16:45
respected cabstar if this is some kind of
01:16:46
banal minion praying right away is not bad
01:16:49
so Vasya Pupkin and I will duplicate
01:16:53
again I prefer this line
01:16:55
before in I heard graphics panels and
01:16:59
graphics you can have separate
01:17:02
text layers inside this panel i
01:17:06
I prefer to have separate text ones
01:17:07
layers on taimen because if suddenly I
01:17:09
I want these layers to be one
01:17:14
appeared earlier another later there is
01:17:15
the opportunity to do this is why I
01:17:17
I prefer not to make everything dry
01:17:21
graphics in separate layers inside
01:17:22
let's separate Slaven on this line therefore
01:17:25
process duplicate somersault will give me two
01:17:27
tetra instead of doing it here
01:17:30
using the page new text
01:17:33
so I will be in each of the ladies
01:17:35
text blocks standalone texts
01:17:37
individual texts layer so on top of me
01:17:41
Vasya Pupkin to the bottom who he plays who
01:17:44
he can play everything you get on him
01:17:47
a little when I lower the start it plays
01:17:51
[music]
01:17:53
let's say the general is playing
01:17:58
crown some general crown
01:18:02
plays Unger the concept has such a general
01:18:05
I just came up with a circle out of my head and
01:18:07
let Vasya be pupkin
01:18:08
ours is not white, but a little bit smaller
01:18:11
General Crow size let's go
01:18:14
red ones I don’t know which ones can do it again
01:18:17
So now I went into the settings and
01:18:20
scary graphics but if I then
01:18:22
will be needed if the client says something like
01:18:24
come on, let's take the whole red coast once and for all
01:18:26
I won't be able to do this anymore, I will too
01:18:29
do it manually therefore
01:18:30
I can recolor it here, of course, but
01:18:33
exchange place the text in white and
01:18:35
I apply the timid effect and paint it with kent
01:18:39
just to have this
01:18:41
opportunity is variability quickly
01:18:44
repaint the color to the shade I need
01:18:47
when I or the client wants it
01:18:50
this approach is more flexible again
01:18:53
there is still room to vary
01:18:55
for example, the client painted it later
01:18:56
speaks about possible in half a layer in
01:18:58
half weaker as they burn split de
01:18:59
France and the problem is that I have half of it
01:19:04
this red one is wildly comfortable, that’s why
01:19:07
maybe it’s not red due to choice
01:19:10
the red sea is just a little lighter
01:19:14
ok next I need to do this so that
01:19:18
these letters appeared from parsing like this
01:19:22
make a good old galaxian drill in
01:19:26
at this moment I just want to whine on
01:19:28
the theme that oh what a pity that in the premiere
01:19:32
and generally nowhere in any editing room
01:19:33
program no stop player yes
01:19:35
adjustment layer would be cool to have
01:19:38
the opportunity to make one hundred players that would
01:19:40
limited the actions of jazz on the player then
01:19:43
There is above the result of Jasmine's smear
01:19:44
inside there is a layer that needs to be processed
01:19:47
to these addresses there is a 100 player down there
01:19:49
which slows down the jazz action on the player
01:19:51
why do I need this this way I could
01:19:54
put a blur on the adjustment layer and
01:19:56
this blur if it existed there is no such thing
01:19:59
layer
01:20:00
like stop live but if there were 100 players
01:20:03
it could limit the effect of blur and
01:20:05
don't let the blue blur on its own
01:20:08
image here in the picture well you
01:20:10
this is not possible someday
01:20:12
will appear I already left a feature request
01:20:15
adobe to everyone but it’s clear what they are now
01:20:17
busy playing on something more important
01:20:18
so unfortunately I'll have to animate it
01:20:21
manually in particular here is gulsen pride
01:20:23
I'm throwing it on Vasya Pupkin again
01:20:25
what if suddenly I feel very
01:20:27
we need Vasya Pupkin and General Crowe
01:20:29
Bluray all at the same time but I'll make it out of
01:20:32
this places on but now places in this
01:20:36
case, too, shooting from a cannon at
01:20:37
just 2 words to the sparrows
01:20:39
it will be easier to do this, they want metinvest
01:20:42
I'll need it because I'm going
01:20:44
make a vertical stripe which
01:20:47
will be cut off therefore perhaps a place for me
01:20:48
need a good idea let me gulsen
01:20:52
we'll cut the city out of these two lines
01:20:54
I will always nest in front of the place
01:20:58
I use the point in this case for me
01:21:00
places I immediately see that they are Satanists
01:21:03
when it starts from a point with such or you
01:21:05
from a point like this it didn’t matter.
