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Video tags
Subtitles
Russian
00:00:01
want to talk about those things that00:00:03
will allow you to start making progress as quickly as possible00:00:05
in this difficult skill of00:00:07
post-production editing,00:00:09
using effects and generally reducing00:00:12
the video sequence to the point that everyone will stare00:00:14
and be stunned by the quality of the candy00:00:16
that you I made the path to this00:00:22
moment, it’s actually very thorny,00:00:24
you can get lost anywhere and I, in00:00:26
turn, also got lost, it was wildly difficult00:00:29
and difficult, so I’m wildly glad that you00:00:31
liked our previous video00:00:32
where we gave the five most important tips to00:00:35
any person who touched00:00:37
or has anything to do with editing and what00:00:39
was in the comments, that you shared00:00:40
your opinion, your experiences,00:00:42
your fears, or even just00:00:44
confirmation of those points that I00:00:47
talked about in the blog,00:00:48
firstly, it’s wildly nice that you and I are00:00:50
on the same wavelength, and secondly, this it’s00:00:52
incredibly cool that other people can00:00:54
read this in the comments and see your00:00:56
experience because the experience of other people is00:00:59
much more important than any tutorials and any00:01:02
other information that you can00:01:03
find on the Internet, so look for this experience00:01:06
at every opportunity and despite a00:01:08
very projective section like me I’m not00:01:11
filming, I’m not editing premiere pro,00:01:14
you’re still here and you’re still ready to00:01:16
listen to useful information because00:01:18
in fact, those dudes who wrote00:01:19
negative comments00:01:20
just didn’t watch the video to00:01:22
the end, but in this episode there won’t be any00:01:24
provocations, just the honest truth. the00:01:26
experience that I went through and which00:01:28
really helps people and in the comments I00:01:31
saw a question from one person, a very00:01:33
detailed and correctly asked question00:01:35
that I want to answer almost at the00:01:37
beginning of this video, the movie business talks about the very00:01:39
important problem of creative blockages00:01:41
and problems with creativity and searching for his own00:01:44
style and he asks that after00:01:47
reproducing other people's ideas and mechanics from00:01:49
tutorials, it is very problematic to start00:01:52
doing something of his own,00:01:53
he had to get out of this by00:01:55
combining ideas from different tutorials with00:01:58
his full-fledged work and now00:02:01
everything is finally starting to go on his00:02:02
own, but00:02:04
it happens that he runs into a creative00:02:06
wall and cannot, at certain moments,00:02:09
generate a thought that could be00:02:12
brought to life, this is exactly what00:02:14
each of us faces, and I, in turn, too,00:02:17
and no matter what level of00:02:18
skill you have reached, you will still00:02:20
run into this this creative wall and00:02:22
here the question arises: who are you and me and00:02:25
what is creativity? Because many are00:02:28
afraid to simply copy other people’s work00:02:30
or combine styles for the reason that it00:02:33
seems to them that this is not comme il faut, this is not00:02:35
creative, every single time you have to00:02:37
reinvent the wheel and do something00:02:39
something new, something of your own, you haven’t done00:02:42
anything new, why the hell are you needed00:02:44
in this market at all, but you know what’s the problem like00:02:46
I’ve already been for you since the Renaissance,00:02:48
everyone has already come up with it a long time ago, Akino yours,00:02:50
it’s just moving pictures, 2400:02:52
pictures there per second, for example, that’s all00:02:54
what’s new here is correct, it would00:02:57
seem like nothing special, but if you and I00:03:00
bring, like taxes, such a feature as a00:03:03
Lego constructor, then you will be surprised that00:03:06
assembling a Lego constructor is very00:03:08
similar to how you and I collect a00:03:10
video during editing and when you bought that00:03:12
one Krutitsky on the Word which00:03:14
let me assemble the Millennium00:03:16
Falcon and Star Wars there and you, according to the instructions,00:03:18
first assemble it and then if00:03:21
you want you take it and start00:03:23
assembling something of your own,00:03:28
and likewise each of us on the path of searching for our00:03:32
own creative path, we combine00:03:34
style, we are designers for you00:03:37
to have a toolkit behind your back,00:03:39
some tricks, some kind of style,00:03:41
you need to repeat more than a dozen00:03:43