01:21:07
this is on alt 8 I'll call this text
01:21:11
and time has already blurred here for these texts and
01:21:16
I'm starting to blur it all out
01:21:18
which is often blurred horizontally and
01:21:20
vertically it doesn't suit me
01:21:21
I will blur only vertically
01:21:23
and why the godless I vomited this time
01:21:26
better, then everything is very simple text
01:21:29
it won't appear right away for me
01:21:30
slight indentation
01:21:31
and with the help of the usual blood call long
01:21:34
well, about 6 frames 6 frames digital
01:21:37
taken from the head and from the ceiling
01:21:39
let's see what happens, here he appears
01:21:42
then all I need is just about
01:21:44
animate this blur accordingly
01:21:46
being at the beginning I put 1 keyframe
01:21:49
then for about 1 second I put
01:21:53
everything made him zero
01:21:57
two slams three slams
01:22:00
the simplest thing for clients is usually very
01:22:02
I like that the installation looks good
01:22:04
the pain is what serves you the text appeared
01:22:06
line by line I can copy this blur and
01:22:08
insert inside this place from here already
01:22:11
kill him and then everything is very simple
01:22:14
a simple stick that will rub
01:22:16
all this beauty then everything will disappear in
01:22:18
in this case there is nothing better than
01:22:22
good old and TB that's just simple
01:22:27
nothing can win because wipe
01:22:29
We are looking for a wipe, this is an old precious one
01:22:33
pipe he has what are his conveniences because
01:22:36
I want to vary the height of the stick and and
01:22:38
the beginning
01:22:40
but only what I need of course
01:22:45
it's yours to apply to the edge of the text
01:22:49
Let's say he's here to scratch a position
01:22:51
I throw a wipe here and then he erases it
01:22:56
The only thing I'll start with is that in wipe
01:23:01
I will have the same length as my wipe
01:23:02
a second but in a second it's normal unity
01:23:05
keep in mind that white does not start
01:23:07
from here, not from the left edge, wipe text
01:23:10
starts from the left edge of the screen that is
01:23:12
it's actually 50 percent of the screen width
01:23:15
is wasted, that is, in reality
01:23:18
her wipe length is now a second but
01:23:21
in fact
01:23:22
in reality it will only work half
01:23:24
seconds are even less because the floor
01:23:27
seconds this is another in a second he
01:23:29
travels this distance from the left
01:23:32
the edge of the screen to the right edge of the tap is embarrassing
01:23:34
in half a second, half the screen passes those who
01:23:37
is not located somewhere in one
01:23:39
thirds are worth two thirds of that second
01:23:42
are wasted
01:23:43
in seconds I get it's 24
01:23:46
frames per second that means 24 sodium
01:23:49
I’m not able to share, sorry 8
01:23:51
it seems so, up to 8 8 and 8 and nothing
01:23:57
this is not 24 two to me well
01:24:00
no matter how much so that's what to
01:24:02
which is why I’m letting you down because I’m left
01:24:04
The wipe borders need to be trimmed a little
01:24:07
to make it start in effect controls
01:24:10
did not start from 0 but somewhere around here
01:24:12
from here then remove it, contact me even
01:24:16
stabbed a lot, this is where it comes from
01:24:19
I have how many there start at 59 almost 60
01:24:22
percent just 62 percent try
01:24:25
conduct 65 percent of the norms and if more
01:24:30
or rather I turn in the wrong direction then 67
01:24:35
it’s just that the whole goal is already a lot, well that’s all
01:24:36
five percent was ok right there
01:24:40
there will be a stick of one that I still wanted
01:24:41
add
01:24:42
wand so I'll turn on the border thicker
01:24:45
my border will be white
01:24:48
black and pay attention
01:24:51
that now barter starts from somehow
01:24:53
from here I guess this border is a little bit
01:24:56
it was moved we see from here
01:24:57
be begin and it is obvious that the border
01:25:01
I'm not interested in the entire height
01:25:02
means I then from this design
01:25:04
everyone is at home, I can throw on some
01:25:06
a mask or I don’t know what else and
01:25:09
trim this mess with a mask and
01:25:11
By the way, I’m not sure that the mask will work
01:25:13
opacity no it won't work but then we
01:25:15
I can apply
01:25:17
public and private player and throw it on it
01:25:19
Is there any other effect there?
01:25:23
I wonder what they can do
01:25:26
I would like to make a place out of all this, it will be
01:25:27
no longer an elegant design
01:25:29
so I'm really interested
01:25:32
[music]
01:25:34
adjustment layer
01:25:35
I’ve been nowhere too, where are you? I don’t know what he’s doing
01:25:39
pa pa pa pa pam pam pam
01:25:43
so, that means I’m starting a new trend again
01:25:45
By the way, don’t I forget regularly
01:25:47
saved on a car safe, hope but also
01:25:49
don't make a mistake yourself
01:25:50
so I’ll put the adjuster in by stuffing the elements
01:25:54
I just want to check here
01:25:56
will the mask work on trans form if
01:25:58
it will work but the bunnies are great and if not
01:26:00
it will work
01:26:01
Well, that means I’m not great, so let’s try
01:26:04
transform and apply it to opacity
01:26:09
mask will not work mask on visit as
01:26:13
can transform
01:26:14
it won't work; apply it like paint
01:26:16
to all layers but alas
01:26:18
and if I use crop it’s right for me
01:26:22
I wonder what would help me here, come on
01:26:25
and hats microbe here korpan st from above
01:26:29
no it doesn't work because I need to get drunk
01:26:33
two layers, well then you'll have to do it here
01:26:37
limit yourself to just a transparent plate
01:26:41
without strip strip and just apply
01:26:43
I'll draw some, I'll animate less
01:26:46
more elegant than I would like, but also
01:26:48
not bad so my curtain is going away
01:26:51
rejoice and sing
01:26:52
Well, I’ll just draw a separate strip like
01:26:56
whatever I prefer to draw
01:26:58
and with the help of just a white white wipe and
01:27:05
I'll just put it here
01:27:07
the length on me will be equal to the length of mine
01:27:09
wipe and the white stripe I just
01:27:16
completely rude and unfeminine with
01:27:18
Gale disproportionately reducing the scale
01:27:21
be will do as important
01:27:23
the thickness of this strip may not even be
01:27:25
one percent and half a percent is normal and
01:27:29
the scale height is also like this
01:27:33
I'll customize
01:27:34
and I’ll put the strip itself, I missed
01:27:37
I'll put it where it should be like this
01:27:42
I'll just stand here at the beginning of this
01:27:47
animation so that there is a strip
01:27:48
that's how it goes further and further
01:27:51
positions and 5 I will not change this
01:27:54
position because this position
01:27:55
makes me ask
01:27:57