works, more than a hundred works, because it is00:03:45
in this process that you will begin00:03:47
to have those questions for which you00:03:49
will look for answers and the whole laugh is that00:03:51
that you will find your own answers to00:03:54
these questions because you will not00:03:55
ask yourself and it would seem that you repeated00:03:58
1 2 3 4 in one of your videos,00:04:01
but in fact it turned out something of your own,00:04:03
so don’t run into this00:04:05
invention of the wheel and precisely the wall of00:04:08
what you need to00:04:11
put forward something of your own right now, there are supernovas and so00:04:13
on no solve the problem by combining several00:04:16
styles due to the fact that you have repeated them before there is00:04:19
nothing wrong with that so00:04:21
steal to the artist this is where00:04:23
your particular style will be born so here is00:04:29
my advice to you the first practical00:04:30
task in order to embark on this00:04:32
warpath is not to take any video from00:04:35
which you get high00:04:36
and try to repeat it, about00:04:38
repeating the editing and effects that are00:04:40
present there and when you start00:04:42
doing this, as I already said, your00:04:45
own answer will begin to appear or you you00:04:47
will start asking yourself even00:04:48
more questions to which you00:04:50
will go in search of an answer and00:04:53
ultimately it will lead you to00:04:54
your own style, so there is nothing00:04:57
wrong with repeating it, you are wildly excited00:04:59
about this process and you00:05:00
can ask yourself what kind of00:05:02
tattooed guy is this and why here00:05:03
he is now trying to convey some thoughts to me,00:05:05
I’m not trying, I’m00:05:07
only sharing my experience, the experience that I00:05:09
gained over the course of about six00:05:11
or seven years of working in this industry on a00:05:14
very difficult path, in addition to editing,00:05:16
which also involved00:05:18
building a filming company there.00:05:20
further, I’m the same kind of cinematographer as this and I00:05:22
like to do everything myself, this is my gift and00:05:24
my curse because there is a catastrophic lack of time for everything00:05:26
and00:05:28
accordingly this is what allowed me to00:05:31
accumulate a huge number of mistakes on00:05:33
my ass which has now become00:05:35
simply bulletproof and as a result00:05:37
experience that I can00:05:39
share with people, we share it on00:05:41
YouTube and VKontakte and on our00:05:42
social platforms there and in our00:05:45
amazing travels, all this00:05:47
leads to the fact that people how they00:05:50
could grow up just by watching00:05:53
other YouTubers somewhere learning00:05:55
information in on the Internet, but thanks to the fact00:05:57
that we exist, I see how these people00:05:59
are progressing, just before my eyes, someone is00:06:01
starting to take on an advertising project, someone00:06:03
has raised their level of editing, someone00:06:04
has raised a check, but I don’t know, or someone, for00:06:06
example, was inspired by our00:06:09
light video for 500 rubles from Leroy Merlin00:06:11
and after that he became a professional00:06:13
sweet Avik and went on a real shift,00:06:15
naturally not because he seemed to00:06:17
know that in Leroy he you can buy a light00:06:19
for 500 rubles no, well, because he00:06:21
caught fire with all this movement and that’s the most00:06:23
important thing Yes, I manage to sow00:06:25
some kind of light in my head00:06:27
that you can live with this and you can get high from it,00:06:29
earning money,00:06:31
realizing yourself, then I’m wildly happy00:06:34
that I’m a participant with00:06:37
you in this huge movement00:06:39
of film makers00:06:40
[music]00:06:45
so in addition to the community, I see that00:06:48
each of you is already beginning to make00:06:49
colossal progress because he begins to00:06:51
apply the things that I am talking about, they00:06:53
begin to attach the banal nd filter,00:06:55
ending with some grandiose things00:06:58
for the category, that editing begins in00:07:00
pre-production00:07:01
and this is not an easy word, because he begins to00:07:03
implement these methods of work to00:07:05
your pipeline00:07:06
and then reach out to large00:07:08
clients, shut them down and be shocked00:07:10
that they suddenly found themselves on something00:07:11
completely different, they want it, they heard00:07:13
it everywhere, you understand what the problem is, we00:07:15
hear it everywhere,00:07:16
oh, you have to hold the shutter speed incorrectly, oh you00:07:18
have to think about the editing accordingly,00:07:20
but pre- production00:07:21
but no one does it and that’s the whole00:07:23