I will apply the strip position setting
01:27:59
separate separate transform effect and
01:28:03
just transform by position stupidly
01:28:06
completely animating from the left corner in
01:28:08
right corner to pick up stripes let's go
01:28:13
let's go let's go but the black stripe doesn't go
01:28:18
strange everything is made flat and why
01:28:23
It’s unclear to the positions I’m moving
01:28:30
I'm moving why nothing happens
01:28:36
no idea why it shouldn't happen
01:28:41
work well and motion gray
01:28:49
after the transformation that's why ok not
01:28:54
it turned out okay I'll have to animate it
01:28:56
here standard positions here and here
01:28:58
this is a little worse because again if
01:29:00
the client will say that there won’t even be a stripe
01:29:01
on the left and on the right I have all the animation
01:29:03
will fly but what to do what to do nothing
01:29:07
you can't help it and now I have a stripe, it’s just a little bit
01:29:10
is ahead, let it be strange, it lags behind, but
01:29:14
Adam's apple later at night and let her
01:29:17
is located a little bit to the left why am I here
01:29:22
let it come oh animation a little bit
01:29:26
happens later
01:29:30
pum pum pum pum there he is too
01:29:32
ahead of the text but shouldn’t therefore
01:29:37
here she is so often a little bit
01:29:45
I'll customize
01:29:46
so that he doesn’t leave so quickly perhaps
01:29:50
here and on the turns the frame at a is lengthened
01:29:54
here it is and here it comes out if we were
01:29:56
the bombs disappear at the end you can even
01:30:00
make such a feint with your ears and about
01:30:03
animate it so that it bursts into
01:30:05
period even this will be funnier after
01:30:07
I erased everything like this with you right here
01:30:10
from here she presses using a scale-hyde
01:30:13
lowers and collapses into a point and you
01:30:18
even let it stay there five
01:30:21
percent so that I see the film right?
01:30:28
and just like that
01:30:34
everything is such a simple titek again
01:30:37
you need to render it so it can be played
01:30:39
smoother but it doesn’t change the essence of the matter, but
01:30:42
three pillars that we had to do
01:30:53
that's what I wanted for the last time
01:30:57
the last topic for today is to sort it out
01:31:00
working with the you make effect
01:31:02
because I don't want to tell everything and
01:31:05
chew everything
01:31:06
then I’ll just tell you the main thing
01:31:10
application effect whether poppies
01:31:11
but there will be something left for yours
01:31:14
independent experimentation
01:31:16
then in ours for personal meetings when
01:31:20
we will have online classes they are recording we
01:31:22
Let's look at these features that I'm talking about
01:31:25
I told you, but now we’ll just show you yes
01:31:28
By the way, it's a mess to make a folder here
01:31:30
places where to remove this text from
01:31:33
in some places
01:31:34
and now I will show you the application of this
01:31:38
Do poppies have any effect using this example?
01:31:42
sea ​​donut and 2a Dubrovskiye
01:31:45
logos it would seem, but there’s money on
01:31:48
transparent background should be what if
01:31:50
they are not on a transparent background this is us
01:31:51
Now let's look at it so this is not the 3rd folder with are
01:31:54
some will be a mess too, let's clean it up
01:32:01
order title 3
01:32:02
why does this screenshot always go away?
01:32:06
adding a folder with logos making a new one
01:32:10
I'm duplicating the sequence so it won't be a title anymore
01:32:12
free logo logo and do you make
01:32:19
and here on this one you are less old than me
01:32:23
close don't forget to save
01:32:24
regularly commands from here to this this menu
01:32:27
I'm throwing ocean and I have enough of him so who
01:32:32
rough unfeminine hellish or that he
01:32:34
for on your full screen and let’s say not
01:32:36
I want to be here in the center of it
01:32:39
logo in the center of this background was placed
01:32:41
logo I think but not a problem here
01:32:43
there is a logo
01:32:44
1 and let's glue this tail logo
01:32:48
number two something like this
01:32:52
logo on the world up to api for too
01:32:54
it's big, I'll make it a little smaller
01:32:57
problem but what confuses me is what's here
01:33:00
white background and I need transparent ones instead
01:33:02
white and here I have a black background
01:33:04
but again I need white letters on
01:33:06
transparent background and if in this case
01:33:10
the effect is triggered
01:33:11
blend mode overlay effect and what
01:33:15
remind me I need to kill the black one and leave it
01:33:17
white this one everything works great in
01:33:20
seliku is sung by mass folk
01:33:22
party like this here with this logo
01:33:25
this number doesn't work why is this
01:33:28
how it works let me remind you to kill
01:33:30
leave the white black I need it
01:33:33
we use multipla but the problem is
01:33:36
what in this case is red or what
01:33:40
was red begins to take shape with
01:33:42
the underlying background and also almost darkens
01:33:45
so it turns out that the red plus gives
01:33:47
such a strong darkening but I wanted
01:33:50
let the red one stay red
01:33:52
black suits me, but red doesn't
01:33:54
maybe this will help right away
01:33:57
will help it turns out even worse as it should be
01:34:00
and what conclusion can we draw from this?
01:34:03
and by the way, a similar logo of yours awaits you
01:34:07
you will have to do homework there too
01:34:09
tweak the blending mode a little
01:34:13
help us when we have
01:34:16
only 2 colors logo black and white
01:34:18
some kind of red I don’t know green
01:34:19
but all colors are all that are not black and not
01:34:23
pure black pure white becomes
01:34:26
translucent and this is not always us
01:34:29
I'm more satisfied with things with logos
01:34:31
almost never happy with it
01:34:32
what to do here it enters the arena
01:34:34
the same effect or make that I need
01:34:40
there’s even no me or makey but
01:34:42
Means
01:34:46
here he is, pouncing on the clip and
01:34:50
by default he tries to squabble in those
01:34:53
colors that are comfortable for him, namely
01:34:55
default game of hares dark me now
01:34:58
not satisfied and would I like to make you
01:34:59
explain that there is no dear make
01:35:00
please bite them into dark colors
01:35:03
and in the light, that’s why it’s all
01:35:05
I'll unfold it like this and let's do the cats
01:35:07
less well, just actually I came and
01:35:10
turned the cats in the opposite direction
01:35:12
yes I had 100 and 0 I did but the sheet
01:35:15
why yes because what worked
01:35:17
Initially it was exactly the opposite
01:35:19
from what I want so here
01:35:22
please I have another one now
01:35:23
the result I especially wanted
01:35:25
achieve in the version I propose
01:35:30
there's a little bit of homework for you
01:35:32
more difficult there will be a trick from me like
01:35:34
usually like Larionov and without a catch
01:35:35
so this is what I wanted to tell you
01:35:39
you have our four blocks for today and
01:35:41
see you for the online lesson here
01:35:44
thank you all for coming than bye

Description:

Это финальный уровень линейки онлайн-курсов по монтажу в Adobe Premiere Pro – https://www.profileschool.ru/r/1083971812, где под руководством преподавателя вы научитесь создавать законченные проекты с нуля. Этот практический курс даст вам опыт решения «настоящих задач» со всеми нюансами, которые придется учитывать в реальной работе. Подробнее об онлайн-курсе – https://www.profileschool.ru/category/video/course_premiere_practice 00:00:00 - Введение 00:05:34 - Режимы наложения слоев 00:15:15 - Создание титров c помощью Transform 00:50:34 - Создание титров c помощью Tint 01:14:05 - Создание титров c помощью Blur 01:30:49 - Работа с эффектом LumaKey Информация о преподавателе и его онлайн курсах: https://www.profileschool.ru/teacher/dmitry-larionov Так же вы можете следить за новостями школы в соцсетях: Группа Вконтакте: https://vk.com/profileschool Facebook: https://www.facebook.com/unsupportedbrowser Telegram каналы: Liveclasses: видео и звук: https://liveclasses.ru/tg/video_and_audio/

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