problem if you are there for the 1000th time I will be the00:07:26
thousandth person who will say00:07:28
this for the thousandth and first time and finally you00:07:30
will be able to apply it but this will be a00:07:32
colossal step for the entire industry as a00:07:34
whole because it is you and me and00:07:35
we are the ones who move and turn it around and the00:07:38
community movement00:07:39
is incredibly important because it is00:07:41
this driving force that can change something in00:07:44
this market by changing the status quo and00:07:47
prove there with some baby dior nickname00:07:49
that we are guys there from Moscow from the00:07:52
regions, it doesn’t matter that we, too, can, that00:07:54
we, too, are worth something, and I’m like, even I do00:07:57
n’t know the guy who lives in Iceland,00:08:00
who is our cinematographer, sends us his00:08:02
footage of an incredibly00:08:04
beautiful quadcopter, and you look at it and he’s ready to00:08:07
share it with our entire community00:08:09
so that you can use this in00:08:10
your work00:08:16
and this is incredibly cool and we are almost00:08:18
ready for our new journey into the world of00:08:20
post-production,00:08:21
I can’t help but invite you to00:08:23
participate in the creation of this whole00:08:25
movement in the00:08:26
spirit that you can00:08:29
send your footage with which then not00:08:32
only you, but also people on this journey00:08:34
will create their own works00:08:37
and maybe you can help that guy00:08:40
from the regions or just a person00:08:42
who doesn’t have access to cool photos,00:08:44
he doesn’t have a camera, he doesn’t have cool00:08:46
locations, but you’ll let him be on at00:08:49
this level and then before you know it, it’s00:08:51
possible that he will become00:08:54
your brother in arms, so I00:08:56
invite you to participate in the creation of00:08:58
this venture, namely our global00:09:01
bank of footage with which you and everyone who00:09:04
finds yourself on this journey will be able00:09:06
to work and this is actually the same00:09:08
alchemy, which was talked about back in ancient00:09:11
centuries, you literally create much more out of nothing00:09:14
because these footages are not00:09:16
just gathering dust on your shelves and waiting for00:09:18
their moment, but you throw it out to00:09:20
people and it would seem this is an act of altruism, but00:09:23
in fact you are multiplying00:09:25
you move the industry with your own hands here00:09:28
and now and I want to see00:09:31
such selfless people in our movement because00:09:33
it is on them that everything rests, such as for00:09:35
example Alexander Malko, in which00:09:37
he threw off footage from Iceland, so I00:09:39
remind you if you are part of our00:09:41
big family and want to influence to00:09:43
the industry and move it and it will be in00:09:46
our movement, then the link will be in the00:09:49
description of the footage and half00:09:52
Thursday 6 o’clock in the evening there will be the next00:09:55
video, you’re so great and still00:09:56
with me after all these fiery00:09:59
speeches, let me still come to you00:10:02
I’ll tell you with specific examples on the reference how the combination of00:10:04
editing effects occurs and what you and I00:10:07
need to think about in pre-production, what00:10:08
we can already fix with you in post,00:10:10
our main task is to analyze the00:10:13
video, deconstruct them, and for this,00:10:16
sometimes you will need to put it on00:10:18
pause or play00:10:20
in double slow motion in order to00:10:22
catch all those moments that are hardwired and00:10:24
that are not visible to your eye, as if they00:10:27
primarily work only for the subconscious00:10:29
and that’s the whole point, you need to stop the00:10:31
moment to figure it out and understand00:10:33
what it is made of and when you with this00:10:35
message, let's start looking at videos when00:10:37
you start analyzing them, trying to00:10:39
understand what they are made of, asking00:10:41
questions,00:10:42
your world will change dramatically, you won't00:10:44
be able to watch any more videos the00:10:46
way you watched before and just00:10:47
enjoy the film, you won't sit00:10:49
in the cinema and think about and here is such00:10:51
a lens and here is such a focal00:10:52
length here for installation00:10:54
they used such a trick and that’s it bro,00:10:56
goodbye on the way back,00:10:58
you will start to have deformation on the right, this is what the00:11:01
students who were on our00:11:03
travels are talking about and how can you and I00:11:05
achieve this? Let's look at this00:11:06
reference, for example, a g-shock advertisement and00:11:10
[music]00:11:14
[applause]00:11:15
[music]00:11:17
if you rise00:11:20
500:11:21
socks00:11:23
[music]00:11:28
you started walking on the make up protection,00:11:33
but00:11:35
that is, moderate the fight about Hyundai narrowness00:11:37
while00:11:42
this is inside frame editing00:11:45
[music ]00:11:47
that is, all your seamless gluing is00:11:50
essentially inside the frame editing00:11:53
to find all your words in the language of the ass and they are00:11:57
very,00:11:58
but more precisely, not that very rare if00:12:00
you try to make a seamless00:12:02
video on the post, I don’t think about it at the00:12:05
time of the shooting itself, or even more so more so00:12:07
during production, then it will00:12:09
look crap, it won’t look00:12:10
seamless,00:12:11
but you won’t be able to make these transitions look00:12:13
super natural, you’ll start accessing00:12:14
folders with transit ones, you’ll00:12:17
try to do it all through effects and you00:12:19
won’t get00:12:20
that naturalism that is00:12:23
present, for example, in this in the video,00:12:24
the most important thing is to remember that00:12:27
the effects should not be just for the sake of00:12:28
effect, they should all be in the same00:12:31
style and00:12:32
for example, there is one and you00:12:34
have charged one effect, it should occur at least00:12:36
several times because the viewer00:12:38
gets used to it, of course this is not00:12:39
justified plot in all other00:12:41
cases when you just screw up the video with a00:12:44
kaleidoscope of effects, nothing good00:12:46
will come from this, and here if we00:12:49
look at how transitions work for us,00:12:52
consider these just inserts00:12:54
that help us smooth out all our00:12:57
transitions between mise-en-scène this is what is00:13:00
happening this is this it’s just00:13:02
literally a cut from a couple of frames and it00:13:04
looked like a transition it looked00:13:06
like a transition further in order for all these00:13:13
things to look seamless you need to00:13:14
mount on the fly, that is,00:13:16
here he takes the watch, here they00:13:18
are already here, that is, by00:13:20
the movement you can see the movement fencing the movement of00:13:23
pressing, all this happens almost00:13:25
simultaneously and allows you to blur this00:13:28
gluing;00:13:32
all these micro flashes of some kind,00:13:35
again, allow you to slightly smooth out the moment of00:13:37
gluing because this adds to the effect,00:13:40
although it would seem that here in one frame they00:13:42
simply raised the exposure, but it looks like00:13:44
film for the light and works perfectly within the00:13:46
framework of exactly the style that the00:13:48
author chose, film noise, even here there00:13:51
is a special frame here on00:13:54
the sides,00:14:00
all these moments, look, this, of00:14:03
course, can be done on the bed and for00:14:05
blurring, yes, that is, we take and specially00:14:08
cut out some of some kind we directly00:14:10
cut out this piece in editing00:14:12
and translate it, for example, or talk about00:14:15
more precisely, we use the wash effect00:14:17
right in the premiere, it’s called00:14:19
the mouth of a tiger or00:14:22
which allows you to reduce the00:14:24
frame rate and after that you will still need to00:14:26
add blur to the men or, for example,00:14:27
set the shutter speed too low yourself in the00:14:29
same pot there, for00:14:31
example, yes 1 fifteenth one tenth and00:14:33
get this00:14:36
smas, it would seem, too, in a sharp film00:14:40
film, these are just frames that are00:14:43
inserted through a mask bam bam bam bam00:14:45
bam all this is done by hand, with pens, a00:14:50
pen miles, there’s no other way,00:14:55
but these already all the things but in life you and I00:14:57
on the wall we will make these00:14:58
all the most beautiful transitions between00:15:00
the mise-en-scène me this is precisely thought out00:15:03
in advance the author intended that00:15:09
the asphalt will be the same even I’ll00:15:12
tell you more and for a moment here it can Maybe00:15:16
we have seamless gluing to00:15:18
glue the asphalt together, or they generally do00:15:20
it all in one location, so00:15:24
again we see a repetition of the same00:15:26
effect, but only in a slightly different00:15:28
variation in order to further enhance it,00:15:30
the shutter speed here is even shorter,00:15:32
thanks to this, the light from behind begins00:15:34
draw such a trail00:15:43
and again here the editing is on the fly, so00:15:47
all these gluings look like00:15:48
plans as much as possible, you can see what is happening due to the fact00:15:50
that the movement is too fast00:15:52
and dynamic here for a couple of frames00:15:56
the gluing allows you to look again00:15:58
at this movement of the hand, that is, in dynamics,00:16:01
editing should be00:16:03
carried out on the fly, no, that is, here is the first00:16:05
shock, but in the second you need to00:16:07
slightly repeat the same00:16:09
movement for a couple of frames so that the audience00:16:11
looks much smoother than00:16:13
it is and you will do it right at the00:16:14
right moment where her hand00:16:15
ended up00:16:16
or vice versa, as if00:16:20
this frame would start from here, then it would look00:16:21
torn,00:16:22
but here it looks smooth again we00:16:29
see repetition, you see this, that is, the00:16:30
choice for 1 style that works00:16:33
for the purpose of the narrative here they00:16:39
put her in check at the beginning and down so00:16:42
that she jumps and falls calmly,00:16:44
you see she deliberately then begins to00:16:46
lower her hands in order to00:16:47
land on her knees and00:16:49
practice the landings with her hands, and after that,00:16:53
since 6 I’ll even say, here’s where the00:16:57
gluing happens because you see there was00:16:59
no movement after that they they are already00:17:01
starting to move the slider, it would be much00:17:03
harder for them to stick together if there00:17:05
was a constant movement here, that is,00:17:07
the slider would already have the camera on the slider start00:17:09
moving now, so they start00:17:10
moving only in the second shock when our00:17:13
skater crashes out,00:17:14
we see a repetition of two effects now00:17:16
combinatorics you understand00:17:18
what you need, you declared two different effects a couple of times00:17:22
and then combined them and got 3 but00:17:25
which fits into the outline of the story00:17:26
what I mean is what he had now what00:17:29
he had now were these basics00:17:32
from the container a small amount of exposure and00:17:34
at the same time,00:17:35
bam, another light spot appeared from the00:17:38
burnout of the film, flare,00:17:42
repetition of this effect again, that is, the00:17:46
author uses almost the00:17:48
same things, he just creates a little00:17:51
variability in them, this is also an important point,00:17:53
rather than adding some new00:17:55
effect, the very00:17:57
end of the video and therefore that you need00:17:59
something new using exactly those things00:18:01
that allow you to create00:18:02
variability, film burnout can be00:18:05
done in any way, this smas can00:18:08
be made slower, you can add fire and00:18:11
glasses and then it will also play00:18:13
differently, you understand, it is important that your00:18:17
tools are variable,00:18:21
another example with we'll see, and this is00:18:23
just a conversation about the fact that if you can00:18:24
make some effects physical on00:18:26
location, shoot them directly, pay00:18:33
attention to the contrast in dynamics, then00:18:36
smoothly and quickly smoothly and quickly,00:18:39
this is exactly the roller coaster of00:18:42
editing that I talked about a long time ago - you shouldn’t have been out for a long time,00:18:51
everything should be smooth otherwise it00:18:53
will be boring00:18:56
[music] you00:18:59
see these moments ki pa pam pam pam00:19:04
here purely straight smoothly smoothly00:19:06
dynamics smoothly smoothly dynamics00:19:08
smoothly smoothly dynamics with increasing00:19:10
tension so they gave you a break from the00:19:14
dynamics this is the to pause that I’m talking about00:19:16
[music]00:19:29
only here, look how this pause is00:19:32
meticulously written in, that is, it’s not just that there’s00:19:33
complete silence there, let’s say there’s some kind of00:19:36
loss in the dynamics of00:19:38
the narrative after this quick00:19:41
set of frames00:19:42
[music]00:19:54
sandis this exhalation and after that,00:19:56
first you get this voltage00:19:59
because it’s unpleasant to hear and this00:20:01
sound of the capacitor charging before00:20:03
the flash and after that you exhaled00:20:06
a person and it would seem that all these00:20:09
kid effect there from the category of this00:20:11
laser level could be00:20:14
thrown there and on the post, yes, but why00:20:17
do this when you can just take a00:20:18
construction level and hold00:20:20
it with your hand and get00:20:22
something like this, and it completely matches the00:20:25
color scheme of the entire video and that’s why it’s there00:20:27
in the background, that is, it works in the00:20:29
video with what we have counting three00:20:31
shades of cold green and red and he00:20:36
works with all this00:20:38
using only this color scheme,00:20:40
again at the post you can, of course,00:20:42
try to take it all there with a traffic light,00:20:45
but look how these shots00:20:47
from the street look like a loss in00:20:49
comparison with this these where there was00:20:51
a production where it was possible to put a light00:20:53
that on the post you can only00:20:55
tweak a little to make it better00:20:57
[music]00:21:00
well, there’s no way to change it completely,00:21:02
well, here there is, of course, Arina is not a realist00:21:05
filming and those cameras allow you to00:21:07
do it here again in the wings,00:21:12
look at this piece, it looks like a00:21:14
breeze00:21:15
and consists of four things00:21:21
[music] a00:21:24
sharp transition through the sauna dice and these00:21:27
flashes once on this score on this00:21:31
score here even I’m more00:21:35
interested in this crystal once crystal 2 and00:21:38
the blow that closes this whole00:21:41
sequence that you and I had was all well,00:21:47
that is, it’s like just a piece00:21:49
of five frames that were collected specifically00:21:51
for this place to make it one of00:21:53
one small part in this big00:21:55
work and you should have it00:21:59
scattered you shouldn’t just have a00:22:02
montage to the beat beat beat everything is ready everyone00:22:06
there shot a second half a second no00:22:08
you like this it should be constantly in00:22:12
places where there is no dynamics in the sound00:22:14
for example in music and you have to00:22:16
create it yourself turn off the music add00:22:18
actually turn it on her after00:22:24
and in that video there was precisely the mastery of00:22:29
editing here, let’s00:22:32
go over the com effect because here the00:22:33
main emphasis is on them00:22:38
[ __ ] up a lost00:22:42
[applause]00:22:54
at the same time the place is bulls00:22:57
[applause]00:22:59
we have this Kathleen I’m not standing and it would seem that there’s a00:23:04
whole bunch of stuff here that already gives the appearance of something,00:23:07
and clipart and 3d pixel ratings are00:23:12
almost like something out of the category we haven’t seen here,00:23:14
but to get caught when it’s all00:23:17
combined like that and also from the category, he00:23:23
took it and just00:23:26
compared it, that is, they took it and they00:23:28
specially made this toy00:23:30
field, but how cool this transition00:23:32
looks from the reportage shooting00:23:34
that was presented,00:23:48
so you can say with this00:23:51
example that I have already seen it all, it00:23:53
was all already, but have you ever seen00:23:56
it combined in such quantity?00:23:58
such variability because there are00:24:01
many things here that you have seen, some00:24:02
you haven’t seen, for example, this let’s00:24:04
can space with dudes here00:24:08
right now this is this and I haven’t seen it00:24:14
because this is not new, they added it, it’s00:24:17
like I haven’t seen all sorts of things before00:24:19
these are the key things cliparts wida there is00:24:21
no such thing and there is nothing complicated in this either00:24:24
you take and just00:24:26
accordingly there kinect for example00:24:30
you scan the space in this account and00:24:32
then in touch you combine the designers in some00:24:34
why not so you can00:24:38
say that you have already seen everything from these00:24:39
types,00:24:40
but I just haven’t seen that these effects00:24:42
were considered like that, they all worked for the story,00:24:44
no, so let’s quickly figure out00:24:47
how these things are all done here, here we have00:24:49
some kind of mouse mixer, mouse mixer, or00:24:56
through displacement, it’s all done here,00:24:59
so we took the glasses and riveted the animation Olya00:25:02
is like Disney,00:25:03
but it’s all animated by hand, a couple of00:25:06
frames, a drawn face of a lion, and00:25:08
this too, or, accordingly,00:25:11
you could just take it from the Internet how00:25:13
to mix all these shots and that’s only00:25:15
due to, well, like a combination of these frames,00:25:17
here it can also be the author of the effects00:25:19
is a composition in which the animation00:25:20
was made simply by hitting the skull, here it’s00:25:23
all done with pens, they took it, cut it out before00:25:25
printing it, and just moved it down with their hands,00:25:28
and why not, it’s with masks that fly00:25:31
inward, they’re also very boldly playing00:25:33
commands with this with the presentation format, that is,00:25:35
we have 16 by 9 and then bam and suddenly 9 by00:25:38
16 under Instagram here they just00:25:44
selected a bunch of frames and deliberately put the00:25:46
ball in the same place, why don’t00:25:48
you just give me 5 frames taken from the Internet of00:25:50
all sorts of different posters,00:25:53
this is unfortunately drawn that is, it was all necessary for the00:25:55
director to00:25:56
take this somewhere and I think a00:26:00
thousand times already and on the Internet I saw00:26:01
nothing new here, although it would seem that what is new00:26:03
here is that they took and imprisoned a00:26:05
dude with a hot newspaper, so here it is00:26:09
not just a combination of several persons in00:26:12
one here they added this00:26:14
pixelated style, which00:26:16
then again they will also use again00:26:18
and again only in different variations,00:26:20
here in the author the space crackled,00:26:23
they put these red cards and the00:26:26
cards the red card was here00:26:28
and the red card continues to be00:26:31
duplicated Olya in this00:26:33
eight-bit space and here,00:26:35
too, they also reserved00:26:37
space at the expense of pixels, that is,00:26:38
this effect is repeated, you understand, yes, this00:26:41
scene could have been done, most likely it was00:26:42
in 3D and it was simply done and the transition00:26:44
occurs, look through the00:26:46
natural light through the car, that00:26:48
is, they00:26:49
smooth out the artificiality of the effects with natural ones transitions and00:26:51
moments like this, everything is fine here00:26:54
because the camera moves after this00:26:57
frame to the right before it goes to the right, all this was00:27:02
done for a reason by CSKA, your husband00:27:04
talked to you about this most beautiful moment,00:27:06
that is, when you don’t know how to make00:27:07
a transition, you can do it in life00:27:09
through here’s a resolution,00:27:10
why not, well, then the whole00:27:13
Instagram thing went again, repeating00:27:16
how many frames, well, how do they do it, they did00:27:18
n’t just take a bunch of photos before and00:27:20
then they took one, which actually00:27:23
falls off this hanger,00:27:24
just one, but nevertheless it’s already it00:27:28
starts to play much cooler letters00:27:31
that light up from the discharge we will00:27:33
do this as if with effects we would00:27:35
film it in fact let’s just00:27:37
put the letters in the backyard and00:27:38
set them on fire with gasoline yes come on why00:27:40
not well and then this is a00:27:44
combination of everything that was before this00:27:46
lions were were00:27:47
pixel space was00:27:50
tracking was on those please00:27:52
combine all this in one account00:27:54
go through to Tomas again as you and I have00:27:57
already seen these things as if00:27:59
we had already seen but this is not there back are already00:28:01
wrapped and ready and then they00:28:03
ran to the field, that is, this is a combination00:28:06
of combinatorics, I tell you again and00:28:08
the most important thing is that00:28:09
it works for your story when you00:28:10
start watching it like this, here they are in00:28:12
one breath, you begin to understand that there is00:28:14
nothing complicated here, I can00:28:15
repeat it and that’s why I I urge you to00:28:18
take some effect from here and00:28:20
I’ll try to repeat it in your own way and you00:28:23
will begin to understand why we won’t allow this00:28:25
work to be necessarily compared with the00:28:27
reference me why it works for them, for example, but00:28:29
this time it didn’t work out for you, or00:28:31
it worked out, but for the court, try00:28:33
something - some kind of effect,00:28:34
just take this sequence from here00:28:39
and I’ll try to repeat it in editing00:28:43
[music]00:28:47
take the same frames and see00:28:50
why there, let’s say it worked out for you00:28:52
or not, and only in the process this00:28:54
repetition and then take more from00:28:55
combining them will you start something of00:28:58
your own is born and if in this you see00:29:01
something useful for yourself,00:29:02
if something resonates within you,00:29:05
don’t forget to write a comment00:29:06
regarding whether this content helps you00:29:09
or not, or maybe you have00:29:11
some thoughts of your own on this whole matter and00:29:13
write in the comments what you would like to00:29:15
hear about the next video and00:29:17
that it would be useful specifically for00:29:19
you, Sabbath Ovsky was with you,00:29:21
subscribe to the channel, like it,00:29:23
come onDescription:
Hi there, filmmakers! In this vlog, Vlad will share with you his experience of generating ideas and will show you some tricks that can turn an ordinary video into a remarkable one. ► Facebook: https://facebook.com/khsfilms ► Instagram: https://www.instagram.com/khsfilms/ ► For collaboration: [email protected] Production Music courtesy of Epidemic Sound
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